Solid-State Laser Engineering is written from an industrial perspective and discusses in detail the characteristics, design, construction and practical problems of solid-state lasers. Emphasis is placed on engineering and practical considerations, with a phenomenological treatment using modelsbeing preferred to abstract mathematical derivations. This new edition has been updated and revised to include important developments, concepts and technologies that have emerged since the publication of the first edition.
This collection of essays constitutes an attempt to work faithfully at the generative interface of the Bible and our life in the world. This interface variously yields, in our attentiveness, assurances and summons and often empowerment for the work of faith. That work of faith is in our moment urgent, given the force of evil and violence among us, performed by willing thuggery, by dark money, and by the hidden manipulation of social power in hurtful ways. Given such social reality, it is Brueggemann's hope that these pieces may be a source of strength and support for those who resist and refuse those nefarious forces in our midst. Thus he intends that these pieces give voice to the assurance and summons of the gospel, so that we may be able to live differently in the world, differently in ways that are marked by forgiveness, generosity, and hospitality. Such living is in the face of great pressure toward scorekeeping, parsimony, and fearful exclusion. Such living is a way of joy and hope that is on offer nowhere else. It is Brueggemann's intent to contribute as he can to the "hopes that drive us onward," in resistance to "the fears that hold us back.
This sweeping work, at once a panoramic overview and an ambitious critical reinterpretation of European modernism, provides a bold new perspective on a movement that defined the cultural landscape of the early twentieth century. Walter L. Adamson embarks on a lucid, wide-ranging exploration of the avant-garde practices through which the modernist generations after 1900 resisted the rise of commodity culture as a threat to authentic cultural expression. Taking biographical approaches to numerous avant-garde leaders, Adamson charts the rise and fall of modernist aspirations in movements and individuals as diverse as Ruskin, Marinetti, Kandinsky, Bauhaus, Purism, and the art critic Herbert Read. In conclusion, Adamson rises to the defense of the modernists, suggesting that their ideas are relevant to current efforts to think through what it might mean to create a vibrant, aesthetically satisfying form of cultural democracy.
Completely revised and updated, Dermatology covers all the classical and related fields of dermatology, providing a wealth of information on clinical features, pathophysiology, and differential diagnosis. Over 900 color photographs acquaint the reader with a variety of dermatological diseases. Each chapter contains detailed proposals for comprehensive therapy.
Organized by body system and ailment makes it easy to locate appropriate therapies. Includes background on the physiology of major systems and ailments so readers can understand how and why a pharmaceutical, botanical, or dietary supplement works. Broad coverage includes green plants, fungi, and microorganisms. Includes extensive references and citations from both conventional and complimentary-alternative medical systems when natural products or their derivatives are involved.
“Where are your factories that produce culture? Where are your painters, your composers, your architects, your writers, your filmmakers?” The book opens with Leonardo da Vinci and Qin Shi Huang asking embarrassed contemporary policy makers these questions. The first part of the book is therefore devoted to elaborating a model for producing culture. The model takes into account both the role played by creativity in the production of culture in a technologically advanced knowledge society. The second part of the book examines a selection of strategic sectors: fashion, material culture districts, gastronomy, creative industries, entertainment, contemporary art, museums. Special attention is paid to the role collective intellectual property rights play in increasing the quality of culture-based goods and services. In the conclusion policy makers in both developed and developing countries are urged to adopt policies that can foster creativity and promote culture.
Astronomy and Astrophysics Abstracts, which has appeared in semi-annual volumes since 1969, is de voted to the recording, summarizing and indexing of astronomical publications throughout the world. It is prepared under the auspices of the International Astronomical Union (according to a resolution adopted at the 14th General Assembly in 1970). Astronomy and Astrophysics Abstracts aims to present a comprehensive documentation of literature in all fields of astronomy and astrophysics. Every effort will be made to ensure that the average time interval between the date of receipt of the original literature and publication of the abstracts will not exceed eight months. This time interval is near to that achieved by monthly abstracting journals, com pared to which our system of accumulating abstracts for about six months offers the advantage of greater convenience for the user. Volume 9 contains literature published in 1973 and received before August 15, 1973; some older liter ature which was received late and which is not recorded in earlier volumes is also included. We acknowledge with thanks contributions to this volume by Dr. J. Bouska, who surveyed journals and publications in the Czech language and supplied us with abstracts in English, and by the Common wealth Scientific and Industrial Research Organization (C.S.I.R.O.), Sydney, for providing titles and abstracts of papers on radio astronomy.
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