Albert Hofmann referred to lysergic acid diethylamide, better known as LSD, as his "problem child." The wonderful but worrisome psychedelic drug discovered by Hofmann both inspired and unsettled the world, with the mischief of Timothy Leary, the "acid tests" of the Merry Pranksters, and social experiments during the Summer of Love and Woodstock--two events that altered popular music--capturing headlines in the 1960s. This second edition encyclopedia updates and adds more than 200 new entries, from Hank Williams III and Tucker Carlson to dinosaurs. New entries provide documentation of LSD's influence during the 1960s and address a recent resurgence of cultural relevance for the drug.
Something Old, Something New: Contemporary Entanglements of Religion and Secularity offers a fresh perspective on debates surrounding religious and secular thinking. In each chapter, Wayne Glausser focuses on a topic of contemporary relevance in which something old (the sacrament of extreme unction, Greek rhetorical tropes, scholastic theology) entangles with something new (psilocybin therapy for the dying, the New Atheism, cognitive science). Glausser uses the term "entanglement" to describe his distinctive approach to the relationship between religion and secularity. The concept of entanglement refers to a contentious but oddly intimate relationship in which secular ideas compete with corresponding religious convictions, but neither side wins by displacing the other. As traditional religious knowledge and values come into conflict with their secular counterparts, the old ideas undergo stress and adaptation, but the influence works in both directions. Whether they do so consciously or unconsciously, entangled secularists engage with and sometimes borrow from older paradigms they believe they have surpassed. Something Old, Something New takes an unusual approach to this popular debate, and offers a new perspective in the conversation between believers and secularists. This is a book that theists, atheists, agnostics, and everyone still searching for the right label will find respectful but provocative.
Although this book looks back mainly to Blake (after all, Locke could not have read Blake) it also looks past Blake to discover a Locke not given much shrift by Blake scholars. It does this in a constantly interesting sinuous juxtaposition of Blake's and Locke's views on a variety of subjects, some wonderfully unexpected. Glausser's grasp of his material is impressive, and he writes with admirable clarity. . . . A deft blending of historical, biographical, and interpretive scholarship."--Hazard Adams, Byron W. and Alice L. Lockwood Professor of Humanities, University of Washington Locke and Blake is a composite critical biography of two giants of 18th-century culture. Organized by topics of cultural significance for the period, it weaves together two lives, focusing on critical topics as opposed to biographical details, in order to illuminate ideas of Locke and Blake and the cultural contexts and transformations of the "period" they shared. Glausser begins each chapter by sketching a biographical connection between the two men, which in turn leads to a broader discussion of textual as well as cultural significance. From their shared experience of having had paintings stolen by a friend, for instance, Glausser details the two men's angry responses and then explores the larger social issue of private property at each end of the 18th century. Other points of correspondence include mothers and lovers, charges of sedition, medicine and the body, slavery, and printing. Glausser's new approach to the lives and ideas of Locke and Blake offers a more balanced treatment of their relationship than has been available in the past. Through this juxtaposition and rethinking of the two traditional "antagonists" of the period, he moves beyond adversarial caricatures of temperament, faculty, ideology, and intention and illuminates both the century and the two intellectual giants who stood at either end of it. Wayne Glausser is professor of English at DePauw University and author of articles on Locke and Blake as well as various topics in recent American fiction and popular culture.
Something Old, Something New: Contemporary Entanglements of Religion and Secularity offers a fresh perspective on debates surrounding religious and secular thinking. In each chapter, Wayne Glausser focuses on a topic of contemporary relevance in which something old (the sacrament of extreme unction, Greek rhetorical tropes, scholastic theology) entangles with something new (psilocybin therapy for the dying, the New Atheism, cognitive science). Glausser uses the term "entanglement" to describe his distinctive approach to the relationship between religion and secularity. The concept of entanglement refers to a contentious but oddly intimate relationship in which secular ideas compete with corresponding religious convictions, but neither side wins by displacing the other. As traditional religious knowledge and values come into conflict with their secular counterparts, the old ideas undergo stress and adaptation, but the influence works in both directions. Whether they do so consciously or unconsciously, entangled secularists engage with and sometimes borrow from older paradigms they believe they have surpassed. Something Old, Something New takes an unusual approach to this popular debate, and offers a new perspective in the conversation between believers and secularists. This is a book that theists, atheists, agnostics, and everyone still searching for the right label will find respectful but provocative.
Albert Hofmann referred to lysergic acid diethylamide, better known as LSD, as his "problem child." The wonderful but worrisome psychedelic drug discovered by Hofmann both inspired and unsettled the world, with the mischief of Timothy Leary, the "acid tests" of the Merry Pranksters, and social experiments during the Summer of Love and Woodstock--two events that altered popular music--capturing headlines in the 1960s. This second edition encyclopedia updates and adds more than 200 new entries, from Hank Williams III and Tucker Carlson to dinosaurs. New entries provide documentation of LSD's influence during the 1960s and address a recent resurgence of cultural relevance for the drug.
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