When Anna Lister’s father is one of five people who die mysteriously at Packart’s Orchard in 1990, she is devastated. After the deaths, the orchard, owned by a respected family and a main source of employment in the small town of Windsmill, BC, struggles to find workers and falls into disrepair. In 2012, Albert Packart has finally found a good man to take over the daily operations—but tragedy strikes again. Twenty-three years after her father was taken from her, Anna's husband Jack dies at the orchard under strange circumstances, and she knows in her heart that the deaths are connected. Something or someone at the orchard is killing people, and she's determined to find the answers. When the local police won’t take her suspicions seriously, Anna hires a private investigator, and together they begin to unravel a fifty-year-old deadly secret.
Anne Bradstreet, Emily Dickinson, and Adrienne Rich share nationality, gender, and an aesthetic tradition, but each expresses these experiences in the context of her own historical moment. Puritanism imposed stringent demands on Bradstreet, romanticism both inspired and restricted Dickinson, and feminism challenged as well as liberated Rich. Nevertheless, each poet succeeded in forming a personal vision that counters traditional male poetics. Their poetry celebrates daily life, demonstrates their commitment to nurturance rather than dominance, shows their resistance to the control of both their earthly and heavenly fathers, and affirms their experience in a world that has often denied women a voice. Wendy Martin recreates the textures of these women's lives, showing how they parallel the shifts in the status of American women from private companion to participant in a wider public life. The three portraits examine in detail the life and work of the Puritan wife of a colonial magistrate, the white-robed, reclusive New England seer, and the modern feminist and lesbian activist. Their poetry, Martin argues, tells us much about the evolution of feminist and patriarchal perspectives, from Bradstreet's resigned acceptance of traditional religion, to Dickinson's private rebellion, to Rich's public criticism of traditional masculine culture. Together, these portraits compose the panels of an American triptych. Beyond the dramatic contrasts between the Puritan and feminist vision, Martin finds striking parallels in form. An ideal of a new world, whether it be the city on the hill or a supportive community of women, inspires both. Like the commonwealth of saints, this concept of a female collectivity, which all three poets embrace, is a profoundly political phenomenon based on a pattern of protest and reform that is deeply rooted in American life. Martin suggests that, through their belief in regeneration and renewal, Bradstreet Dickinson, and Rich are part of a larger political as well as literary tradition. An American Triptych both enhances our understanding of the poets' work as part of the web of American experience and suggests the outlines of an American female poetic.
When she was just eight-years-old, a little girl with the odd name of Queen Silver stunned citizens and scholars alike in pre-1920s Los Angeles by hosting six remarkable public lectures on Darwin and Einstein, sponsored by the London Society of Science. A child prodigy and the daughter of famed socialist activist Grace Vern Silver, founder of the Industrial Workers of the World (IWW), Queen Silver was the subject of Cecil B. De Mille's film The Godless Girl. She matured to become an international feminist, atheist, and socialist, living a remarkable and inspiring life, of which few feminists today are aware. Queen Silver: The Godless Girl is a fiery and profound biography of one of America's most amazing feminist thinkers, a woman who remained an active advocate of intellectual independence to the moment of her death in 1998 at the age of 86. Prolific feminist writer Wendy McElroy sympathetically chronicles the life of Queen Silver from personal interviews with her friends, published reports, letters, and a vast library of the family's personal papers. What emerges is a life like none other. A well-known thinker by the time she was 11-years-old, giving speeches titled "Pioneers of Freethought," "The Rights of Children," and "Science and the Workers," Queen challenged three-time presidential candidate William Jennings Bryan to a debate on evolution (he declined); organized an atheist group at her high school; and left home at 15 to marry a doctor three-times her age, which later became the source of a highly publicized divorce. As a teenager, Queen once served as a defense lawyer for her mother and won. She founded the scholarly and well-reviewed Queen Silver Magazine, and overcame personal tragedy and political persecution during World War I's red scare. Queen worked as an extra in movies directed by D.W. Griffith, attended violent and controversial meetings of the IWW, and went into hiding at the advent of McCarthyism. In her later years, Queen received many freethought awards, remained active in the American Civil Liberties Union, and campaigned hard for public libraries. McElroy tells a complete story by profiling Queen's mother, lecturer and feminist writer Grace Vern Silver, whose struggles for justice in the IWW found her running for Congress, and whose personal education motivated her to inspire the genius in her daughter.
Readers will be eager for more." —Booklist "An insightful and empathetic view into the daily struggles of living with obesity. A solid entry for titles with plus-sized heroines." —Library Journal Pearl and Ruby's choices drove them apart. Finding their way back to each other might be the only way forward. The weight of their family secrets could not have shaped Pearl and Ruby Crenshaw any differently. Ruby's a runner, living in Dallas and only reluctantly talking to their mother, Birdie, when she calls from prison. Pearl is still living in her mother's fixer-upper and finds herself facing a line in the sand: her weight is threatening to kill her. She's hundreds of pounds beyond the point where she can celebrate her curves or benefit from the body positivity movement, and unless she takes drastic action, the future looks dire. But when Ruby's buried rage explodes in a hilariously viral way, the mistake has life-altering consequences. Now the sisters are back living under the same roof and forced to put the pieces of their separate lives together again. Funny, cinematic, and bursting with heart, this is a story of hope and redemption that celebrates the unbreakable bonds of sisterhood. "A moving story of sisters and their unbreakable bond that spans a lifetime. Both hilarious and heartfelt, Baldwin brings to life characters that not only amuse us but stay with us long after the story is told. With this delightful and meaningful debut, Wendy Willis Baldwin is definitely an author to watch." —Angela Pisel, author of With Love from the Inside
Cotton was king during Bryans early history. Many prominent planters and farmers lived on the high ground between the Brazos and Navasota Rivers in the market town of Bryan, and the cotton crop thrived in the fertile Brazos River Bottom. The railroads arrival after the Civil War provided a link to textile mills in other parts of the world via the nearby ports of Houston and Galveston. Land availability and economic opportunity attracted settlers not only from the southeastern United States, but also from Italy and Eastern Europe. When cottons economic dominance began to wane, other agricultural crops, livestock, a strong commitment to education, and oil and gas production diversified the local economy. As the seat of county government, and with its close proximity to Texas A&M University, Bryan today is a vibrant community strategically located in the heart of the Texas Urban Triangle.
As Hurricane Lorraine descends upon Florida's Gulf Coast, it's up to rookie small-town meteorologist Melody Orlean to get exclusive coverage for her local station. However, when she discovers that blast from the past Mark Fox is gunning to film at the same spot for his big-city news station, it's game on. When the Cat 3 hurricane is suddenly upgraded to a dangerous Cat 5, Melody and Mark find themselves trapped at the kitschy Mali Kai resort on Fort Myers Beach. Through a series of hilarious hijinks and dangerous situations, Melody and Mark are forced to work together to make it through the storm. Full of comedy, danger, and a cast of colorful characters, this enemies-to-lovers romantic comedy hits all of the sweet romance notes you're sure to love.
The Routledge Introduction to American Women Writers considers the important literary, historical, cultural, and intellectual contexts of American women authors from the seventeenth century to the present and provides readers with an analysis of current literary trends and debates in women’s literature. This accessible and engaging guide covers a variety of essential topics, such as: the transatlantic and transnational origins of American women's literary traditions the colonial period and the Puritans the early national period and the rhetoric of independence the nineteenth century and the Civil War the twentieth century, including modernism, the Harlem Renaissance, and the Civil Rights era trends in twenty-first century American women's writing feminism, gender and sexuality, regionalism, domesticity, ethnicity, and multiculturalism. The volume examines the ways in which women writers from diverse racial, social, and cultural backgrounds have shaped American literary traditions, giving particular attention to the ways writers worked inside, outside, and around the strictures of their cultural and historical moments to create space for women’s voices and experiences as a vital part of American life. Addressing key contemporary and theoretical debates, this comprehensive overview presents a highly readable narrative of the development of literature by American women and offers a crucial range of perspectives on American literary history.
“Absolutely splendid storytelling, a book to entertain, to immerse, and to challenge.” —A. J. Finn, New York Times bestselling author of The Woman in the Window She saved his life. Now he‘ll never let her go. Detective Elise Sutton is drawn to cold cases. Each crime is a puzzle to solve, pulled from the past. Elise looks for cracks in the surface and has become an expert on how murderers slip up and give themselves away. She has dedicated her life to creating a sense of order, at work with her ex-marine partner; at home with her husband and two young daughters; and within, battling her own demons. Elise has everything under control, until one afternoon, when she walks into a department store and is forced to make a terrible choice: to save one life, she will have to take another. Elise is hailed as a hero, but she doesn’t feel like one. Steeped in guilt, and on a leave of absence from work, she’s numb, even to her husband and daughters, until she connects with Wade Austin, the tall man whose life she saved. But Elise soon realizes that he isn’t who he says he is. In fact, Wade Austin isn’t even his real name. The tall man is a ghost, one who will set off a terrifying game of cat and mouse, threatening Elise and the people she loves most.
This monograph reports the results of the Quiriguá Project Site Periphery Program, five seasons (1975-1979) of archaeological survey and excavation in the 96 km2 immediately adjoining the classic Maya site of Quiriguá. Ashmore identifies and helps us understand where and how the people of Quiriguá lived. She presents detailed material evidence in two data catalogues, for the floodplain settlement adjoining Quiriguá and for sites in the wider periphery. The work situates Quiriguá settlement firmly in a regional context, benefiting from the extraordinary abundance of information amassed in southeastern Mesoamerica since 1979. It sheds new light on the political, economic, and social dynamics of the region including the sometimes-fractious interactions between Quiriguá, its overlords at Copan, and people elsewhere in the Lower Motagua Valley and beyond. Quiriguá Reports, IV
“Her scream echoes in my memory. I know what happened. Whether anyone believes me or not, I know.” Sean Suh is done with killing. After serving three years in a psychiatric prison, he’s determined to stay away from temptation. But he can’t resist Annabelle—beautiful, confident, incandescent Annabelle—who alone can see past the monster to the man inside. The man he’s desperately trying to be. Then Annabelle disappears. Sean is sure she’s been kidnapped—he witnessed her being taken firsthand—but the police are convinced that Sean himself is at the center of this crime. And he must admit, his illness has caused him to “lose time” before. What if there’s more to what happened than he’s able to remember? Though haunted by the fear that it might be better for Annabelle if he never finds her, Sean can’t bring himself to let go of her without a fight. To save her, he’ll have to do more than confront his own demons… He’ll have to let them loose. A chilling, deeply suspenseful page-turner set in the 1980s, Hunting Annabelle is a stunning debut that will leave you breathless to the very end.
Anna Pavlova's revolutionary debut in 1910 at the Metropolitan Opera House captivated the nation and introduced Americans to the charms of modern ballet. Willa Cather was among the first intellectuals to recognize that dance had suddenly been elevated into a new art form, and she quickly trained herself to become one of the leading balletomanes of her era. Willa Cather and the Dance: "A Most Satisfying Elegance" traces the writer's dance education, starting with the ten-page explication she wrote in 1913 for McClure's magazine called "Training for the Ballet." Cather's interest was sustained through her entire canon as she utilized characters, scenes, and images from almost all of the important dance productions that played in New York.
Hindu and Greek mythologies teem with stories of women and men who are doubled. This text recounts and compares a range of these. The comparisons show that differences in gender are more significant than differences in culture.
What made Emily Dickinson the reclusive woman she was, and the dynamic poet she became? A Wounded Deer concludes that her enigmatic poetry may have originated from a personal exposure to incest, and examines how she used her craft to make the transition from victim to survivor at a time when the medical profession failed to acknowledge any damage related to this event. Research into the Dickinson family background, evidence from letters and poems, and the testimony of people who knew the poet, indicate that she apparently displayed at least 33 of 37 “Incest Survivors’ Aftereffects” from a diagnostic tool used internationally by many therapists; when a client exhibits over 25 of these behavior patterns sexual abuse is strongly suspected. The second section of the book deals with the three stage of recovery from complex post-traumatic stress, as outlined by trauma expert Judith Herman. Remarkably, Dickinson seems to have completed stages one and two, but was unable to complete stage three because she could not reconnect with the outside world. Writing was Dickinson’s way of identifying the nature of her trauma, coming to terms with its impact, breaking the silence to inspire future women writers, and reconstructing a new persona–albeit from the sanctuary of her self-imposed isolation. The final section of A Wounded Deer examines what the poet might have discovered about sexual abuse from the literature she read, and how she responded to this information in her own work. It discusses The Bible, Shakespeare, Byron, Hawthorne, (Charlotte) Brontë, (George) Eliot, and Barrett Browning. "A Wounded Deer is fascinating, clearly written, difficult to put down, and a must for Dickinson scholars, psychologists and anyone interested in psychological interpretations of literature." Marilyn Berg Callander, President-Elect of the Fulbright Association. "A Wounded Deer is well worth reading: its argument is clear, cogent and at times riveting. Although we will never know the truth of the poet's life, this study offers readers a very plausible suggestion of what may be at the core of Dickinson's "omitted center"." Maryanne Garbowsky, English professor at the County College of Morris (NJ) and Dickinson scholar "This is a "groundbreaking" book, a fascinating and revealing read." E. Sue Blume, LCSW, Diplomate in Clinical Social Work Author, Secret Survivors: Uncovering Incest and Its Aftereffects in Women (1990: Ballantine Books) "How many multitudes of women have been terrorized into silence, withholding the truth of their damning accusations rather than face their fear, condemnation and shame of incest. Emily allows her soul to reach over time and space to tell others tortured by life's tragedies that they are not alone, and doing so the poet triumphs." Sandra Bloom has served as President of the International Society for Traumatic Stress Studies, President of the Philadelphia Physicians for Social Responsibility, and Chair of the Task Force on Family Violence for the Attorney General. She is the author of two books.
Emily Dickinson is best known as an intensely private, even reclusive writer. Yet the way she has been mythologised has meant her work is often misunderstood. This introduction delves behind the myth to present a poet who was deeply engaged with the issues of her day. In a lucid and elegant style, the book places her life and work in the historical context of the Civil War, the suffrage movement, and the rapid industrialisation of the United States. Wendy Martin explores the ways in which Dickinson's personal struggles with romantic love, religious faith, friendship and community shape her poetry. The complex publication history of her works, as well as their reception, is teased out, and a guide to further reading is included. Dickinson emerges not only as one of America's finest poets, but also as a fiercely independent intellect and an original talent writing poetry far ahead of her time.
The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.
The conquest of Guatemala was brutal, prolonged and complex, fraught with intrigue and deception, and not at all clear-cut. Yet views persist of it as an armed confrontation whose stakes were evident and whose outcomes were decisive, especially in favor of the Spaniards. A critical reappraisal is long overdue, one that calls for us to reconsider events and circumstances in the light of not only new evidence but also keener awareness of indigenous roles in the drama. While acknowledging the prominent role played by Pedro de Alvarado (1485–1541), Strike Fear in the Land reexamines the conquest to give us a greater appreciation of indigenous involvement in it, and sustained opposition to it. Authors W. George Lovell, Christopher H. Lutz, and Wendy Kramer develop a fresh perspective on Alvarado as well as the alliances forged with native groups that facilitated Spanish objectives. The book reveals, for instance, that during the years most crucial to the conquest, Alvarado was absent from Guatemala more often than he was present; he relied on his brother, Jorge de Alvarado, to act in his stead. A pact with the Kaqchikel Maya was also not nearly as solid or long-lived as previously thought, as Alvarado’s erstwhile allies soon turned against the Spaniards, fomenting a prolonged rebellion. Even the story of the K’iche’ leader Tecún Umán, hailed in Guatemala as a national hero who fronted native resistance, undergoes significant revision. Strike Fear in the Land is an arresting saga of personalities and controversies, conveying as never before the turmoil of this pivotal period in Mesoamerican history.
Fed up with her moody teenage daughter, Meg Addams decides what they both need is a good dose of suburban wholesomeness. But when they leave Manhattan behind for Meg's humble blue-collar hometown, they find it crowded with wealthy strangers and upscale boutiques. Settling into a creaky fixer-upper, Meg finally spots a familiar face right next door--and it belongs to none other than Sam Rooney. The would-be love of Meg's high school life is now a single dad, her daughter's new soccer coach--and a neighborly ghost-buster whenever things go bump in the night. With three kids and an undeniable attraction between them, Meg and Sam are in for some heart-racing, wee-hour encounters that have nothing to do with spirits...but everything to do with hearts.
When this book was originally published in 1988, this book was the first to include a large number of reports on British and US companies' experience with computers in company training in such areas as banking, finance, insurance, manufacturing, IT, the retail industry, transport, telecommunications and energy. It provided a critical analysis of the situation and discusses company experiences, development, testing and implementation as well as cost-effectiveness and future trends.
Designed as an undergraduate textbook, and shaped by needs of both Muslim and Christian students across Africa, this resource provides a thorough introduction to the history, theology and teaching of early Christianity. Professors Helleman and Gaiya follow Christianity from its inception in Jerusalem through to the decline of the Roman Empire in the Mediterranean and the development of Orthodox churches in the East and in Africa before the arrival of Islam. The book provides an overview of critical historical events, controversies, teaching, and important individuals and movements providing foundational understanding of early developments in Christianity and the general history of antiquity. Students and lecturers will also appreciate the attention given to the role of North African leaders in early Christianity and the impact of major issues on the North African church, such as Gnosticism, Donatism and Arianism. Additional Features: • Introduction to online tools & resources •Survey of the study of early Christianity • Introduction to key historians • Evaluation of recent literature & early Christianity
Presents the details of director Stephen Daldry's work on the acclaimed play, "An Inspector Calls," in an attempt to reveal his intepretative approach to theater
Who are we today? That deceptively simple question continued to be asked by the French historian and philosopher, Michel Foucault, who for the last three decades has had a profound influence on English-speaking scholars in the humanities and social sciences.; This text is designed for undergraduates and others who feel in need of some assistance when coming to grips with Foucault's voluminous and complex writings. Instead of dealing with them chronologically, however, this book concentrates on some of their central concepts, primarily Foucault's rethinking of the categories of "discourse", "power", and " the subject".; Foucault's writings contribute collectively to what he himself calls "an ontology of the present". His historical research was always geared towards showing how things could have been and still could be otherwise. This is especially the case with respect to the production of human subjects.
From developing Java and the Blackberry to defining the specifications for XML, Canadians have blazed trails in the world's most innovative companies. Canadians have also risen to the top of the largest technology firms, providing a CEO for Yahoo!, Jeff Mallet, and eBay's first president, Jeff Skoll. This sets the stage for Innovation Nation, a new book designed to cut through traditional Canadian modesty and provide a window into the fibre, minds and makeup of over thirty Canadians whom the world needs to know. Demonstrating innovative thinking and entrepreneurial drive, these Canadians show themselves to be the leaders of today and tomorrow. Through these profiles, readers will also come to understand how Canada as a nation helped shaped the thinking of these businesses. With strong qualities, Canada has the infrastructure necessary to continue fostering such leadership and emerge as the world's Innovation Nation.
Pediatric Home Care is a practice-based text perfect for either students or for supporting pediatric nurses practicing in a home-care setting. The text includes a variety of nursing information required for this type of care across a large spectrum of physiologic categories and acuity levels. The Third Edition has been completely revised and updated to reflect the most current practice and technology and includes a new focus on evidence based practice.
Featuring an interdisciplinary, developmental, ecological-systems framework, Human Behavior for Social Work Practice, Third Edition helps students implement a consistent system through which to approach multifaceted social issues in any environment. Students will learn that by effectively connecting theory to practice, they can develop successful strategies to use as they encounter complex issues currently facing social workers, whether it be in inner city schools or rural nursing homes with individuals of different ages, ethnicities, and socioeconomic status. This text examines social work issues at various points in human development using specific programs and policies to illustrate developmentally- and culturally-sensitive social work practice. Excerpts from interviews with practicing social workers highlight real-life experiences and introduce a variety of policy contexts. Part 3 of the text focuses on social work issues affecting individuals across the lifespan and around the globe through chapters on disability and stigmatization; race, racism and resistance; women and gender; and terrorism.
Shanna Hunter-Clinton is on the run from her Senator husband. She's had all she can take of his abuse and the terrible things he made her do. She flees to Texas and straight into the arms of Special Agent Brandon Austen. But can Brandon keep her safe from a husband who just doesn't want to let her go? Or will he get lost in the Heaven in her Eyes?
A founder of Animal Fair magazine presents a lifestyle book for canine aficionados that shares tips for incorporating one's dog companion into everyday life, covering topics ranging from home design and health care to social activities and traveling. By the author of How to Understand Men Through Their Dogs.
The vivid, often gruesome portrait of the 18th-century pioneering surgeon and father of modern medicine, John Hunter. When Robert Louis Stevenson wrote his gothic horror story of Dr. Jekyll and Mr. Hyde, he based the house of the genial doctor-turned-fiend on the home of John Hunter. The choice was understandable, for Hunter was both widely acclaimed and greatly feared. From humble origins, John Hunter rose to become the most famous anatomist and surgeon of the eighteenth century. In an age when operations were crude, extremely painful, and often fatal, he rejected medieval traditions to forge a revolution in surgery founded on pioneering scientific experiments. Using the knowledge he gained from countless human dissections, Hunter worked to improve medical care for both the poorest and the best-known figures of the era—including Sir Joshua Reynolds and the young Lord Byron. An insatiable student of all life-forms, Hunter was also an expert naturalist. He kept exotic creatures in his country menagerie and dissected the first animals brought back by Captain Cook from Australia. Ultimately his research led him to expound highly controversial views on the age of the earth, as well as equally heretical beliefs on the origins of life more than sixty years before Darwin published his famous theory. Although a central figure of the Enlightenment, Hunter’s tireless quest for human corpses immersed him deep in the sinister world of body snatching. He paid exorbitant sums for stolen cadavers and even plotted successfully to steal the body of Charles Byrne, famous in his day as the “Irish giant.” In The Knife Man, Wendy Moore unveils John Hunter’s murky and macabre world—a world characterized by public hangings, secret expeditions to dank churchyards, and gruesome human dissections in pungent attic rooms. This is a fascinating portrait of a remarkable pioneer and his determined struggle to haul surgery out of the realms of meaningless superstitious ritual and into the dawn of modern medicine.
Splitopia challenges outdated, negative assumptions about divorce with sharp wit, searing honesty, rigorous research, and intimate interviews, and offers guidance for healthier, happier splits"--
This book, by Beauchamp, Chung, Mogilner and Svetlana Zakinova examines how authors have used characters with disabilities to elicit emotional reactions in readers; additionally, how writers use disabilities to present individuals as "the other" rather than simply as people. Finally, the book discusses how literature has changed, or is changing, with regards to its presentation of those with a disability.
Career Development and Systems Theory: Connecting Theory and Practice offers practitioners, researchers and students a comprehensive introduction to, and overview of, career theory; introduces the Systems Theory Framework of career development; and demonstrates its considerable contemporary and innovative application to practice. A number of authors have identified the framework as one of a small number of significant innovations in the career development literature. The Systems Theory Framework of career development was developed to provide coherence to the career development field by providing a comprehensive conceptualisation of the many existing theories and concepts relevant to understanding career development. It is not designed to be a theory of career development; rather systems theory is introduced as the basis for an overarching, or metatheoretical, framework within which all concepts of career development, described in the plethora of career theories, can be usefully positioned and utilised in both theory and practice. It has been applied to the career development of children, adolescents and women. Since its first publication, the Systems Theory Framework has been the basis of numerous publications focusing on theoretical application and integration, practice and research, with a growing number of these by authors other than the framework developers. Its application across cultures also has been emphasised. The theoretical and practical unity of the Systems Theory Framework makes this book a worthy addition to the professional libraries of practitioners, researchers and students, new to, or experienced in, the field of career development.
Founded by a band of young iconoclasts, the Pre-Raphaelite Brotherhood stunned Victorian England with its revaluation of culture and lifestyle. With Pre-Raphaelitism ascendant in the 1850s and canonical by the 1880s, the movement’s refractory reception history is an object lesson in how avant-gardes burst upon the scene, dispense with their antagonistic posture, and become a mainstay of tradition. Wendy Graham traces the critical discourses that greeted the Pre-Raphaelites’ debut, shaped their contemporary reception, and continued to inform responses to them well after their heyday. She explains the mechanics of fame and the politics of scandal contributing to the rise of aestheticism, providing a new interpretation of the place of aesthetic counterculture in Victorian England. Critics, Coteries, and Pre-Raphaelite Celebrity sheds new light on Victorian discourses on sexuality and masculinity through a thick description of literary bravado, the emotions of male bonding within cliques, and homoerotic frissons among the creators and reviewers of Pre-Raphaelitism. Graham threads together the qualities that made William Holman Hunt, John Everett Millais, and Gabriel Rossetti exemplary figures of aesthetic celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s. The book documents the symbiotic relationship between periodical writers and the artists and poets they helped make famous, demonstrating that the origin myth of Bohemian artistic transcendence was connected with the rise of a professional class of journalists. Graham shows that the Pre-Raphaelites innovated many of the phenomena now associated with Oscar Wilde, arguing that they were foundational for him in forging an artistic and personal identity with a full-blown publicity apparatus. Wilde had models. This book is about them.
New York magazine’s interiors editor shares some of her most memorable house profiles in this stunning and inspiring visual tour. For May I Come In?, design editor extraordinaire Wendy Goodman visits seventy homes that express their owners’ spirit and passions. In this pantheon, imagination and originality hold sway: Artists and eccentrics are the equals of aristocrats and the mandarins of design. Alba Clemente’s closet is a Renaissance theater; Amy Sedaris built a playroom (but not for children); Andrew Solomon houses his guests in an igloo; Richard Avedon’s private walls were bulletin boards; Kathy Ruttenberg’s house is an animal kingdom; Jay Maisel called a former bank with seventy-two rooms home. Every room has a story to tell and a purpose for being. A self-described design hunter, Goodman spent thirty years seeking extraordinary living spaces. In her long career, she has found three things to be true. The first is that curiosity and never giving up will get you everywhere. The second is what Diana Vreeland stated best when she wrote, “Few things are more fascinating than the opportunity to see how other people live during private hours.” The third is that houses never lie. These principles underscore her search for individuality, human interest, and authenticity in design. May I Come In? is profusely illustrated with superb images by leading interior photographers, as well as Goodman’s own snapshots and memorabilia related to her quests. It is an irresistible visual record of the art of living by one of its most astute observers. “Page after page reveals interiors that practically vibrate with charisma, while others wax a poetic minimalism that, despite a lack of things, overwhelm with grace.” —Vogue “When it comes to the New York design scene, Wendy Goodman is positively an institution.” —Town & Country
Clothing for every possible weather event-- check. Personal necessities-- check. Wide assortment of microphones-- check. Stereo recorder for spooky midnight podcasting-- check. Inaccurate maps of 'The Kanc'-- check. Formalwear-- check. If you have all of the above items packed, you are ready to accompany Senator and Wendy V on another book's worth of adventures. Enjoy the drives, the hikes, and the rides. You can even hang your head and hands outside the car.
Inside the culture of an artistically influential music community Britain is widely considered the cradle of independent music culture. Bands like Radiohead and Belle and Sebastian, which epitomize indie music's sounds and attitudes, have spawned worldwide fanbases. This in-depth study of the British independent music scene explores how the behavior of fans, artists, and music industry professionals produce a community with a specific aesthetic based on moral values. Author Wendy Fonarow, a scholar with years of experience in the various sectors of the indie music scene, examines the indie music "gig" as a ritual in which all participants are actively involved. This ritual allows participants to play with cultural norms regarding appropriate behavior, especially in the domains of sex and creativity. Her investigation uncovers the motivations of audience members when they first enter the community and how their positions change over time so that the gig functions for most members as a rite of passage. Empire of Dirt sheds new light on music, gender roles, emotion, subjectivity, embodiment, and authenticity.
This new volume examines the processes of cultural exchange as they occurred in 'empire building, ' looking at Early Mesopotamia, Africa, Greece, Japan, India, the Arab world, and empires in other parts of the globe. The articles draw upon a variety of disciplines from the social sciences and the humanities, a feature not often found in other readers. Unlike other books on world civilizations, this text strives to develop a consistent theme as it focuses on the manner in which imperial authority and cultural interaction worked through different bureaucracies in various empires. The articles also help students understand the cross-cultural interactions and historical events that have laid the foundation for our modern global society. This book also contains useful maps and supplements consisting of images to assist students in visualizing and understanding the textual material. This new text is ideal for courses in world history prior to 1650.
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