“I never wanted to be a millionaire—I just wanted to live like one...”—Walter Hagen THIS IS Walter Hagen’s own story of the two decades when he ruled the golfing world as King. Hagen not only won a major tournament every year for twenty years—a record never even approached by any other golfer—but his personality dominated the game over that period. Before he came along, professional golfers had the status of hired hands. The Haig was the man who crashed the front door of the clubhouses, and he brought along with him the entire fraternity of golf professionals. He was a magnificent showman and, in addition to changing the social standing of the golf pro, his competitive skill and flamboyant character built up public in interest in golf throughout the world. The result was perhaps best expressed in Gene Sarazen’s own memoirs when he said, “All the professionals who have a chance to go after the big money today should say silent thanks to Walter Hagen each time they stretch a check between their fingers. It was Walter Hagen who made professional golf what it is.” The picture of sartorial elegance, he became the fashion plate that others copied for years. He was the honoured guest of emperors and the tutor and personal friend of the young Edward, then Prince of Wales. An idol both at home and abroad (he won the U.S. Open twice, made the P.G.A. Championship almost his exclusive personal property through the twenties, and won the British Open four times), he toured the world with Joe Kirkwood as the most outstanding ambassador of good will that golf ever produced. All this and much more is set down in this book in a style which has the same swashbuckling flavour as characterized his long playing career.
“I never wanted to be a millionaire—I just wanted to live like one...”—Walter Hagen THIS IS Walter Hagen’s own story of the two decades when he ruled the golfing world as King. Hagen not only won a major tournament every year for twenty years—a record never even approached by any other golfer—but his personality dominated the game over that period. Before he came along, professional golfers had the status of hired hands. The Haig was the man who crashed the front door of the clubhouses, and he brought along with him the entire fraternity of golf professionals. He was a magnificent showman and, in addition to changing the social standing of the golf pro, his competitive skill and flamboyant character built up public in interest in golf throughout the world. The result was perhaps best expressed in Gene Sarazen’s own memoirs when he said, “All the professionals who have a chance to go after the big money today should say silent thanks to Walter Hagen each time they stretch a check between their fingers. It was Walter Hagen who made professional golf what it is.” The picture of sartorial elegance, he became the fashion plate that others copied for years. He was the honoured guest of emperors and the tutor and personal friend of the young Edward, then Prince of Wales. An idol both at home and abroad (he won the U.S. Open twice, made the P.G.A. Championship almost his exclusive personal property through the twenties, and won the British Open four times), he toured the world with Joe Kirkwood as the most outstanding ambassador of good will that golf ever produced. All this and much more is set down in this book in a style which has the same swashbuckling flavour as characterized his long playing career.
Collects Thor (1966) #357-363 and Balder The Brave #1-4. Few people have ever left their mark on one character quite the way Walter Simonson has. His work on the MIGHTY THOR swept the Norse God of Thunder to heights never before seen and rarely achieved in his wake. Spanning epic tales of heroism and treachery, love and war, Simonsons work is often considered the definitive Thor. From the majesty and mystery of fabled Asgard to the gritty streets of New York City, Thor was never the same. That is the mark of a true visionary. This third volume continues the collection of Simonsons epic run completely remastered from the original artwork and dynamically recolored by Steve Oliff.
Richard Wagner’s magnum opus meets the celebrated translator of Jules Verne novels in this colorful and original work. Frederick Paul Walter makes Twilight for the Gods accessible not only to scholars and opera buffs but also to fans of Tolkien, Star Wars, and Hogwarts through a dazzling new translation in lively modern English and annotations that spotlight the libretto, lyrics, and stage directions. The translation conveys Wagner’s humor, rhymes, alliterative effects, subliminal messages, and inventive tale spinning, plus it also gets the most basic ingredient right: the actual story! It highlights the motives, secrets, and plot twists—what’s really going on and what its narrative shows. Accompanying the translation and annotations are dozens of photos of classic artwork by Arthur Rackham, Howard Pyle, Aubrey Beardsley, the 1876 costume and set designs, and much more.
Collects Balder the Brave #1-4 and Thor (1966) #360-362. War in Hel! Odin the All-Father is gone, and death goddess Hela is stockpiling souls for the fight to take his place! The mighty Thor leads Asgard's finest to rescue the dead from a fate WORSE than death, while Thor's brother-in-arms Balder battles giants to rescue his beloved Queen Karnilla! The God of Thunder and the God of Light - which one will lead Asgard into the face of coming dooms? Plus: a longtime Marvel villain makes the ultimate sacrifice, but for whom?
A classic analysis of the American leftist writers of the 1900s, their work, and the political, social, economic, and cultural environment in which they existed--originally published in 1956 (Harvard U. Press) and reprinted with a new preface (8 pp.) by the author. Annotation copyrighted by Book News, Inc., Portland, OR
As the first comprehensive encyclopedic survey of Western architectural theory from Vitruvius to the present, this book is an essential resource for architects, students, teachers, historians, and theorists. Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.
Jazz and Death: Reception, Rituals, and Representations critically examines the myriad and complex interactions between jazz and death, from the New Orleans "jazz funeral" to jazz in heaven or hell, final recordings, jazz monuments, and the music’s own presumed death. It looks at how fans, critics, journalists, historians, writers, the media, and musicians have narrated, mythologized, and relayed those stories. What causes the fascination of the jazz world with its deaths? What does it say about how our culture views jazz and its practitioners? Is jazz somehow a fatal culture? The narratives surrounding jazz and death cast a light on how the music and its creators are perceived. Stories of jazz musicians typically bring up different tropes, ranging from the tragic, misunderstood genius to the notion that virtuosity somehow comes at a price. Many of these narratives tend to perpetuate the gendered and racialized stereotypes that have been part of jazz’s history. In the end, the ideas that encompass jazz and death help audiences find meaning in a complex musical practice and come to grips with the passing of their revered musical heroes -- and possibly with their own mortality.
This new collection by Walter Laqueur, one of the most distinguished historians and political commentators of the twentieth and twenty-first centuries, vividly brings to life his perspective on fifty years of political life. The essays in this volume deal with events ranging from more than seventy years ago to some that have not yet happened, but may in years to come. Laqueur divides his writings into five main areas: optimism in politics, the topic that unites this volume; Europe; the Arab Spring; Israel and Jewish affairs; and recollections of the past.This volume addresses an increasingly important question: How much optimism do we need in politics? Some neuroscientists believe that many of our assessments rest on an excess of optimism amounting to a dangerous bias. Another school of cognitive scientists sees the main danger in being influenced too much by negative conclusions. Although these competing perspectives have been only rarely investigated, Laqueur argues that such psychological factors play a decisive role in the assessment of political trends, and they should.Laqueur also reminds readers that there is a connection between writing history and commenting on current affairs, but it is not remotely as close and simple as often thought. The idea that the historian is somehow better qualified than others to interpret the present, let alone predict the future, is certainly not borne out by the evidence. Some great historians have been good and reliable political commentators, others have been miserable failures. Laqueur definitely falls in the former camp, as these reflections attest.
The Western Novel MEGAPACKTM series returns with its fifth rip-roaring installment! Here are four more great western novels: MANHUNT WEST, by Walker A. Tompkins ... Fleeing a posse, Cleve Logan boards a riverboat loaded with outlaws. Hands are dealt in a desperate game -- and Death will take the last trick! THE RENEGADE HILLS, by Allan K. Echols ... Saddle up -- and ride hell-bent-for-leather down the trail to a hidden valley -- but keep your guns loose in your holsters, 'cause you're riding to an outlaw showdown in the Renegade Hills! LAST-CHANCE RANGE, by Dean Owen ... Byrd Elkhart called the Territory his private range. He strung his barbed wire across forty miles of it, and the other ranchers just stood by with their tails between their legs. But then a different breed of man showed up in the person of Clay Janner, of Texas -- and he was going to drive his scrawny herd over the range even if he had to turn the whole Territory into a six-gun shambles! POWDER SMOKE, by Jackson Gregory ... "Double pay," Bart Warbuck told his gunmen, "and give hundred more to the one who gets Jeff Cody!" -- It was as simple as that if you were Warbuck, had 30 killers on your payroll, and made the law whatever you wanted it to be. But it was hard to take if you were young Cody, and if the only gun you could rely on was the one in your belt. And if you alone could stop Bart Warbuck! If you enjoy this volume of classic Westerns, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 220+ other entries in this series, including not just historical fiction, but mysteries, adventure, science fiction, fantasy, horror -- and much, much more!
This book is divided into four parts: Part 1 is entitled "A Short History of Sediment Transport"; Part 2 deals with the "Hydrodynamics of Fluid-Particle Systems"; Part 3 is concerned with the "Sediment Transport in Open Channels"; and Part 4 describes the "Sediment Transport in Closed Pipes." The intent of this book was to make each part as self-contained as possible which has made this an exceptional and successful textbook. The brief introduction preceding each part will help the reader become familiar with the topic. This book has been used successfully both as a classroom textbook and as a reference book by consultants involved with sediment transport.
The now–staunchly red state of Texas was deep blue in 1950 and had virtually no functioning Republican Party. California, on the other hand, was reliably red. Today, both states have jumped to the opposite end of the political spectrum. Texas is one of the most conservative states, while California has become one of today’s most liberal bastions. These are the most dramatic cases, but notable shifts in voting patterns have occurred throughout the western states in recent decades—shifts so varied and complex that they have, until now, eluded the attention focused on the drastic examples of the South and Northeast. Bringing clarity to the remarkably mixed yet poorly understood map of America’s red, blue, and purple western half, Color Coded presents the first comprehensive history of political change and stability in the region between 1950 and 2016. The West, in Walter Nugent’s analysis, includes nineteen states: the thirteen that the U.S. Census Bureau calls the Western Region—roughly from the Rocky Mountains to the Pacific, as well as off-shore Alaska and Hawaii—plus the six Great Plains states from North Dakota south to Texas. Consulting official voting results of more than 5,300 state and national elections, as well as newspaper reports, oral histories, public documents, and other sources, Nugent reveals the ever-shifting patterns that have defined western politics in modern times. Geography, culture, history, political trajectories, and the charisma of key political actors have all played their part in these changes—and will, Nugent asserts, continue to do so for the foreseeable future. A powerful, exhaustively researched study of modern political organization, party development, and shifting voter blocs in the West, Color Coded deftly charts, as well, the profound red-blue tensions that have defined modern America. Returns for the 5,300-plus elections on which the book is based, covering the nineteen western states between 1950 and 2016, are compiled in the book's appendix.
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