The intern was framed and her boss was extremely popular, but she was classified by him as a woman who came here to hook up for Kaizi. But so what? She bitterly thought, 'It doesn't matter if my dignity is trampled or my innocence destroyed. She just wants her family to not be afraid. Dad will be able to return the debt because of this ...' That was enough...
What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. Table of Contents: Preface Acknowledgments Introduction David Der-wei Wang part:1 Country and City 1. Visitation of the Past in Han Shaogong's Post-1985 Fiction Joseph S. M. Lau 2. Past, Present, and Future in Mo Yan's Fiction of the 1980s Michael S. Duke 3. Shen Congwen's Legacy in Chinese Literature of the 1980s Jeffrey C. Kinkley 4. Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping David Der-wei Wang 5. Urban Exoticism in Modern and Contemporary Chinese Literature Heinrich Fruehauf part: 2 Subjectivity and Gender 6. Text, Intertext, and the Representation of the Writing Self in Lu Yun, Dafu,and Wang Meng Yi-tsi Mei Feuerwerker 7. Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature Lydia H. Liu 8. Living in Sin: From May Fourth via the Antirightist Movement to the Present Margaret H. Decker part: 3 Narrative Voice and Cinematic Vision 9. Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction Marston Anderson 10. Lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese Literature Theodore Huters 11. Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema Paul G. Pickowicz 12. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children Rey Chow Afterword: Reflections on Change and Continuity in Modern Chinese Fiction Leo Ou-fan Lee Notes Contributors From May Fourth to June Fourth will he warmly welcomed. It should be of great interest to all concerned with literary developments in the contemporary world on the one hand, and on the other with the enigmas surrounding China's alternating attempts to develop and to destroy herself as a civilization. --Cyril Birch, University of California, Berkeley
This book is the first book on the history of Chinese traveling culture. It reviewed the history of Chinese traveling culture, and revealed the cultural significance of China's traveling phenomena and the underlying principles of its changing traveling culture.It has the following features: First, it divided the history of Chinese traveling culture into six periods to create a system to explain the phenomena and changes of traveling culture. Second, it emphasized the significance of travelers in traveling culture, and revealed the influence of zeitgeist on traveling culture. Third, it explained phenomena through investigations of the artifacts, institutions, behaviors and attitudes of traveling culture, and the dynamic interactions between the subjects, objects and media in traveling. Fourth, it expanded the theory of traveling by building upon extant ideas.Published by SCPG Publishing Corporation and distributed by World Scientific for all markets except China
After travelling for 5 years, Jiang Yu felt a headache coming on when faced with this husband that came from who knows where.And this husband was actually going to settle the score with her?Young Master: According to the market price, if you don't have sex with a woman, you can get at most 100,000 yuan in one night. I'm not satisfied with your services, so the price is halved. Divorce.Thus, she said, "If you call me father, I promise to get a divorce."The young master: ...However, Mo Yan had never expected that this shameless woman would one day sign a divorce agreement and leave!Jiang Yu, who was being pressed down, kindly reminded, "We're divorced, this is rape!
This book explores the life and work of Ruan Yuan (1764–1849), a scholar-official of renown in mid-Qing China prior to the Opium War, before traditional institutions and values became altered by incursions from the West. His distinction as an official, scholar, and patron of learning has been recognized by both his contemporaries and modern scholars. He was also exulted as an honest official and an exemplary man of the 'Confucian persuasion'. His name is mentioned in almost all the works on Qing history or Chinese classics because of the wide range of his research and publications. A number of these publications are still being reprinted today. This is the first full-length biography of Ruan Yuan in English, and the only one focusing on all aspects of the man's life and work in the context of his time. It follows Ruan Yuan from his childhood in Yangzhou, expansion of his intellectual horizons and political network in Beijing, his long service in the provinces handling some of the most thorny issues of the day in security and control, to the glory as a senior statesman in the capital, and retirement in Yangzhou.
How early did the Chinese explore the world? Did the Treasure Fleets, led by Admiral Zheng He, discover many parts of the world before Christopher Columbus? While it is known that Christopher Columbus discovered America and Europe ushered in the Age of Discovery, there is an ongoing debate on the 'unknown' areas depicted in Western maps from the period and earlier. There is agreement among scholars that certain areas seem to have been mapped out prior to the arrival of Western explorers.Chinese Global Exploration in the Pre-Columbian Era: Evidence from an Ancient World Map analyses the world's first modern map — known as Kunyu Wanguo Quantu (KWQ) 《坤輿萬國全圖》 in Chinese, translated as the 'Complete Geographical Map of All Kingdoms of the World' to demonstrate evidence of Chinese global exploration in the Pre-Columbian era. The map of concern was first printed by Italian missionary, Matteo Ricci in 1602, and has been purported to be of entirely European origin, based on Ricci's former maps which he had brought to China in 1582.This book, thus, seeks to be transformational in presenting essential new insights on Pre-Columbian world history and Chinese global exploration, moving away from the norm of the studies of geography and cartography by:
In this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with poetry, fiction, film, intellectual treatise, political manifesto, painting, calligraphy, and music. Western critics, Wang shows, also used lyricism to critique their perilous, epic time. He reads Martin Heidegger, Theodor Adorno, Cleanth Brooks, and Paul de Man, among others, to complete his portrait. The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese—and global—modernity. Wang's remarkable survey reestablishes Chinese lyricism's deep roots in its own native traditions, along with Western influences, and realizes the relevance of such a lyrical calling of the past century to our time.
Emperor Taizong (r. 626-49) of the Tang is remembered as an exemplary ruler. This study addresses that aura of virtuous sovereignty and Taizong's construction of a reputation for moral rulership through his own literary writings--with particular attention to his poetry. The author highlights the relationship between historiography and the literary and rhetorical strategies of sovereignty, contending that, for Taizong, and for the concept of sovereignty in general, politics is inextricable from cultural production. The work focuses on Taizong's literary writings that speak directly to the relationship between cultural form and sovereign power, as well as on the question of how the Tang negotiated dynastic identity through literary stylistics. The author maintains that Taizong's writings may have been self-serving at times, representing strategic attempts to control his self-image in the eyes of his court and empire, but that they also become the ideal image to which his self was normatively bound. This is the paradox at the heart of imperial authorship: Taizong was simultaneously the author of his representation and was authored by his representation; he was both subject and object of his writings.
The Along the River During the Qingming Festival was painted by Chang Ze-Duan of North Song Dynasty on silk. Painted in light colors, it is 528cm wide and 24.8cm tall. Qingming implies Qingming Festival or Tomb Sweeping Festival. “Shang He” (above the river) was a norm at that time. After worshipping the ancestors and sweeping their tombs, people would get on the bridge to enjoy the view of Bianjing and River Bian. Or they may wander along the bridge and buy snacks from the vendors there and visit the riverside towns. This is what “Qingming Shang He” means. In the painting, we can see many of the norms of Qingming Festival, such as the pasted paper building miniatures in front of the “Wang’s Paper Horse Shop,” the tomb sweeping team with sedan chairs decorated with willow branches and flowers outside the city, the vendors selling mud figurines at the entrances of the bridge, the people gathering and drinking after tomb sweeping, and more. These scenes are similar to the descriptions of The Eastern Capital: A Dream of Splendor. In short, it is a masterpiece of social norms painting completed in the Song Dynasty. Cosmos Classics hopes to delineate and demonstrate the connotations and beauty of Along the River During the Qingming Festival in a candid attitude to allow readers to feel the beauty of this portrayal of the Bianjing in North Song Dynasty nine hundred years ago through textual guides of this book and the appreciation of this painting. In addition, it is hoped that readers can feel the Chang Ze-Duan’s dedication in the layout and thinking of this painting. We write in a comprehensive manner to provide readers guides to the entire painting in detail with this book to render the interpretations of the North Song Dynasty as faithfully as possible to its original look and feel. We would like to apologize for any imperfection in researches and proofreading of this book. Regarding the arrangements of the contents in this book, it begins with three chapters “The Historic Values of Along the River During the Qingming Festival,” “Imperial Painting Academy (Hanlin Tuhua Yuan) during the North Song Society and the Painter Chang Ze-Duan,” and “Bianjing and Transportations on the River Bian at the North Song Dynasty” to present an overall view of the contents, painter, and historical background of this painting. In the “Conclusion” at the end of this book, the painting techniques and contents of this work are analyzed in detail to allow readers to understand the intentions of Chang Ze-Duan better. The reference section is attached to communicate the careful attitude of and the references cited by Cosmos Classics to show our respect for the writers and researchers. The major task of this book is to introduce this lengthy scroll. From right to left, it is divided into three parts in accordance with their themes “Leisure Atmosphere in the Suburb Greens,” “The Busy Water Transportation on River Bian,” and “The Prosperous Bianjing City.” According to their features, Along the River During the Qingming Festival is divided into forty zones. In the beginning of the essay, a lighted and focused thumbnail is provided to allow readers to understand the location of the discussions. In the essays, magnified graphics of the small zones are attached as illustrations to allow readers to observe every person and every corner carefully in detail. The major reference of this book The Eastern Capital: A Dream of Splendor, which records the events happening between 1102 and 1125, during the time of prosperity of Bianjing from the year of Chongning to the year of Xuanhe of Hui Zhong of North Song Dynasty, during the years of the completion of this painting. In addition, history,journals and poetry written on Song Dynasty are also referenced to explain the characters, events and things portrayed in the painting, hoping to remain faithful to the theme. As to the professional parts, the Treatise on Architectural Methods or State Building Standards is consulted to compare with the structure of the architecture in the painting. The Exploitation of the Works of Nature is consulted to find out the structure of the boats. “On the Carts and Costumes” in Song History is consulted to pinpoint the making of the carts, sedan chairs and costumes of that period. The Eastern Capital: A Dream of Splendor is consulted to examine the social norms and the geographical location of the capital. Of course, reference books and articles on Along the River During the Qingming Festival are read to present a complete interpretation on the painting. The great Jiehua(Margin Painting) painter Chang Ze-Duan left us with the first hand materials of the image of capital city in the North Song Dynasty, including trade and commercial activities, costumes and social norms architectural style, furniture and vessels, transportation, and more. All of them are of high historical value. Moreover, its humanistic connotations and sensations allow us to read and re-read this painting. The closer we read it, the more we can find the painter’s intentions. It always impresses us with its infinite charms that echo in our hearts. Therefore, it is regarded as a classic in Chinese and world history of art. Ranked as one of the top ten Chinese paintings, it is also renowned as the “first and heavenly work in Chinese painting.” Viewing this picture Along the River During the Qingming Festival in the 21st century, it still wins our exclamations. This masterpiece has been passed down from generation to generation, having gone through wars and dynasties, and shifts in times, with unchanging values. Great paintings can always prevail over the limits of time and space to become immortal, demonstrating the beauty of aesthetics and universal human values. Although Along the River During the Qingming Festival is not the only painting that portrays the capital in Chinese history, it is the most complete painting that captures the social norms and characters of Bianjing in art history. From the illustrations, deconstructive interpretations, and plain and simple introduction of this book, readers can have a glimpse of the authentic picture of Bianjing during the North Song Dynasty. Reminiscing the past, Cosmos Classics has edited and released Along the River During the Qingming Festival by Chang Ze-Duan, a North Song Dynasty painter, in electronic book format. It is hoped that Chinese of this generation can converse with tradition to fuse the ancient with the modern. Reading the classics, we may be inspired to lay down milestones for modern arts. In addition, we are enthusiastic to share them globally to allow international people to immerse themselves in the beauty of Chinese arts.
Hired to track down a priceless artifact that was looted from the Museum of Beijing during the Cultural Revolution, detective Mei Wang uncovers ignominious secrets from her nation's history and her family's past while hunting for the item on the black market. Reprint. 35,000 first printing.
Author: Dr. LI, JIN WEI, male, was born in Shanghai, China, on February 29, 1956. In terms of education, junior high school graduates whose 10-year education was interrupted due to the impact of the "Great Proletarian Cultural Revolution" in Chinese history from 1966 to 1977 obtained a high school diploma through self-study. From the spring of 1980 to the spring of 1982, he studied in the introductory English course of evening college at Shanghai Foreign Language Institute; In 1984, he passed the examination and was admitted to the Department of History, East China Normal University, one of the famous universities in China, to major in political history. He graduated in 1989 with a diploma and a Bachelor of Arts degree; In 1989, he continued to study on-the-job graduate courses in the Department of Economics of East China Normal University, majoring in world economics. In 1991, he completed six courses. In 1996, he was awarded a master's degree in economics by East China Normal University; In 2016, He began to study the Bible and theology for many years. In 2019, he entered the Art Department of the Current Politics Department of Shanghai Veteran Cadre University. He studied the course "Political Economy and International Issues Research" and piano art courses such as "Baier and Czerny 599" for many years. From January 2020 to January 2022, he studied 20 interdisciplinary certificate courses at Harvard University in the United States, focusing on theology and American government, with an average test score of 96 points. He obtained two series of course graduation certificates and course completion certificates. In May 2021, he was awarded two honorary doctorates of letters from American Trinity University and Evangel Christian University of America. Occupationally, he started as an ordinary salesperson in a world-famous large Shanghai No.1 Food Store on Nanjing Road, Shanghai. He was admitted to the state-owned foreign trade company system as a Shanghai Garment Import and Export Company cadre. He began drafting laws and regulations and temporarily worked in the Shanghai Justice Bureau. Legal publicity, and then entered the past and present world influential world. One of the top ten famous think tanks in China, the Shanghai Institute for International Studies, directly under the Shanghai Municipal Government, worked for a long time as a researcher, editor, and legal counsel, transitioned to self-employment in Canada and succeeded Started and completed the legal consulting business of Jinwei Immigration Consultants. In terms of literary creation, as an influential international relations scholar, he continued to engage in the creation of literature and international relations works in his later years. In October 2022, he published an introduction and discussion with 700,000 words in three languages: English, French, and Chinese. "Christianity & the World" complete series of books, they are: 1. CHRISTIANITY AND WORLD CIVILIZATION 2. CHRISTIANITY AND WORLD CULTURE 3. CHRISTIANITY AND THE WORLD ECONOMY 4. CHRISTIANITY AND WORLD HISTORY 5. CHRISTIANITY AND THE LAW OF THE WORLD 6. CHRISTIANITY AND WORLD VISION 7. CHRISTIANITY AND WORLD PEACE 8. CHRISTIANITY AND WORLD POLITICS 9. CHRISTIANITY AND WORLD RELIGIONS 10. CHRISTIANITY AND UNIVERSAL VALUES In March 2023, “WORLD WAR III AND ITS POSSIBILITIES” was published in both Chinese(270,000 words) and English(130,000 words). In addition to writing books and speaking, according to the significant evolution of international relations in the current situation, he often publishes professional articles and theses while researching world peace issues. He continues to help some people in need with personal charity. The author's representative works in the 1990s are as editor-in-chief of "Encyclopedia of Foreign Affairs Knowledge" (1.25 million words, Shanghai Translation Publishing Condo in 1992), chief editor of "Practical Encyclopedia of Foreign Affairs Knowledge" (1.8 million words, Shanghai Translation Publishing Condo in 1997). Shanghai Library collected these two professional books in encyclopedias. The second edition of "Self-Realization" has 1.2 million Chinese and 820,000 words English words. It was a revised and supplemented version of the author's latest memoir and biographical success story in 2018. Its work is self-writing, self-editing, self-typesetting, and self-published. The National Library and Archives of Canada and the British Library collected the first editions of Self-Realization in 2018. The author writes along the lines of suffering childhood-naughty childhood-discriminated teenager-struggling youth-suffering middle age-successful adult-old age who continues to struggle, involving the author's long-term pursuit of knowledge and continuous progress throughout his life, running through the author's hobbies, health care, many relatives, friends, friends, central classmates from elementary school to Harvard, and other social relationships, supplemented by the historical portrayal of the author's growth environment, it not only introduces the social development of multiple levels of Chinese society And evolution: politics, economy, culture, science and technology, civil affairs, foreign affairs, national defence, environment, and introduces the natural environment, political system, working environment, immigration gains and losses, the free market economy, information Internet society and the era of internationalization of the United States and Canada in western countries The historical background of major domestic events have shaped the author's success and self-realization at various stages of life in an environment of self-struggle for more than 60 years. The title of the work is based on the American psychologist Abraham Harold Maslow ( Abraham Harold Maslow, April 1, 1908 - June 8, 1970 ); the highest stage of the humanistic theory of life is self-realization because the author's ideal and Intention has been self-realized one by one through continuous struggle in many aspects of the reverse environment. Find a way and method of struggle that suits you; This book is a more comprehensive historical work that introduces the founding and important development of the People's Republic of China after 1949. The book is a summary of the author's life. It is complete information with more or fewer intersections with the author in various fields at the same age and fully understands the author's complete information. It is forward-looking and referential; It is also a reference book for understanding the actual situation of Western North American society.
A Thematic Dictionary of Contemporary Chinese is a unique resource for intermediate to advanced students of Chinese. The dictionary presents 9,000 words organized thematically in 300 different subject areas. These themes cover the vocabulary necessary for daily use and for conducting meaningful conversations with native Chinese speakers on a variety of topics, from politics to business, and from hobbies to education. Each vocabulary item is annotated with the most frequent collocations allowing learners to improve their fluency by storing new vocabulary in larger linguistic units. Cultural and linguistic tips enable learners to grasp the vocabulary more effectively and increase their awareness of Chinese culture embedded in the language. Review exercises are provided throughout to ensure learners have ample opportunity to practice the new material. This is a great resource for both independent study and classroom use and will be of interest to students and teachers of Chinese alike. For further understanding of Chinese expressions, students are encouraged to read 500 Common Chinese Proverbs and Colloquial Expressions and 500 Common Chinese Idioms.
In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations. Taking into account the campaigns of violence and brutality that have rocked generations of Chinese—often in the name of enlightenment, rationality, and utopian plenitude—this book places its arguments along two related axes: history and representation, modernity and monstrosity. Wang considers modern Chinese history as a complex of geopolitical, ethnic, gendered, and personal articulations of bygone and ongoing events. His discussion ranges from the politics of decapitation to the poetics of suicide, and from the typology of hunger and starvation to the technology of crime and punishment.
This book provides a comprehensive overview of the fine-grained image analysis research and modern approaches based on deep learning, spanning the full range of topics needed for designing operational fine-grained image systems. The author begins by providing detailed background information on FGIA, focusing on recognition and retrieval. The author also provides the fundamentals of convolutional neural networks to further make it easier for readers to understand the technical content in the book. The book introduces the main technical paradigms, technological developments, and representative approaches of fine-grained image recognition and fine-grained image retrieval. The author covers multiple popular research topics and includes cross-domain knowledge. The book also highlights advanced applications and topics for future research.
For 2500 years, the world has witnessed numerous wars, conflicts, and battles, each with its unique story, causes, and consequences. Among the most significant conflicts in history are those that pitted the East against the West, with battles that shook the very foundations of civilizations and reshaped the world's political, social, and economic landscape. The East and West have a long and complicated history of interactions, with cultural, political, and economic exchanges since ancient times. However, these interactions were not always peaceful, and the two regions often found themselves at odds, competing for power and influence over each other. From the battles between the Greeks and Persians to the Crusades, from the conquests of Alexander the Great to the conflicts between the Ottoman Empire and the European powers, the East and West have engaged in numerous wars and battles that have left a lasting impact on history. However, one conflict stands out as the most decisive and consequential of them all: the war between the East and West in the 20th century. The 20th century was a time of unprecedented change and upheaval, with the world witnessing two devastating world wars, empires rising and falling, and the emergence of new superpowers. At the heart of many of these events was the struggle between the East and West, as two ideological and political systems clashed in a battle for dominance. The war between the East and West was not a single battle but a series of confrontations over several decades. It began in the aftermath of World War II, as the Soviet Union and the United States emerged as the dominant powers in the world. The two nations had vastly different political and economic systems, with the Soviet Union advocating for communism and the United States championing capitalism and democracy. The conflict between the two nations was driven by a deep-seated ideological divide, with each side viewing the other as threatening its way of life. The Soviet Union sought to spread communism worldwide, while the United States sought to contain its spread and promote democracy and capitalism. The war between the East and West played out on multiple fronts, including military, political, economic, and cultural arenas. It led to proxy wars in Vietnam, Korea, and Afghanistan and intense political and economic competition in Europe, Africa, and Latin America. The conflict also profoundly impacted the global balance of power, shaping the world we live in today. The war between the East and West was marked by intense tension and confrontation, as well as periods of détente and cooperation. It saw the development of new military technologies and strategies, including the arms race and nuclear deterrence. It also introduced new diplomatic and economic institutions like the International Monetary Fund, the World Bank, and the United Nations. Despite the high stakes and enormous consequences, the war between the East and West is often overlooked or dismissed as a relic of the past. However, its legacy can still be felt today as the world grapples with political, economic, and ideological conflict issues. The East-West battle is a cautionary tale, warning us of the perils of ideological extremism, political division, and armed conflict. This book will explore the war between the East and West, delving into the causes, events, and consequences of this historic conflict. From the leaders of the United States and the Soviet Union to the soldiers and civilians caught up in the conflict, we will examine the key players. We will analyze the strategies and tactics employed by both sides, from the development of new military technologies to the use of propaganda and diplomacy. We will consider the impact of the war on the world today as we seek to understand the lessons of this decisive conflict between the East and West. Throughout the book, we will draw on various sources, from historical documents and government archives to personal memoirs and oral histories. We will provide a balanced and nuanced perspective on the war, seeking to understand both sides' complex motivations and actions. Our goal is not simply to provide a blow-by-blow account of the conflict but to offer a deeper understanding of its significance and legacy. We will look at how the war changed the world's political and economic institutions, from the advent of the United States as a global superpower through the collapse of the Soviet Union and the end of the Cold War. We will explore how the war shaped popular culture, from films and novels to music and art. We will consider the ongoing debates and controversies surrounding the war, including questions of responsibility, accountability, and justice. Ultimately, this book is an invitation to explore one of the most consequential conflicts in history, a war that shaped the world we live in today. We hope it will inspire readers to think critically about the complex issues and challenges facing our world, engage in meaningful dialogue, and debate about how we can build a more peaceful and just future.
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