The last of the Spanish Romantics, composer, conductor, and impresario Federico Moreno Torroba (1891-1982) left his mark on virtually every aspect of Spanish musical culture during a career that spanned six decades and saw tremendous political and cultural upheavals. After Falla, he was the most important and influential musician: in addition to his creative activities, he was President of the General Society of Authors and Editors and director of the Academy of Fine Arts. His enduring contributions as a composer include dozens of guitar works composed for Andrés Segovia and several highly successful zarzuelas, which remain in the repertoire today. Written by two leading experts in the field, Federico Moreno Torroba: A Musical Life in Three Acts explores not only his life and work, but also the relationship of his music to the cultural milieu in which he moved. It sheds particular light on the relationship of Torroba's music and the cultural politics of Francisco Franco's dictatorship (1939-75). Torroba came of age during a cultural renaissance that sought to reassert Spain's position as a unique cultural entity, and authors Walter A. Clark and William Krause demonstrate how his work can be understood as a personal, musical response to these aspirations. Clark and Krause argue that Torroba's decision to remain in Spain even during the years of Franco's dictatorship was based primarily not on political ideology but rather on an unwillingness to leave his native soil. Rather than abandon Spain to participate in the dynamic musical life abroad, he continued to compose music that reflected his conservative view of his national and personal heritage. The authors contend that this pursuit did not necessitate allegiance to a particular regime, but rather to the non-political exaltation of Spain's so-called "eternal tradition," or the culture and spirit that had endured throughout Spain's turbulent history. Following Franco's death in 1975, there was ambivalence towards figures like Torroba who had made their peace with the dictatorship and paid a heavy price in terms of their reputation among expatriates. Moreover, his very conservative musical style made him a target for the post-war avant-garde, which disdained his highly tonal and melodic españolismo. With the demise of high modernism, however, the time has come for this new, more distanced assessment of Torroba's contributions. Richly illustrated with photographs and musical examples, and with a helpful chronology and works list for reference, this biography brings a fresh perspective on this influential composer to Latin American and Iberian music scholars, performers, and lovers of Spanish music alike.
The 20-square-mile expanse of picturesque lakes and Douglas fir groves in which Lakewood is nestled was first known as "The Prairie," a vital crossroads between the Columbia River Gorge and Vancouver, British Columbia, for British fur traders and Native Americans. Fort Steilacoom became a stronghold of American interests before, during, and after the Indian War of 1855-1856 and was a crucible for men who would figure prominently in the Civil War. The prairie and the Lakes District later grew into a playground for Tacoma's wealthy. On one end of Lakewood, racers such as Barney Oldfield and Eddie Rickenbacker entertained tens of thousands; while on the other end, health care professionals at Western State Hospital sought answers to mental illness. Lakewood still boasts the first golf club in the West--the Tacoma Country and Golf Club--and the internationally known Lakewold Gardens.
Johnny Appleseed, Davy Crockett, Pecos Bill, Paul Bunyan and John Henry have all become heroes of American folklore. Some of them, like Crokett, were real, but all have become the subject of tall tales. This is a folksy history of the United States, told as if the characters were all real. This panoramic (if completely untrue) history begins with Columbus. . . . En route to its end in the 1940s (where traditional American heroes are enlisted to fight in World War II), it covers the great and small events of our national history, including the overlooked, but important ones, such as the invention of the prairie dog."—Washington Post Book World
Gib's Odyssey is the true story of one extraordinary man, Gib Peters, and his solo odyssey along the Intracoastal Waterway from Key West to New York and back while suffering the ravages of Lou Gehrig’s disease (amyotrophic lateral sclerosis, or ALS). On an astonishing six-month voyage, Gib and his boat, Ka-accidentally, encounter everything from an incompetent captain who dives into the water and accidently stabs himself with his knife after wrapping his ship's anchor around one of Ka Ching’s propellers, to the U.S. Coast Guard rushing to stop him from entering an active weapons test zone. At one point, Gib even commences an epic search for his two kittens, Faith and Hope, when they go AWOL at a marina in Atlantic City. All the while, Gib is forced to cope with increasing levels of paralysis, ultimately having to steer the boat home with his feet after losing all use of the muscles in his arms. The book is far from depressing, however. It is the story of Gib's indomitable spirit in the face of death--one that causes him to do acts such as pouring his invented alcoholic drink, the rum-ka-ching directly into his stomach via his feeding tube and getting incredibly drunk one night. Authored by Gib's neurologist, the book is told in Gib's own voice through his correspondence with friends and family as well as the articles he wrote for the Key West Citizen. Part travelogue, part soul-searching meditation, Gib’s Odyssey is the heart-rending story of a man who defiantly resisted the encroachments of a fatal degenerative disease. The odyssey of Gib Peters is a story of a man who left a lasting mark on his community by conquering despair and choosing a life of adventure with the precious time he had left.
Henry Morrison Flagler (1830-1913) was a railroad tycoon and partner with John D. Rockefeller in the Standard Oil Company. Although most of his fortune was made in the North, he devoted the better part of his life and his wealth to the development of Florida. Published in 1949, Florida's Flagler was the first biography of Flagler, tracing his life from his heritage and youth through his early dealings in grain, his association with Rockefeller, and his later activities in Florida. Sidney Walter Martin presents a colorful and authoritative account of the accomplishments and failures of this controversial figure.
The number and variety of forts and posts, together with changes of location, name, and designation, have posed perplexing problems for students of western history. Now Robert W. Frazer has prepared a systematic listing of all presidios and military forts, which were ever, at any time and in any sense, so designated. The lists of posts are arranged alphabetically within the boundaries of present states. Pertinent information is included for each fort: date of establishment, location, and reason for establishment; name, rank, and military unit of the person establishing the post; origin of the post name and changes in name and location; present status or date of abandonment; and disposition of any existing military reservation. A map for each state shows the location of the posts discussed. A prime reference for historians, Forts of the West will prove useful to readers of western history as well.
William Rand Kenan, Jr. (1872-1965) is best remembered throughout his native North Carolina as a major benefactor of his alma mater, the University of North Carolina at Chapel Hill. But he was also a gifted scientist and business executive. In this first
A composer of singular vision. Joaquín Rodrigo (1901–1999) is best known as the composer of one of the most popular works of music in the twentieth century—the Concierto de Aranjuez for guitar and orchestra. It’s been featured in movies and television commercials and remains a staple of concert programs for orchestras around the world. Miles Davis said, “After listening to it for a couple of weeks…I couldn’t get it out of my mind,” and he used it as inspiration for his album Sketches of Spain. But as Javier Suárez-Pajares and Walter Aaron Clark reveal in this musical biography—the first complete study in English—Rodrigo’s work and influence extend far beyond that singular composition. A Light in the Darkness takes us through Rodrigo’s childhood in Valencia, the onset of blindness at the age of three, and the beginnings of his musical education. He achieved some early success in Spain as a composer before moving to Paris in 1927 to advance his studies, following in the footsteps of other eminent Spanish composers like Isaac Albéniz, Joaquín Turina, and Manuel de Falla. There he enrolled in courses with composer Paul Dukas, met the woman who would become his wife, and earned the respect and friendship of Falla, who became his champion. Along the way, Rodrigo’s musical voice developed and matured as his horizons widened. Suárez-Pajares and Clark present a definitive account of the making of Rodrigo’s celebrated guitar concerto, even as they capture the breadth of Rodrigo’s compositional output, from solo works for piano and guitar through chamber music and vocal works to concertos and orchestral pieces. As they demonstrate, Rodrigo’s music is unmistakably Spanish, but with his own unique accent. Rodrigo’s life and career spanned a period of great tumult in Spain, and he had to navigate strong, shifting political and cultural currents—before, during, and after Franco. An authoritative life of one of the twentieth century’s great musical geniuses, A Light in the Darkness becomes a stunning tale of how art gets made under even the most challenging circumstances.
Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.
Two volumes, including works by the three foremost seventeenth-century Flemish artists{u2014}Rubens, Van Dyck, and Jordaens{u2014}as well as works by their contemporaries. -- Metropolitan Museum of Art website.
A valuable recounting of the first formal archaeological excavations in Puerto Rico Originally published as the Twenty-Fifth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution in 1907, this book was praised in an article in American Anthropologist as doing “more than any other to give a comprehensive idea of the archaeology of the West Indies.” Until that time, for mainly political reasons, little scientific research had been conducted by Americans on any of the Caribbean islands. Dr. Fewkes' unique skills of observation and experience served him well in the quest to understand Caribbean prehistory and culture. This volume, the result of his careful fieldwork in Puerto Rico in 1902-04, is magnificently illustrated by 93 plates and 43 line drawings of specimens from both public and private collections of the islands. A 1907 article in the Journal of the Royal Anthropological Institute of Great Britain and Ireland described the volume as “a most valuable contribution to ethnographical science.”
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