A FICTION HOUSE BOOK: DREAM WORLD was an experiment by Ziff-Davis Publishing Company and the editors of AMAZING STORIES and FANTASTIC. For three issues in 1957 it lasted before the plug was pulled on the experi-ment. We present seventeen of the stories which appeared in this fantasy magazine, along with the non-fiction features and cartoons.
NEW YORK TIMES BEST-SELLING SERIES. The ninth anthology of tales set in Eric Flint’s phenomenal Ring of Fire universe—all selected and edited by Flint. WHERE WERE YOU IN 1632? The most popular alternate history series of all continues. When a cosmic disturbance hurls your town from twentieth-century West Virginia back to seventeenth-century Europe—and into the middle of the Thirty Years War—you have to adapt to survive. And the natives of that time period, faced with American technology and politics, need to be equally adaptable. Here’s a generous helping of more stories of Grantville, the American town lost in time, and its impact on the people and societies of a tumultuous age. Featuring stories by Eric Flint, Tim Sayeau, Robert Noxon, Griffin Barber, Bjorn Hasseler, Clair Kiernan, Margo Ryor, Mark Huston, Robert Waters, Phillip Riviezzo, Jack Carroll, Terry Howard, Tim Roesch, Sarah Hays, Mike Watson, Iver P. Cooper, Kerryn Offord, Rick Boatright, Brad Banner, Anne Keener, Jackie Britton Lopatin, Bjorn Hasseler, and David Carrico. At the publisher's request, this title is sold without DRM (Digital Rights Management). About Eric Flint’s Ring of Fire series: “[Eric] Flint's 1632 universe seems to be inspiring a whole new crop of gifted alternate historians.”—Booklist “[Eric Flint] can entertain and edify in equal, and major, measure.”—Publishers Weekly
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. In discussing letter-writing, Whitman made his own views clear. Simplicity and naturalness were his guidelines. “I like my letters to be personal—very personal—and then stop.“ The six volumes in The Correspondence comprise nearly 3,000 letters written over a half century, revealing Whitman the person as no other documents can. This volume, together with Volume IV, covers the last seven years of Whitman's life, giving an almost day-by-day account of his long struggle with various ailments, his stoical acceptance of constant pain, but also his continuing energy. This period saw his supervision and publication of two complete editions of Leaves of Grass, as well as November Boughs and Good-bye My Fancy. Although Whitman himself admitted that many of his later poems were “pot boilers,” designed primarily to make money, his recognition and popularity continued to grow as his health declined. His poems were printed seemingly everywhere and the volume of critical commentary increased. Unlike many of his contemporaries, Whitman did not suffer from neglect of indifference.
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. In discussing letter-writing, Whitman made his own views clear. Simplicity and naturalness were his guidelines. “I like my letters to be personal—very personal—and then stop.” The six volumes in The Correspondence comprise nearly 3,000 letters written over a half century, revealing Whitman the person as no other documents can. This supplement updates the Correspondence with nearly 100 letters that appeared after the publication of the first five volumes. Featured in this volume is the earliest known extant letter from the poet, written in 1841, as well as many others documenting Whitman's personal relationships and publishing ventures, both in America and abroad. Volume VI also includes a detailed analysis of Whitman's income and finances over the last twenty-six years of his life. With a list of corrections and additions to Volumes I–V and a Composite Index of all Whitman's letters, this volume completes the definitive edition of the correspondence of America's greatest poet.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Uncle Walt [WALT MASON] written by Walt Mason. Published by George Matthew Adams in 1910. Registered in Canada in accordance with the copyright law. Entered at Stationers' Hall. Walt Mason's Prose Rhymes are read daily by approximately ten million readers. A newspaper service sells these rhymes to two hundred newspapers with a combined daily circulation of nearly five million, and assuming that five people read each newspaper—which is the number agreed upon by publicity experts—it may be called a fair guess to say that two out of every five readers of newspapers read Mr. Mason's poems. So the ten million daily readers is a reasonably accurate estimate. No other American verse-maker has such a daily audience. Walt Mason is, therefore, the Poet Laureate of the American Democracy. He is the voice of the people. Put to a vote, Walt would be elected to the Laureate's job, if he got a vote for each reader. And, generally speaking, men would vote as they read. The reason Walt Mason has such a large number of readers is because he says what the average man is thinking so that the average man can understand it.
Walt Wood developed careers in the food industry and academia. He became a world-traveler and a strongly involved creator of food products, educational departments, learning games, and do-good programs.
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