The Scholar and the Tiger is at once a compelling family saga, thriller, social history, and spiritual journey. Written by a noted China scholar, assisted by a writer friend, the story brings to life a tumultuous period in Chinese history while providing surprising insights into China's emergence as a global power. Wen-wei Chang was born in 1929 as famine gripped northern China, taking the lives of countless peasants, including his father. Only his iron-willed mother kept the family alive. The eldest son, Wen-po, joined the army. Eighteen years Wen-wei's senior, Wen-po fought bandits, opium smugglers, the Japanese, and Mao's Communists, becoming known as "Tiger Chang." Meanwhile, Wen-wei—a brilliant scholar from childhood—seemed destined for a career in the age-old mandarin tradition of civil service. But civil war intervened, forcing him to evacuate his ill mother and two sisters-in-law and their children only days before the Communists reached Beijing. In Shanghai, they were reunited with Wen-po, now a leading Guomindang general who commanded the city's final defenses. Wen-wei refused evacuation to Taiwan, insisting on caring for his mother and making the best life he could under the Communists. But a day after the occupation of the city, a terrified friend told Wen-wei that Wen-po had been left behind and was hiding in the friend's apartment, putting all of their lives at risk. What follows has all the drama of a spy novel: narrow escapes and rescues, treachery and blackmail, and a final wrenching irony that would tear Wen-wei from his family and homeland. Only after thirty years in America, with a new life as university professor David Chang, is he allowed to return to China to learn the fate of his mother and loved ones—and perhaps to heal his broken heart.
This book takes an innovative approach to one of the great figures of Chinese culture, the writer and painter Wen Zhengming (1470–1559). Renowned as one of the great “scholar painters” of the Ming dynasty, Wen was enmeshed in a complex web of social obligations, his “elegant debts” as he called them, which led to many of his most celebrated works. Using an unprecedented quantity of primary sources for his life and work, Elegant Debts looks at the ways in which social obligation and gift exchange were central to personal and individual identity in the Ming period. The book also examines Wen’s family relationships, his friends, mentors, and pupils, his sense of a distinct local identity, and the interplay of national and regional politics with the achievements of his long life. It uses the insights of a range of scholarship—art history, social and literary history, and anthropology—to show how “self” was constructed in Ming China. In doing so, it makes a major contribution toward a more diverse art history that is less dependent on European conceptions of artists and their work. Craig Clunas has published extensively in the field, and is widely recognized as one of the world’s leading scholars of Ming culture. Featuring many images of the work of one of China’s major painters, this book is accessible to all who are interested in China’s culture and history, as well as to students and scholars of art history and the history of culture.
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