I loved this book and can't stop talking about it. . . . Transcendent." —Carolyn See, The Washington Post In the tradition of Balzac and the Little Chinese Seamstress, Wang Gang's English is a captivating coming-of-age novel about the power of language to launch a journey of self-discovery. When a new teacher—a tall, elegantly dressed man from Shanghai carrying an English dictionary under his arm—comes to Urumqi, the capital of China's far west region of Xinjiang, twelve-year-old Love Liu turns away from Chairman Mao's little red book and toward the teacher's big blue book for answers to his most pressing questions about love and life. But as a whole new world begins to open up for him, Love Liu must face a test more challenging than any he'll take in the classroom.
Like Rose wayward ending, like bleeding lips as pernicious, in the dark in the dark that dream, can not see from the lens of a pain, you're like, skim Red heavy.
The Cultivator Clan's Lin Hao had obtained the jade bracelet by chance. Within the jade bracelet, there were several acres of spirit farmland and several batches of immortal pills. From then on, Lin Hao embarked on the road of becoming an expert.
The authors of this work argue strongly that the decentralization that has taken place in China over the past two decades threatens to undermine the future of reform and perhaps even the state itself. They contend that reform has undermined state capacity in China, and that the state's fiscal revenues, as a percentage of GNP, have declined and will continue to decline into the foreseeable future, thereby weakening China's ability to mobilize resources for modernization.
Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.
Lineages Embedded in Temple Networks explores the key role played by elite Daoists in social and cultural life in Ming China, notably by mediating between local networks—biological lineages, territorial communities, temples, and festivals—and the state. They did this through their organization in clerical lineages—their own empire-wide networks for channeling knowledge, patronage, and resources—and by controlling central temples that were nodes of local social structures. In this book, the only comprehensive social history of local Daoism during the Ming largely based on literary sources and fieldwork, Richard G. Wang delineates the interface between local organizations (such as lineages and temple networks) and central state institutions. The first part provides the framework for viewing Daoism as a social institution in regard to both its religious lineages and its service to the state in the bureaucratic apparatus to implement state orthodoxy. The second part follows four cases to reveal the connections between clerical lineages and local networks. Wang illustrates how Daoism claimed a universal ideology and civilizing force that mediated between local organizations and central state institutions, which in turn brought meaning and legitimacy to both local society and the state.
The bestselling novel by cult writer Wang Xiaobo, a satire of the Cultural Revolution, in its first full English translation 'Wang Xiaobo is a truly unique writer, and there are very few writers like him' Ai Weiwei 'Fills the reader with aching poignancy, and yet makes them want to laugh out loud' Jung Chang, author of Wild Swans Twenty-one year old Wang Er, stationed in a remote mountain commune, spends his days herding oxen, napping and dreaming of losing his virginity. His dreams come true in the shape of the beautiful doctor Cheng Qinyang. So begins the riotously funny story of their illicit love affair, the Party officials who enjoy their forced confessions a little too much, and Wang's life under the Communist regime: his misadventures as a biology lecturer in a Beijing university, and his entanglements with family, friends and lovers. Golden Age is an explosive, subversive, wild and hilarious satire, featuring one of literature's great protagonists, a sensation when it was published in the 1990s and beloved today.
A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema.
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