This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Famed for his singular prose style as much as for his controversial aestheticist principles, Walter Pater (1839-1894) was one of the great essayists in a century of great essayistic writing. His first book, Studies in the History of the Renaissance — one of the most original and influential texts of the Victorian Aesthetic Movement — was described by Arthur Symons as 'the most beautiful book of prose in our literature', and his later work moved Vernon Lee to call him 'the natural exponent of the highest aesthetic doctrine'. Selected Essays is a generous gathering of Pater's essays on literature, art, history, philosophy and mythology — all of them, in the words of Oscar Wilde, 'delicately wrought works of art'. The selection is accompanied by Alex Wong's critical and biographical introduction and rich explanatory notes.
Walter Horatio Pater (1839-1894) was an English essayist and art and literary critic. After graduating from Oxford he became acutely interested in literature, beginning to write articles and criticisms. The first of these to be printed was a brief essay upon Coleridge, contributed in 1866 to the Westminster Review. A few months later (January, 1867), his essay on Winckelmann, the first expression of his idealism, appeared in the same review. In the following year his study of Aesthetic Poetry appeared in the Fortnightly Review. By the time his philosophical novel Marius the Epicurean appeared, however, he had gathered quite a following. This, his chief contribution to literature, was published early in 1885. In 1887 he published Imaginary Portraits, a series of essays in philosophic fiction; in 1889, Appreciations, with an Essay on Style; in 1893, Plato and Platonism; and in 1894, The Child in the House. His Greek Studies and his Miscellaneous Studies were collected posthumously in 1895; his posthumous romance of Gaston de Latour in 1896; and his essays from The Guardian were privately printed in 1897.
Oscar Wilde called this collection of essays the "holy writ of beauty." Published to great acclaim in 1837, it examines the work of Renaissance artists such as Winckelmann and the then neglected Botticelli, and includes a celebrated discussion of the Mona Lisa in a study of Da Vinci. Thebook strongly influenced art students and aesthetes of the day and is still valuable for the insights it offers and the beauty of the writing.
Walter Horatio Pater (1839-1894) was an English essayist and art and literary critic. After graduating from Oxford he became acutely interested in literature, beginning to write articles and criticisms. The first of these to be printed was a brief essay upon Coleridge, contributed in 1866 to the Westminster Review. A few months later (January, 1867), his essay on Winckelmann, the first expression of his idealism, appeared in the same review. In the following year his study of Aesthetic Poetry appeared in the Fortnightly Review. By the time his philosophical novel Marius the Epicurean appeared, however, he had gathered quite a following. This, his chief contribution to literature, was published early in 1885. In 1887 he published Imaginary Portraits, a series of essays in philosophic fiction; in 1889, Appreciations, with an Essay on Style; in 1893, Plato and Platonism; and in 1894, The Child in the House. His Greek Studies and his Miscellaneous Studies were collected posthumously in 1895; his posthumous romance of Gaston de Latour in 1896; and his essays from The Guardian were privately printed in 1897.
Walter Horatio Pater (1839-1894) was an English essayist and art and literary critic. After graduating from Oxford he became acutely interested in literature, beginning to write articles and criticisms. The first of these to be printed was a brief essay upon Coleridge, contributed in 1866 to the Westminster Review. A few months later (January, 1867), his essay on Winckelmann, the first expression of his idealism, appeared in the same review. In the following year his study of Aesthetic Poetry appeared in the Fortnightly Review. By the time his philosophical novel Marius the Epicurean appeared, however, he had gathered quite a following. This, his chief contribution to literature, was published early in 1885.
Walter Horatio Pater (1839-1894) was an English essayist and art and literary critic. After graduating from Oxford he became acutely interested in literature, beginning to write articles and criticisms. The first of these to be printed was a brief essay upon Coleridge, contributed in 1866 to the Westminster Review. A few months later (January, 1867), his essay on Winckelmann, the first expression of his idealism, appeared in the same review. In the following year his study of Aesthetic Poetry appeared in the Fortnightly Review. By the time his philosophical novel Marius the Epicurean appeared, however, he had gathered quite a following. This, his chief contribution to literature, was published early in 1885.
Walter Horatio Pater (1839-1894) was an English essayist and art and literary critic. After graduating from Oxford he became acutely interested in literature, beginning to write articles and criticisms. The first of these to be printed was a brief essay upon Coleridge, contributed in 1866 to the Westminster Review. A few months later (January, 1867), his essay on Winckelmann, the first expression of his idealism, appeared in the same review. In the following year his study of Aesthetic Poetry appeared in the Fortnightly Review. By the time his philosophical novel Marius the Epicurean appeared, however, he had gathered quite a following. This, his chief contribution to literature, was published early in 1885. In 1887 he published Imaginary Portraits, a series of essays in philosophic fiction; in 1889, Appreciations, with an Essay on Style; in 1893, Plato and Platonism; and in 1894, The Child in the House. His Greek Studies and his Miscellaneous Studies were collected posthumously in 1895; his posthumous romance of Gaston de Latour in 1896; and his essays from The Guardian were privately printed in 1897.
Walter Horatio Pater (1839-1894) was an English essayist and art and literary critic. After graduating from Oxford he became acutely interested in literature, beginning to write articles and criticisms. The first of these to be printed was a brief essay upon Coleridge, contributed in 1866 to the Westminster Review. A few months later (January, 1867), his essay on Winckelmann, the first expression of his idealism, appeared in the same review. In the following year his study of Aesthetic Poetry appeared in the Fortnightly Review. By the time his philosophical novel Marius the Epicurean appeared, however, he had gathered quite a following. This, his chief contribution to literature, was published early in 1885. In 1887 he published Imaginary Portraits, a series of essays in philosophic fiction; in 1889, Appreciations, with an Essay on Style; in 1893, Plato and Platonism; and in 1894, The Child in the House. His Greek Studies and his Miscellaneous Studies were collected posthumously in 1895; his posthumous romance of Gaston de Latour in 1896; and his essays from The Guardian were privately printed in 1897.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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