Before achieving international fame as the creator of Pogo Possum, legendary cartoonist Walt Kelly produced an outstanding body of work adapting and illustrating fairy tales, fables and nursery rhymes for Dell Comics in the 1940s. Already an indisputable master of his craft, these wonderful and whimsical stories come to unparalleled life through Kelly's signature, spirited humor and fluid, exuberant hand. Comprised of carefully selected and rarely seen work that originally appeared in issues of Dell Comics' Fairy Tale Parade, Four Color, Raggedy Ann and Andy, and Santa Claus Funnies, this volume is a vital part of the history and legacy of one of comics' most eminent and influential masters.
This volume includes a pig with an ominous resemblance to Nikita Khrushchev and a scruffy goat who looks exactly like Fidel Castro. Both assure Okefenokeeans that a one-party system is the way to go; all will be well economically, they explain, because "the shortage will be divided amongst the peasants." Other storylines spotlight Kelly's remarkable cast: Pogo Possum, Albert Alligator, Howland Owl, "Churchy" LaFemme, Beauregard Bugleboy, Porky Pine, Miz Ma'm'selle Hepzibah, Deacon Mushrat, and so many others. All 104 Sunday strips from those two years are included, with supplementary features (including comprehensive annotations and index) by comics historians R.C. Harvey, Maggie Thompson, and Mark Evanier.
Walt Kelly's Pogo: the Complete Dell Comics Volume Five; ISBN: 978-1-61345-127-4; 192; all color; all art and script by Walt Kelly; hardcover; $50. Following on the heels of Hermes Press' critically acclaimed Eisner nominated reprint of Walt Kelly's Pogo stories from Animal Comics, Four Color Comics, and Pogo Possum in Walt Kelly's Pogo the Complete Dell Comics Volumes One and Two ― with Volume Four having been released in November 2016― this fifth volume reprints the even more issues of Pogo Possum, #12-#14. Walt Kelly's Pogo, acknowledged as one of the most important and influential comic strips of all time, first appeared not in newspapers but as a feature in the Dell comic book anthology Animal Comics, as well as in Dell's Four Color Comics before getting its own title, Pogo Possum in 1949. It was here, in the four color world of comic books, that the feature and its characters grew and matured, ultimately becoming one of the world's most famous comic strips. Now fans of Pogo can see it all from the beginning with Hermes Press' reprint of the complete Dell Comics Pogo. Noted comics historian Thomas Andrae observed that with Pogo, "Walt Kelly created a strip that is both poetic and graphically stunning as well as an important commentary on our times." With Hermes Press' complete reprint of Dell Comics Pogo admirers of this groundbreaking comics feature can now witness the strip's evolution, in an archival hardcover, digitally reconstructed to perfection.
Walt Kelly blended nonsense language, poetry, and political and social satire to make Pogo an essential contribution to American “intellectual” comics. As the strip progressed, it became a hilarious platform for Kelly’s scathing political views in which he skewered national bogeymen like J. Edgar Hoover, Joseph McCarthy, George Wallace, and Richard Nixon. Walt Kelly started when newspaper strips shied away from politics ― Pogo was ahead of its time and ahead of later strips (such as Doonesbury and The Boondocks) that tackled political issues. Our first (of 12) volume reprints approximately the first two years of Pogo ― dailies and (for the first time) full-color Sundays. This first volume also introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols.
Before achieving international fame as the creator of Pogo Possum, legendary cartoonist Walt Kelly produced an outstanding body of work adapting and illustrating fairy tales, fables and nursery rhymes for Dell Comics in the 1940s. Already an indisputable master of his craft, these wonderful and whimsical stories come to unparalleled life through Kelly's signature, spirited humor and fluid, exuberant hand. Comprised of carefully selected and rarely seen work that originally appeared in issues of Dell Comics' Fairy Tale Parade, Four Color, Raggedy Ann and Andy, and Santa Claus Funnies, this volume is a vital part of the history and legacy of one of comics' most eminent and influential masters.
This is the first time Pogo has been complete and in chronological order for the first time anywhere―with all 104 Sunday strips from these two years presented in lush full color for the first time since their original appearance in Sunday newspaper sections. In this volume, the Okefenokee gang decide to dig a canal to compete with the Suez (as soon as they can con one of their own into doing the digging) and consider going back to school. Among other hi-jinx, a flea comes a courtin' Beauregard the Dog.
This is the first time Pogo has been complete and in chronological order anywhere—with all 104 Sunday strips from these two years presented in lush full color for the first time since their original appearance in Sunday newspaper sections. In Volume 6, Albert Alligator and Beauregard Bugleboy fend off a man-from-Mars, and Howland Owl investigates Communist espionage in the postal system. Then, it's election year and Okefenokee Swamp gets a new presidential candidate.
Pogo: Bona Fide Balderdash is the second volume in a series reprinting in its entirety the syndicated run of Walt Kelly's classic newspaper strip. It features all the strips from 1951 and 1952, which have been collected before, but in now long-out-of print books, and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available.
A true natural genius of comic art." — Mort Walker, creator of Beetle Bailey Starting in 1948, Walt Kelly's newspaper-based comic strip Pogo lampooned sociopolitical issues from the Red Scare to the environmental movement. A gifted cartoonist who began his career at Walt Disney Studios, Kelly explored the virtues and follies of human nature with a lively cast of Okefenokee Swamp critters. Kind-hearted Pogo Possum headed the crew, which included intellectual Howland Owl; exuberant Albert Alligator; poetic mud turtle Churchy LaFemme; romantic hound dog Beauregard Bugleboy; and other impish personalities. Even readers too young to appreciate the strip's satirical elements were charmed by the eccentric creatures and their offbeat wordplay. This compilation features comics from the election year of 1952, during which Pogo's neighbors encouraged the reluctant possum to run for president. Their rallying cry, "I Go Pogo," parodied Dwight D. Eisenhower's "I Like Ike" slogan and provided real-life fans with a write-in candidate. Kelly's sly humor and flair for creative language—replete with malapropisms and nonsense verse — retain their imaginative verve for comics enthusiasts of the twenty-first century.
Pogo: Bona Fide Balderdash is the second volume in a series reprinting in its entirety the syndicated run of Walt Kelly's classic newspaper strip. It features all the strips from 1951 and 1952, which have been collected before, but in now long-out-of print books, and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available.
It's in this volume (featuring another two years worth of Pogo strips) that we meet one of Walt Kelly's boldest political caricatures. Folks across America had little trouble equating the insidious wildcat Simple J. Malarkey with the ascendant anti-Communist senator, Joseph McCarthy. The subject was sensitive enough that by the following year a Providence, Rhode Island newspaper threatened to drop the strip if Malarkey's face were to appear in it again. Kelly's response? He had Malarkey appear again but put a bag over the character's head for his next appearance. Ergo, his face did not appear. (Typical of Kelly's layers of verbal wit, the character Malarkey was hiding from was a Rhode Island Red hen, referencing both the source of his need to conceal Malarkey and the underlying political controversy.) The entirety of these sequences can be found in this book. But the Malarkey storyline is only a tiny portion of those rich, eventful two years, which include such classic sequences as con-man Seminole Sam's attempts to corner the market on water (which Porkypine's Uncle Baldwin tries to one-up by cornering the market on dirt); a return engagement of Pup Dog and Houndog's blank-eyed Little Orphan Annie parody Li'l Arf and Nonny; Churchy La Femme going in drag to deliver a love poem he wrote, Cyrano style, on Deacon Mush-rat's behalf to Sis Boombah (the aforementioned hen); P.T. Bridgeport's return to the swamp in search of new talent; and of course two rousing choruses of Deck Us All With Boston Charlie.
The Alaskan wilderness is a lonely place for Mark Andersen, especially after the death of his brother. But Mark finds a friend named Ben, who happens to be an Alaskan brown bear. Ben and Mark form a special bond, but the townspeople are determined to destroy it. It is only through the strength of an enduring friendship that Ben—and Mark—have a chance of being saved.
High quality reprint of the original activity books for children of Peter Wheat, published from the Breads and Bakers Associates and distributed by Dell Publishing during the Golden Age. Inside you will find coloring pages, crosswords, mazes and many other time-killer games that would thrill kids and adults alike. With art by animation and comic book legends Walt Kelly and Al Hubbard! Still fresh and funny after 60 years!
About the Book A Day in the Life is a gripping coming-of-age memoir in the same realm as Platoon and Born on the Fourth of July. Told in snapshot scenes during his recovery, Madigan intersperses family funnies, Los Angeles surf culture, and Catholic school antics within his soul-baring tale of day-to-day survival. Ultimately, Madigan relies on his own grit and faith in God to guide him through his perilous journey and return to The World in one piece. About the Author Walt Madigan was born in Los Angeles, California, in May 1947, the sixth of eight children brought into the world by Nellie Madigan. He attended Catholic schools through grade twelve and was drafted into the United States Army in 1966. He served as a combat infantryman in Vietnam, was wounded twice, and finished his second year in the Army as a Drill Sergeant at Fort Ord in Monterey, CA. He received an honorable discharge in August 1968. After earning a degree in Behavioral Sciences from San Jose State University (1972) and moving to Alaska where he learned the flooring trade, he opened his own business, North Shore Flooring, first in North Lake Tahoe, and then in Kings Beach, CA. He specialized in antique, vintage, and reclaimed hardwoods; fine carpeting; and luxury vinyl plank until his retirement in 2019. He lives in Arroyo Grande on the Central California Coast. His days are now filled with writing exercises, pickleball, kayaking on the ocean, and day hikes in Big Sur.
Author Walt Harrington, award-winning writer for the Washington Post Magazine, lifts the masks of celebrity and obscurity to reveal the lives of some singular men and women--from actress Kelly McGillis to nocturnal satanist Anton LaVey."--Publishers website.
This volume includes a pig with an ominous resemblance to Nikita Khrushchev and a scruffy goat who looks exactly like Fidel Castro. Both assure Okefenokeeans that a one-party system is the way to go; all will be well economically, they explain, because "the shortage will be divided amongst the peasants." Other storylines spotlight Kelly's remarkable cast: Pogo Possum, Albert Alligator, Howland Owl, "Churchy" LaFemme, Beauregard Bugleboy, Porky Pine, Miz Ma'm'selle Hepzibah, Deacon Mushrat, and so many others. All 104 Sunday strips from those two years are included, with supplementary features (including comprehensive annotations and index) by comics historians R.C. Harvey, Maggie Thompson, and Mark Evanier.
An exemplary text for courses in feature writing, magazine, and literary journalism, Intimate Journalism introduces students to the cutting-edge art of combining traditional feature writing with deep journalistic inquiry. This collection of award-winning articles elevates human interest reporting to new heights in the literary journalism field. In a detailed and hands-on, practical primer on in-depth human reporting, editor Walt Harrington prefaces this outstanding collection by sharing the trade secrets from his 15 years as a staff writer for The Washington Post Magazine. Fifteen articles follow, each containing fascinating examples of evocative human reporting by some of the most artful journalists in America. Each article is followed by an invaluable afterword from each journalist describing how he or she conceptualized, reported and wrote their particular story. In this passionate and intense volume, Harrington gives journalists inspiration and guidance on how to turn ordinary life into extraordinary journalism A must for students and teachers of journalism, for budding magazine and newspaper writers, and for professional journalists who wish to be re-inspired by the superb reporting, distinctive writing, and sound advice found in this text.
Presents a comprehensive guide for parents, teachers, and youth workers to help them understand and address the issues that influence the behaviors, values, and attitudes of young people in their care.
It's in this volume (featuring another two years worth of Pogo strips) that we meet one of Walt Kelly's boldest political caricatures. Folks across America had little trouble equating the insidious wildcat Simple J. Malarkey with the ascendant anti-Communist senator, Joseph McCarthy. The subject was sensitive enough that by the following year a Providence, Rhode Island newspaper threatened to drop the strip if Malarkey's face were to appear in it again. Kelly's response? He had Malarkey appear again but put a bag over the character's head for his next appearance. Ergo, his face did not appear. (Typical of Kelly's layers of verbal wit, the character Malarkey was hiding from was a Rhode Island Red hen, referencing both the source of his need to conceal Malarkey and the underlying political controversy.) The entirety of these sequences can be found in this book. But the Malarkey storyline is only a tiny portion of those rich, eventful two years, which include such classic sequences as con-man Seminole Sam's attempts to corner the market on water (which Porkypine's Uncle Baldwin tries to one-up by cornering the market on dirt); a return engagement of Pup Dog and Houndog's blank-eyed Little Orphan Annie parody Li'l Arf and Nonny; Churchy La Femme going in drag to deliver a love poem he wrote, Cyrano style, on Deacon Mush-rat's behalf to Sis Boombah (the aforementioned hen); P.T. Bridgeport's return to the swamp in search of new talent; and of course two rousing choruses of Deck Us All With Boston Charlie.
The Christmas Disease By: Walt Chaney What starts out as a senior class trip to an amusement park in Florida for some teenagers from a rural high school in Virginia does not end that way when a deadly manufactured virus is released on the entire southeast coast by a diabolical Arab and his band of terrorists. Their goal? Wipe out every American male with Type-O blood. In a mad scramble to avert a worldwide pandemic, a talented trisome of virologists race to determine the nature of this unknown toxin and stop it while scores of healthy American boys and men are falling as bloody victims to this terrible disease that has no identity, no cure, and no vaccine.
Walt Kelly blended nonsense language, poetry, and political and social satire to make Pogo an essential contribution to American “intellectual” comics. As the strip progressed, it became a hilarious platform for Kelly’s scathing political views in which he skewered national bogeymen like J. Edgar Hoover, Joseph McCarthy, George Wallace, and Richard Nixon. Walt Kelly started when newspaper strips shied away from politics ― Pogo was ahead of its time and ahead of later strips (such as Doonesbury and The Boondocks) that tackled political issues. Our first (of 12) volume reprints approximately the first two years of Pogo ― dailies and (for the first time) full-color Sundays. This first volume also introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols.
WWIII explodes in this electrifying debut military thriller in the tradition of Red Storm Rising and The Third World War. “Delta-Two, I’ve got tanks through the wire! They’re everywhere!” World War III explodes in seconds when a resurgent Russian Empire launches a deadly armored thrust into the heart of Germany. With a powerful blizzard providing cover, Russian tanks thunder down the autobahns while undercover Spetsnaz teams strike at vulnerable command points. Standing against them are the woefully undermanned American forces. What they lack in numbers they make up for in superior weapons and training. But before the sun rises they are on the run across a smoking battlefield crowded with corpses. Any slim hope for victory rests with one unlikely hero. Army Staff Sergeant George O'Neill, a communications specialist, may be able to reestablish links that have been severed by hostile forces, but that will take time. While he works, it’s up to hundreds of individual American soldiers to hold back the enemy flood. There’s one thing that’s certain. The thin line between victory and defeat is also the red line between life and death.
Here's hoping that you are enjoying a peaceful day with your family or maybe with your friends. Thank you for taking the time to pick up Life In The Wheel House for a preview. Walt Gaines wrote Life In The Wheel House for you to enjoy during the quiet hours of the day or to get away from the hustle and bustle of hard work and anxiety. Life In The Wheel House was designed for the purpose of enjoyment and relaxation. We need that from time to time. As you read through the first few pages, you will see that this is about the American family. Life In The Wheel House contains 28 short stories. You will laugh at some of them and think serious thoughts at others. The underlying theme of the book deals with the stability of the family and the welfare of our blessed United States.
When Walt Larimore, MD, moved his young family to Kissimmee, Florida, to start a small-town medical practice in 1985, he had no idea he was embarking on an enterprise that would change his life in ways both large and small. Dr. Larimore shared some of these heartwarming and heartbreaking tales in The Best Medicine. Now he offers up more charming stories of his time as a family physician in a rural, small-yet-growing town in The Best Gift. Ideal for anyone wrestling with the inevitable and difficult storms of life, as well as fans of Dr. Larimore's popular Bryson City series, The Best Gift is a tender and insightful collection of stories chronicling one young doctor's spiritual growth as a physician, husband, father, and community member. Filled with characters colorful and crusty, warmhearted and hotheaded, witty and winsome, these captivating stories glow with drama, heartbreak, warmth, love, and humor. You'll laugh. You'll cry. You'll learn some of life's greatest lessons. And you'll wish Dr. Larimore was your doctor.
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