The origin of granite has for long fascinated geologists though serious debate on the topic may be said to date from a famous meeting of the Geological Society of France in 1847. My own introduction to the subject began exactly one hundred years later when, in an interview with Profes sor H. H. Read, I entered his study as an amateur fossil collector and left it as a committed granite petrologist - after just ten minutes! I can hardly aspire to convert my reader in so dramatic a way, yet this book is an attempt, however inadequate, to pass on the enthusiasm that I inherited, and which has been reinforced by innumerable discussions on the outcrop with granitologists of many nationalities and of many shades of opinion. Since the 1960s, interest in granites has been greatly stimulated by the thesis that granites image their source rocks in the inaccessible deep crust, and that their diversity is the result of varying global tectonic context. So great a body of new data and new ideas has accumulated that my attempt to review the whole field of granite studies must carry with it a possible charge of arrogance, especially as I have adopted the teaching device of presenting the material from a personal point of view with its thinly disguised prejudices.
In The Lost Upland, W. S. Merwin vividly conveys his intimate knowledge of the people and the countryside in this ancient part of France (home of the Lascaux caves). In three narratives of small–town life, Merwin shows with matchless poetic and narrative power how the past is still palpably present. On its original publication in 1992 Jane Kramer wrote, "These stories are a gift from one of the great poets of the English language, a chronicle of the heart–stopping seasons of one small corner of La France Profonde and of its stubborn and illusive characters. Merwin's French peasants are a force of nature, like the blackberry brambles that used to choke his garden, and he cultivates them both with that attentive, exacting, and relentlessly patient genius that great poets and great gardeners share. This is, simply, the most beautiful writing about France I know.
Fluids in the Earth’s Crust explores the generation and migration of fluids in the crust and their influence on the structure. This book also deals with the collection and concentration of these fluids into commercially possible reservoirs or their fossil trace formed as ore bodies. Chapter one of this book discusses fluid motion and geochemical and tectonic processes. It then defines fluid, discusses the rocks in the surface environment, and provides evidence of the changes of a rock’s position and the motion of fluids. This book also explores the chemistry of natural fluids, including the composition of ocean water; pore water and deep-drill fluids; metamorphic fluids; fluid inclusions; and magmatic fluids. Volatile species in minerals, such as water, carbon and carbon dioxide, chlorine, fluorine, sulfur, oxygen, and nitrogen and other inert gases, are presented in this book. Other chapters in this book cover the solubility of minerals and physical chemistry of their solutions; the metamorphic reactions and processes; buffer systems; rock deformation; crustal conditions; dewatering of crust; and diapirism. The last part of the book discusses fluids, tectonics, and chemical transport. This book will be of great value to mining and oil geologists, as well as to pure geologists.
The author has previously published three historical novels. By contrast, this volume is a collection of short stories, reflections and a poem, all inspired to some extent by personal experience.
The aim of this book is to systematize and discuss population genetic studies of freshwater fish in a region that harbors the greatest diversity of species among all inland water ecosystems. This volume explores the genetic evaluation for a number of orders, families and species of Neotropical fishes, and provides an overview on genetic resources and diversity and their relationships with fish domestication, breeding, and food production.
Shadows Burning is a poetry book that wrestles with its angels—domestic love, fruition and desiccation, the passion for words that will suffice at bringing to light and shadow ground between the inner and outer life.
W. S. Merwin is widely acknowledged as one of the finest living poets in English. Less well known is the power and range of his work in prose. For his first new prose collection in more than ten years, The Ends of the Earth, Merwin has gathered eight essays that show the breadth of his imagination and sympathy. A memoir of George Kirstein, publisher of "The Nation," stands alongside one of Sydney Parkinson, explorer, naturalist and artist on Captain James Cook's Endeavour. A wonderful portrait of the French explorer of Hawai'i, Jean–Francois Galaup de La Perouse is followed by a visit to the Neanderthal skeleton of Boffia Bonneval. There are treks through the Hawaiian forests, to the Holy Mountain of Athos, and with the butterflies in Mexico. For this magical and wondrous journey we have as our guide the excited and concise poet–naturalist, writing at the top of his form.
When a self-proclaimed "lazy scholar" embarks on a trip through his life's influences--as diverse as girl-group doo-wop, Yeats, and Van Gogh--readers are in for an illuminating ride. This collection of essays from cultural critic Di Piero veers from his early years as the son of immigrants in Philadelphia to his working life in art, film, music, and poetry. Along with a few choice essays reprinted from out-of-print collections, Di Piero's new work shows him to be insightful about himself and his work despite his protestations against the "boosterism" of autobiography. Through the lens of his sharp artistic analysis, readers see his story--an immigrant story filled with the music and mystery of a multilingual family, the men of his neighborhood wearing so many hats as they worked--as the auspicious beginning for his life of observation and revelation. His prose sings along, tripping across slang, poetry, and painters with the same precision that allows him to nearly dance about architecture. Though Di Piero would claim that his life's path "lurches and swerves," his essays prove that he has wandered expansively and with purpose--a city dog trotting across continents, along pages, and through galleries.
The noted Nez Perce fiction writer and critic W. S. Penn turns his wry and penetrating gaze on the state of modern Native life and literature and considers how modern scholarship has affected the ways Natives and others see themselves and their world. The result is a uniquely frank, witty, and unsettling critique of contemporary theory and its ability to come to terms with the real lives and literatures of Natives in North America. ø Key to this critique is the troubling issue of what properly constitutes a traditional "Indian" identity and an "Indian" literature within Native communities and in the academy. In confronting this issue, Penn exposes some of the sillier uses of the serious language of diversity as well as the impact of identity politics on Native professors. And yet, Penn argues, the storytelling traditions so central to Native communities remain very much alive today, hidden in the corners of the literary canon.
Before Jack the Ripper, there was Whitechapel. Located in the East End of London. The East End was London’s dark, dirty secret that people knew about, but was never discuss. Whitechapel was the home for the slums, the poor, filthy conditions, and disease. The life expectancy was 30. One square mile for 180,000 residents. Within this dangerous square mile were 5 women that walked these dark streets without hesitation for their safety. Take a journey with a young woman from Bath England to these very slums. Where vice and murder is an everyday occurrence. Travel with her to the 10 Bells Pub, the Britannia, Christ First Church, the London, and the Turkish Baths on Commercial St. Where on these dangerous streets she makes friends with these 5 women who history will remember as the Jack the Ripper victims. Polly, Annie, Lizabeth, Catherine, and Mary Jane Kelly who befriends Velvet as she rents a room at Miller’s Ct #22. While in Whitechapel she will have an encounter with Edmund Reid from H Division, who months later will be in charge of the Ripper case. Driven by torment, and guilt while staying in Whitechapel. And why the incident is always calling her.
We seem to be falling with frightening acceleration through a shrinking world of violence and corruption, self-absorption and alienation, hatred and fear. A world that claws at the soul and withers the spirit, with a growing gulf between the elite and the downtrodden, and a wasteland of personal agony for legions of both. A world whose life-sustaining resources are threatened as surely as the dreams of its inhabitants. A world where comfort, reliability and trust are increasingly replaced by disillusionment, suspicion, and disgust. "Luggalor's Lenses" is a taut, fast-paced story that carries a message for our time... illuminates the ongoing wreckage to the human psyche, the environment, and social fabric of the planet's life... reveals how the truths inherent in every thread of creation are neglected... and offers more than a glimpse into possibilities for reversing the slide. It's a story of insight... and ultimately... hope. About the Author: W.S. Fuller holds a degree in journalism, and has been involved in the publishing industry as a writer, editor, and senior executive for over thirty years. "Luggalor's Lenses" is his first novel.
Out of Eden presents the rigorous investigations and musings of a poet-essayist on the ways in which modern artists have confronted and transfigured the realist tradition of representation. Di Piero pursues his theme with an autobiographical force and immediacy. He fixes his attention on painters and photographers as disparate as Cezanne, Boccioni, Pollock, Warhol, Edward Weston, and Robert Frank. There is indeed a satisfying sweep to this collection: Matisse, Giacometti, Morandi, Bacon, the Tuscan Macchiaioli of the late nineteenth century, the Futurists of the early modern period, and the American pop painters. Di Piero's analysis of modern images also probes the relation between new kinds of image making and transcendence. The author argues that Matisse and Giacometti, for example, continued to exercise the religious imagination even in a desacralized age. And because Di Piero believes that the visual arts and poetry live intimate, coordinate lives, his essays speak of the relation of poetry to forms in art. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.
Palimony Blue Larue, a mixblood growing up in a small California town, suffers from a painful shyness and wants more than anything to be liked. That's why Mary Blue, his Nez Perce mother, has dreamed the weyekin, the spirit guide, to help her bring into the world the one lasting love her son needs to overcome the diffidence that runs so deep in his blood."--Jacket.
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