Three thousand years of glory, dust and earth, eight thousand miles of journey; Yun and Yue! Soldiers in the battlefield, Magi feared by the world. Carrying the honor and prosperity of the Gong Yang family, would Li Mu choose to avenge his family or to stay loyal to the dying empire? The dead are gone, where is the living?! Shaman spirits were gradually awakening along with the growth of this young man, and when the Shaman who was above the power level had once again stepped onto the stage of history, he asked the whole world, who could compete against him?! My name is Li Mu, and I'm from Witch Prefecture. I'm a low-level martial practitioner of the True Martial University.
Zhongli Li, you're mine." "Even Ouyang Xuan's confession was so domineering." Ah, don't tease me. "Zhong Li sneered, his gaze falling on his protruding abdomen." There is a small life here, and it belongs to another man. He knew his ex-husband, who had been in love for five years, could betray him, let alone this foppish young master in the eyes of everyone in Xi City. How could Zhong Li believe him? How could he dare to believe it!
Obtaining the bloodline of the strong and the mysterious book on weight helped Yan Qiuyu sweep away her useless talent, defeating everyone in the clan, participating in the selection of the three families, and then entering into the five great sects.
Nie Cheng can still remember the first time he sensed metal element with the help of the Golden Stone of Intuition." The sky was filled with countless little spirits that were emitting a golden light. These were all metal elements. They could sense Nie Cheng's Spiritual Force, and all of them were flying around him excitedly. As a result, Nie Cheng had tens of thousands of elemental Perceptual Power s."Nie Cheng's strength was precisely because of these Perceptual Power, which allowed him to become even more powerful, strong enough to conquer this world ...
This book provides a refreshing look at kindergarten teachers’ practical knowledge and their context-specific reasoning of the usefulness of constructivism from a culturally emic perspective. Examining the similarities and differences between constructivism and Confucianism from both instructional and moral perspectives, it provides a unique contribution to teaching and teacher education. An understanding of the compatibility between constructivism and Confucianism is valuable in cross-cultural exchange and learning, and as such the book is a great source for educational researchers in a time of globalization.
She was the Xia Family's daughter who had been left behind. He was the high and mighty head of the Lu Family. He originally thought that the two of them wouldn't have any interactions, but fate loved to joke around. One day, she was called Mommy by a little shota while dragging her clothes. The man behind her had a complacent smile on his face as he said, "Xia Xun Sheng, let's get married." "Sorry, we're not familiar with each other!" "It doesn't matter. We will have a lifetime to get to know each other." He was taken home without realizing it. After the wedding, she hid in the quilt and bit her finger. "You go out, I don't want to sleep in the same room as you, you beast.
Jiang Nan, a good-for-nothing disciple of the Fallen Families, rose up against the heavens after he was unwilling to be a human! With the pagoda in his possession, he wielded the power of twelve people, slashing through all obstacles and forming the path to heaven. Holding the golden stone in his hand, the Ancestor's twelve incantations, the firmament, the demonic immortal, who would dare to receive the wrath of a Celestial Martial God? The Heavens of the Universe, the Dao of Demons, the Dao of Immortals. Who would dare to receive the wrath of a Celestial Martial God?!
Everyone says that transmigration is good, that I become a worm every day. However, for the sake of hair, I ate a meal, yet was worried about a rest, not having any daddies, not having any daddies, not having any daddies, not having any daddies, not even having any daddies, not even having any sisters, not to mention being good for her I watched her take care of the people who harmed her, the spirit pet that everyone wanted, and the many handsome men that she took care of. One day, a certain Holy Lord pitifully said, "Why don't you take me in as well?" The scheming girl slanted her eyes as she looked at him. "I won't take useless people!" He could leave the hall, he could go to the kitchen and, more importantly, he could warm the bed. " I thought about it, and it seemed to be true ... Join Collection
A piece of purple jade was overturning the heavens and overturning the earth. A giant hand was controlling the heavens. This was a battle of fate! What should he do in the fight between humans and beasts? I will use purple jade to transform the path of heaven, but who in the world can compete with me! Close]
The intern was framed and her boss was extremely popular, but she was classified by him as a woman who came here to hook up for Kaizi. But so what? She bitterly thought, 'It doesn't matter if my dignity is trampled or my innocence destroyed. She just wants her family to not be afraid. Dad will be able to return the debt because of this ...' That was enough...
Wei Shi’s well-crafted study weaves together historical context, ideological complexities, and insightful case studies on Confucian metaphysics, ethics, and politics. Engagingly written, it seamlessly bridges the gap between universal and nationalist (particular) perspectives, offering a rich tapestry of ideas and satisfying unity. Shi describes the profound impact of Confucian revival on China's cultural identity. She argues that Confucian ideas continue to shape China's trajectory in an ever-changing world. Specialists, graduate students, and enthusiasts will find this work an invaluable resource in understanding the multifaceted landscape of China’s Confucian revival in the twenty-first century.
Emperor Taizong (r. 626-49) of the Tang is remembered as an exemplary ruler. This study addresses that aura of virtuous sovereignty and Taizong's construction of a reputation for moral rulership through his own literary writings--with particular attention to his poetry. The author highlights the relationship between historiography and the literary and rhetorical strategies of sovereignty, contending that, for Taizong, and for the concept of sovereignty in general, politics is inextricable from cultural production. The work focuses on Taizong's literary writings that speak directly to the relationship between cultural form and sovereign power, as well as on the question of how the Tang negotiated dynastic identity through literary stylistics. The author maintains that Taizong's writings may have been self-serving at times, representing strategic attempts to control his self-image in the eyes of his court and empire, but that they also become the ideal image to which his self was normatively bound. This is the paradox at the heart of imperial authorship: Taizong was simultaneously the author of his representation and was authored by his representation; he was both subject and object of his writings.
Banking Regulation in China provides an in-depth analysis of the country's contemporary banking regulatory system, focusing on regulation in practice. By drawing on public and private interest theories relating to bank regulation, He argues that controlled development of the banking sector transformed China's banks into more market-oriented institutions and increased public sector growth. This work proves that bank regulation is the primary means through which the Chinese government achieves its political and economic objectives rather than using it as a vehicle for maintaining efficient financial markets.
This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century. Wei Zhang considers how Brecht’s plays have been adapted/appropriated by Chinese theatre artists to speak to the sociopolitical, economic, and cultural developments in China and how such endeavors reflect and result from dynamic interactions between Chinese philosophy, ethics, and aesthetics, especially as embodied in traditional xiqu and the Brechtian concepts of estrangement (Verfremdungseffekt) and political theatre. In examining these Brecht adaptations, Zhang offers an interdisciplinary study that contributes to the fields of comparative drama/theatre studies, intercultural studies, and performance studies.
This book comprehensively and systematically introduces readers to the theories, structures, performance and applications of non-driven mechanical and non-driven micromechanical gyroscopes. The book is divided into three parts, the first of which mainly addresses mathematic models, precision, performance and operating error in non-driven mechanical gyroscopes. The second part focuses on the operating theory, error, phase shift and performance experiments involving non-driven micromechanical gyroscopes in rotating flight carriers, while the third part shares insights into the application of non-driven micromechanical gyroscopes in control systems for rotating flight carriers. The book offers a unique resource for all researchers and engineers who are interested in the use of inertial devices and automatic control systems for rotating flight carriers. It can also serve as a reference book for undergraduates, graduates and instructors in related fields at colleges and universities.
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