This book introduces readers to the history of design thinking in pre-modern China. The content is structured according to successive dynasties, covering the seven major periods of the pre-Qin, Qin and Han, Wei and Jin, Sui and Tang, Song and Yuan, Ming, and Qing dynasties. Each chapter introduces the most representative individuals of the period and discusses their work and ideas in order to reveal the national and cultural features of the respective periods. A distinctive feature of cultural identity running through the long course of China’s historical development is the argument that actions are determined by ideas: Such a view can be found in long-standing thinking on art, design, and creativity. The book demonstrates that conscious design is the vital link between the ideas that constitute human cultures and the physical objects that make up their resulting material cultures. It is the attribute of design that defines what it is to be human and also produces the physical evidence of the evolution of Chinese civilization. The book reveals the integrated characteristics of Chinese culture and art and shows how both changing and recurring ideologies have influenced Chinese design practice since the ancient Shang and Zhou dynasties and how these forces have shaped the spirit and materiality of Chinese civilization. Design is the cornerstone that has made China one of the major contributors to human civilization throughout the thousands of years of its history. Given its focus, the book largely appeals to two main audiences: an academic readership of students and researchers interested in cultural studies and, a more general one, consisting of those interested in international comparisons and wishing to learn more about Chinese history, society, and culture. In order to appeal to both, the book is written in a clear and accessible language.
This book examines the development of Chinese children’s literature from the late Qing to early Republican era. It highlights the transnational flows of knowledge, texts, and cultures during a time when children’s literature in China and the West was developing rapidly. Drawing from a rich archive of periodicals, novels, tracts, primers, and textbooks, the author analyzes how Chinese children’s literature published by Protestant missionaries and Chinese educators in the late nineteenth and early twentieth centuries presented varying notions of childhood. In this period of dramatic transition from the dynastic Qing empire to the new Republican China, young readers were offered different models of childhood, some of which challenged dominant Confucian ideas of what it meant to be a child. This volume sheds new light on a little-explored aspect of Chinese literary history. Through its contributions to the fields of children’s literature, book history, missionary history, and translation studies, it enhances our understanding of the negotiations between Chinese and Western cultures that shaped the publication and reception of Chinese texts for children.
Count my life, saying that my Yin Qi is heavy, I will definitely have evil ghosts entangling me in the future. I'm looking for a job and running into a wall. Only the crematorium will take me in. After that, I ran into ghosts all the way. In the middle of the night, Female Ghost came to harass him, so there were actually bones hidden in the middle of the walls. The most abominable thing is, a sex maniac has repeatedly violated me, not letting me and my husband stay in the same room. I could not stand to be angry at the male ghost. He said: My wife, go to bed and chat.
Count my life, saying that my Yin Qi is heavy, I will definitely have evil ghosts entangling me in the future. I'm looking for a job and running into a wall. Only the crematorium will take me in. After that, I ran into ghosts all the way. In the middle of the night, Female Ghost came to harass him, so there were actually bones hidden in the middle of the walls. The most abominable thing is, a sex maniac has repeatedly violated me, not letting me and my husband stay in the same room. I could not stand to be angry at the male ghost. He said: My wife, go to bed and chat.
Count my life, saying that my Yin Qi is heavy, I will definitely have evil ghosts entangling me in the future. I'm looking for a job and running into a wall. Only the crematorium will take me in. After that, I ran into ghosts all the way. In the middle of the night, Female Ghost came to harass him, so there were actually bones hidden in the middle of the walls. The most abominable thing is, a sex maniac has repeatedly violated me, not letting me and my husband stay in the same room. I could not stand to be angry at the male ghost. He said: My wife, go to bed and chat.
Count my life, saying that my Yin Qi is heavy, I will definitely have evil ghosts entangling me in the future. I'm looking for a job and running into a wall. Only the crematorium will take me in. After that, I ran into ghosts all the way. In the middle of the night, Female Ghost came to harass him, so there were actually bones hidden in the middle of the walls. The most abominable thing is, a sex maniac has repeatedly violated me, not letting me and my husband stay in the same room. I could not stand to be angry at the male ghost. He said: My wife, go to bed and chat.
This book introduces readers to the history of design thinking in pre-modern China. The content is structured according to successive dynasties, covering the seven major periods of the pre-Qin, Qin and Han, Wei and Jin, Sui and Tang, Song and Yuan, Ming, and Qing dynasties. Each chapter introduces the most representative individuals of the period and discusses their work and ideas in order to reveal the national and cultural features of the respective periods. A distinctive feature of cultural identity running through the long course of China’s historical development is the argument that actions are determined by ideas: Such a view can be found in long-standing thinking on art, design, and creativity. The book demonstrates that conscious design is the vital link between the ideas that constitute human cultures and the physical objects that make up their resulting material cultures. It is the attribute of design that defines what it is to be human and also produces the physical evidence of the evolution of Chinese civilization. The book reveals the integrated characteristics of Chinese culture and art and shows how both changing and recurring ideologies have influenced Chinese design practice since the ancient Shang and Zhou dynasties and how these forces have shaped the spirit and materiality of Chinese civilization. Design is the cornerstone that has made China one of the major contributors to human civilization throughout the thousands of years of its history. Given its focus, the book largely appeals to two main audiences: an academic readership of students and researchers interested in cultural studies and, a more general one, consisting of those interested in international comparisons and wishing to learn more about Chinese history, society, and culture. In order to appeal to both, the book is written in a clear and accessible language.
Count my life, saying that my Yin Qi is heavy, I will definitely have evil ghosts entangling me in the future. I'm looking for a job and running into a wall. Only the crematorium will take me in. After that, I ran into ghosts all the way. In the middle of the night, Female Ghost came to harass him, so there were actually bones hidden in the middle of the walls. The most abominable thing is, a sex maniac has repeatedly violated me, not letting me and my husband stay in the same room. I could not stand to be angry at the male ghost. He said: My wife, go to bed and chat.
Count my life, saying that my Yin Qi is heavy, I will definitely have evil ghosts entangling me in the future. I'm looking for a job and running into a wall. Only the crematorium will take me in. After that, I ran into ghosts all the way. In the middle of the night, Female Ghost came to harass him, so there were actually bones hidden in the middle of the walls. The most abominable thing is, a sex maniac has repeatedly violated me, not letting me and my husband stay in the same room. I could not stand to be angry at the male ghost. He said: My wife, go to bed and chat.
Cosmetic surgery in China has grown rapidly in recent years of dramatic social transition. Facing fierce competition in all spheres of daily life, more and more women consider cosmetic surgery as an investment to gain “beauty capital” to increase opportunities for social and career success. Building on rich ethnographic data, this book presents the perspectives of women who have undergone cosmetic surgery, illuminating the aspirations behind their choices. The author explores how turbulent economic, socio-cultural and political changes in China since the 1980s have produced immense anxiety that is experienced by women both mentally and physically. This book will appeal to readers who are interested in gender studies, China studies, anthropology and sociology of the body, and cultural studies.
Revealing information that has been suppressed in the Chinese Communist Party's official history, Wen-hsin Yeh presents an insightful new view of the Party's origins. She moves away from an emphasis on Mao and traces Chinese Communism's roots to the country's culturally conservative agrarian heartland. And for the first time, her book shows the transformation of May Fourth radical youth into pioneering Communist intellectuals from a social and cultural history perspective. Yeh's study provides a unique description of the spatial dimensions of China's transition into modernity and vividly evokes the changing landscapes, historical circumstances, and personalities involved. The human dimension of this transformation is captured through the biography of Shi Cuntong (1899-1970), a student from the Neo-Confucian county of Jinhua who became a founding member of the Party. Yeh's in-depth analysis of the dynamics of change is combined with a compelling narrative of the moral dilemmas in the lives of Shi Cuntong and other early leaders. Using sources previously closed to scholars, including recently discovered documents in the archives of the First United Front, Yeh shows the urban Communist movement as an intellectual revolution in social consciousness. The Maoist legacy has often been associated with the excesses of the Cultural Revolution. Yeh's historical reconstruction of a pre-Mao, non-organizational dimension of Chinese socialism is thus of vital interest to those seeking to redefine the place of the Communist Party in a post-Mao political order.
The northern Chinese mountain range of Mount Wutai has been a preeminent site of international pilgrimage for over a millennium. Home to more than one hundred temples, the entire range is considered a Buddhist paradise on earth, and has received visitors ranging from emperors to monastic and lay devotees. Mount Wutai explores how Qing Buddhist rulers and clerics from Inner Asia, including Manchus, Tibetans, and Mongols, reimagined the mountain as their own during the eighteenth and nineteenth centuries. Wen-Shing Chou examines a wealth of original source materials in multiple languages and media--many never before published or translated—such as temple replicas, pilgrimage guides, hagiographic representations, and panoramic maps. She shows how literary, artistic, and architectural depictions of the mountain permanently transformed the site's religious landscape and redefined Inner Asia's relations with China. Chou addresses the pivotal but previously unacknowledged history of artistic and intellectual exchange between the varying religious, linguistic, and cultural traditions of the region. The reimagining of Mount Wutai was a fluid endeavor that proved central to the cosmopolitanism of the Qing Empire, and the mountain range became a unique site of shared diplomacy, trade, and religious devotion between different constituents, as well as a spiritual bridge between China and Tibet. A compelling exploration of the changing meaning and significance of one of the world's great religious sites, Mount Wutai offers an important new framework for understanding Buddhist sacred geography.
Wireless sensor networks are deployed in a rapidly increasing number of arenas, with uses ranging from healthcare monitoring to industrial and environmental safety, as well as new ubiquitous computing devices that are becoming ever more pervasive in our interconnected society. This book presents a range of exciting developments in software communication technologies including some novel applications, such as in high altitude systems, ground heat exchangers and body sensor networks. Authors from leading institutions on four continents present their latest findings in the spirit of exchanging information and stimulating discussion in the WSN community worldwide.
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