Vote and Voice is the first book-length study to address the writing and speaking practices of members of women's political organizations in the decade after the suffrage movement.
At a time when a woman speaking before a mixed-gender audience risked acquiring the label “promiscuous,” thousands of women presented their views about social or moral issues through sentimental poetry, a blend of affect with intellect that allowed their participation in public debate. Bridging literary and rhetorical histories, traditional and semiotic interpretations, Antebellum American Women's Poetry: A Rhetoric of Sentiment explores an often overlooked, yet significant and persuasive pre–Civil War American discourse. Considering the logos, ethos, and pathos—aims, writing personae, and audience appeal—of poems by African American abolitionist Frances Watkins Harper, working-class prophet Lydia Huntley Sigourney, and feminist socialite Julia Ward Howe, Wendy Dasler Johnson demonstrates that sentimental poetry was an inportant component of antebellum social activism. She articulates the ethos of the poems of Harper, who presents herself as a properly domestic black woman, nevertheless stepping boldly into Northern pulpits to insist slavery be abolished; the poetry of Sigourney, whose speaker is a feisty, working-class, ambiguously gendered prophet; and the works of Howe, who juggles her fame as the reformist “Battle Hymn” lyricist and motherhood of five children with an erotic Continental sentimentalism. Antebellum American Women's Poetry makes a strong case for restoration of a compelling system of persuasion through poetry usually dismissed from studies of rhetoric. This remarkable book will change the way we think about women’s rhetoric in the nineteenth century, inviting readers to hear and respond to urgent, muffled appeals for justice in our own day.
This monograph reports the results of the Quiriguá Project Site Periphery Program, five seasons (1975-1979) of archaeological survey and excavation in the 96 km2 immediately adjoining the classic Maya site of Quiriguá. Ashmore identifies and helps us understand where and how the people of Quiriguá lived. She presents detailed material evidence in two data catalogues, for the floodplain settlement adjoining Quiriguá and for sites in the wider periphery. The work situates Quiriguá settlement firmly in a regional context, benefiting from the extraordinary abundance of information amassed in southeastern Mesoamerica since 1979. It sheds new light on the political, economic, and social dynamics of the region including the sometimes-fractious interactions between Quiriguá, its overlords at Copan, and people elsewhere in the Lower Motagua Valley and beyond. Quiriguá Reports, IV
Vote and Voice is the first book-length study to address the writing and speaking practices of members of women's political organizations in the decade after the suffrage movement.
Providing an introduction to the techniques, methods and theoretical frameworks of contemporary archaeology, this text is based on the authors' Archaeology: Discovering Our Past, and follows the same format but in less detail. Methods and theories are presented in the context of an ideal research plan, with an organization that follows the process of archaeological research from formulating an idea to interpreting data.
Designed to give instructors maximum flexibility in planning and customizing their courses, FLEX-FILES provide an abundance of instructor materials including sample syllabi and activities; "Questions for Teachers," a section that raises a variety of pedagogical questions with solutions for instructors to consider in teaching with the handbook; an ESL insert aimed at helping instructors teach writing effectively to ESL students; and an insert on disability issues as they relate to teaching first-year composition.
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