A profound, challenging, wide-ranging book, back in print for a new generation "Inwardness and Existence accomplishes what no book before or after has even approximated: it demonstrates with great lucidity and insight the shared philosophical project that animates psychoanalysis, Marxism, existentialism, and Hegelian dialectics. Davis roots the reader in the enterprise of questioning what is given and probing beyond what is safe in order to demonstrate that psychoanalytic inquiry, Marxist politics, existential reflection, and dialectical connection all move within the same orbit. No one who reads it will ever think about existence itself in the same way again. Davis's landmark work will profoundly transform anyone who reads it."--Todd McGowan, author of The Real Gaze: Film Theory after Lacan
Through a detailed reading of five great modern American plays--The Iceman Cometh, A Streetcar Named Desire, Death of a Salesman, Long Day's Journey Into Night, and Who's Afraid of Virginia Woolf?--Walter A. Davis calls for a more penetrating look at drama and its psychological impact on the audience. Establishing connections between literary criticism and psychoanalysis, he challenges ruling assumptions of both disciplines. Unconventional and original, his theory demonstrates how the theater, as a potential threat to social order, expresses the secrets and discontents of its audience.
Walter Roth delves deep into the archives of Chicago’s Jewish past, and provides a new collection of illuminating essays on its various aspects. Booklist said of his previous collection, Looking Backward: True Stories from Chicago’s Jewish Past, ‘Roth writes about the well-known and the not-so-well-known, bringing to life the peOut of Printle, events and institutions that shaped the Jewish community.” Roth is also co-author of An Accidental Anarchist, about the killing of a Jewish immigrant by Chicago’s Chief of Police in 1908. Kirkus Reviews said, “The authors have skillfully removed the dust from an obscure but troubling episode.” Roth brings his consummate skill as storyteller to bear on this new collection, which makes for entertaining and informative reading.
Decisively refuting all the old slanders, the authors give us back the real Davis-a patriotic soldier, a reluctant secessionist, the model of a Christian gentleman, and an inspiration to all Americans, North and South. Thomas Fleming, editor chronicles: A Magazine of American Culture Jefferson Davis, captured, imprisoned, and charged with 1) conspiracy and culpability in the assassination of Abraham Lincoln; 2) conspiracy to cause the deaths of Northern P.O.W.'s at Andersonville, Georgia, a detention c& 3) participating in and attempting to assist in the growth of the system of slavery; and 4) treason against the United States of America, was never afforded his constitutional right to a trial. Now Jefferson Davis will have his day in court as the authors present the evidence to the jury-their readers. After hearing the case, readers will be able to cast their ballots on the authors' Web site to determine Davis' guilt or innocence . . . to answer the question: Was Jefferson Davis Right?
Through a detailed reading of five great modern American plays--The Iceman Cometh, A Streetcar Named Desire, Death of a Salesman, Long Day's Journey Into Night, and Who's Afraid of Virginia Woolf?--Walter A. Davis calls for a more penetrating look at drama and its psychological impact on the audience. Establishing connections between literary criticism and psychoanalysis, he challenges ruling assumptions of both disciplines. Unconventional and original, his theory demonstrates how the theater, as a potential threat to social order, expresses the secrets and discontents of its audience.
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