Based on the archives of the Avery Architectural Library of Columbia University and the New York Historical Society, this refreshing portrait of one of America's most prominent architects is at the same time a document of the sweeping social and cultural changes taking place in the country at the turn of the twentieth century. A biography of Stanford White and more, the book recovers a neglected yet significant part of White's career--a career that not only set the bar for twentieth-century architecture but also defined the newly emerging profession of interior design.
During 1943 and 1944 I experienced the fear and trauma of war as a young man from Illinois in the 15th Army Air Force, 454th Bombardment Group. I was a photographer who flew 37 bombing missions over Europe during WWII. Everyone wanted to get their 50 missions in so they could go home. I was shot flying over Linz, Astria. In this book I describe to the best of my recollection, how I lived, played, and survived when the odds of survival were against me. I narrowly escaped death so many times. It just wasn't my time.
During 1943 and 1944 I experienced the fear and trauma of war as a young man from Illinois in the 15th Army Air Force, 454th Bombardment Group. I was a photographer who flew 37 bombing missions over Europe during WWII. Everyone wanted to get their 50 missions in so they could go home. I was shot flying over Linz, Astria. In this book I describe to the best of my recollection, how I lived, played, and survived when the odds of survival were against me. I narrowly escaped death so many times. It just wasn't my time.
Catalog of an exhibition organized by and held at the Fort Wayne Museum of Art, Fort Wayne, Ind., Sept. 5-Nov. 8, 1998 and touring nationally through Jan. 9, 2000.
An examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.
“Cooper paints a meticulous and absorbing portrait of McKay’s restless artistic, intellectual, and political odyssey... The definitive biography on McKay.”—Choice Although recognized today as one of the genuine pioneers of black literature in this century—the author of “If We Must Die,” Home to Harlem, Banana Bottom, and A Long Way from Home, among other works—Claude McKay (1890–1948) died penniless and almost forgotten in a Chicago hospital. In this masterly study, Wayne Cooper presents a fascinating, detailed account of McKay’s complex, chaotic, and frequently contradictory life. In his poetry and fiction, as well as in his political and social commentaries, McKay searched for a solid foundation for a valid black identity among the working-class cultures of the West Indies and the United States. He was an undeniably important predecessor to such younger writers of the Harlem Renaissance as Langston Hughes and Countee Cullen, and also to influential West Indian and African writers such as C. L. R. James and Aimé Césaire. Knowledge of his life adds important dimensions to our understanding of American radicalism, the expatriates of the 1920s, and American literature. “Mr. Cooper’s most original contribution is his careful and perceptive analysis of McKay’s nonfiction writing, especially his social and political commentary, which often contained ‘prophetic statements‘ on a range of important social, political, and historical issues.”—New York Times Book Review
The designer of such landmarks as the Washington Square Arch, the New York Herald and Tiffany Buildings, and the homes of captains of American industry, Stanford White is a legendary figure in the history of American architecture. Yet while the exteriors and floor plans of his designs have been extensively studied and written about, no book has fully examined the other aspect of his career, which claimed at least half of his time and creativity. Wayne Craven's work offers the first study of Stanford White as an interior decorator and a dealer in antiques and the fine arts. Craven also offers a vivid portrait of the sweeping social and cultural changes taking place in the United States in the late nineteenth and early twentieth centuries. He places White's work as an interior decorator within the context of the lives and society of the nouveaux riches who built unprecedented fortunes during the Industrial Revolution. Rejecting the dominant middle-class tastes and values of the United States, the Whitneys, Vanderbilts, Astors, Paynes, Mackays, and other wealthy New York families saw themselves as the new aristocracy and desired the prestige and trappings accorded to Old World nobility. Stanford White fulfilled their hunger for aristocratic recognition by adorning their glamorous Fifth Avenue mansions and Long Island estates with the sculptures, stained-glass windows, coats of arms, and carved fireplaces of the European past. Interior decorators such as White did more than just buy single pieces for these families. They purchased entire rooms from palazzos, chateaux, villas, nunneries, and country houses; had them dismantled; and shipped—both furnishings and architectural elements—to their American clients. Through Stanford White's activities, Craven uncovers the mostly, but not always, legal business of dealing in antiquities, as American money entered and changed the European art market. Based on the archives of the Avery Architectural Library of Columbia University and the New-York Historical Society, this book recovers a neglected yet significant part of White's career, which lasted from the 1870s to his murder in 1906. White not only set the bar for twentieth-century architecture but also defined the newly emerging profession of interior design.
Presenting three titles in the Quest Biography series that profiles prominent figures in Canada’s history. Canada’s vast wilderness presents many opportunities for artists to capture its beauty in their distinct styles, and the country has produced its share of talented landscape painters. Tom Thomson’s work is known the world over for its wild, vivid portrayals of Ontario’s wilderness. Emily Carr captured the lushness of the west coast as well as the traditional culture of the indigenous peoples. Lesser known, James Wilson Morrice also contributed to Canada’s landscape painting legacy through paintings inspired by such artists as the Impressionists and Van Gogh. These artists’ lives are as fascinating as their work. Includes Emily Carr Tom Thomson James Wilson Morrice
The Gilded Age (1865-1918) saw the sudden rise of America's first High Society, including such prominent families as the Astors, Whitneys, and Vanderbilts. As an aristocracy based on fortunes recently acquired, these families endeavored to live like Europe's blue-blooded nobility, shedding Puritan restraint as they joyously flaunted their new wealth--especially where their homes were concerned. They erected French chateaus and Italian palazzos on New York's Fifth Avenue, at Newport, and elsewhere, often taking inspiration from Parisian styles of the Second Empire. They rejected more modest American styles just as they rejected middle-class society, and for interior decoration they turned to such artisans as Tiffany, Herter Brothers, and Allard's of Paris. Immensely readable and illuminated with 250 stunning color and black-and-white illustrations, this is the fascinating story of America's first millionaire society, the way they lived and partied, and the lush artistic and cultural legacy they established.
A native son and accomplished historian does not flinch from pointing out Alabama's failures from the past 100 years; neither is he restrained in calling attention to the state's triumphs in this authoritative, popular history of the past 100 years.
Here is the long-awaited grammar of the Musqueam dialect of Halkomelem, which Wayne Suttles began work on in the late 1950s. The Musqueam people's aboriginal territory includes much of the Fraser Delta and the city of Vancouver. Halkomelem is one of the twenty-three languages that belong to the Salish Family. Suttles, an anthropologist, worked with knowledgeable older people, eliciting traditional stories, personal narratives, and ethnographic accounts. The grammar covers the usual topics of phonology, morphology, and syntax, illustrated by numerous sentences selected for their cultural relevance, providing insight into traditional practices, social relations, and sense of humor. With information on kinship, space and time, names of people and places, and the history of work on Halkomelem, this is perhaps the fullest account of any Salish language.
The author analyzes the primitive mind as described by modern anthropologists, and seeks to establish the continuity of creative literary patterns with those of primitive consciousness and to show that these patterns are accessible to modern man since they are also those of childish thought.-Print ed.
Known for his bright, whimsical paintings of simple household items, Thiebaud's delightfully accessible style renders even the most ordinary objects new and appealing. This spectacular array of originial prints--from bowties and gumballs to landscapes and figures--is accompanied by insightful essays on the artist and his work. 70 full-color and 8 black-and-white reproductions.
Canadian Men and Masculinities: Historical and Contemporary Perspectives is a provocative new volume that examines men and masculinity across Canadian history and culture and sets it against the broader context of neoliberal globalization. This edited collection adopts a multi-perspective social inquiry and interdisciplinary approach and takes into careful consideration the intersections of the social and historical construction of gender with race, social class, sexuality, bodily abilities, and other social justice factors. The chief aim of this book is to examine, from historical and contemporary perspectives, the production and performance of men, boys, and embodied masculinity within the Canadian context. Within this framework, Canadian Men and Masculinities explores a range of issues including modern fatherhood, black male athleticism, indigenous masculinities, wrestling, and body building. This volume will be a valuable resource for general readers and professionals in sociology, history, education, and social and gender studies.
Send those on land that will show themselves diligent writers." So urged the "sailing instructions" prepared for explorer Henry Hudson. With distinctive command of the primary texts created by such "diligent writers" as Columbus, William Bradford, and Thomas Jefferson, Wayne Franklin describes how the New World was created from their new words. The long verbal discovery of America, he asserts, entailed both advance and retreat, sudden insights and blind insistence on old ways of seeing. The discoverers, explorers, and settlers depicted America in words—or via maps, tables, and landscape views—as a complex spatial and political entity, a place where ancient formula and current fact were inevitably at odds.
The essential guide to Wing Chun Kung-Fu--basic forms and principles, fighting and grappling, advanced techniques and weapons. Featuring over 300 black and white photos and step-by-step illustrations, Wing Chun Kung-Fu: A Complete Guide offers clear, straightforward, and authoritative instruction to the Chinese martial art of Wing Chun Kung-Fu. This Wing Chun book introduces and demonstrates the three empty-hand wing chun kung fu forms, the combative building blocks of the system, including sticky-hand and sticky-leg fighting, chin-na, and the theory of vital strikes to the weak points of human anatomy (dar mak). This Wing Chun guide also introduces the wooden dummy form, the six-and-a-half pole form, and the use of butterfly knives. In addition, this kung fu book provides detailed commentary on the theory behind each move so that you can develop an in-depth understanding of both the practical application of this fighting art and the meaning behind it. Other sections include specialized fighting and grappling techniques and instructions on using weapons. An additional section is devoted to conditioning, stretching, power training and weight training exercises that will be of particular benefit for serious students of Wing Chun and practitioners of any martial art.
Expertly authored by the co-editor of the best-selling text Cultural Criminology Unleashed, this book re-examines criminology in a global context. Wide-ranging and up-to-date, it covers the topics of colonialism and post-colonialism, genocide, state control, the impact of September 11th and the post-9/11 world. Exploring the relationship between a modern discipline and modernity, it reworks the history and composition of criminology in light of September 11th and the prevalence of genocide in modernity. Analizing statistics, anthropology and the everyday assumptions of criminology's history, this text addresses the political and scholarly grip on the territorial state and the absence of a global criminology. Rejecting the prevalent belief that September 11th and the responses it evoked were exceptions that either destroyed or revealed the absence of global legal order, the author argues that, in fact, they confirm the nature of the world order of modernity. A compelling and topical volume, this is a must read for anyone interested or studying in the areas of criminology and criminal justice.
Librarians around the country are currently on a battleground, defending their right to purchase and circulate books dealing with issues of race and systemic racism. Despite this work, the library community has often overlooked—even ignored—its own history of White supremacy and deliberate inaction on the part of White librarians and library leadership. Author Wayne A. Wiegand takes a crucial step to amend this historical record. In Silence or Indifference: Racism and Jim Crow Segregated Public School Libraries analyzes and critiques the world of professional librarianship between 1954 and 1974. Wiegand begins by identifying racism in the practice and customs of public school libraries in the years leading up to the Brown v. Board of Education decision. This culture permeated the next two decades, as subsequent Supreme Court decisions led to feeble and mostly unsuccessful attempts to integrate Jim Crow public schools and their libraries. During this same period, the profession was honing its national image as a defender of intellectual freedom, a proponent of the freedom to read, and an opponent of censorship. Still, the community did not take any unified action to support Brown or to visibly oppose racial segregation. As Black school librarians and their Black patrons suffered through the humiliations and hostility of the Jim Crow educational establishment, the American library community remained largely ambivalent and silent. The book brings to light a distressing history that continues to impact the library community, its students, and its patrons. Currently available school library literature skews the historical perspective that informs the present. In Silence or Indifference is the first attempt to establish historical accountability for the systemic racism contemporary school librarianship inherited in the twenty-first century.
In this second volume, a martial arts expert continues his study of Wing Chun, a popular system of kung fu, demonstrating how it can be used to improve your mental and physical health Wing Chun, also called Ving Tsun, is a popular system of kung fu designed centuries ago by a Buddhist nun and Shaolin master. Together, the two volumes of The Wing Chun Compendium offer a complete guide to the discipline, from theory and philosophy to drills and forms. In this second volume, author Wayne Belonoha takes students to the next level, focusing on the final three and most advanced forms of the Wing Chun system and their associated skills: the “Mook Yan Jong” or wooden man; the “Lok Dim Boon Quan” or six-and-a-half point long pole; and the “Baat Cham Dao” or eight-cut sword form, demonstrated here for the first time by Grandmaster Sunny Tang. Also included are distance and angle improvement drills, fighting strategy and training, instruction on proper body mechanics, and “Sticking Hands” techniques. While intended for the serious practitioner, The Wing Chun Compendium, Volume Two also teaches the basics of body movement, psychological components of practice and performance, and how to use martial arts for overall self-improvement—factors that can help any martial artists seeking to enhance their physical and mental development. The book includes hundreds of tips and techniques as well as 400 photographs.
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