In this engaging study, Walter L. Arnstein explores both the private life and the public role of the young princess who inherited Britain's throne as a teenager and who became the octogenarian symbolic head of the largest empire in the history of the world. Arnstein incorporates the findings of past studies and recent research (including articles of his own based on previously unpublished letters and journals) to shed light on often-neglected aspects of Victoria's life and reign: her concern with gender roles, religion, politics, and Ireland; as well as her involvement with both the controversial domestic issues and the great international conflicts of the era. Wherever the historical evidence allows, Arnstein enables the monarch to speak in her own words, demonstrating that Victoria was not only the queen who became an adjective, but also a highly-quotable, multi-dimensional human being. Concise, authoritative and attractively illustrated, Queen Victoria provides the economic, social, cultural and political background knowledge to make the life of this fascinating monarch intelligible even to readers unfamiliar with her now distant world.
This text, which is the fourth volume in the best-selling History of England series, tells how a small and insignificant outpost of the Roman empire evolved into a nation that has produced and disseminated so many significant ideas and institutions. This is the only comprehensive text available for the History of England survey course that has been revised and updated to include coverage of the entire 20th century.
In 1860, Queen Victoria sent her eighteen-year-old son, Albert Edward, Prince of Wales, on a goodwill mission to Canada and the United States. The young heir-apparent (later King Edward VII) had not yet gained his reputation as a fashion setter and rake, but he nevertheless attracted enormous crowds both in Canada, where it was the first royal visit, and in the United States. Civic leaders hosted the visitor in princely style, decorating their towns with triumphal arches and organizing royal entries, public processions, openings, and grand balls. In Royal Spectacle, Ian Radforth recreates these displays of civic pride by making use of the many public and private accounts of them, and he analyses the heated controversies the visit provoked. When communities rushed to honour the prince and put themselves on display, social divisions inadvertently became part of the spectacle seen by the prince and described by visiting journalists. Street theatre reached a climax in Kingston, where the Prince of Wales could not disembark from his steamer because of the defiance of thousands of Orangemen dressed in their brilliant regalia and waiving their banners. Contemporary depictions of the tour provide an opportunity to interpret the cultural values and social differences that shaped Canada during the Confederation decade and the United States on the eve of the Civil War. Topics explored include Orange-Green conflict, First Nations and the politics of public display, contested representations of race and gender, the tourist gaze, and meanings of crown and empire. An original and erudite study, Royal Spectacle contributes greatly to historical research on public spectacle, colonial and national identities, Britishness in the Atlantic world, and the history of the monarchy.
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