Glory is the wryly ironic story of Martin Edelweiss, a twenty-two-year-old Russian émigré of no account, who is in love with a girl who refuses to marry him. "The themes we associate with Nabokov — the romance of emigres, sexual frustration, the nostalgia of youth — shine again, sorrowfully or blithely, but always adding an illuminating dimension to what went before or what comes after." -Kirkus Reviews Convinced that his life is about to be wasted and hoping to impress his love, Martin embarks on a "perilous, daredevil project"--an illegal attempt to re-enter the Soviet Union, from which he and his mother had fled in 1919. He succeeds--but at a terrible cost.
In this collection of interviews, articles, and editorials, Nabokov ranges over his life, art, education, politics, literature, movies, and modern times, among other subjects. Strong Opinions offers his trenchant, witty, and always engaging views on everything from the Russian Revolution to the correct pronunciation of Lolita.
No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight at the enchantment of life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra chronicle a half-century-long love story, one that is playful, romantic, and memorable. At the same time, the letters reveal much about their author. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, landscapes and cityscapes—and glimpse his ceaseless work on his poems, plays, stories, novels, memoirs, screenplays, and translations. This delightful volume is enhanced by twenty-one photographs, as well as facsimiles of the letters and the puzzles and drawings Vladimir often sent to Véra. With 8 pages of photographs and 47 illustrations in text
Considered by many to be the greatest Russian novel of the twentieth century. • An interweaving of the effects of life and memory, tradition and heritage, upon art, the book tells of Fyodor Godunov-Cherdyntsev, an impoverished poet seeking fame in the phantasmic world of Berlin in the 1920s. "A fascinating lesson in the truly staggering number of possible ways of writing and seeing." -Kirkus Reviews The Gift is the story of Fyodor Godunov-Cherdynstev, a writer living in the closed world of Russian intellectuals in Berlin shortly after the First World War. This gorgeous tapestry of literature follows the pursuits of an impoverished émigré poet living in Berlin, who dreams of the book he will someday write. The Gift is the last of the novels Nabokov wrote in his native Russian and the crowning achievement of the initial period of his literary career. It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others.
The Enchanter is the Ur-Lolita, the precursor to Nabokov's classic novel. At once hilarious and chilling, it tells the story of an outwardly respectable man and his fatal obsession with certain pubescent girls, whose coltish grace and subconscious coquetry reveal, to his mind, a special bud on the verge of bloom.
Albinus, a respectable, middle-aged man and aspiring filmmaker, abandons his wife for a lover half his age: Margot, who wants to become a movie star herself. When Albinus introduces her to Rex, an American movie producer, disaster ensues. What emerges is an elegantly sardonic and irresistibly ironic novel of desire, deceit, and deception, a curious romance set in the film world of Berlin in the 1930s.
Nabokov's fourth novel, The Eye is as much a farcical detective story as it is a profoundly refractive tale about the vicissitudes of identities and appearances. Nabokov's protagonist, Smurov, is a lovelorn, excruciatingly self-conscious Russian émigré living in prewar Berlin, who commits suicide after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife.
A darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue from one of the leading writers of the twentieth century, the acclaimed author of Lolita. "Half-poem, half-prose...a creation of perfect beauty, symmetry, strangeness, originality and moral truth. One of the great works of art of this century." —Mary McCarthy, New York Times bestselling author of The Group An ingeniously constructed parody of detective fiction and learned commentary, Pale Fire offers a cornucopia of deceptive pleasures, at the center of which is a 999-line poem written by the literary genius John Shade just before his death. Surrounding the poem is a foreword and commentary by the demented scholar Charles Kinbote, who interweaves adoring literary analysis with the fantastical tale of an assassin from the land of Zembla in pursuit of a deposed king. Brilliantly constructed and wildly inventive, Vladimir Nabokov's witty novel achieves that rarest of things in literature—perfect tragicomic balance.
Literature and Lepidoptera dance an elaborate pas de deux through seventy years of Vladimir Nabokov's life, from his boyhood in Russia to his life as an emigre in the Crimea, Berlin, France, the United States, and finally in Switzerland. An American literary giant, Nabokov also produced first-rate work as a scientist, and in his fiction and elsewhere eloquently advocated attention to the details of the natural world and promoted the delights of discovery." "Nabokov's Butterflies presents Nabokov's twin passions through an astonishingly rich array of novel selections, stories, poems, screenplay, autobiography, criticism, lecturers, articles, reviews, interviews, letters, and notes, plus a wealth of beautiful and fanciful drawings by Nabokov and photographs of him in the field."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Original of Laura is Vladimir Nabokov's final, incredible unfinished novel in fragments. Dr Philip Wild, a man of brilliance, wit, fortune and tremendous bulk, is used to suffering humiliations at the hands of his wife, the younger, slender, and rudely promiscuous Flora. But in a novel, a 'maddening masterpiece' documenting her infidelities, written by one of her lovers and given to the doctor, she appears as My Laura. Dishonoured, Wild still finds pleasure in life, by indulging in self-annihilation, beginning with the removal of his toes.
Published two weeks after his seventieth birthday, Ada, or Ardor is one of Nabokov's greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest. It is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.
The wickedly inventive and richly derisive story of Hermann, a man who undertakes the perfect crime--his own murder. • “A beautiful mystery plot, not to be revealed.” – Newsweek “Nabokov writes prose the only way it should be written, that is, ecstatically.” – John Updike “One of Mr. Nabokov’s finest, most challenging and provocative novels.” – The New York Times Despair’s protagonist, Hermann, is another masterly portrait in the fascinating gallery of living characters Vladmir Nabokov has given to world literature. In his pseudo wordliness, his odd genius, Hermann is one with such other heteroclitic neurotic Nabokovian creations as Humbert Humbert and Charles Kimbote. Rapt in his own reality, incapable of escaping or explicating it, he is as solitary in his abyss as Luzhin or Charlotte Haze of Lolita. Despair is illuminated throughout by the virtuosity and cunning wit that are Vladimir Nabokov’s hallmarks.
Nabokov's wise, ironic, and elegant masterpiece. • A controversial love story almost shocking in its beauty and tenderness. • This annotated edition assiduously illuminates the extravagant wordplay and the frequent literary allusions, parodies, and cross-references. • Edited with a preface, introduction, and notes by Alfred Appel, Jr. "Fascinatingly detailed." -Edmund Morris, The New York Times Book Review When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. Awe and exhilaration–along with heartbreak and mordant wit–abound in this account of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love–love as outrage and hallucination, madness and transformation.
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