The long-awaited photographic memoir from basketball superstar Dwyane Wade, beautifully designed with hundreds of photos from Wade’s life on and off the court. "[A] trip down memory lane with one of the NBA's greats. ... For those yearning for the personal side of Wade, they need to look no further." —Sports Illustrated For 16 years, Dwyane Wade has dazzled basketball fans with his on-court artistry and has built his personal brand into one of the most powerful ones in sports. In this beautiful full-color memoir, featuring more than 200 photos from Bob Metelus, who has been documenting Wade’s career for more than a decade, Wade takes readers inside his fascinating life and career. Dwyane moves from Wade’s challenging upbringing on the South Side of Chicago through his college career at Marquette, where he went from unheralded recruit to one of college basketball’s greatest stars, to his extraordinary years with the Miami Heat, with whom he won three NBA championships and was named an All-Star 13 times. Off the court, too, his star has transcended basketball. In Dwyane he takes readers inside his relationship with Gabrielle Union; his dedication to his children and experiences as a father; and his varied interests outside of basketball, from fashion to winemaking. Dwyane is a deep dive into the mind and heart of one of the most compelling basketball players of all time.
Dwyane Wade of the Miami Heat is one of the superstars of the NBA—and a Gold Medal winner at the Bejing Olympics—but he’s A Father First. In this moving and triumphant memoir, Wade shares his inspiring thoughts about fathers and sons, writing poignantly about the gratifying responsibilities of being a single dad to his two sons, Zaire and Zion, while recounting his own growing up years and his memorable rise to the top echelon of professional basketball.
Drawing on startling new evidence from the mapping of the genome, an explosive new account of the genetic basis of race and its role in the human story Fewer ideas have been more toxic or harmful than the idea of the biological reality of race, and with it the idea that humans of different races are biologically different from one another. For this understandable reason, the idea has been banished from polite academic conversation. Arguing that race is more than just a social construct can get a scholar run out of town, or at least off campus, on a rail. Human evolution, the consensus view insists, ended in prehistory. Inconveniently, as Nicholas Wade argues in A Troublesome Inheritance, the consensus view cannot be right. And in fact, we know that populations have changed in the past few thousand years—to be lactose tolerant, for example, and to survive at high altitudes. Race is not a bright-line distinction; by definition it means that the more human populations are kept apart, the more they evolve their own distinct traits under the selective pressure known as Darwinian evolution. For many thousands of years, most human populations stayed where they were and grew distinct, not just in outward appearance but in deeper senses as well. Wade, the longtime journalist covering genetic advances for The New York Times, draws widely on the work of scientists who have made crucial breakthroughs in establishing the reality of recent human evolution. The most provocative claims in this book involve the genetic basis of human social habits. What we might call middle-class social traits—thrift, docility, nonviolence—have been slowly but surely inculcated genetically within agrarian societies, Wade argues. These “values” obviously had a strong cultural component, but Wade points to evidence that agrarian societies evolved away from hunter-gatherer societies in some crucial respects. Also controversial are his findings regarding the genetic basis of traits we associate with intelligence, such as literacy and numeracy, in certain ethnic populations, including the Chinese and Ashkenazi Jews. Wade believes deeply in the fundamental equality of all human peoples. He also believes that science is best served by pursuing the truth without fear, and if his mission to arrive at a coherent summa of what the new genetic science does and does not tell us about race and human history leads straight into a minefield, then so be it. This will not be the last word on the subject, but it will begin a powerful and overdue conversation.
“Meaty, well-written.” —Kirkus Reviews “Timely and informative.” —The New York Times Book Review “By far the best book I have ever read on humanity’s deep history.” —E. O. Wilson, biologist and author of The Ants and On Human Nature Nicholas Wade’s articles are a major reason why the science section has become the most popular, nationwide, in the New York Times. In his groundbreaking Before the Dawn, Wade reveals humanity’s origins as never before—a journey made possible only recently by genetic science, whose incredible findings have answered such questions as: What was the first human language like? How large were the first societies, and how warlike were they? When did our ancestors first leave Africa, and by what route did they leave? By eloquently solving these and numerous other mysteries, Wade offers nothing less than a uniquely complete retelling of a story that began 500 centuries ago.
The story of two generations of scientific explorers in South America—Richard Evans Schultes and his protégé Wade Davis—an epic tale of adventure and a compelling work of natural history. In 1941, Professor Richard Evan Schultes took a leave from Harvard and disappeared into the Amazon, where he spent the next twelve years mapping uncharted rivers and living among dozens of Indian tribes. In the 1970s, he sent two prize students, Tim Plowman and Wade Davis, to follow in his footsteps and unveil the botanical secrets of coca, the notorious source of cocaine, a sacred plant known to the Inca as the Divine Leaf of Immortality. A stunning account of adventure and discovery, betrayal and destruction, One River is a story of two generations of explorers drawn together by the transcendent knowledge of Indian peoples, the visionary realms of the shaman, and the extraordinary plants that sustain all life in a forest that once stood immense and inviolable.
Many of us are alarmed by the accelerating rates of extinction of plants and animals. But how many of us know that human cultures are going extinct at an even more shocking rate? While biologists estimate that 18 percent of mammals and 11 percent of birds are threatened, and botanists anticipate the loss of 8 percent of flora, anthropologists predict that fully 50 percent of the 7,000 languages spoken around the world today will disappear within our lifetimes. And languages are merely the canaries in the coal mine: what of the knowledge, stories, songs, and ways of seeing encoded in these voices? In The Wayfinders, Wade Davis offers a gripping and enlightening account of this urgent crisis. He leads us on a fascinating tour through a handful of indigenous cultures, describing the worldviews they represent and reminding us of the encroaching danger to humankind's survival should they vanish.
What the Road Said is the New York Times-bestselling comforting and uplifting picture book from bestselling poet and activist Cleo Wade. Which way do I go? That is your choice to make, said the Road. But what if I go the wrong way? The Road curved a little, almost as if it was giving me a hug, and said, Do not worry. Sometimes we go the wrong way on our way to the right way. It's okay to be afraid or to sometimes wander down the wrong path. Bestselling poet and activist Cleo Wade's What the Road Said features illustrations by Lucie de Moyencourt and encourages us to lead with kindness and curiosity, remembering that the most important thing we can do in life is to keep going.
A beautifully illustrated book from Cleo Wade—the artist, poet, and speaker who has been called “the Millennial Oprah” by New York Magazine—that offers creative inspiration and life lessons through poetry, mantras, and affirmations, perfect for fans of the bestseller Milk & Honey. True to her hugely popular Instagram account, Cleo Wade brings her moving life lessons to Heart Talk, an inspiring, accessible, and spiritual book of wisdom for the new generation. Featuring over one hundred and twenty of Cleo’s original poems, mantras, and affirmations, including fan favorites and never before seen ones, this book is a daily pep talk to keep you feeling empowered and motivated. With relatable, practical, and digestible advice, including “Hearts break. That’s how the magic gets in,” and “Baby, you are the strongest flower that ever grew, remember that when the weather changes,” this is a portable, replenishing pause for your daily life. Keep Heart Talk by your bedside table or in your bag for an empowering boost of spiritual adrenaline that can help you discover and unlock what is blocking you from thriving emotionally and spiritually.
A scientific investigation and personal adventure story about zombis and the voudoun culture of Haiti by a Harvard scientist. In April 1982, ethnobotanist Wade Davis arrived in Haiti to investigate two documented cases of zombis—people who had reappeared in Haitian society years after they had been officially declared dead and had been buried. Drawn into a netherworld of rituals and celebrations, Davis penetrated the vodoun mystique deeply enough to place zombification in its proper context within vodoun culture. In the course of his investigation, Davis came to realize that the story of vodoun is the history of Haiti—from the African origins of its people to the successful Haitian independence movement, down to the present day, where vodoun culture is, in effect, the government of Haiti’s countryside. The Serpent and the Rainbow combines anthropological investigation with a remarkable personal adventure to illuminate and finally explain a phenomenon that has long fascinated Americans.
This illustrated survey covers what Nicholas Wade calls the "observational era of vision," beginning with the Greek philosophers and ending with Wheatstone's description of the stereoscope in the late 1830s.
At last Wade Hampton—Grand Seigneur, Southern planter of vast acres, Confederate general, superb cavalry commander, Governor and United States Senator—reaches his full stature in an authoritative, life-size biography. Manly Wade Wellman has found a many-sided subject for his first venture into the field of biographical writing. As Confederate soldier, Hampton was a man of tremendous attributes—great of body, great of heart, indomitable in spirit. When The War Between The States called him from his aristocratic life as a landed proprietor, he was already in his forties, a man who had no professional military training and who abhorred war. However he soon showed himself a born soldier, stalwart in command, with knightly qualities of selflessness and courage. When the fighting ended he had been wounded three times, but he had saved many a situation, and he was still an unassailable tower of strength in the Southern cause. Wade Hampton’s military career is an inspiring record, but it is in his account of the post-war years that Mr. Wellman brings out the full greatness of the man. After ten years in private life, salvaging what he could from the ruin of his estate, Wade Hampton was called to public life to fight the corruption that was overwhelming his native State. His terms as Governor of South Carolina and as United States Senator showed him to have been a true Southern liberal, honestly desirous of justice to all men regardless of party or color-an honest American of good will who rose above claims of party and region. In his biography, Mr. Wellman has been able to draw on new sources for facts and their interpretation, and his illustrations represent the pick of all the existing Hampton photographs.-Print ed.
Long a favorite on dance floors in Latin America, the porro, cumbia, and vallenato styles that make up Colombia's música tropical are now enjoying international success. How did this music—which has its roots in a black, marginal region of the country—manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of música tropical, analyzing its rise in the context of the development of the broadcast media, rapid urbanization, and regional struggles for power. Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, "whitened" versions of música tropical have gained popularity as part of government-sponsored multiculturalism. Wade's fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition, and modernity is the first book-length study of Colombian popular music.
An excellent source on past and present debates, and a coherent and insightful set of proposals concerning methodology'.International Affairs'More than merely providing a student's textbook. [Wade] covers the main themes and offers a comprehensive overview of the relevant debates ... an excellent textbook.'European Review of Latin American and Caribbean Studies'Wade's latest book is intelligent and easy-to-read, and represents a significant contribution to the knowledge and understanding of the dynamics of race and ethnicity in Latin America.'Patterns of Prejudice
A beacon of truth and wisdom for the abused and a help in their healing." --Scot McKnight and Laura Barringer, authors of A Church Called Tov "Reading this book . . . will change you forever, for the better." --Rachael Denhollander, speaker, victim advocate, and author of What Is a Girl Worth? "Sincerely thoughtful, incredibly practical, and truly compassionate book on abusive systems and the consequences of cover-ups." --Christina Edmondson, PhD, cohost of Truth's Table podcast "Am I the only one who sees this--am I just imagining things? Is something wrong with me . . . or could this be abuse?" Maybe you don't know for sure: all you know is something feels off when you think about a certain relationship or interaction with an institution or organization. You feel alone and confused--but calling it "abuse" feels extreme and unsettling, a label for what happens to other people but not you. Yet you can't shake the feeling: something's not right. In his debut book, researcher and advocate Wade Mullen introduces us to the groundbreaking world of impression management--the strategies that individuals and organizations utilize to gain power and cover up their wrongdoings. Mullen reveals a pattern that accompanies many types of abuse, almost as if abusers are somehow reading from the same playbook. If we can learn to decode these evil methods--if we can learn the language of abuse--we can help stop the cycle and make abusers less effective at accomplishing destruction in our lives. Something's Not Right will help you to identify and describe tactics that were previously unidentifiable and indescribable, and give you the language you need to move toward freedom and create a safer future for yourself and others.
Noted science writer Nicholas Wade offers for the first time a convincing case based on a broad range of scientific evidence for the evolutionary basis of religion.
This text offers an authoritative, comprehensive analysis of Central America’s political evolution including revolution, rebellion, regime changes, and democratic consolidation.
From the beloved, New York Times bestselling author of Heart Talk, a collection of prose and poetry that explores how we can find light in periods of lostness, love for ourselves after heartbreak, okay-ness in the midst of change, and strength in letting go. How do we find steadiness within ourselves in the midst of dizzying personal and global change? At a time when many of us feel overwhelmed by fear and isolation, Cleo Wade’s Remember Love offers intimate, uplifting words that anchor, nurture, and make us feel less alone. She shares that the heart work we do for ourselves is not done to avoid the tough stuff—periods of lostness, self-doubt, depression, grief, heartbreak, and anxiety. Wade instead suggests that to live is to get lost, and it’s our task, our great privilege, to learn to love ourselves so that we can handle these periods and our discomfort does not block our healing. Remember Love reminds us that lostness is not our permanent state but a starting point for self-discovery, connection, and growth.
A prominent Navajo educator once told historian Peter Iverson that “the five major sports on the Navajo Nation are basketball, basketball, basketball, basketball, and rodeo.” The Native American passion for basketball extends far beyond the Navajo, whether on reservations or in cities, among the young and the old. Why basketball—a relatively new sport—should hold such a place in Native culture is the question Wade Davies takes up in Native Hoops. Indian basketball was born of hard times and hard places, its evolution traceable back to the boarding schools—or “Indian schools”—of the early twentieth century. Davies describes the ways in which the sport, plied as a tool of social control and cultural integration, was adopted and transformed by Native students for their own purposes, ultimately becoming the “Rez ball” that embodies Native American experience, identity, and community. Native Hoops travels the continent, from Alaska to North Carolina, tying the rise of basketball—and Native sports history—to sweeping educational, economic, social, and demographic trends through the course of the twentieth century. Along the way, the book highlights the toils and triumphs of well-known athletes, like Jim Thorpe and the 1904 Fort Shaw girl’s team, even as it brings to light the remarkable accomplishments of those whom history has, until now, left behind. The first comprehensive history of American Indian basketball, Native Hoops tells a story of hope, achievement, and celebration—a story that reveals the redemptive power of sport and the transcendent spirit of Native culture.
A moving look at a Black family’s journey to exercise their right to vote and imagine a better future. Charlie and Ralph’s mom has waited a long time to vote because countless obstacles have been put in Black people’s way to stop them from having a say in elections—obstacles that it took a lot of hard work to tear down. But now, in 1969, Madear is going to vote for the very first time, and the boys are coming along on this exciting day. A day that puts a new bounce in their mom’s step, and enables them all to begin to dream of a better future. Wade Hudson and Don Tate give young readers a warm family story as well as a powerful glimpse into the struggle that had to be waged to achieve a fundamental right of citizenship.
When The Urban Frontier was first published it roused attention because it held that settlers made a concerted effort to bring established institutions and ways to their new country. This differed markedly from the then-dominant Turnerian hypothesis that a culture's identity and behavior was determined by its history and experience in a particular social and physical environment. The Urban Frontier is still considered one of the most important books in urban history. This printing of the now-classic Wade volume features a new introduction by Zane L. Miller.
Vision is our most dominant sense, from which we derive most of our information about the world. From the light that enters the eye and the processing in the brain that follows we can sense where things are, how they move and what they are. The first edition of Visual Perception took a refreshingly different approach to perception, starting from the function that vision serves for an active observer in a three-dimensional environment. This fully revised and expanded new edition continues this approach in contrast to the traditional textbook treatment of vision as a catalogue of phenomena. Following a general introduction to the main theoretical approaches, the authors discuss the historical basis of our current knowledge. Placing the study of vision in its historical context, they look at how our ideas have been shaped by art, optics, biology and philosophy as well as psychology. Visual optics and the neurophysiology of vision are also described. The core of the book covers the perception of location, motion and object recognition. There is a new chapter on representation and vision, including a section on the perception of computer generated images. This readable, accessible and truly relevant introduction to the world of perception aims to elicit both independent thought and further study. It will be welcomed by students of visual perception and those with a general interest in the mysteries of vision.
In The Lives of Michel Foucault, David Macey quotes the iconic French philosopher as speaking "nostalgically...of 'an unforgettable evening on LSD, in carefully prepared doses, in the desert night, with delicious music, [and] nice people'". This came to pass in 1975, when Foucault spent Memorial Day weekend in Southern California at the invitation of Simeon Wade-ostensibly to guest-lecture at the Claremont Graduate School where Wade was an assistant professor, but in truth to explore what he called the Valley of Death. Led by Wade and Wade's partner Michael Stoneman, Foucault experimented with psychotropic drugs for the first time; by morning he was crying and proclaiming that he knew Truth. Foucault in California is Wade's firsthand account of that long weekend. Felicitous and often humorous prose vaults readers headlong into the erudite and subversive circles of the Claremont intelligentsia: parties in Wade's bungalow, intensive dialogues between Foucault and his disciples at a Taoist utopia in the Angeles Forest (whose denizens call Foucault "Country Joe"); and, of course, the fabled synesthetic acid trip in Death Valley, set to the strains of Bach and Stockhausen. Part search for higher consciousness, part bacchanal, this book chronicles a young man's burgeoning friendship with one of the twentieth century's greatest thinkers.
A fascinating photographic journey to indigenous cultures around the world by renowned anthropologist Wade Davis. Anthropologist and best-selling author Wade Davis has traveled the world, befriending indigenous peoples on every continent and engaging in their spiritual lives and practices. To him, no culture is primitive--every daily habit, every ritual, every ceremony expresses the human genius. In this book he takes us into the heart of 20 different world cultures, from the ancient salt mines of the Sahara to the icy world of the Inuit, from the pastoral nomads of Mongolia to the dreaming Aboriginals of Australia. Through sensitive text and revealing photos, enter what Davis calls our "ethnosphere": the extraordinary matrix of cultures thriving on this planet.
Some secrets are better left buried. A long hot summer is wearing thin when an old diary is discovered in an abandoned hotel. With deceiving promise, it triggers a chain of events that will touch the lives of every single person living in the isolated small town of Decora, Idaho. With the good ole boy network interpreting instructions from beyond the grave, the sanctity of the Amity mine is desecrated, unleashing a terror that will infect the very fabric of life in the picture perfect valley, creating conditions that few will survive. even if they want to.
In this book a leading researcher and artist explores how we see pictures and how they can communicate messages to us, both directly and indirectly by making allusions to objects in space or to stored images in our minds. Dr Wade provides fascinating examples of pictures that communicate hidden messages, either by implying something else, or by a shape or portrait which is carried covertly within another design. He analyses image processing stages in vision, demonstrating that the various stages may be related to styles in representational art. He shows how the way we have been taught to look at and recognise objects, affects the way we see them. The book lavishly illustrates with original examples of visual allusions and includes detailed practical advice on how photographers and designers can create them. Essential reading for photographers, designers, artists, people in film and television, and anyone involved in visual science , visual communication and advertising.
Rex Wade presents an account of one of the pivotal events of modern history, combining his own long study of the revolution with the best of contemporary scholarship. Within an overall narrative that provides a clear description of the 1917 revolution, he introduces several new approaches on its political history and the complexity of the October Revolution. Wade clears away many of the myths and misconceptions that have clouded studies of the period. He also gives due space to the social history of the revolution and incorporates people and places too often left out of the story, including women, national minority peoples, and peasantry front soldiers, enabling a more complete history to emerge. The 2005 second edition of this highly readable book has been thoroughly revised and expanded. It will prove invaluable reading to anyone interested in Russian history.
Since the Great Recession of 2008, the racial wealth gap between black and white Americans has continued to widen. In Predatory Lending and the Destruction of the African-American Dream, Janis Sarra and Cheryl Wade detail the reasons for this failure by analyzing the economic exploitation of African Americans, with a focus on predatory practices in the home mortgage context. They also examine the failure of reform and litigation efforts ostensibly aimed at addressing this form of racial discrimination. This research, augmented by first-hand narratives, provides invaluable insight into the racial wealth gap by vividly illustrating the predation that targets African-American consumers and examining the intentionally obfuscating settlement terms of cases brought by the U.S. Department of Justice, states attorneys, and municipalities. The authors conclude by offering structural, systemic changes to address predatory practices. This important work should be read by anyone seeking to understand racial inequality in the United States.
Typically, when we reference grief work in relation to anti-Blackness, people think about the grief experienced by those oppressed by white supremacy. But Breeshia Wade encourages those who are not Black to consider how their own unexplored grief amplifies the suffering of Black people. Most of us understand grief as sorrow experienced after a loss—the death of a loved one, the end of a relationship, or a change in life circumstance. Breeshia Wade approaches grief as something that is bigger than what's already happened to us—as something that is connected to what we fear, what we love, and what we aspire toward. Drawing on stories from her own life as a Black woman and from the people she has midwifed through the end of life, she connects sorrow not only to specific incidents but also to the ongoing trauma that is part and parcel of systemic oppression. Wade reimagines our relationship to power, accountability, and boundaries and points to the long-term work we must all do in order to address systemic trauma perpetuated within our interpersonal relationships. Each of us has a moral obligation to attend to our own grief so that we can responsibly engage with others. Wade elucidates grief in every aspect of our lives, providing a map back to ourselves and allowing the reader to heal their innate wholeness.
His promise will cost him far more than he imagined. Guilt has defined Luke Dempsey's life, but it was self-destructiveness that landed him in prison. When his friend and fellow inmate lay dying shortly before Luke's release, the older man revealed he left a string of clues for his daughter, Finley, that will lead her to the treasure he's hidden. Worried that she won't be the only one pursuing the treasure, he gains Luke's promise to protect her until the end of her search. Spunky and idealistic, Finley Sutherland is the owner of an animal rescue center and a defender of lost causes. She accepts Luke's help on the treasure hunt while secretly planning to help him in return--by coaxing him to embrace the forgiveness he's long denied himself. As they draw closer to the final clue, their reasons for resisting each other begin to crumble, and Luke realizes his promise will push him to the limit in more ways than one. He'll do his best to shield Finley from unseen threats, but who's going to shield him from losing his heart?
In 1982, Harvard-trained ethnobotanist Wade Davis traveled into the Haitian countryside to research reports of zombies--the infamous living dead of Haitian folklore. A report by a team of physicians of a verifiable case of zombification led him to try to obtain the poison associated with the process and examine it for potential medical use. Interdisciplinary in nature, this study reveals a network of power relations reaching all levels of Haitian political life. It sheds light on recent Haitian political history, including the meteoric rise under Duvalier of the Tonton Macoute. By explaining zombification as a rational process within the context of traditional Vodoun society, Davis demystifies one of the most exploited of folk beliefs, one that has been used to denigrate an entire people and their religion.
An Amazon Best Book of the Month! May You Love and Be Loved: Wishes For Your Life is the tender and joyous next picture book from New York Times-bestselling author and poet, Cleo Wade. May you know fear but not be driven by it May you know joy and follow it everywhere May you know light and shine it every chance you get From the bestselling author of What the Road Said, Cleo Wade’s next heartfelt and lyrical picture book is a love letter to the infinite potential of the future, expressing the many hopes and dreams we hold for our children and ourselves. Gorgeously illustrated by the author and filled to the brim with her signature big-hearted emotions, this book is an important reminder that, above all, what we wish for everyone’s precious life is that they can love and be loved.
Now revised and updated to reflect critical changes in economic policy since the last edition, Macroeconomic Issues Today, Eighth Edition, provides Conservative, Liberal, and Radical interpretations and solutions for seven current macroeconomic issues, including all-new coverage of the Social Security debate. An instructor's manual with a test bank and discussion questions is available to professors who adopt the text, and PowerPoint downloads are available as teaching aids.
The rulers of the Mughal Empire of India, who reigned from 1526 to 1858, spared no expense as patrons of the arts, particularly painting and music. They left as their legacy an extraordinarily rich body of commissioned artistic projects including illustrated manuscripts and miniature paintings that represent musical instruments, portraits of musicians, and the compositions of ensembles. These images from the basis of Bonnie C. Wade's study of how musicians of Hindustan encountered and Indianized music from the Persian cultural sphere. Combining ethnomusicological and art historical methods with history and lore, Wade has written a truly interdisciplinary study of cultural life on the Indian subcontinent. Wade focuses first on Akbar, showing how political and cultural agendas intertwined in the portrayal of Mughal court life. She then follows the depictions of music-making through paintings of Akbar's successors, Jahangir and Shah Jahan, to trace the gradual synthesis of Persian and Indian culture. Because music of the period was not notated but was transmitted orally, Wade relies on this wealth of visual evidence to reconstruct the musical life of the Mughals and its relation to the Mughal political agenda. As a major untapped resource, these images suggest new interpretations of the history of the Mughal Empire -- including original ideas about the role of patrons in the production of the arts and, importantly, the role of women in Mughal court life -- that are confirmed and complemented by the written sources of the period. Imaging Sound is a contribution to many fields in its unique combination of sources and methods: it is the study of musical change; of image-making in the pastand the methodological use of images as "texts" in the present; of the role of patronage in the Mughal Empire; and of the development of South Asian culture. In her synthesis of music, literature, art, and culture, Wade deepens our knowledge of the manner in which the orally transmitted tradition of Hindustani music came to be what it is today. The book is beautifully illustrated with more than 180 reproductions of Mughal paintings and manuscripts. These rare images are the basis for a study that is fully immersed both in current intellectual debates and in three centuries of Mughal cultural life.
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