One of the most important books on the modernist movement in architecture, written by a founder of the Bauhaus school. One of the most important books on the modern movement in architecture, The New Architecture and The Bauhaus poses some of the fundamental problems presented by the relations of art and industry and considers their possible, practical solution. Gropius traces the rise of the New Architecture and the work of the now famous Bauhaus and, with splendid clarity, calls for a new artist and architect educated to new materials and techniques and directly confronting the requirements of the age.
Originally published in 1956, this book provides a non-technical analysis of contemporary building by on the of the world’s greatest architects. Published a few years after the end of WW2, it was an inspiring and constructive picture of what kind of living could lie ahead for Western industrial society. This book, the result of many year in the forefront of architectural experiment and achievement by the author, outlines in practical terms the road to improved existence through science, mass production in building and renewed emphasis on the individual.
This sweeping work, at once a panoramic overview and an ambitious critical reinterpretation of European modernism, provides a bold new perspective on a movement that defined the cultural landscape of the early twentieth century. Walter L. Adamson embarks on a lucid, wide-ranging exploration of the avant-garde practices through which the modernist generations after 1900 resisted the rise of commodity culture as a threat to authentic cultural expression. Taking biographical approaches to numerous avant-garde leaders, Adamson charts the rise and fall of modernist aspirations in movements and individuals as diverse as Ruskin, Marinetti, Kandinsky, Bauhaus, Purism, and the art critic Herbert Read. In conclusion, Adamson rises to the defense of the modernists, suggesting that their ideas are relevant to current efforts to think through what it might mean to create a vibrant, aesthetically satisfying form of cultural democracy.
This book-Behrendt's principle theoretical work in German and the precursor to Modern Building- presents a revisionist concept of style that places equal emphasis on form and function. Now available in English for the first time, this incisive treatise boldly advocates international modernism to the general public.
Based on more than 40 interviews with Jobs conducted over two years--as well as interviews with more than 100 family members, friends, adversaries, competitors, and colleagues--Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing.
Traditionally, the TVA has been viewed as a unique response to special circumstances, largely lacking in historical precedents. Countering this assumption, Creese reveals the varied political, social, architectural, and technical currents that directly shaped the TVA vision, which he calls the largest, most optimistic, most skillful, planning project ever undertaken. Annotation copyrighted by Book News, Inc., Portland, OR
Item discusses life at the Wiesbaden Collecting Point in Germany, where cultural property and art works were collected and held at the end World War II. In November 1945 the Director of the Collection Point (the author) received a telegram ordering him to send 200 premier German-owned art works to Washington. He and his officers resisted this command with a written protest that became known as the Wiesbaden Manifesto.
A range of current approaches to architecture are neglected in our contemporary writings on design philosophies. This book argues that the model of 'function' and the concept of a 'functional building' that we have inherited from the twentieth-century Modernists is limited in scope and detracts from a full understanding of the purposes served by the built environment. It simply does not cover the range of functions that buildings can afford nor is it tied in a conceptually clear manner to our contemporary concepts of architectural theory. Based on Abraham Maslow's theory of human motivations, and following on from Lang's widely-used text, Creating Architectural Theory: The Role of the Behavioral Sciences in Environmental Design, Lang and Moleski here propose a new model of functionalism that responds to numerous observations on the inadequacy of current ways of thinking about functionalism in architecture and urban design. Copiously illustrated, the book puts forward this model and then goes on to discuss in detail each function of buildings and urban environments.
As the first comprehensive encyclopedic survey of Western architectural theory from Vitruvius to the present, this book is an essential resource for architects, students, teachers, historians, and theorists. Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.
The definitive guide to environmental control systems, updated with emerging technology and trends The Interactive Resource Center is an online learning environment where instructors and students can access the tools they need to make efficient use of their time, while reinforcing and assessing their understanding of key concepts for successful understanding of the course. An access card with redemption code for the online Interactive Resource Center is included with all new, print copies or can be purchased separately. (***If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code ISBN: 978111899616-4). The online Interactive Resource Center contains resources tied to the book, such as: Interactive Animations Interactive Self-tests Interactive Flashcards Case Studies Respondus Testbank (instructors only) Instructor’s Manual (over 200 pages) including additional resources (Instructors only) Roadmap to the 12th Edition (Instructors only) Student Guide to the Textbook Mechanical and Electrical Equipment for Buildings, Twelfth Edition is the industry standard reference that comprehensively covers all aspects of building systems. With over 2,200 drawings and photographs, the book discusses basic theory, preliminary building design guidelines, and detailed design procedure for buildings of all sizes. The updated twelfth edition includes over 300 new illustrations, plus information on the latest design trends, codes, and technologies, while the companion website offers new interactive features including animations, additional case studies, quizzes, and more. Environmental control systems are the components of a building that keep occupants comfortable and help make the building work. Mechanical and Electrical Equipment for Buildings covers both active controls, like air conditioners and heaters, as well as passive controls like daylighting and natural ventilation. Because these systems comprise the entire energy use and costs of a building's life, the book stresses the importance of sustainability considerations during the design process, by both architects and builders. Authored by two leading green design educators, MEEB provides the most current information on low-energy architecture, including topics like: Context, comfort, and environmental resources Indoor air quality and thermal control Illumination, acoustics, and electricity Fire protection, signal systems, and transportation Occupant comfort and building usability are the most critical factors in the success of a building design, and with environmental concerns mounting, it's becoming more and more important to approach projects from a sustainable perspective from the very beginning. As the definitive guide to environmental control systems for over 75 years, Mechanical and Electrical Equipment for Buildings is a complete resource for students and professionals alike.
A master historian takes us deep into the heart of Europe's current political and financial crisis Walter Laqueur was one of the few experts who predicted Europe's current financial and political crisis when he wrote The Last Days of Europe six years ago. Now this master historian takes readers inside the European crisis that he foresaw. Ravaged by the world economic meltdown, increasingly dependent on imported oil and gas, and lacking a common foreign policy, Europe is in dire straits. With the authority that comes from thirty years of experience as an expert on political affairs, the author predicts the future prospects of this troubled continent. Europe is the United States' closest ally, and its prosperity is vital to American's success and security. This is a must-read for anyone invested in our country's future.
Walter Benjamin’s 1931 essay “A Short History of Photography” is a landmark in the understanding and criticism of the medium, offering surprising new takes on such photographic pioneers as David Octavius Hill and Nicéphore Niépce and their aesthetic and technical achievements. On Photography presents a new translation of that essay along with a number of other writings by Benjamin, some of them presented in English for the first time. Translator and editor Esther Leslie sets Benjamin’s work in context with prefaces to each piece and contributes a substantial introduction that considers Benjamin’s engagement with photography in all its forms, including early commercial studio photography, the uses of photography in science, and much more.
The revolution in typesetting - a revolution that over the past two decades has eliminated a five-hundred-year-old system of hot metal production and replaced it with one of photo-generated and computer-driven composition - shows no sign of winding down. This book, more than any other we know, traces the steps that went into that revolution and simultaneously makes the argument that the letter forms themselves are in process of evolution. Tracy argues that, whether they are of the sixteenth or the twentieth century, the forms that comprise our alphabet are subject to the same rules of good taste, proportion, and clarity that have always obtained. But what we face today is vastly different from fifty years ago. For the first time, new technology has made the proliferation (and, as some would maintain, debasement) of letter forms fast and easy (or quick and dirty.) With fifty years of professional experience on both sides of the Atlantic (including thirty years as head of type design for the British Linotype Company), Tracy is in a unique position to make this argument and arrive at his sad conclusion: the design of distinguished, contemporary typefaces is far outnumbered by the mediocre and downright bad. Part of the reason for this deplorable deterioration is a lack of critical analysis of the particular esthetics involved. This step-by-step examination of type-design esthetics is precisely what Tracy provides here, while avoiding both the promoter's hype and the manufacturer's claims. Here are the gut issues of what makes type good or bad, legible or unreadable. Extensively illustrated with both typefaces and line drawings, this book belongs on the shelf of anyone interested in thehistory of letters or in the artistry and peculiar problems that lie behind their production.
Moss has significantly revised his text and bibliography in this second edition to reflect new research findings and controversies on numerous subjects. He has also brought the history up to date by revising the post-Soviet material, which now covers events from the end of 1991 up to the present day. This new edition retains the features of the successful first edition that have made it a popular choice in universities and colleges throughout the US, Canada and around the world.
In this his first novel Walter Kaufmann tells with stark realism the story of a group of underground fighters against Hitler. Woven into the heroic pattern of struggle and resistance, is the Iife story of a Jewish boy who sees his family disintegrating before the onslaught of HitIer’s thugs. With the passion of one who has Iived through many of the events described in Voices in the Storm, Walter Kaufmann presents an unforgettable picture of the face of fascism. Written in Australia, the novel is a Iiving link between the turbulent days of the thirties in Germany and Australia to-day, raising anew problems we hoped had belonged to the past. No Australian could put the book aside thinking: “Fascism can’t happen here.” For the men and women in its pages are essentially the same, and are subject to the same social forces as the men and women who walk the streets in our own cities. Voices in the Storm is a relentless story, yet it is a story of Iove and hope and fight. Even through the depiction of defeat the author inspires us with the strength and grandeur of man. The courage which upheld countless Germans who defied fascism in the face of death, their confidence and strength, their belief in the future and the world’s radiant dawn—the spirit of these men and women is alive in Walter Kaufmann’s deeply moving novel.
Focusing on the arcades of 19th-century Paris--glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources. 46 illustrations.
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