He had everything under control, until she proved him wrong... London, 1784 Sophia Baneham has lived in dead father's poisonous shadow for longer than she cares to admit. Now she exists outside of polite society's influence, holding gambling parties for London's most dangerous men. When a man walks into one of her soirees—a compelling mix of charisma and icy control—he offers the lady of sin a wager she can't refuse... Lord Randolph is a spy in the service of His Majesty, but he's given an oath to protect the daughter of his mentor. Even as his gamble of marriage starts to spiral out of control and his passions ignite, Randolph is determined that he'll handle things his way. But when danger closes in, Randolph won't just be protecting Sophia from an intended killer. He'll have to protect her from himself. Each book in The Furies series is STANDALONE. * LADY VICE * LADY SCANDAL * DUCHESS DECADENCE
In an act of revenge, Lord Rayne kissed Lady Julia and was sent packing to America. But now he’s back to settle his affairs and give away his sister in marriage, until he meets up with the alluring yet innocent Lady Julia again. He doesn’t regret their first kiss, but he was never good enough for her. Lady Julia had two years to forget the moody and mercurial Earl of Rayne. But one look, and she knows they’re meant to be together. Be damned with his and her brother’s objections, she’ll just jump on the back of Rayne’s departing carriage and compromise them both thoroughly. Only, Julia never expected her forbidding Lord to be so good at resisting temptation... Each book in the Lords of Chance series is STANDALONE: * Scandal in Spades * Heart’s Desire * Diamond in the Rogue
“Lusciously romantic and sparkling with wit, Scandal in Spades will captivate you until the very last page.” –Anna Campbell, bestselling author of the Dashing Widows series To the Marquess of Bromton, honor is everything. So when he discovers he’s a bastard, he attempts to manipulate a high-stakes card game to bestow his estate upon the rightful heir. But the winner demands more than Bromton bargained for—a marriage...to his scandal-ridden sister. Lady Katherine may be the least marriageable lady in all of England, but a child of their union would be a true heir. Only his wife-to-be is not at all like he expects...and she has no interest in marrying him. Scandal has hardened Lady Katherine and narrowed her world to duty and family. There’s nothing to be trusted in the Society she left behind, especially not the imperious marquess with his single-minded pursuit. Or his knee-weakening kisses. Except, the more their connection deepens, the more Bromton surprises Katherine. But the truth about their courtship could destroy everything. Each book in the Lords of Chance series is STANDALONE: * Scandal in Spades * Heart’s Desire * Diamond in the Rogue
Not every lady plays by the rules... Lady Lavinia Vaile knows what happens to a woman who puts her faith in society. For her, it was a disastrous marriage to a depraved man—one she threatened to shoot when she left him. Now Lavinia lives outside of society's strict conventions, hosting private gambling parties. It's only when her husband is shot dead that Lavinia finds herself in terrible danger... A former judge in India's high court, Maximilian Harrison will do anything he can to help Lavinia. In the darkest of times, he held on to thoughts of her and the love they once shared. Now he risks his own position in society—along with his ambitions—in order to clear her name. Yet as desire reignites between them, Lavinia remains caught up in secrets and shame. Her only salvation is to do the unthinkable...and trust in both Maximilian and love. Each book in The Furies series is STANDALONE. Series order: Book 1: LADY VICE Book 2: LADY SCANDAL Book 3: DUCHESS DECADENCE
A game of chance with love on the line... London, 1784 Thea Worthington, Duchess of Wynchester divides her time between social engagements and playing her luck against fickle fortune. Yet every gamble is only a bluff-a means to hide from the pain deep within her, and the loss of a babe she never held in her arms. Now Thea's luck is about to run out. Her estranged husband has returned and seeks a reunion... Plagued with guilt over what happened to his wife three years ago, the Duke of Wynchester has kept his distance. The duke is resolved to piece his family back together, especially now that he's discovered his beloved brother-long thought dead-still lives. But Thea's lovely, porcelain facade is on the verge of cracking...spurred on by the duke's brother's secretive, malevolent animosity. With everything riding on her future, Thea plays a daring game of chance for love and her marriage...and this time, the dice are most certainly rigged. Each book in The Furies series is STANDALONE. Series order: Book 1: LADY VICE Book 2: LADY SCANDAL Book 3: DUCHESS DECADENCE
Scrutinizes spectacular rhetoric, the use of visual images and imagery to construct certain bodies, populations, and nations as victims and incorporate them into human rights discourses geared toward Westerners.
Are you looking for a legend to love? We have them! A Legend To Love is a series of full-length Regency romance novels written by eleven different authors, where at least one of the main characters in each book is inspired by a legend. You’ll meet our very own versions of Robin Hood, Mulan, Cuchulainn and Emer, Vlad Dracula, Odysseus and Penelope, Romulus and Remus, the Lady of the Lake, Beowulf, Tristan and Iseault, Pygmalion and Galatea, and Dick Whittington and his cat. This sampler contains an excerpt from each book in the series. Can you match the legend to the novel?
In a formative period of Chinese culture, early medieval writers made extensive use of a diverse set of resources, in which such major philosophical classics as Laozi, Zhuangzi, and Classic of Changes featured prominently. Reading Philosophy, Writing Poetry examines how these writers understood and manipulated a shared intellectual lexicon to produce meaning. Focusing on works by some of the most important and innovative poets of the period, this book explores intertextuality—the transference, adaptation, or rewriting of signs—as a mode of reading and a condition of writing. It illuminates how a text can be seen in its full range of signifying potential within the early medieval constellation of textual connections and cultural signs.If culture is that which connects its members past, present, and future, then the past becomes an inherited and continually replenished repository of cultural patterns and signs with which the literati maintains an organic and constantly negotiated relationship of give and take. Wendy Swartz explores how early medieval writers in China developed a distinctive mosaic of ways to participate in their cultural heritage by weaving textual strands from a shared and expanding store of literary resources into new patterns and configurations.
Not every lady plays by the rules... Lady Lavinia Vaile knows what happens to a woman who puts her faith in society. For her, it was a disastrous marriage to a depraved man—one she threatened to shoot when she left him. Now Lavinia lives outside of society's strict conventions, hosting private gambling parties. It's only when her husband is shot dead that Lavinia finds herself in terrible danger... A former judge in India's high court, Maximilian Harrison will do anything he can to help Lavinia. In the darkest of times, he held on to thoughts of her and the love they once shared. Now he risks his own position in society—along with his ambitions—in order to clear her name. Yet as desire reignites between them, Lavinia remains caught up in secrets and shame. Her only salvation is to do the unthinkable...and trust in both Maximilian and love. Each book in The Furies series is STANDALONE. Series order: Book 1: LADY VICE Book 2: LADY SCANDAL Book 3: DUCHESS DECADENCE
In our wired world, visual images of military conflict and political strife are ubiquitous. Far less obvious, far more elusive, is how we see such images, how witnessing military violence and suffering affects us. Distant Wars Visible brings a new perspective to such enduring questions about conflict photography and other forms of visual advocacy, whether in support of U.S. military objectives or in critique of the nation at war. At the book’s center is what author Wendy Kozol calls an analytic of ambivalence—a critical approach to the tensions between spectacle and empathy provoked by gazing at military atrocities and trauma. Through this approach, Distant Wars Visible uses key concepts such as the politics of recoil, the notion of looking elsewhere, skeptical documents, and ethical spectatorship to examine multiple visual cultural practices depicting war, on and off the battlefield, from the 1999 NATO bombings in Kosovo to the present. Kozol’s analysis draws from collections of family photographs, human rights photography, independent film production, photojournalism, and other examples of war’s visual culture, as well as extensive visual evidence of the ways in which U.S. militarism operates to maintain geopolitical dominance—from Fallujah and Abu Ghraib to the most recent drone strikes in Pakistan. Throughout, Kozol reveals how factors such as gender, race, and sexuality construct competing visualizations of identity in a range of media from graphic narrative and film to conflict photography and battlefield souvenirs—and how contingencies and contradictions in visual culture shape the politics and ethics of witnessing.
The Diary of Samuel Golfard and the Holocaust in Galicia examines the contents and context of a rare diary written by a Jewish man from Nazi-occupied Poland. Serving as both a record and an artifact of Samuel Golfard’s life, the diary details his attempt to make sense of and resist the event that ultimately destroyed him. Wendy Lower integrates photographs, newspaper articles, documents, and testimonies to create a more complete picture of Golfard’s experiences and writings. She also traces the diary’s own journey after Golfard’s death, from 1943 Poland to the present day.
Wendy Doniger's foundational study is both modern in its engagement with a diverse range of religions and refreshingly classic in its transhistorical, cross-cultural approach. By responsibly analyzing patterns and themes across context, Doniger reinvigorates the comparative reading of religion, tapping into a wealth of narrative traditions, from the instructive tales of Judaism and Christianity to the moral lessons of the Bhagavad Gita. She extracts political meaning from a variety of texts while respecting the original ideas of each. A new preface confronts the difficulty of contextualizing the comparison of religions as well as controversies over choosing subjects and positioning arguments, and the text itself is expanded and updated throughout.
Ordinary Enchantments investigates magical realism as the most important trend in contemporary international fiction, defines its characteristics and narrative techniques, and proposes a new theory to explain its significance. In the most comprehensive critical treatment of this literary mode to date, Wendy B. Faris discusses a rich array of examples from magical realist novels around the world, including the work not only of Latin American writers like Gabriel Garcia Marquez, but also of authors like Salman Rushdie, Gunter Grass, Toni Morrison, and Ben Okri. Faris argues that by combining realistic representation with fantastic elements so that the marvelous seems to grow organically out of the ordinary, magical realism destabilizes the dominant form of realism based on empirical definitions of reality, gives it visionary power, and thus constitutes what might be called a "remystification" of narrative in the West. Noting the radical narrative heterogeneity of magical realism, the author compares its cultural role to that of traditional shamanic performance, which joins the worlds of daily life and that of the spirits. Because of that capacity to bridge different worlds, magical realism has served as an effective decolonizing agent, providing the ground for marginal voices, submerged traditions, and emergent literatures to develop and create masterpieces. At the same time, this process is not limited to postcolonial situations but constitutes a global trend that replenishes realism from within. In addition to describing what many consider to be the progressive cultural work of magical realism, Faris also confronts the recent accusation that magical realism and its study as a global phenomenon can be seen as a form of commodification and an imposition of cultural homogeneity. And finally, drawing on the narrative innovations and cultural scenarios that magical realism enacts, she extends those principles toward issues of gender and the possibility of a female element within magical realism.
A landmark work from one of our leading political theorists A sympathetic critique that attempts to free Left politics from its own snares, States of Injury explores how woundedness became a basis for contemporary political identity. Without condemning identity politics, Wendy Brown carefully probes the varied historical forces generating them today and the ways these formative conditions constrain emancipatory desire. Along the way, she advances a novel feminist critical theory of liberalism and the liberal democratic state. She also develops an original theoretical practice that weaves together Nietzsche, Marx, Weber, Foucault, and cultural theories of gender and race to analyze contemporary political predicaments.
In an act of revenge, Lord Rayne kissed Lady Julia and was sent packing to America. But now he’s back to settle his affairs and give away his sister in marriage, until he meets up with the alluring yet innocent Lady Julia again. He doesn’t regret their first kiss, but he was never good enough for her. Lady Julia had two years to forget the moody and mercurial Earl of Rayne. But one look, and she knows they’re meant to be together. Be damned with his and her brother’s objections, she’ll just jump on the back of Rayne’s departing carriage and compromise them both thoroughly. Only, Julia never expected her forbidding Lord to be so good at resisting temptation... Each book in the Lords of Chance series is STANDALONE: * Scandal in Spades * Heart’s Desire * Diamond in the Rogue
He had everything under control, until she proved him wrong... London, 1784 Sophia Baneham has lived in dead father's poisonous shadow for longer than she cares to admit. Now she exists outside of polite society's influence, holding gambling parties for London's most dangerous men. When a man walks into one of her soirees—a compelling mix of charisma and icy control—he offers the lady of sin a wager she can't refuse... Lord Randolph is a spy in the service of His Majesty, but he's given an oath to protect the daughter of his mentor. Even as his gamble of marriage starts to spiral out of control and his passions ignite, Randolph is determined that he'll handle things his way. But when danger closes in, Randolph won't just be protecting Sophia from an intended killer. He'll have to protect her from himself. Each book in The Furies series is STANDALONE. * LADY VICE * LADY SCANDAL * DUCHESS DECADENCE
Lady Clarissa has decided to live life on her terms. After the end of a ten-year betrothal, she wants nothing to do with marriage or the men of the ton. Least of all her friend’s brother, the very charming Lord Markham, or Hearts, as many ladies call the oh-so-handsome earl. Markham pursues relationships with no ties that bind. Acting the rake leaves everyone satisfied...until he overhears a wager that could lead to Clarissa’s ruin. He can’t help but step in and claim she’s his intended bride. Clarissa is appalled. She did not need to be saved. Reluctantly, she agrees to the fake courtship, if only to experience what the rakish Markham can offer. But when lust becomes love, Clarissa must make up her own terms and bet it all on Hearts. Each book in the Lords of Chance series is STANDALONE: * Scandal in Spades * Heart’s Desire * Diamond in the Rogue
From Historical Romance author Wendy LaCapra: Lovers reunited, a dukedom reclaimed-the Regency meets the OdysseyLord Cheverley, son of the Duke of Ithwick, never wanted to go to war, but when he eloped against his father's wishes, the furious Duke forced him to choose-either take a naval commission, or have his marriage annulled. Devastated physically and emotionally by seven years of war, a shipwreck, and six years in the captivity of a brutal pirate, Cheverley returns to England to find that the courts have declared him dead, and his wife is entertaining suitors. Should he demand his rightful place, disrupting his family's lives, or should he return to sea, seeking vengeance against the pirate? He sets out to find the answer in disguise.Penelope once believed in love, but then the man who swept her off her feet deserted her, leaving her and her unborn child utterly alone. Now a widow, she will do anything to protect her son, including enlisting the aid of a mysterious sea captain to uncover the true intentions of her devious suitors. When the captain awakens something in Penelope she thought long dead, she begins to suspect he is no stranger. But, as they peel back the layers of a deadly plot, can this broken family heal their wounds in time to save what really matters?
A game of chance with love on the line... London, 1784 Thea Worthington, Duchess of Wynchester divides her time between social engagements and playing her luck against fickle fortune. Yet every gamble is only a bluff-a means to hide from the pain deep within her, and the loss of a babe she never held in her arms. Now Thea's luck is about to run out. Her estranged husband has returned and seeks a reunion... Plagued with guilt over what happened to his wife three years ago, the Duke of Wynchester has kept his distance. The duke is resolved to piece his family back together, especially now that he's discovered his beloved brother-long thought dead-still lives. But Thea's lovely, porcelain facade is on the verge of cracking...spurred on by the duke's brother's secretive, malevolent animosity. With everything riding on her future, Thea plays a daring game of chance for love and her marriage...and this time, the dice are most certainly rigged. Each book in The Furies series is STANDALONE. Series order: Book 1: LADY VICE Book 2: LADY SCANDAL Book 3: DUCHESS DECADENCE
“Lusciously romantic and sparkling with wit, Scandal in Spades will captivate you until the very last page.” –Anna Campbell, bestselling author of the Dashing Widows series To the Marquess of Bromton, honor is everything. So when he discovers he’s a bastard, he attempts to manipulate a high-stakes card game to bestow his estate upon the rightful heir. But the winner demands more than Bromton bargained for—a marriage...to his scandal-ridden sister. Lady Katherine may be the least marriageable lady in all of England, but a child of their union would be a true heir. Only his wife-to-be is not at all like he expects...and she has no interest in marrying him. Scandal has hardened Lady Katherine and narrowed her world to duty and family. There’s nothing to be trusted in the Society she left behind, especially not the imperious marquess with his single-minded pursuit. Or his knee-weakening kisses. Except, the more their connection deepens, the more Bromton surprises Katherine. But the truth about their courtship could destroy everything. Each book in the Lords of Chance series is STANDALONE: * Scandal in Spades * Heart’s Desire * Diamond in the Rogue
Are you looking for a legend to love? We have them! A Legend To Love is a series of full-length Regency romance novels written by eleven different authors, where at least one of the main characters in each book is inspired by a legend. You’ll meet our very own versions of Robin Hood, Mulan, Cuchulainn and Emer, Vlad Dracula, Odysseus and Penelope, Romulus and Remus, the Lady of the Lake, Beowulf, Tristan and Iseault, Pygmalion and Galatea, and Dick Whittington and his cat. This sampler contains an excerpt from each book in the series. Can you match the legend to the novel?
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