Norman Foster, one of the most consistent advocates of architecture based on modern technology, achieved a world-wide reputation with the headquarters for the Hong Kong and Shanghai Banking Corporation in Hong Kong, Stansted Airport in London, Century Tower in Tokyo and his telecommunications tower in Barcelona. His most important projects in Germany are the conversion of the Reichstag building in Berlin and the new Commerzbank headquarters in Frankfurt am Main.
Text in English and German. The oeuvre of Stefan Wewerka occupies a unique position in post-war art because of the way in which he mixes different genres. Wewerka is an 'uomo universale', an uncomfortable pedagogue, a bringer of enlightenment. In addition to his practical work as an architect -- his competition entries have had a lasting effect on architectural discourse -- he has alienated architecture photographically or with the aid of traditional artistic techniques, has written books, has painted pictures, has made films and object art. In the early 50s Wewerka involved himself in earth architecture -- early attempts to build with nature and not against it -- and this at a time when no one was talking about ecology or even green building. Wewerka became known to a wider public in the 60s by the artistic allenation of chairs and other everyday objects, which he sawed up or distorted in order to undermine familiar images subversively. He also did not leave architectural 'high culture' untouched. Triumphal arches like the Arc de Triomphe in Paris or Gothic cathedrals heel over or buckle to form surreal structures and thus make their ideological claims questionable. In the late 70s Wewerka also started to design furniture which had high utility value despite its free form and which emanate an almost Bauhaus-like dignity. All this furniture, like the Fan Desk, the three-legged chair or the One-Swinger, and also his Kitchen Tree and the programmatic Cella furniture system stand like sculptures in the space and always derive a new and surprising variant from subjects and genres that seemed to be closed. The internationally known architecture and design historian Volker Fischer was vice director of the Deutsches Architekturmuseum in Frankfurt for over 10 years. For some time now he has been building up a new design department in the Museum fur Kunsthandwerk in Frankfurt; in addition to his museum work he teaches history of architecture and design at the Hochschule fur Gestaltung in Offenbach. Like Volker Fischer, architectural historian Andrea Gleiniger worked for many years in the Deutsches Architekturmuseum in Frankfurt; she now teaches at the Staatliche Hochschule fur Gestaltung in Karisruhe. Her principal working fields are the history of housing estates in the 20th century and the relationship between architecture, art and the new media.
Norman Foster, one of the most consistent advocates of architecture based on modern technology, achieved a world-wide reputation with the headquarters for the Hong Kong and Shanghai Banking Corporation in Hong Kong, Stansted Airport in London, Century Tower in Tokyo and his telecommunications tower in Barcelona. His most important projects in Germany are the conversion of the Reichstag building in Berlin and the new Commerzbank headquarters in Frankfurt am Main.
Using the life and work of Günter Henle, Volker R. Berghahn examines the postwar West German approach to labour relations and European integration. The study of Henle simultaneously allows Berghahn to reflect on the unique insights into German Jewish life before and during the Nazi dictatorship that his story provides. The book looks at how Henle suffered from Nazi persecution, but was ultimately protected by the Establishment he had married into. It then charts how, reinstated after 1945, he involved himself not only in the reconstruction of his Klockner industrial enterprise, but also in the rebuilding of the West German economy and society, and the development of the European Coal and Steel Community (ECSC) - the embryo of what was ultimately to become the European Union. The Insider-Outsider of Early 20th-Century German Industry discusses West European and American strategies to complement NATO as the political and military counter to the perceived threat of the Soviet Bloc with the creation of institutions for economic cooperation. It is a timely analysis which stresses the importance of cooperation between employers, trade unions and government in securing compromise, social peace and economic stability in trans-Atlantic perspective at a time when the neo-liberal axioms of Thatcherite and Reaganite shareholder societies are again being held against the strengths of the managed stakeholder societies of the early post-war decades.
There are many excellent books dealing with Old Turkic, Preclassical and Classical Mongolian and Literary Manchu individually, but none providing in a single volume a comprehensive survey of all the three major Altaic languages. The present volume attempts to fill this gap; at the same time it reviews also the much debated Altaic Hypothesis. The book is intended for use by students at university level as well as by general readers with a basic knowledge of linguistics. The 39 language texts analysed in the volume are discussed within their historical and cultural context, thus vastly enlarging the scope of the purely linguistic investigation.
Text in English and German. The oeuvre of Stefan Wewerka occupies a unique position in post-war art because of the way in which he mixes different genres. Wewerka is an 'uomo universale', an uncomfortable pedagogue, a bringer of enlightenment. In addition to his practical work as an architect -- his competition entries have had a lasting effect on architectural discourse -- he has alienated architecture photographically or with the aid of traditional artistic techniques, has written books, has painted pictures, has made films and object art. In the early 50s Wewerka involved himself in earth architecture -- early attempts to build with nature and not against it -- and this at a time when no one was talking about ecology or even green building. Wewerka became known to a wider public in the 60s by the artistic allenation of chairs and other everyday objects, which he sawed up or distorted in order to undermine familiar images subversively. He also did not leave architectural 'high culture' untouched. Triumphal arches like the Arc de Triomphe in Paris or Gothic cathedrals heel over or buckle to form surreal structures and thus make their ideological claims questionable. In the late 70s Wewerka also started to design furniture which had high utility value despite its free form and which emanate an almost Bauhaus-like dignity. All this furniture, like the Fan Desk, the three-legged chair or the One-Swinger, and also his Kitchen Tree and the programmatic Cella furniture system stand like sculptures in the space and always derive a new and surprising variant from subjects and genres that seemed to be closed. The internationally known architecture and design historian Volker Fischer was vice director of the Deutsches Architekturmuseum in Frankfurt for over 10 years. For some time now he has been building up a new design department in the Museum fur Kunsthandwerk in Frankfurt; in addition to his museum work he teaches history of architecture and design at the Hochschule fur Gestaltung in Offenbach. Like Volker Fischer, architectural historian Andrea Gleiniger worked for many years in the Deutsches Architekturmuseum in Frankfurt; she now teaches at the Staatliche Hochschule fur Gestaltung in Karisruhe. Her principal working fields are the history of housing estates in the 20th century and the relationship between architecture, art and the new media.
An investor who wants to invest a certain amount and to whom a lot of more or less risky alternatives arise would divide this amount among several securities. He makes this portfolio decision because of his expectations with regard to these assets which result from the information available to him. If the investor obtains additional information, then his knowledge would improve and, therefore, the portfolio decision made by him. Accordingly, he will be ready to accept certain costs related to the information procurement. The value of information indicates the maximum tolerable information costs, and its knowledge, therefore, enables - by comparing with the actual information costs - to evaluate the profitability of an information procurement. In this book, the value of information for the problem of portfolio planning is explicitly determined, namely as well for the case of fixed prices not influenced by the information activity as within the scope of a market model. These explicit results allow several conclusions, in particular about the influence of preknowledge, risk aversion, information precision and information dissemination on their value. The Bayesian decision theory is the basis for this paper. Corres pondingly, a subjective concept of probability is underlying, and the information processing and evaluation is understood in a sta tistical sense. As one might expect, the question about the correct ness of an information is not treated, although manipulating the asset prices by deliberate dis information can be observed in prac tice and is, certainly, an interesting problem.
Meta-X is a user-friendly computer program that allows students, teachers, and researchers to perform a metapopulation viability analysis i.e. to assess the extinction risk of (meta)populations on discrete, partially isolated patches of habitat, in a comfortable way. The CD comes with an extensive handbook which explains the basic concept of the program and takes you on a guided tour through a model experiment. It further provides the necessary scientific background on both metapopulation dynamics and population viability analysis. A special feature of Meta-X is that it supports comparative analyses of alternative scenarios. This predestines Meta-X to serve as an aid for decision making in conservation management and landscape planning. Furthermore, handbook and software together provide an invaluable help in research and teaching.
Modern Germany presents a comprehensive overview and interpretation of the development of Germany in the twentieth century, a country whose history has decisively shaped the map and the politics of modern Europe and the world in which we live. Professor Berghahn is not merely concerned with politics diplomacy, but also with social change, economic performance and industrial relations. For this new edition Professor Berghahn has broadened and extended his discussion of the two Germanies. He also has updated the tables and bibliography.
Geared toward research students in physics and chemistry, this text introduces the three main uses of group theory in quantum mechanics: (1) to label energy levels and the corresponding eigenstates; (2) to discuss qualitatively the splitting of energy levels, starting from an approximate Hamiltonian and adding correction terms; and (3) to aid in the evaluation of matrix elements of all kinds. "The theme," states author Volker Heine, "is to show how all this is achieved by considering the symmetry properties of the Hamiltonian and the way in which these symmetries are reflected in the wave functions." Early chapters cover symmetry transformations, the quantum theory of a free atom, and the representations of finite groups. Subsequent chapters address the structure and vibrations of molecules, solid state physics, nuclear physics, and relativistic quantum mechanics. A previous course in quantum theory is necessary, but the relevant matrix algebra appears in an appendix. A series of examples of varying levels of difficulty follows each chapter. They include simple drills related to preceding material as well as extensions of theory and further applications. The text is enhanced with 46 illustrations and 12 helpful appendixes.
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