Althusser and His Contemporaries alters and expands understanding of Louis Althusser and French philosophy of the 1960s and 1970s. Thousands of pages of previously unpublished work from different periods of Althusser's career have been made available in French since his death in 1990. Based on meticulous study of the philosopher's posthumous publications, as well as his unpublished manuscripts, lecture notes, letters, and marginalia, Warren Montag provides a thoroughgoing reevaluation of Althusser's philosophical project. Montag shows that the theorist was intensely engaged with the work of his contemporaries, particularly Foucault, Derrida, Deleuze, and Lacan. Examining Althusser's philosophy as a series of encounters with his peers' thought, Montag contends that Althusser's major philosophical confrontations revolved around three themes: structure, subject, and beginnings and endings. Reading Althusser reading his contemporaries, Montag sheds new light on structuralism, poststructuralism, and the extraordinary moment of French thought in the 1960s and 1970s.
Althusser and His Contemporaries alters and expands understanding of Louis Althusser and French philosophy of the 1960s and 1970s. Thousands of pages of previously unpublished work from different periods of Althusser's career have been made available in French since his death in 1990. Based on meticulous study of the philosopher's posthumous publications, as well as his unpublished manuscripts, lecture notes, letters, and marginalia, Warren Montag provides a thoroughgoing reevaluation of Althusser's philosophical project. Montag shows that the theorist was intensely engaged with the work of his contemporaries, particularly Foucault, Derrida, Deleuze, and Lacan. Examining Althusser's philosophy as a series of encounters with his peers' thought, Montag contends that Althusser's major philosophical confrontations revolved around three themes: structure, subject, and beginnings and endings. Reading Althusser reading his contemporaries, Montag sheds new light on structuralism, poststructuralism, and the extraordinary moment of French thought in the 1960s and 1970s.
The Other Adam Smith represents the next wave of critical thinking about the still under-examined work of this paradigmatic Enlightenment thinker. Not simply another book about Adam Smith, it allows and even necessitates his inclusion in the realm of theory in the broadest sense. Moving beyond his usual economic and moral philosophical texts, Mike Hill and Warren Montag take seriously Smith's entire corpus, his writing on knowledge, affect, sociability and government, and political economy, as constituting a comprehensive—though highly contestable—system of thought. We meet not just Smith the economist, but Smith the philosopher, Smith the literary critic, Smith the historian, and Smith the anthropologist. Placed in relation to key thinkers such as Hume, Lord Kames, Fielding, Hayek, Von Mises, and Agamben, this other Adam Smith, far from being localized in the history of eighteenth-century economic thought or ideas, stands at the center of the most vibrant and contentious debates of the twentieth and twenty-first centuries.
An architectural designer and an important architectural critic, Chase explores a myriad of locales and examines their architectural features - from the gay community space of West Hollywood, to the stucco box apartment complexes of the 1950s, to the truly weird mix of domestic arrangements in Venice Beach, to gated communities, to some of the historic houses of Hollywood and Beverly Hills and to the most recent transformations of the casino architecture in Las Vegas."--BOOK JACKET.
No major figure of the English Augustan period has generated stronger and more contradictory views than Jonathan Swift. Scourge of the Whig ascendancy in his own day, vilified by the Victorians, celebrated by Yeats, he has in recent years become a significant bone of contention for prominent figures on the left like E.P. Thompson and Perry Anderson. In this highly original and subtle new study, Warren Montag situates Swift in relation to the ideological and political currents of the late seventeenth and early eighteenth centuries—in particular to what Montag perspicaciously identifies as the long crisis of the British state. Swift’s perspective, he argues, was determined less by his personality or psychology than by his position as an Anglican cleric. The church, an instrument of the Tudor and Stuart absolutist state, lapsed into institutional and ideological crisis after the Stuart’s fall. In Montag’s view, Swift’s writings were a defense of this increasingly indefensible institution. Swift employed satire because only in the negative representations of this literary form could the now effectively ‘unthinkable’ doctrines of the Church be made to appear. Opening with a historical survey of the crisis of English absolutism and the Anglican Church, Montag then gives a definitive account of the specific conflicts in philosophy against which Swift’s Anglican orthodoxy was aligned. Detailed examinations of Swift’s two prose masterpieces, A Tale of a Tub and Gulliver’s Travels, follow. Historically and philosophically informed, The Unthinkable Swift contributes not only to our understanding of a seminal figure in English literary history but also to the study of historical ideologies, in particular the once dominant religious tradition at the dawn of the first modern capitalist state.
With Hobbes and Locke, Spinoza is arguably one of the most important political philosophers of the modern era, a premier theoretician of democracy and mass politics. In this revised and augmented English translation of his 1985 classic, Spinoza et la Politique, Etienne Balibar presents a synoptic account of Spinoza's major works, admirably demonstrating relevance to his contemporary political life. Balibar carefully situates Spinoza's major treatises in the period in which they were written. In successive chapters, he examines the political situation in the United Provinces during Spinoza's lifetime, Spinoza's own religious and ideological associations, the concept of democracy developed in the Theologico-Political Treatise, the theory of the state advanced in the Political Treatise and the anthropological basis for politics established in the Ethics.
The publication of Louis Althusser's autobiography, The Future Lasts Forever, shattered the myth of Althusser as austere structural Marxist. It not only illuminated the private life of this public thinker, but suggested that his previously published works could be read very differently. Louis Althusser is the first major overview of Althusser's work since the publication in French of thousands of pages of essays, books and letters unknown before 1990, and makes a strong case for a radical reconsideration of his work in the light of this new material. Focusing particularly on Althusser's writings on art, theatre and literature (as well as those of Althusser's collaborator, Pierre Macherey), Warren Montag traces the contradictory development of Althusser's thought from the early sixties to his autobiography. Additional material includes an annotated bibliography of texts by and on Althusser, and the book also features a previously untranslated essay by the theorist on Brecht and Marx.
This book seeks to show, against the grain of English language commentary, that Spinoza is neither a Cartesian nor a liberal but precisely the most thoroughgoing materialist in the history of philosophy. The work begins by examining Spinoza's notion of the materiality of writing, a notion developed through his examination of scripture. It then postulates the three fundamental principles of Spinoza's philosophy: there can be no liberation of the mind without a liberation of the body, and no liberation of the individual without a collective liberation, and that the written form of these propositions itself possesses a corporeal existence, not as the realization or materialization of a pre-existing mental, spiritual intention, but as a body among other bodies. Ultimately, the book prompts us to consider Spinoza's philosophy anew, by replacing questions like "Who has read it?" and "Of those, how many of us have understood it?" with "What material effects has it produced, not only on or in minds, but on bodies as well?" and "To what extent has it moved bodies and what has it moved them to?
Social media has been weaponized, as state hackers and rogue terrorists have seized upon Twitter and Facebook to create chaos and destruction. This urgent report is required reading, from defense experts P.W. Singer and Emerson T. Brooking.
This major two-volume study offers an interdisciplinary analysis of Montaigne's Essais and their fortunes in early modern Europe and the modern western university. Volume one focuses on contexts from within Montaigne's own milieu, and on the ways in which his book made him a patron-author or instant classic in the eyes of his editor Marie de Gournay and his promoter Justus Lipsius. Volume two focuses on the reader-writers across Europe who used the Essais to make their own works, from corrected editions and translations in print, to life-writing and personal records in manuscript. The two volumes work together to offer a new picture of the book's significance in literary and intellectual history. Montaigne's is now usually understood to be the school of late humanism or of Pyrrhonian scepticism. This study argues that the school of Montaigne potentially included everyone in early modern Europe with occasion and means to read and write for themselves and for their friends and family, unconstrained by an official function or scholastic institution. For the Essais were shaped by a battle that had intensified since the Reformation and that would continue through to the pre-Enlightenment period. It was a battle to regulate the educated individual's judgement in reading and acting upon the two books bequeathed by God to man. The book of scriptures and the book of nature were becoming more accessible through print and manuscript cultures. But at the same time that access was being mediated more intensively by teachers such as clerics and humanists, by censors and institutions, by learned authors of past and present, and by commentaries and glosses upon those authors. Montaigne enfranchised the unofficial reader-writer with liberties of judgement offered and taken in the specific historical conditions of his era. The study draws on new ways of approaching literary history through the history of the book and of reading. The Essais are treated as a mobile, transnational work that travelled from Bordeaux to Paris and beyond to markets in other countries from England and Switzerland, to Italy and the Low Countries. Close analysis of editions, paratexts, translations, and annotated copies is informed by a distinct concept of the social context of a text. The concept is derived from anthropologist Alfred Gell's notion of the 'art nexus': the specific types of actions and agency relations mediated by works of art understood as 'indexes' that give rise to inferences of particular kinds. Throughout the two volumes the focus is on the particular nexus in which a copy, an edition, an extract, is embedded, and on the way that nexus might be described by early-modern people.
The Art of Double Bass Playing is the result of a collaboration between Warren Benfield, an outstanding bassist/teacher and James Seay Dean, Jr., Associate Professor of English at the University of Wisconsin-Parkside, a skilled writer/editor. Warren Benfield started his professional career in 1934 as the youngest member of the Minneapolis Symphony. Moving on to the St. Louis Symphony as principal bass and then to the Philadelphia Orchestra as co-principal bass, he joined the Chicago Symphony in 1949 where he remained until his retirement in 1987. Benfield has always been dedicated to teaching, and during his years with the Chicago Symphony Orchestra, he was on the faculties of Northwestern University and DePaul University. He has also given many master classes and lectures, including two in China. Since retiring, he is continuing to teach a few students at the American Conservatory and at Chicago's Merit School for underprivileged children, which focuses on the arts. Benfield's particular aim is to teach the approach of the double bass from a musical, as well as a technical standpoint.
Germany today has one of the lowest incarceration rates in the industrialized world, and social welfare principles play an essential role at all levels of the German criminal justice system. Warren Rosenblum examines the roots of this social approach to criminal policy in the reform movements of the Wilhelmine and Weimar periods, when reformers strove to replace state institutions of control and incarceration with private institutions of protective supervision. Reformers believed that private charities and volunteers could diagnose and treat social pathologies in a way that coercive state institutions could not. The expansion of welfare for criminals set the stage for a more economical system of punishment, Rosenblum argues, but it also opened the door to new, more expansive controls over individuals marked as "asocial." With the reformers' success, the issue of who had power over welfare became increasingly controversial and dangerous. Other historians have suggested that the triumph of eugenics in the 1890s was predicated upon the abandonment of liberal and Christian assumptions about human malleability. Rosenblum demonstrates, however, that the turn to "criminal biology" was not a reaction against social reform, but rather an effort to rescue its legitimacy.
Tired of the fear mongers? Ready to plow through the nagging doubts and outright fears of various sizes and shapes that are keeping you from living your best life? Eager to take the leap into that new job, start that new business, or meet that person you'd really like to know better? What's keeping you back? This is the challenge before you: Faced with a scary reality, to navigate past the anxiety, refuse to be afraid, and free yourself to move on to your dreams. This revised and expanded edition of Warren Bluhm's groundbreaking 2010 book is more relevant to our times than ever.
Globalization is calling for new conceptualizations of belonging within culturally diverse communities. Quebec, driven by the pressures of maintaining Francophone identity and accommodating migrant groups, provides a fascinating case study of how to foster a sense of belonging.
No major figure of the English Augustan period has generated stronger and more contradictory views than Jonathan Swift. Scourge of the Whig ascendancy in his own day, vilified by the Victorians, celebrated by Yeats, he has in recent years become a significant bone of contention for prominent figures on the left like E.P. Thompson and Perry Anderson. In this highly original and subtle new study, Warren Montag situates Swift in relation to the ideological and political currents of the late seventeenth and early eighteenth centuries—in particular to what Montag perspicaciously identifies as the long crisis of the British state. Swift’s perspective, he argues, was determined less by his personality or psychology than by his position as an Anglican cleric. The church, an instrument of the Tudor and Stuart absolutist state, lapsed into institutional and ideological crisis after the Stuart’s fall. In Montag’s view, Swift’s writings were a defense of this increasingly indefensible institution. Swift employed satire because only in the negative representations of this literary form could the now effectively ‘unthinkable’ doctrines of the Church be made to appear. Opening with a historical survey of the crisis of English absolutism and the Anglican Church, Montag then gives a definitive account of the specific conflicts in philosophy against which Swift’s Anglican orthodoxy was aligned. Detailed examinations of Swift’s two prose masterpieces, A Tale of a Tub and Gulliver’s Travels, follow. Historically and philosophically informed, The Unthinkable Swift contributes not only to our understanding of a seminal figure in English literary history but also to the study of historical ideologies, in particular the once dominant religious tradition at the dawn of the first modern capitalist state.
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
With Hobbes and Locke, Spinoza is arguably one of the most important political philosophers of the modern era, a premier theoretician of democracy and mass politics. In this revised and augmented English translation of his 1985 classic, Spinoza et la Politique, Etienne Balibar presents a synoptic account of Spinoza's major works, admirably demonstrating relevance to his contemporary political life. Balibar carefully situates Spinoza's major treatises in the period in which they were written. In successive chapters, he examines the political situation in the United Provinces during Spinoza's lifetime, Spinoza's own religious and ideological associations, the concept of democracy developed in the Theologico-Political Treatise, the theory of the state advanced in the Political Treatise and the anthropological basis for politics established in the Ethics.
This book seeks to show, against the grain of English language commentary, that Spinoza is neither a Cartesian nor a liberal but precisely the most thoroughgoing materialist in the history of philosophy. The work begins by examining Spinoza's notion of the materiality of writing, a notion developed through his examination of scripture. It then postulates the three fundamental principles of Spinoza's philosophy: there can be no liberation of the mind without a liberation of the body, and no liberation of the individual without a collective liberation, and that the written form of these propositions itself possesses a corporeal existence, not as the realization or materialization of a pre-existing mental, spiritual intention, but as a body among other bodies. Ultimately, the book prompts us to consider Spinoza's philosophy anew, by replacing questions like "Who has read it?" and "Of those, how many of us have understood it?" with "What material effects has it produced, not only on or in minds, but on bodies as well?" and "To what extent has it moved bodies and what has it moved them to?
The Other Adam Smith represents the next wave of critical thinking about the still under-examined work of this paradigmatic Enlightenment thinker. Not simply another book about Adam Smith, it allows and even necessitates his inclusion in the realm of theory in the broadest sense. Moving beyond his usual economic and moral philosophical texts, Mike Hill and Warren Montag take seriously Smith's entire corpus, his writing on knowledge, affect, sociability and government, and political economy, as constituting a comprehensive—though highly contestable—system of thought. We meet not just Smith the economist, but Smith the philosopher, Smith the literary critic, Smith the historian, and Smith the anthropologist. Placed in relation to key thinkers such as Hume, Lord Kames, Fielding, Hayek, Von Mises, and Agamben, this other Adam Smith, far from being localized in the history of eighteenth-century economic thought or ideas, stands at the center of the most vibrant and contentious debates of the twentieth and twenty-first centuries.
Modeled on THE NEW NIETZSCHE, this collection revitalizes the thought of Spinoza. These essays establish Spinoza's rightful role in the development and direction of contemporary continental philosophy. The volume should interest not only the growing group of scholars attracted to Spinoza's ideas on ethics, politics, and subjectivity, but also theorists in a variety of fields.
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