This rich volume reflects the development of Berry's poetic sensibility. ''the Selected Poems of Wendell Berry makes available cartloads and heaps of clear and fluent work from Berry's fourteen books of poetry and four decades of writing, closely documenting the inner and the visible lives Berry sees and feels in agriculture and in nature.
The revered Kentucky poet revisits for the first time his immensely popular collection, which The New York Times Book Review described as “a straightforward search for a life connected to the soil, for marriage as a sacrament, and family life” In New Collected Poems, Berry reprints the nearly two hundred pieces in Collected Poems, along with the poems from his most recent collections—Entries, Given, and Leavings—to create an expanded collection, showcasing the work of a man heralded by The Baltimore Sun as “a sophisticated, philosophical poet in the line descending from Emerson and Thoreau . . . a major poet of our time.” Wendell Berry is the author of over forty works of poetry, fiction, and non–fiction, and has been awarded numerous literary prizes, including the T.S. Eliot Prize, a National Institute of Arts and Letters award for writing, the American Academy of Arts and Letters Jean Stein Award, and a Guggenheim Foundation Fellowship. While he began publishing work in the 1960s, Booklist has written that "Berry has become ever more prophetic," clearly standing up to the test of time.
In these poems, Wendell Berry combines plainspoken elegance with deeply felt emotion—this is work of both remembrance and regeneration. Whether writing as son of a dying father or as father of a daughter about to be wed, Berry plumbs the complexities of conflict, grief, loss, and love. He celebrates life from the domestic to the eternal, finding in the everyday that which is everlasting.
Berry's themes are reflections of his life: friends, family, the farm, the nature around us as well as within. He speaks strongly for himself and sometimes for the lost heart of the country. As he has borne witness to the world for eight decades, what he offers us now in this new collection of poems is of incomparable value.
First published in 1969 and out of print for more than twenty–five years, The Long–Legged House was Wendell Berry's first collection of essays, the inaugural work introducing many of the central issues that have occupied him over the course of his career. Three essays at the heart of this volume―“The Rise,” “The Long–Legged House,” and “A Native Hill”―are essays of homecoming and memoir, as the writer finds his home place, his native ground, his place on earth. As he later wrote, “What I stand for is what I stand on,” and here we see him beginning the acts of rediscovery and resettling.
Here is a human being speaking with calm and sanity out of the wilderness. We would do well to hear him." —The Washington Post Book World The Art of the Commonplace gathers twenty essays by Wendell Berry that offer an agrarian alternative to our dominant urban culture. Grouped around five themes—an agrarian critique of culture, agrarian fundamentals, agrarian economics, agrarian religion, and geobiography—these essays promote a clearly defined and compelling vision important to all people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary American culture. Why is agriculture becoming culturally irrelevant, and at what cost? What are the forces of social disintegration and how might they be reversed? How might men and women live together in ways that benefit both? And, how does the corporate takeover of social institutions and economic practices contribute to the destruction of human and natural environments? Through his staunch support of local economies, his defense of farming communities, and his call for family integrity, Berry emerges as the champion of responsibilities and priorities that serve the health, vitality and happiness of the whole community of creation.
There are those in America today who seem to feel we must audition for our citizenship, with ''Patriot'' offered as the badge for those found narrowly worthy. Let this book stand as Wendell Berry's application, for he is one of those faithful, devoted critics envisioned by the Founding Fathers to be the life's blood and very future of the nation they imagined. Adams, Jefferson, and Madison would have found great clarity in his prose and great hope in his vision. And today's readers will be moved and encouraged by his anger and his refusal to surrender in the face of desperate odds. Books get written for all sorts of reasons, and this book was written out of necessity. Citizenship Papers, a collection of 19 essays, is a ringing call of alarm to a nation standing on the brink of global catastrophe.
Reissued as part of Counterpoint's celebration of beloved American author Wendell Berry, the five stories in Fidelity return readers to Berry's fictional town of Port William, Kentucky, and the familiar characters who form a tight–knit community within. "Berry richly evokes Port William's farmlands and hamlets, and his characters are fiercely individual, yet mutually protective in everything they do. . . . His sentences are exquisitely constructed, suggesting the cyclic rhythms of his agrarian world." —The New York Times Book Review "Each of these elegant stories spans the twentieth century and reveals the profound interconnectedness of the farmers and their families to one another, to their past and to the landscape they inhabit." —The San Francisco Chronicle "Visionary . . . rooted in a deep concern for nature and the land, . . . [these stories are] tough, relentless and clear. In a roundabout way they are confrontational because they ask basic questions about men and women, violence, work and loyalty." —Hans Ostrom, The Morning News Tribune
This book is broad and leisurely and important. Something like the river itself on which Wendell Berry lives. It is full of wide and flowing thoughts and one thing leads to another in the manner that nature intended―or used to. The language ranges from the grave and beautiful to the sharp and specific, depending on the need to express the vast variety of subjects he presents."—The Nation The title of this book is taken from an account by Thomas F. Hornbein on his travels in the Himalayas. ""It seemed to me,"" Horenbein wrote, ""that here man lived in continuous harmony with the land, as much as briefly a part of it as all its other occupants."" Wendell Berry's second collection of essays, A Continuous Harmony was first published in 1972, and includes the seminal ""Think Little,"" which was printed in The Last Whole Earth Catalogue and reprinted around the globe, and the splendid centerpiece, ""Discipline and Hope,"" an insightful and articulate essay making a case for what he calls ""a new middle.
Stern but compassionate, author Wendell Berry raises broader issues that environmentalists rarely focus on . . . In one sense Berry is the voice of a rural agrarian tradition that stretches from rural Kentucky back to the origins of human civilization. But his insights are universal because Our Only World is filled with beautiful, compassionate writing and careful, profound thinking." —Associated Press The planet's environmental problems respect no national boundaries. From soil erosion and population displacement to climate change and failed energy policies, American governing classes are paid by corporations to pretend that debate is the only democratic necessity and that solutions are capable of withstanding endless delay. Late Capitalism goes about its business of finishing off the planet. And we citizens are left with a shell of what was once proudly described as The American Dream. In this collection of eleven essays, Berry confronts head–on the necessity of clear thinking and direct action. Never one to ignore the present challenge, he understands that only clearly stated questions support the understanding their answers require. For more than fifty years we've had no better spokesman and no more eloquent advocate for the planet, for our families, and for the future of our children and ourselves.
A Kentucky farmer and writer, and perhaps the great moral essayist of our day, Berry has produced one of his shortest but also most powerful volumes." —The New York Review of Books From modern health care to the practice of forestry, from local focus to national resolve, Wendell Berry argues, there can never be a separation between global ecosystems and human communities—the two are intricately connected, and the health and survival of one depends upon the other. Provocative, intimate, and thoughtful, Another Turn of the Crank reaches to the heart of Berry's concern and vision for the future, for America and for the world. "The rarest (and highest) of literary classes consist of that small group of authors who are absolutely inimitable . . . One of the half–dozen living American authors who belongs in this class is Wendell Berry." —Los Angeles Times "Berry is a philosopher, poet, novelist, and an essayist in the tradition of Emerson and Thoreau . . . like Thoreau, he marches to a different drummer, a drummer we would do well to be aware of, if not to march to." —San Francisco Chronicle
An urgent, visionary, and heartfelt collection of essays focused on recovering deeper, time–honored values against the ravages of modern society. . In six elegant, linked literary essays, Berry considers the degeneration of language that is manifest throughout our culture, from poetry to politics, from conversation to advertising, and he shows how the ever–widening cleft between the words and their referents mirrors the increasing isolation of individuals and their communities from the land. “This skillfully conceived book is one of the strongest contemporary arguments for literary tradition: a challenging credo, un–glib, calmly assured, clearly illuminating—and required reading for those seriously interested in the interplay between literature, ethics, and morality.” —Kirkus Reviews “[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” —Publishers Weekly
For five decades Wendell Berry has been a poet of great clarity and purpose. He is an award–winning writer whose imagination is grounded by the pastures of his chosen place and the rooms and porches of his family's home. In Given, the work is as rich and varied as ever before. With his unmistakable voice as the constant, he dexterously maneuvers through a variety of forms and themes—political cautions, love poems, a play in verse, and a long series of Sabbath Poems that resulted from Berry's recent Sunday morning walks of meditation and observation. Berry's work is one of devotion to family and community, to the earth and her creatures, to the memories of the past, and the hope of the future. His writing stands alongside the work of William Carlos Williams and Robert Frost as a rigorous American testament.
The most comprehensive―and only author-authorized―Wendell Berry reader, "America's greatest philosopher on sustainable life and living" (Chicago Tribune). In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out in these prescient essays, drawn from his fifty-year campaign on behalf of American lands and communities. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work. These are essays written in defiance of the false call to progress and in defense of local landscapes, essays that celebrate our cultural heritage, our history, and our home. With grace and conviction, Wendell Berry shows that we simply cannot afford to succumb to the mass-produced madness that drives our global economy―the natural world will not allow it. Yet he also shares with us a vision of consolation and of hope. We may be locked in an uneven struggle, but we can and must begin to treat our land, our neighbors, and ourselves with respect and care. As Berry urges, we must abandon arrogance and stand in awe.
The essays in The Gift of Good Land are as true today as when they were first published in 1981; the problems addressed here are still true and the solutions no nearer to hand. The insistent theme of this book is the interdependence, the wholeness, the oneness of people, land, weather, animals, and family. To touch one is to tamper with them all. We live in one functioning organism whose separate parts are artificially isolated by our culture. Here, Berry develops the compelling argument that the “gift” of good land has strings attached. We have it only on loan and only for as long as we practice good stewardship.
In 1995, Wendell Berry’s Roots to the Earth was published in portfolio form by West Meadow Press. The wood etchings of celebrated artist and wood engraver, Wesley Bates, were printed from the original wood blocks on handmade Japanese paper. In 2014, this work was reprinted at Larkspur Press, along with additional poems. It is now with great pleasure that Counterpoint reproduces this collaborative work for trade publication, as well as expanding it with the inclusion of a short story, “The Branch Way of Doing,” and additional engravings by Bates. In his introduction to the 2014 collection, Bates wrote: "As our society moves toward urbanization, the majority of the population views agriculture from an increasingly detached position. . . In his poetry [Berry] reveals tenderness and love as well as anger and uncertainty. . . The wood engravings in this collection are intended to be companion pieces to. . . the way he expresses what it is to be a farmer.
Since its publication in 1977, The Unsettling of America has been recognized as a classic of American letters. In it, Wendell Berry argues that good farming is a cultural and spiritual discipline. Today’s agribusiness, however, takes farming out of its cultural context and away from families. As a result, we as a nation are more estranged from the land—from the intimate knowledge, love, and care of it. Sadly, his arguments and observations are more relevant than ever. Although “this book has not had the happy fate of being proved wrong,” Berry writes, there are people working “to make something comely and enduring of our life on this earth.” Wendell Berry is one of those people, writing and working, as ever, with passion, eloquence, and conviction.
An impassioned, thoughtful, and fearless essay on the effects of racism on the American identity by one of our country’s most humane literary voices. Acclaimed as “one of the most humane, honest, liberating works of our time” (The Village Voice), The Hidden Wound is a book-length essay about racism and the damage it has done to the identity of our country. Through Berry’s personal experience, he explains how remaining passive in the face of the struggle of racism further corrodes America’s great potential. In a quiet and observant manner, Berry opens up about how his attempt to discuss racism is rooted in the hope that someday the historical wound will begin to heal. Pulitzer prize-winning author Larry McMurtry calls this “a profound, passionate, crucial piece of writing . . . Few readers, and I think, no writers will be able to read it without a small pulse of triumph at the temples: the strange, almost communal sense of triumph one feels when someone has written truly well . . . The statement it makes is intricate and beautiful, sad but strong.” “Mr. Berry is a sophisticated, philosophical poet in the line descending from Emerson and Thoreau." ―The Baltimore Sun "[Berry’s poems] shine with the gentle wisdom of a craftsman who has thought deeply about the paradoxical strangeness and wonder of life." ―The Christian Science Monitor "Wendell Berry is one of those rare individuals who speaks to us always of responsibility, of the individual cultivation of an active and aware participation in the arts of life." ―The Bloomsbury Review “[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” ―Publishers Weekly
Tom Pohrt spent years gathering poems by Wendell Berry that he thought children might read and appreciate, making sketches to accompany his selection. Terrapin is the result, a volume of twenty–one poems with dozens of sketches, drawings, and watercolors. In full color, we have not only a volume of staggering beauty but a consummate example of the collaborative effort that is fine bookmaking; the perfect gift for children, grandchildren, or anyone who remains a lover of the book as physical object.
Library of America continues its definitive edition of Wendell Berry's complete fiction, including the novels The Memory of Old Jack and Remembering and 23 brilliant and beautiful stories In this second volume, Port William faces the disappearance of farms and farmers in the decades after World War II, while Andy Catlett resolves to remain in the Membership Set along the banks of the Kentucky River in America’s heartland, fictional Port William, Kentucky, is an agrarian world is peopled with memorable and beloved characters collectively known as the Port William Membership. For more than 50 years, Wendell Berry has told Port William’s history from the Civil War to the present day, recapturing a time when farming, faith, and family were the anchors of community and the ligaments that bound one generation to the next. Now Library of America continues its definitive edition, prepared in close consultation with the author and published for his 90th birthday, presenting the complete story of Port William for the first time in the order of narrative chronology. This second volume contains 23 stories and 2 novels that span the years 1945 to 1978, as the town faces the forces of mechanization and the looming possibility of its own disappearance. As the generation that came of age after the Civil War disappears, the younger generation increasingly chooses to leave and not return; one of the only exceptions is Andy Catlett, who resolves to remain in and to maintain the Membership. This definitive edition of Wendell Berry's complete fiction includes detailed notes, endpapers featuring a map of Port William and a Membership family tree, and a chronology of Berry's remarkable life and career.
This poetry collection, selected by the poet himself, includes works from "The Broken Ground," "Findings," "Openings," "Farming: A Handbook," "The Country Marriage," "Clearing," "A Part," and "The Wheel
A collector's edition, and the perfect gift for the stalwart Wendell Berry fan. First printed in 1995 by Gray Zeitz of the beloved Larkspur Press in Monterey, Kentucky, this gift edition is a beautiful reproduction of Wendell Berry’s book–length poem, illustrated with the original drawings by Carolyn Whitesel.
These eleven essays, selected by the author from five previous collections, provides us with a single volume tracing Mr. Berry's desire to 'make myself responsibly at home in this world and in my native and chosen place.
Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now–elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth–century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.
Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now–elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth–century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.
Brilliantly detailed characters and subtle social observations distinguish Berry's unassuming but powerful fifth novel. The T.S. Eliot Award-winning poet, essayist and novelist writes with the authority of a man steeped in the culture of a time an...
An impassioned and rigorous appeal for reconnection to the land and human feeling by one of America’s most heartfelt and humble writers. When he accepted the invitation to deliver The Jefferson Lecture—our nation’s highest honor for distinguished intellectual achievement—Wendell Berry decided to take on the obligation of thinking again about the problems that have engaged him throughout his long career. He wanted a fresh start, not only in looking at the groundwork of the problems facing our nation and the earth itself, but in gaining hope from some examples of repair and healing even in these times of Late Capitalism and its destructive contagions. As a poet and writer he understood already that much can be gleaned from looking at the vocabulary of these problems themselves and how we describe them. And he settled on “affection” as a method of engagement and solution. The result is the greatest speech he has delivered in his six decades of public life. It All Turns on Affection will take its place alongside The Unsettling of America and The Gift of Good Land as major testaments to the power and clarity of his contribution to American thought. Also included are a small handful of other recent essays and a wonderful conversation between Mr. Berry, his wife Tanya Berry, and the head of the National Endowment of the Humanities Jim Leech, which took place just after the award was announced. The result offers a wonderful continuation of the long conversation Berry has had with his readers over many years and as well as a fine introduction to his life and work. “These powerful, challenging essays show why Berry’s vision of a sustainable, human–scaled society has proven so influential.” —Publishers Weekly “Wendell Berry is one of those rare individuals who speaks to us always of responsibility, of the individual cultivation of an active and aware participation in the arts of life.” —The Bloomsbury Review
Thirteen new stories of the Port William membership spanning the decades from World War II to the present moment For those readers of his poetry and inspired by his increasingly vital work as advocate for rational land use and the right-size life, these stories of Wendell Berry's offer entry into the fictional place of value and beauty that is Port William, Kentucky. Berry has said it's taken a lifetime for him to learn to write like an old man, and that's what we have here, stories told with grace and ease and majesty. Wendell Berry is one of our greatest living American authors, writing with the wisdom of maturity and the incandescence that comes of love. These thirteen new works explore the memory and imagination of Andy Catlett, one of the well-loved central characters of the Port William saga. From 1932 to 2021, these stories span the length of Andy’s life, from before the outbreak of the Second World War to the threatened end of rural life in America.
Filled with sketches, drawings and watercolors, a collection of 21 poems from an award-winning poet and writer intimately portrays animals and plants. 15,000 first printing. 15,000 first printing.
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