With the world's eyes on Jackie Robinson, there were not many who noticed the sportswriter who traveled by the baseball star's side in 1946-47. Wendell Smith was a pioneer not only in writing, but in broadcast media as well, with a career that spanned 1937-1972 and included more than 1,500 written pieces. After an extensive biographical sketch, this work presents a collection of Smith's writings. Chapters are organized to present him as one who chronicled Black history, traveled extensively, challenged racism, noted progress in racial relations, criticized friends, praised enemies, and bid farewell to notable figures who passed before him. Black athletes covered in his writings include Jackie Robinson, Muhammad Ali, Joe Louis, Jesse Owens, Ernie Banks, and many more. When necessary, the editor provides commentary to provide context or illustrate key points.
With the world's eyes on Jackie Robinson, there were not many who noticed the sportswriter who traveled by the baseball star's side in 1946-47. Wendell Smith was a pioneer not only in writing, but in broadcast media as well, with a career that spanned 1937-1972 and included more than 1,500 written pieces. After an extensive biographical sketch, this work presents a collection of Smith's writings. Chapters are organized to present him as one who chronicled Black history, traveled extensively, challenged racism, noted progress in racial relations, criticized friends, praised enemies, and bid farewell to notable figures who passed before him. Black athletes covered in his writings include Jackie Robinson, Muhammad Ali, Joe Louis, Jesse Owens, Ernie Banks, and many more. When necessary, the editor provides commentary to provide context or illustrate key points.
Nicknamed the “Godmother of Punk,” Patti Smith rose to fame during the 1970s New York counterculture movement where she welcomed a new breed of rock and roll. Smith sanctioned the presence of a strong-willed woman in the mainstream rock community by breaking not only the fragile glass ceiling, but also the “rules” about women on the rock stage. Smith pushed right up to the front of the punk scene, stripping down sexual, religious, and emotional barriers to create a raw, viscerally personal message. In Patti Smith: America’s Punk Rock Rhapsodist,musician and historian Eric Wendell delves into the volatile mix of religious upbringing and musical and literary influences that gave shape to Smith’s lyrics, music, and artistic output. Wendell explores how Smith’s androgynous stage presence pulled the various societal triggers, adding a new layer of meaning to popular music performance. Songwriter and singer, performance artist and poet, Smith created work that drew together biography, history, and music into a powerful collage of an artist who shaped a generation of musicians. For poets and performers, as well as fans of Patti Smith and punk rock history, Patti Smith: America’s Punk Rock Rhapsodist is the perfect introduction to Smith’s achievements and the politics and art of a generation that is still felt.
In the first complete account of prosecutions under the Alien and Sedition Acts, dozens of previously unknown cases come to light, revealing the lengths to which the John Adams administration went in order to criminalize dissent. The campaign to prosecute dissenting Americans under the Alien and Sedition Acts of 1798 ignited the first battle over the Bill of Rights. Fearing destructive criticism and “domestic treachery” by Republicans, the administration of John Adams led a determined effort to safeguard the young republic by suppressing the opposition. The acts gave the president unlimited discretion to deport noncitizens and made it a crime to criticize the president, Congress, or the federal government. In this definitive account, Wendell Bird goes back to the original federal court records and the papers of Secretary of State Timothy Pickering and finds that the administration’s zeal was far greater than historians have recognized. Indeed, there were twice as many prosecutions and planned deportations as previously believed. The government went after local politicians, raisers of liberty poles, and even tavern drunks but most often targeted Republican newspaper editors, including Benjamin Franklin’s grandson. Those found guilty were sent to prison or fined and sometimes forced to sell their property to survive. The Federalists’ support of laws to prosecute political opponents and opposition newspapers ultimately contributed to the collapse of the party and left a large stain on their record. The Alien and Sedition Acts launched a foundational debate on press freedom, freedom of speech, and the legitimacy of opposition politics. The result was widespread revulsion over the government’s attempt to deprive Americans of their hard-won liberties. Criminal Dissent is a potent reminder of just how fundamental those rights are to a stable democracy.
This volume of the ABA Classics Series is The Common Law. In the history of the law there have been many great treatises written by many great legal minds, but only a few have had the influence and staying power to truly be called the classics. The Common Law by famed Supreme Court Justice Oliver Wendell Holmes, Jr. is certainly one of these books.
This book discusses the revolutionary broadening of concepts of freedom of press and freedom of speech in Great Britain and in America in the late eighteenth century, in the period that produced state declarations of rights and then the First Amendment and Fox's Libel Act. The conventional view of the history of freedoms of press and speech is that the common law since antiquity defined those freedoms narrowly, and that Sir William Blackstone in 1769, and Lord Chief Justice Mansfield in 1770, faithfully summarized the common law in giving a very narrow definition of those freedoms as mere liberty from prior restraint and not liberty from punishment after something was printed or spoken. This book proposes, to the contrary, that Blackstone carefully selected the narrowest definition that had been suggested in popular essays in the prior seventy years, in order to oppose the growing claims for much broader protections of press and speech. Blackstone misdescribed his summary as an accepted common law definition, which in fact did not exist. A year later, Mansfield inserted a similar definition into the common law for the first time, also misdescribing it as a long-accepted definition, and soon misdescribed the unique rules for prosecuting sedition as having an equally ancient pedigree. Blackstone and Mansfield were not declaring the law as it had long been, but were leading a counter-revolution about the breadth of freedoms of press and speech, and cloaking it as a summary of a narrow common law doctrine that in fact was nonexistent. That conflict of revolutionary view and counter-revolutionary view continues today. For over a century, a neo-Blackstonian view has been dominant, or at least very influential, among historians. Contrary to those narrow claims, this book concludes that the broad understanding of freedoms of press and speech was the dominant context of the First Amendment and of Fox's Libel Act, and that it enjoyed greater historical support.
History speaks of men who have earned the rights to be called heroes later they are known in time to become a legend, this is also true in the 31st century where greed and corruption still haunt men like a plague, stalking them for their very survival and peace. Forcing them to travel into earth's past looking for some heroes. They are taking this action to supply some needed human subjects for a secret project called Triborg. They are working on this project to change their fate by creating the ultimate warrior.They choose a Buffalo Soldier and, a Tuskegee Airman who are then brought forward in time only to have their souls blended with their present day hero.Finally, they are all fused into one cyborg body resulting with one being whom now becomes part man and part cyborg. He turns out to be meaner than the devil with a bite nastier that rattle snake. If they has a plague before then he is the vaccine. From the writing of Christopher C. Miller and based on a original story from Wendell M. King comes the nail biting science fiction epic of just that type of hero, a cyborg with the mind of three he is: Buffalostar, and this is his story The Legend of Buffalostar.
In Berry’s new book, The Art of Loading Brush, he is a frustrated advocate, speaking out against local wastefulness and distant idealism; he is a gentle friend, asserting, as he always has, the hope possible in caring for the world, and your specific place in it . . . The Art of Loading Brush is singular in Berry’s corpus."—The Paris Review "[Berry] has never written better." —Booklist (starred review) Wendell Berry’s profound critique of American culture has entered its sixth decade, and in this gathering he reaches with deep devotion toward a long view of Agrarian philosophy. Mr. Berry believes that American cultural problems are nearly always aligned with their agricultural problems, and recent events have shone a terrible spotlight on the divides between our urban and rural citizens. Our communities are as endangered as our landscapes. There is, as Berry outlines, still much work to do, and our daily lives—in hope and affection—must triumph over despair. Mr. Berry moves deftly between the real and the imagined. The Art of Loading Brush is an energetic mix of essays and stories, including “The Thought of Limits in a Prodigal Age,” which explores Agrarian ideals as they present themselves historically and as they might apply to our work today. “The Presence of Nature in the Natural World” is added here as the bookend of this developing New Agrarianism. Four stories extend the Port William story as it follows Andy Catlett throughout his life to this present moment. Andy works alongside his grandson in “The Art of Loading Brush,” one of the most moving and tender stories of the entire Port William cycle. Filled with insights and new revelations from a mind thorough in its considerations and careful in its presentations, The Art of Loading Brush is a necessary and timely collection. "Berry's essays, continuing arguments begun in The Unsettling of America 40 years ago, will be familiar to longtime readers, blending his farm work with his interests in literature old and new . . . Vintage Berry sure to please and instruct his many admirers."—Kirkus Reviews (starred review)
African American history from 1900 to 2000 cannot be told without accounting for the significant influence of Pan-African thought, just as the story of twentieth-century U.S. foreign policy cannot be told without accounting for fears of an African World. In the early 1900s, Marcus Garvey and his followers perceived the North American mainland, particularly Canada following U.S. authorities' deportation of Garvey to Jamaica, as a forward-operating base from which to liberate the Black masses from colonialism. After World War II, Vietnam War resisters, Black Panthers, and Caribbean students joined the throngs of cross-border migrants to denounce militarism, imperialism, and capitalism. In time, as urban uprisings proliferated in northern U.S. cities, the prospect of coalitions among the Black Power, Red Power, and Quebecois Power movements inspired U.S. and Canadian intelligence services to collaborate, infiltrate, and sabotage Black organizations across North America. Assassinations of "Black messiahs" further radicalized revolutionaries, rekindling the dream for an African World from Washington, D.C., to Toronto to San Francisco to Antigua to Grenada and back to Africa. Alarmed, Washington's national security elites invoked the Cold War as the reason to counter the triangulation of Black Power in the Atlantic World, funneling arms clandestinely from the United States and Canada to the Caribbean and then to its proxies in southern Africa. By contending that twentieth-century global Black liberation movements began within the U.S.-Canadian borderlands as cross-border, continental struggles, Cross-Border Cosmopolitans reveals the revolutionary legacies of the Underground Railroad and America's Great Migration and the hemispheric and transatlantic dimensions of this history.
As aging atheist and semi-retired geologist Frank Stone becomes depressed over the possibility that his exciting career of studying volcanoes is rapidly coming to an end, the opportunity to pursue one last project unexpectedly enters his university office. The bearer of this welcome news is Richard Stewart, the universitys seismologist. Stewart is a staunch Mormon, married and with several children. Stone is childless by choice, and is married to a lovely and widely published author of travel adventures. In spite of their fundamentally opposed views of the roles of science versus faith in lifes journey, the two professors join forces to correctly forecast and then monitor an eruption that feeds lava into the Grand Canyon, and thereby dams the Colorado River. Follow this fiery rocky tale as professional collaboration eventually leads to personal bonding. And learn the history of a score of real lava-flow dams that have clogged the Grand Canyon mere moments ago, in geologic time.
The second volume of the Library of America's definitive two-volume selection of the nonfiction writings of our greatest living advocate for sustainable culture. Writing with elegance and clarity, Wendell Berry is a compassionate and compelling voice for our time of political and cultural distrust and division, whether expounding the joys and wisdom of nonindustrial agriculture, relishing the pleasure of eating food produced locally by people you know, or giving voice to a righteous contempt for hollow innovation. He is our most important writer on the cultural crisis posed by industrialization and mass consumerism, and the vital role of rural, sustainable farming in preserving the planet as well as our national character. Now, in celebration of Berry's extraordinary six-decade-long career, Library of America presents a two-volume selection of his nonfiction writings prepared in close consultation with the author. In this second volume, forty-four essays from ten works turn to issues of political and social debate--big government, science and religion, and the meaning of citizenship following the tragedy of 9/11. Also included is his Jefferson Lecture to the National Endowment for the Humanities, "It All Turns on Affection" (2012). Berry's essays remain timely, even urgent today, and will resonate with anyone interested in our relationship to the natural world and especially with a younger, politically engaged generation invested in the future welfare of the planet. INCLUDES: Life is a Miracle AND SELECTIONS FROM Sex, Economy, Freedom & Community Another Turn of the Crank Citizenship Papers The Way of Ignorance What Matters? Imagination in Place It All Turns on Affection Our Only World The Art of Loading Brush LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
This collection of Wendell Berry essays and poems—all written outdoors on the Sabbath—“[shines] with the gentle wisdom of a craftsman who has thought deeply about the paradoxical strangeness and wonder of life” (The Christian Science Monitor). More than thirty–five years ago, Wendell Berry began spending his sabbaths outdoors, when the weather allowed, walking and wandering around familiar territory, seeking a deep intimacy only time could provide. These walks sometimes yielded poems. Each year since, he has completed a series of these poems dated by the year of its composition. This new sequence provides a virtual syllabus for all of Berry’s cultural and agricultural work in concentrated form. Many of these poems—including a sequence at mid–year of 2014—were written on a small porch in the woods, a place of stillness and reflection, a vantage point “of the one / life of the forest composed / of uncountable lives in countless / years, each life coherent itself within / the coherence, the great composure, of all.” Recently Berry has been reflecting on more than a half century of reading, to discover and to delight in the poetical, spiritual, and cultural roots of his work. In The Presence of Nature in the Natural World, Berry’s survey begins with Alan of Lille’s twelfth–century work, The Plaint of Nature. From the Bible through Chaucer, from Milton to Pope, from Wordsworth to the moderns, Berry’s close reading is exhilarating. Moving from the canon of poetry to the sayings and texts found in agriculture and science, closely presented, we gain new appreciation for the complexity of the issues faced in the twenty–first century by the struggling community of humans on earth. With this long essay appended to these new Sabbath Poems, the result is an unusual book of depth and engagement. A new collection of Wendell Berry poems is always an occasion for celebration, and this eccentric gathering is especially so.
This well-illustrated book highlights freshwater mussels' fabulous diversity, amazing array of often bizarre ecological adaptations and their dire conservation plight. Summarizing and synthesizing historical and contemporary information as well as original research and analysis, the book describes the diverse array of mussel life history strategies and builds a cohesive narrative culminating in the development of explicit frameworks to explain pervasive patterns in mussel ecology. The fascinating and colorful role of mussels in human society is also described in detail, including the little-known pearl button industry of the early 1900s and the wild and often violent shell harvest of the 1990s. The final chapter details humans' efforts to save these fascinating animals and gives a prognosis for the future of the North American fauna. The book provides the first comprehensive review of mussel ecology and conservation for scientists, natural resource professionals, students and natural history enthusiasts.
This is the 1st literary book the writer will unmask mess & tell one's miracles & God will come through dark regions & bring others to the light. There will be debates how humanity innate the sins of Adam & Eve. The book will expose physical & mental abuse, pride, angelic host, demonic forces, anger, hatred, & churches that are under attack. There will be disputes about hypocrisy, world-war I, II & III. The novel bears what the branches of government are planning. Chapter 2 will tell about Brice the stripper fictional tragedy, suspense, sexuality, murder, personal secrecy, politics, & religion. Wendell Gary, M.DIV is a native of Atlanta & received his foundation at Ebenezer Baptist Church, & other churches. He worked at WEA/Warner & Reprises Records for 7 years. He is the Founder & CEO of Shining Light Foundation/GOTL, LLC, Gary Entertainment & Film Company. He completed his Masters of Divinity at ITC/Morehouse School of Religion
Ranging from America’s insatiable consumerism and household economies to literary subjects and America’s attitude toward waste, here Berry gracefully navigates from one topic to the next. He speaks candidly about the ills plaguing America and the growing gap between people and the land. Despite the somber nature of these essays, Berry’s voice and prose provide an underlying sense of faith and hope. He frames his reflections with poetic responsibility, standing up as a firm believer in the power of the human race not only to fix its past mistakes but to build a future that will provide a better life for all.
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