Russian Nights, Vladimir Fedorovich Odoevsky's major work, is of great importance in Russian intellectual history. This captivating novel is the summation of Odoevsky's views and interests in many fields: Gothic literature, romanticism, mysticism, the occult, social responsibility, Westernization, utopia and anti-utopia. Compared variously to The Decameron, to Hoffman's Serapion Brethren, and the Platonic dialogues, Russian Nights is a mixture of genres - a series of romantic and society tales framed by Odoevsky's musings on the main strands of Russian thought of the 1820s and 1830s. This is a unique work of Russian literature, and a key sourcebook for Russian romanticism and Russian social and aesthetic thought of its epoch.
Blue Lard is an act of desecration. Blue Lard is what's left after the towering masterpieces of Russian literature have been blown to smithereens, the most graphic, shocking, controversial, and celebrated book to be published in Russia since the end of Communism. Denounced as an abomination on publication in 1999—a crowd of angry Putin supporters gathered in front of Moscow’s Bolshoi Theater to toss shredded copies of Sorokin’s books into an enormous papier-mâché toilet—this ferocious takedown of Russian greatness has since found its way into the canon of Russian literature itself. The book begins in a futuristic laboratory where genetic scientists speak in a dialect of Russian mixed with Chinese. There they work to clone famous Russian writers, who are then made to produce texts in the style of their forebears. The goal of this “script-process” is not the texts themselves but the blue lard that collects in the small of their backs as they write. This substance is to be used to power reactors on the moon—that is, until a sect of devout nationalists breaks in to steal the blue lard, planning to send it back in time to an alternate version of the Soviet Union, one that exists on the margins of a Europe conquered by a long-haired Hitler with the ability to shoot electricity from his hands. What will come of this blue lard? Who will finally make use of its mysterious powers? Max Lawton’s translation of Blue Lard, the first into English, captures this key work in all its grotesque, havoc-making, horrifying, visceral intensity.
In War on the Eve of Nations: Conflicts and Militaries in Eastern Europe, 1450–1500, Vladimir Shirogorov examines how Eastern European armed forces produced critical geopolitical changes in the region. Analyzing the interactions between changes in warfare and the nation-building process, Shirogorov focuses on developments regarding the Polish-Lithuanian Commonwealth, Muscovy, Sweden, the Kazan Khanate, and Ottoman Turkey.
Russian Nights, Vladimir Fedorovich Odoevsky's major work, is of great importance in Russian intellectual history. This captivating novel is the summation of Odoevsky's views and interests in many fields: Gothic literature, romanticism, mysticism, the occult, social responsibility, Westernization, utopia and anti-utopia. Compared variously to The Decameron, to Hoffman's Serapion Brethren, and the Platonic dialogues, Russian Nights is a mixture of genres - a series of romantic and society tales framed by Odoevsky's musings on the main strands of Russian thought of the 1820s and 1830s. This is a unique work of Russian literature, and a key sourcebook for Russian romanticism and Russian social and aesthetic thought of its epoch.
Vladimir S. Soloviev (1853–1900), moral philosopher, social and literary critic, theologian, and poet, is considered one of Russia’s greatest philosophers. But Soloviev is relatively unknown in the West, despite his close association with Fyodor Dostoevsky, who modeled one of his most famous literary characters, Alyosha Karamazov, on Soloviev. In The Heart of Reality, Vladimir Wozniuk offers lucid translations, a substantive introduction, and careful annotations that make many of Soloviev’s writings accessible for the first time to an English-speaking audience. Soloviev worked tirelessly in the name of the mystical body of the Universal Church. The vast bulk of his writings can be construed as promoting, in one way or another, the cause of ecumenism. His essays also display the influence of Platonic and German Idealism and strands of Thomistic thinking. Wozniuk demonstrates the consistency of Soloviev’s biblically based thought on the subjects of aesthetics, love, and ethics, while at the same time clarifying Soloviev’s concept of vseedinstvo (the unity of spiritual and material), especially as applied to literature. Containing many previously untranslated essays, The Heart of Reality situates Soloviev more clearly in the mainstream of Western religious philosophy and Christian thought.
Considered one of Russia’s greatest philosophers, Vladimir Soloviev (1853–1900) was also a theologian, historian, poet, and social and political critic. His works have emerged to enjoy renewed attention in post–Soviet Russia, and his concerns echo in contemporary discussions of politics, law, and morality. In this collection of Soloviev’s essays—many translated into English for the first time—the philosopher explores an array of social issues, from the death penalty to nationalism to women’s rights. Soloviev reacts against the tradition of European rationalist thought and seeks to synthesize religious philosophy, science, and ethics in the context of a universal Christianity. In these writings he reveals the centrality of human rights in his Christian worldview, not only as an abstract theory but also as an inspiration in everyday life. In a substantive introduction and copious annotations to the essays, Vladimir Wozniuk points out distinctive and often overlooked features of Soloviev’s works while illuminating his place within both the Russian and Western intellectual traditions.
This personification of wisdom with golden hair and a radiant aura echoes both the eternal feminine and the world soul. Rooted in Christian and Jewish mysticism, Eastern Orthodox iconography, Greek philosophy, and European romanticism, the Sophiology that suffuses Solovyov's philosophical and artistic works is both intellectually sophisticated and profoundly inspiring. Judith Deutsch Kornblatt brings together key texts from Solovyov's writings about Sophia: poetry, fiction, drama, and philosophy, all extensively annotated and some available in English for the first time (with assistance from the translators Boris Jakim and Laury Magnus)."--Amazon website.
These lectures, given by Solovyov in St. Petersburg in 1878, mark a seminal moment not only in Russian but also in world philosophy. Dostoyevsky, Tolstoy, and other luminaries were in the audience. It was recognized by everyone that something astonishing had occurred.The young philosopher, mystic, and visionary, Solovyov, had given unexpectedly concise, intellectual expression to the reality of the evolution of consciousness and religion. He had spoken movingly of the actualization of Divine Humanity in eternity and time, of the divine world and the fall of spiritual beings into sin, of the origin and meaning of the natural world, and the incarnation of Christ, leading to the redemption of the visible and invisible worlds in the full revelation of Divine Humanity. Sophia, whom Solovyov experienced three times in his life, inspires this great work. He conceives Sophia in a variety of ways: as the eternal ideal prototype of humanity, as the world soul actively engaged in actualizing this idea, and as the fully developed divine-human being. This Sophia is both the active principle in the process of creation and its realized goal: the kingdom of God. From the Esalen-Lindisfarne Library of Russian Philosophy.
This book is the seminal work in which Solovyov developed his religious philosophy. In it, he undertakes a stunning critique of positivism, by which he understands the entire philosophy of Western rationalism, which he sees as setting up a conflict between reason and faith, and reason and nature. In the modern period, he finds abundant evidence for reason's war against nature in Western philosophy from Descartes to Hegel. "Positivism," the leading philosophy in his time, Solovyov also finds repugnant. In its place, he proposes his great theme of total unity--which was to become the dominant theme in Russian philosophy. This is the work that launched Russian religious philosophy and is a must for anyone interested in the subject. From the Esalen-Lindisfarne Library of Russian Philosophy.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.