This is the first book to focus on respiratory health and diseases in Asia, where 60% of the world’s population reside. It is well known that disease patterns and health care delivery vary in different parts of the world. With divergent socioeconomic background, genetic makeup and environmental factors, health care issues take on a unique perspective in Asia. In this volume, respiratory health and diseases are presented and discussed with relevance to their unique epidemiology and management in Asia. The chapters are contributed by professional leaders who are highly respected for their clinical expertise in respiratory medicine in different parts of Asia. Many of them are internationally renowned for their academic excellence. Their collective extensive experience offers a wealth of knowledge that is invaluable to readers not only in Asia but also to other parts of the world. The high mobility of populations exposes clinicians to people from all over the world in their daily clinical practice. This informative book is a useful reference equally for medical students, clinicians in training and respiratory specialists. The editors of this volume are Professors Mary Ip, Moira Chan-Yeung and Wah Kit Lam of the University of Hong Kong, and Professor Nan Shan Zhong, Director of the Guangzhou Institute of Respiratory Disease.
Examines the ways in of organising work, rank, compensation, and promotion inside a large Japanese company in Hong Kong, and its spiritual training, to reveal the socio-economic base of managerial control. A must for anthropologists and Japanologists.
This book is a collection of selected essays presented at the International Symposium on «Contemporary Asian Modernities: Transnationality, Interculturality and Hybridity» hosted by the Humanities Programme of Hong Kong Baptist University in September 2006. As «modernity» has been used to describe the cultural, economic and socio-political conditions in the Western worlds, the time in which we now live and the Asian countries where capitalistic transformation is extensively carried out are already articulating their own descriptions. The essays collected here discuss the notions of «contemporary», «Asia» and «modernities» as they relate to the global trend of adopting capitalism. They probe into questions related to modernity as well as global modernity, ranging from China in particular to Asia in general. As reflected in the pluriversal meanings in the title, the book endeavours to make critical inquiries into the concept of modernity/modernities from different perspectives.
In the 1999 Policy Address by Hong Kong's Chief Executive, Mr Tung Chee-hwa, one major target listed is 'Making Hong Kong an Ideal Home . . . Every citizen, every business, every government department and bureau need to start working in partnership to achieve what is known as "sustainable development".' This book aims to encourage an ecological approach to design and planning in an effort 'to build Hong Kong into a world-class city'. The book is divided into four parts which focus on various aspects of environmental considerations in architecture. The first part discusses broad issues of environmental planning and sustainability. The second part covers environmental strategies in architectural design. The third part deals with environmental factors and explores how they can be addressed. The last part details the relevant environmental legislation in Hong Kong. This book is intended as both a reference for professionals as well as a textbook for university students.
Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights—Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun—shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw.
This book discusses how China’s transformations in the last century have shaped its arts and its philosophical aesthetics. For instance, how have political, economic and cultural changes shaped its aesthetic developments? Further, how have its long-standing beliefs and traditions clashed with modernizing desires and forces, and how have these changes materialized in artistic manifestations? In addition to answering these questions, this book also brings Chinese philosophical concepts on aesthetics into dialogue with those of the West, making an important contribution to the fields of art, comparative aesthetics and philosophy.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.