The Wrong Door is the first English-language translation of the complete plays of Italian writer Natalia Ginzburg (1916-1991). Bringing together the eleven plays Ginzburg wrote between 1965 and the months before her death, this volume directs attention to Ginzburg's unique talent as a dramatist. Ginzburg's plays, like her novels and short stories, are incisive, finely tuned studies of family drama, of the breakdown of relations between the sexes, and of the tribulations of Italian domestic life. The plays showcase Ginzburg's fearless social commentary, her stark and darkly comic observations of Italian life, and her prescient analyses of the socio-economic changes that have transformed modern Italy. Along the way, Ginzburg creates memorable female characters in a series of fascinating roles. In this fluent and faithful translation, Wendell Ricketts highlights Ginzburg's scalpel-sharp dialogue and lays bare the existential absurdities that lie at the heart of her plays. Including an introduction by the translator and two essays by Ginzburg on her approach to the theatre, The Wrong Door adds a new dimension to the literary portrait of one of Italy's most significant modernist writers.
In Berry’s new book, The Art of Loading Brush, he is a frustrated advocate, speaking out against local wastefulness and distant idealism; he is a gentle friend, asserting, as he always has, the hope possible in caring for the world, and your specific place in it . . . The Art of Loading Brush is singular in Berry’s corpus."—The Paris Review "[Berry] has never written better." —Booklist (starred review) Wendell Berry’s profound critique of American culture has entered its sixth decade, and in this gathering he reaches with deep devotion toward a long view of Agrarian philosophy. Mr. Berry believes that American cultural problems are nearly always aligned with their agricultural problems, and recent events have shone a terrible spotlight on the divides between our urban and rural citizens. Our communities are as endangered as our landscapes. There is, as Berry outlines, still much work to do, and our daily lives—in hope and affection—must triumph over despair. Mr. Berry moves deftly between the real and the imagined. The Art of Loading Brush is an energetic mix of essays and stories, including “The Thought of Limits in a Prodigal Age,” which explores Agrarian ideals as they present themselves historically and as they might apply to our work today. “The Presence of Nature in the Natural World” is added here as the bookend of this developing New Agrarianism. Four stories extend the Port William story as it follows Andy Catlett throughout his life to this present moment. Andy works alongside his grandson in “The Art of Loading Brush,” one of the most moving and tender stories of the entire Port William cycle. Filled with insights and new revelations from a mind thorough in its considerations and careful in its presentations, The Art of Loading Brush is a necessary and timely collection. "Berry's essays, continuing arguments begun in The Unsettling of America 40 years ago, will be familiar to longtime readers, blending his farm work with his interests in literature old and new . . . Vintage Berry sure to please and instruct his many admirers."—Kirkus Reviews (starred review)
The Wrong Door is the first English-language translation of the complete plays of Italian writer Natalia Ginzburg (1916-1991). Bringing together the eleven plays Ginzburg wrote between 1965 and the months before her death, this volume directs attention to Ginzburg's unique talent as a dramatist. Ginzburg's plays, like her novels and short stories, are incisive, finely tuned studies of family drama, of the breakdown of relations between the sexes, and of the tribulations of Italian domestic life. The plays showcase Ginzburg's fearless social commentary, her stark and darkly comic observations of Italian life, and her prescient analyses of the socio-economic changes that have transformed modern Italy. Along the way, Ginzburg creates memorable female characters in a series of fascinating roles. In this fluent and faithful translation, Wendell Ricketts highlights Ginzburg's scalpel-sharp dialogue and lays bare the existential absurdities that lie at the heart of her plays. Including an introduction by the translator and two essays by Ginzburg on her approach to the theatre, The Wrong Door adds a new dimension to the literary portrait of one of Italy's most significant modernist writers.
In the Spring 2019 issue: -- Kate LoMedico Marriott's curly, bendy, loopy, fascinating heteromorph ammonites -- Understanding Heteromorph Ammonites plus images of Suborder Ancyloceratina from The Treatise on Invertebrate Paleontology -- Photo Essay: the extraordinary ammonites of the Musée-Promenade at Digne-les-Bains -- Dinosaurs, Sunny Side Up: Dinosaur Eggs at the Musée-Parc des Dinosaure -- Dino Eggshell Morphology and Structure: A UC Museum of Paleontology primer -- New articles, including "The Diversity of Non-Avian Theropods," "The Palaeobiologyand Palaeocology of Placodonts," and "The Hidden Divers ity of Ediacaran Worm Fauna" -- Check Your Paleo IQ! and more. Fossil News is a journal of national and international news from the world of vertebrate and invertebrate paleontology, advice for amateur and para-professional fossil collectors, updates on important issues in paleontology, paleoart & photography, original book reviews, and many other features.
NB: Buy directly from our site and save! National and international news from the world of vertebrate and invertebrate paleontology, advice for amateur and para-professional fossil collectors, updates on important issues in paleontology, paleoart & photography, original book reviews, and many other features. In the Summer 2018 issue: - A special section - "Summer PaleoReading" 14 Books to Keep You Company in the Field, on the Road, or at the Beach - The The Sainte-Marie-aux-Mines Mineral & Gem Show - Report-Back: Disccussing Diversity at the 2017 Geological Society of America Meetings - Featured PaleoArtist: Gareth Monger's new book, A Disarray of Palaeoart
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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