“Cooper paints a meticulous and absorbing portrait of McKay’s restless artistic, intellectual, and political odyssey... The definitive biography on McKay.”—Choice Although recognized today as one of the genuine pioneers of black literature in this century—the author of “If We Must Die,” Home to Harlem, Banana Bottom, and A Long Way from Home, among other works—Claude McKay (1890–1948) died penniless and almost forgotten in a Chicago hospital. In this masterly study, Wayne Cooper presents a fascinating, detailed account of McKay’s complex, chaotic, and frequently contradictory life. In his poetry and fiction, as well as in his political and social commentaries, McKay searched for a solid foundation for a valid black identity among the working-class cultures of the West Indies and the United States. He was an undeniably important predecessor to such younger writers of the Harlem Renaissance as Langston Hughes and Countee Cullen, and also to influential West Indian and African writers such as C. L. R. James and Aimé Césaire. Knowledge of his life adds important dimensions to our understanding of American radicalism, the expatriates of the 1920s, and American literature. “Mr. Cooper’s most original contribution is his careful and perceptive analysis of McKay’s nonfiction writing, especially his social and political commentary, which often contained ‘prophetic statements‘ on a range of important social, political, and historical issues.”—New York Times Book Review
“Cooper paints a meticulous and absorbing portrait of McKay’s restless artistic, intellectual, and political odyssey... The definitive biography on McKay.”—Choice Although recognized today as one of the genuine pioneers of black literature in this century—the author of “If We Must Die,” Home to Harlem, Banana Bottom, and A Long Way from Home, among other works—Claude McKay (1890–1948) died penniless and almost forgotten in a Chicago hospital. In this masterly study, Wayne Cooper presents a fascinating, detailed account of McKay’s complex, chaotic, and frequently contradictory life. In his poetry and fiction, as well as in his political and social commentaries, McKay searched for a solid foundation for a valid black identity among the working-class cultures of the West Indies and the United States. He was an undeniably important predecessor to such younger writers of the Harlem Renaissance as Langston Hughes and Countee Cullen, and also to influential West Indian and African writers such as C. L. R. James and Aimé Césaire. Knowledge of his life adds important dimensions to our understanding of American radicalism, the expatriates of the 1920s, and American literature. “Mr. Cooper’s most original contribution is his careful and perceptive analysis of McKay’s nonfiction writing, especially his social and political commentary, which often contained ‘prophetic statements‘ on a range of important social, political, and historical issues.”—New York Times Book Review
James Fenimore Cooper (1789–1851) invented the key forms of American fiction—the Western, the sea tale, the Revolutionary War romance. Furthermore, Cooper turned novel writing from a polite diversion into a paying career. He influenced Herman Melville, Richard Henry Dana, Jr., Francis Parkman, and even Mark Twain—who felt the need to flagellate Cooper for his “literary offenses.” His novels mark the starting point for any history of our environmental conscience. Far from complicit in the cleansings of Native Americans that characterized the era, Cooper’s fictions traced native losses to their economic sources. Perhaps no other American writer stands in greater need of a major reevaluation than Cooper. This is the first treatment of Cooper’s life to be based on full access to his family papers. Cooper’s life, as Franklin relates it, is the story of how, in literature and countless other endeavors, Americans in his period sought to solidify their political and cultural economic independence from Britain and, as the Revolutionary generation died, stipulate what the maturing republic was to become. The first of two volumes, James Fenimore Cooper: The Early Years covers Cooper’s life from his boyhood up to 1826, when, at the age of thirty-six, he left with his wife and five children for Europe.
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