The Mahābhārata is one of the two major Sanskrit epics of ancient India, the other being the Rāmāyaṇa. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their succession. Along with the epic Rāmāyaṇa, it forms the Hindu Itihasa. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among the principal works and stories in the Mahābhārata are the Bhagavad Gita, the story of Damayanti, an abbreviated version of the Rāmāyaṇa, and the story of Ṛṣyasringa, often considered as works in their own right. Traditionally, the authorship of the Mahābhārata is attributed to Vyāsa. There have been many attempts to unravel its historical growth and compositional layers. The oldest preserved parts of the text are thought to be not much older than around 400 BCE, though the origins of the epic probably fall between the 8th and 9th centuries BCE. The text probably reached its final form by the early Gupta period (c. 4th century CE). According to the Mahābhārata itself, the tale is extended from a shorter version of 24,000 verses called simply Bhārata.
The Mahābhārata is an epic legendary narrative of the Kurukṣetra War and the fates of the Kaurava and the Pāṇḍava princes. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among the principal works and stories in the Mahābhārata are the Bhagavad Gita, the story of Damayanti, an abbreviated version of the Rāmāyaṇa, and the story of Ṛṣyasringa, often considered as works in their own right.
This famous and marvellous Sanskrit poem occurs as an episode of the Mahabharata, in the sixth--or "Bhishma"--Parva of the great Hindoo epic. It enjoys immense popularity and authority in India, where it is reckoned as one of the "Five Jewels" of Devanagiri literature. In plain but noble language it unfolds a philosophical system which remains to this day the prevailing Brahmanic belief, blending as it does the doctrines of Kapila, Patanjali, and the Vedas.
The Bhagavad Gita, literally meaning The Song of the Bhagavan, often referred to as simply the Gita, is a 700-verse Hindu scripture that is part of the Hindu epic Mahabharata. The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer the god-king Krishna. Facing the duty to kill his relatives, Arjuna is counselled by Krishna to "fulfill his Kshatriya (warrior) duty as a warrior and kill." Inserted in this appeal to kshatriyadharma (heroism) is "a dialogue between diverging attitudes concerning and methods toward the attainment of liberation (moksha)." The Bhagavad Gita presents a synthesis of the Brahmanical concept of Dharma, theistic bhakti, the yogic ideals of moksha through jnana, bhakti, karma, and Raja Yoga (spoken of in the 6th chapter). and Samkhya philosophy. Numerous commentaries have been written on the Bhagavad Gita with widely differing views on the essentials. Vedanta commentators read varying relations between Self and Brahman in the text: Advaita Vedanta sees the non-dualism of Atman (soul) and Brahman as its essence, whereas Bhedabheda and Vishishtadvaita see Atman and Brahman as both different and non-different, and Dvaita sees them as different. The setting of the Gita in a battlefield has been interpreted as an allegory for the ethical and moral struggles of the human life. The Bhagavad Gita's call for selfless action inspired many leaders of the Indian independence movement including Mohandas Karamchand Gandhi, who referred to the Gita as his "spiritual dictionary.
Explore Sanskrit literature, the classical language of India, representing a rich cultural tradition from the time of the Vedas in the second millennium BC until Late Antiquity. The leading works of Indian epic poetry are the ‘Ramayana’ and the ‘Mahabharata’, as well as The Five Great Epics of Tamil Literature and Sangam literature. These texts are among some of the oldest surviving epic poems ever written. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents a comprehensive range of Sanskrit epics, including the complete ‘Ramayana’ and ‘Mahabharata’, with illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to the leading works of Sanskrit epic poetry * Concise introduction to the epic poems * Complete ‘Ramayana’ and ‘Mahabharata’, with scholarly footnotes * Excellent formatting of the poems * Rare other Sanskrit epics appearing for the first time in digital publishing - explore the rich heritage of Sanskrit literature * Easily locate the sections you want to read * Features a biography on the leading poet Kalidasa * Bonus text of Arthur Anthony Macdonell’s ‘A History of Sanskrit Literature’ * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: The Hindu Itihasa Ramayana by Valmiki (Translated by Ralph Thomas Hotchkin) Mahabharata by Vyasa (Translated by Kisari Mohan Ganguli) Other Sanskrit Epics Buddhacharita by Asvaghosa (Translated by E. B. Cowell) Saundarananda by Asvaghosa (Translated by E. H. Johnston) Selections from ‘Raghuvamsha’ by Kalidasa (Translated by Arthur W. Ryder) Selections from ‘Kumarasambhava’ by Kalidasa (Translated by Arthur W. Ryder) Shishupala Vadha by Magha (Cantos I-IV) (Translated by M. S. Bhandare) Kiratarjuniya by Bharavi (Translated by Romesh Chunder Dutt) Bhattikavya by Bhatti (Canto I) (Anonymous translation 1867) The Biographies A History of Sanskrit Literature by Arthur Anthony Macdonell Kalidasa: His Life and Writings by Arthur W. Ryder Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
The Mahabharata Vana Parva, Part 1" is a portion of the Mahabharata, an ancient Indian epic written by the mythical sage and author Krishna-Dwaipayana Vyasa. This epic, one of the world's longest and revered works, is said to have been penned over several centuries through multiple authors, but Vyasa is usually seen as its compiler and narrator. The Vana Parva, or "Book of the Forest," constitutes a single of the Mahabharata's eighteen parvas (books). Part 1 of the Vana Parva mainly deals with the exile of the Pandavas, the main protagonists of the Mahabharata. The Pandavas are exiled to the wilderness for thirteen years after losing their kingdom in a dice game. During this time, the epic explains their trials, difficulties, and adventures. Part 1 contains multiple events, including the narrative of the sage Durvasa's visit to the Pandavas, the story of the Yaksha and Yudhishthira's response, and the description of Arjuna's mission to collect celestial weapons. These episodes are not only entertaining, but they additionally provide deep philosophical and moral lessons.
The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Adi Parva, the first, discusses how the Mahabharata came to be narrated by Sauti to the assembled rishis at Naimisharanya after having been recited at the Sarpasatra of Janamejaya by Vaishampayana at Tak a il . It tells the history of the Bharata race traces history of the Bhrigu race. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.
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