An essential book for all readers of poetry, and the definitive collection from the man Harold Bloom has called “the best and most representative American poet." Originally published in 1954 to honor Stevens’s seventy-fifth birthday, the book was rushed into print for the occasion and contained scores of errors. These have now been corrected in one place for the first time by Stevens scholars John N. Serio and Christopher Beyers, based on original editions and manuscripts. The Collected Poems is the one volume that Stevens intended to contain all the poems he wished to preserve, presented in the way he wanted. It is an enduring monument to his dazzling achievement.
Long unavailable, now in paperback for the first time, these are the brilliant, subtle, illuminating letters of one of the great poets of the twentieth century. Stevens's famous criterion for poetry--"It should give pleasure"--informed his epistolary aesthetic as well; these letters stimulate one's appetite for poetry as they valorize the imagination and the senses. They also offer fascinating glimpses of Stevens as family man, insurance executive, connoisseur, and friend. FROM THE BOOK:"Next to the passion flower I love fuchsias, and no kidding. . . . Down among the Pennsylvania Germans there was a race of young men . . . who carved willow fans. These men would take a bit of willow stick about a foot long, peel it and with nothing more than a jackknife carve it into something that looked like a souvenir of Queen Anne's lingerie. The trouble that someone took to invent fuchsias makes me think of these willow fans. However it is a dark and dreary day today and who am I to be frivolous under such circumstances."--from a letter to Wilson Taylor, August 20, 1947 Long unavailable, now in paperback for the first time, these are the brilliant, subtle, illuminating letters of one of the great poets of the twentieth century. Stevens's famous criterion for poetry--"It should give pleasure"--informed his epistolary aesthetic as well; these letters stimulate one's appetite for poetry as they valorize the imagination and the senses. They also offer fascinating glimpses of Stevens as family man, insurance executive, connoisseur, and friend. FROM THE BOOK:"Next to the passion flower I love fuchsias, and no kidding. . . . Down among the Pennsylvania Germans there was a race of young men . . . who carved willow fans. These men would take a bit of willow stick about a foot long, peel it and with nothing more than a jackknife carve it into something that looked like a souvenir of Queen Anne's lingerie. The trouble that someone took to invent fuchsias makes me think of these willow fans. However it is a dark and dreary day today and who am I to be frivolous under such circumstances."--from a letter to Wilson Taylor, August 20, 1947
An excellent introduction to “the best and most representative American poet” (Harold Bloom), this palm–sized, keepsake edition is the first separate publication of this remarkable collection of late poems. In 1955, shortly before his death, Wallace Stevens earned the Pulitzer Prize for Poetry and the National Book Award for The Collected Poems of Wallace Stevens. The collection gathered most of his life’s work, and featured 25 previously unpublished poems. Stevens imagined that those poems would stand alone as their own volume—The Rock. Featuring some of his most memorable poems, including “Not Ideas about the Thing but the Thing Itself,” The Rock is a sublime selection of works from one of American’s most brilliant, beloved modernist. “After the reader has admired certain lines because Shakespeare might have written them, he begins to admire them because only Stevens could.” —Robert Fitzgerald “One might as well argue with the Evening Star and find fault with so much wit and grace and intelligence . . . such an overwhelming and exquisite command both of the worlds and of the rhythms of our language; such charm and irony, such natural and philosophical breadth of sympathy, such dignity and magnanimity.” —Randall Jarrell
When Opus Posthumous first appeared in 1957, it was an appropriate capstone to the career of one of the most important writers of the twentieth century. It included many poems missing from Stevens's Collected Poems, along with Stevens's characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication. A third of the poems and essays in this edition are new to the volume. The resulting book is an invaluable literary document whose language and insights are fresh, startling, and eloquent.
This selection of works by Wallace Stevens--the man Harold Bloom has called “the best and most representative American poet”--was first published in 1967. Edited by the poet's daughter Holly Stevens, it contains all the major long poems and sequences, and every shorter poem of lasting value in Stevens' career, including some not printed in his earlier Collected Works. Included also is a short play by Stevens, "Bowl, Cat and Broomstick.
In this collection of essays, consummate poet Wallace Stevens reflects upon his art. His aim is not to produce a work of criticism or philosophy, or a mere discussion of poetic technique. As he explains in his introduction, his ambition in these various pieces, published in different times and places, aimed higher than that, in the direction of disclosing "poetry itself, the naked poem, the imagination manifesting itself in its domination of words." Stevens proves himself as eloquent and scintillating in prose as in poetry, as he both analyzes and demonstrates the essential act of repossessing reality through the imagination.
This collection of the work of one of the greatest modern poets was first published in America in 1954. The Collected Poems was prepared by Stevens himself, shortly before his death, and contains all of his published books of poetry, covering more than four decades: from the brilliant rococo lyrics of Harmonium, through the large-scale orchestrations of his middle years, to the magnificent austere lyrics of 'The Rock', which first appeared in the Collected Poems, Stevens's poetry meditated unremittingly upon the relation between the world and the imagination. 'He seems to me - and sems to my readers, I am sure - one of the true poets of our century, someone whom the world will keep on reading just as it keeps on listening to Vivaldi or Scarlatti, looking at Tiepolo or Poussin. His best poems are the poetry of a man fully human - of someone sympathetic, magnanimous, both brightly and deeply intelligent; the poems see, feel, and think with equal success; they treat with mastery that part of existence which allows of mastery, and experience the rest of it with awe or sadness or delight.' - Randall Jarrell, Poetry and the Age'One of the most considerable poets of the last hundred years...Poems that are as distinguished as any written in this century.' - Thom Gunn, London Magazine
The first new selection of this acclaimed poet’s work in nearly twenty years—now in paperback—is a rich reminder to poetry readers of his lasting contribution and his unending ability to puzzle, fascinate, and delight us.
There are in Harmonium six or eight of the most beautiful poems an American has written. The poems see, feel, and think with equal success." — Randall Jarrell, Poetry and The Age An executive with a Connecticut-based insurance company, Wallace Stevens (1879–1955) wrote poetry in the evenings and during his daily commute. Harmonium, his first collection of verse, was published when he was 44 years old. Although largely overlooked upon its 1923 debut, the compilation is recognized today as an important contribution to Modernism, offering a diverse range of satirical and philosophical lyrical works that explore the nature of reality and the power of the imagination. They include some of Stevens's most famous and frequently studied works, including "Thirteen Ways of Looking at a Blackbird," "The Emperor of Ice-Cream," and "Peter Quince at the Clavier.
The Sheep Industry of Territorial New Mexico offers a detailed account of the New Mexico sheep industry during the territorial period (1846–1912) when it flourished. As a mainstay of the New Mexico economy, this industry was essential to the integration of New Mexico (and the Southwest more broadly) into the national economy of the expanding United States. Author Jon Wallace tells the story of evolving living conditions as the sheep industry came to encompass innumerable families of modest means. The transformation improved many New Mexicans’ lives and helped establish the territory as a productive part of the United States. There was a cost, however, with widespread ecological changes to the lands—brought about in large part by heavy grazing. Following the US annexation of New Mexico, new markets for mutton and wool opened. Well-connected, well-financed Anglo merchants and growers who had recently arrived in the territory took advantage of the new opportunity and joined their Hispanic counterparts in entering the sheep industry. The Sheep Industry of Territorial New Mexico situates this socially imbued economic story within the larger context of the environmental consequences of open-range grazing while examining the relationships among Hispanic, Anglo, and Indigenous people in the region. Historians, students, general readers, and specialists interested in the history of agriculture, labor, capitalism, and the US Southwest will find Wallace’s analysis useful and engaging.
There are in Harmonium six or eight of the most beautiful poems an American has written. The poems see, feel, and think with equal success." — Randall Jarrell, Poetry and The Age An executive with a Connecticut-based insurance company, Wallace Stevens (1879–1955) wrote poetry in the evenings and during his daily commute. Harmonium, his first collection of verse, was published when he was 44 years old. Although largely overlooked upon its 1923 debut, the compilation is recognized today as an important contribution to Modernism, offering a diverse range of satirical and philosophical lyrical works that explore the nature of reality and the power of the imagination. They include some of Stevens's most famous and frequently studied works, including "Thirteen Ways of Looking at a Blackbird," "The Emperor of Ice-Cream," and "Peter Quince at the Clavier.
The right to keep and bear arms evokes great controversy. To some, it is a bulwark against tyranny and criminal violence; to others, it is an anachronism and serious danger.Firearms Law and the Second Amendment is the leading casebook and scholarly treatise on arms law. It provides a comprehensive domestic and international treatment of the history of arms law. In-depth coverage of modern federal and state laws and litigation prepare students to be practice-ready for firearms cases. The book covers legal history from ninth-century England through the United States in 2021. It examines arms laws and culture in broad social context, ranging from racial issues to technological advances. Seven online chapters cover arms laws in global historical context, from Confucian times to the present. The online chapters also discuss arms law and policy relating to race, gender, sexual orientation, and other statuses and how firearms and ammunition work. New to the Third Edition: Important cases and new regulatory issues since the 2017 second edition, including public carry, limits on in-home possession, bans on types of arms, non-firearm arms (like knives or sprays), Red Flag laws, and restoration of firearms rights Expanded social science and criminological data about firearms ownership and crimes Deeper coverage of state arms control laws and constitutional provisions Extended analysis of how Native American firearm policies and skills shaped interactions with European-Americans, provided the tools for three centuries of resistance, and became a foundation of American arms culture The latest research on English legal history, which is essential to modern cases on the right to bear arms Professors, students, and practicing lawyers will benefit from: Practical advice and resource guides for lawyers, like early career prosecutors or defenders, who will soon practice firearms law Five chapters on the diverse approaches of lower courts in applying the Supreme Court precedents in Heller and McDonald to contemporary laws Historical sources that shaped, and continue to influence, the right to arms
“Marvelous and entertaining.” —Julian Fellowes, creator of Downton Abbey Discover the true stories behind the women who inspired DowntonAbbey and HBO’s The Gilded Age, the heiresses—including a Vanderbilt (railroads), a LaRoche (pharmaceuticals), and a Rogers (oil)—who staked their ground in England, swapping dollars for titles and marrying peers of the British realm. Filled with vivid personalities, grand houses, dashing earls, and a wealth of period details and quotes on the finer points of Victorian and Edwardian etiquette, To Marry an English Lord is social history at its liveliest and most accessible. Sex, snobbery, humor, social triumphs (and gaffes), are all recalled in marvelous detail, complete with parties, clothes, scandals, affairs, and 100-year-old gossip that’s still scorching.
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