A rich compilation of the previously uncollected Russian and English prose and interviews of one of the twentieth century's greatest writers, edited by Nabokov experts Brian Boyd and Anastasia Tolstoy. “I think like a genius, I write like a distinguished author, and I speak like a child": so Vladimir Nabokov famously wrote in the introduction to his volume of selected prose, Strong Opinions. Think, Write, Speak follows up where that volume left off, with a rich compilation of his uncollected prose and interviews, from a 1921 essay about Cambridge to two final interviews in 1977. The chronological order allows us to watch the Cambridge student and the fledgling Berlin reviewer and poet turn into the acclaimed Paris émigré novelist whose stature brought him to teach in America, where his international success exploded with Lolita and propelled him back to Europe. Whether his subject is Proust or Pushkin, the sport of boxing or the privileges of democracy, Nabokov’s supreme individuality, his keen wit, and his alertness to the details of life illuminate the page.
The acclaimed author presents his unique insights into the works of great Russian authors including Tolstoy, Dostoevski, Gogol, Gorki, and Chekhov. In the 1940s, when Vladimir Nabokov first embarked on his academic career in the United States, he brought with him hundreds of original lectures on the authors he most admired. For two decades those lectures served as the basis for Nabokov’s teaching, first at Wellesley and then at Cornell, as he introduced undergraduates to the delights of great fiction. This volume collects Nabokov’s famous lectures on 19th century Russian literature, with analysis and commentary on Nikolay Gogol’s Dead Souls and “The Overcoat”; Ivan Turgenev’s Fathers and Sons; Maxim Gorki’s “On the Rafts”; Leo Tolstoy’s Anna Karenina and The Death of Ivan Ilych; two short stories and a play by Anton Chekhov; and several works by Fyodor Dostoevski, including Crime and Punishment, The Idiot, and The Possessed. This volume also includes Nabokov’s lectures on the art of translation, the nature of Russian censorship, and other topics. Featured throughout the volume are photographic reproductions of Nabokov’s original notes. “This volume . . . never once fails to instruct and stimulate. This is a great Russian talking of great Russians.” —Anthony Burgess Introduction by Fredson Bowers
The acclaimed author of Lolita offers unique insight into works by James Joyce, Franz Kafka, Jane Austen, and others—with an introduction by John Updike. In the 1940s, when Vladimir Nabokov first embarked on his academic career in the United States, he brought with him hundreds of original lectures on the authors he most admired. For two decades those lectures served as the basis for Nabokov’s teaching, first at Wellesley and then at Cornell, as he introduced undergraduates to the delights of great fiction. This volume collects Nabokov’s famous lectures on Western European literature, with analysis and commentary on Charles Dickens’s Bleak House, Gustav Flaubert’s Madam Bovary, Marcel Proust’s The Walk by Swann’s Place, Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” and other works. This volume also includes photographic reproductions of Nabokov’s original notes, revealing his own edits, underlined passages, and more. Edited and with a Foreword by Fredson Bowers Introduction by John Updike
“Wonderful, compulsively readable, delicious” personal correspondences, spanning decades in the life and literary career of the author of Lolita (The Washington Post Book World). An icon of twentieth-century literature, Vladimir Nabokov was a novelist, poet, and playwright, whose personal life was a fascinating story in itself. This collection of more than four hundred letters chronicles the author’s career, recording his struggles in the publishing world, the battles over Lolita, and his relationship with his wife, among other subjects, and gives a surprising look at the personality behind the creator of such classics as Pale Fire and Pnin. “Dip in anywhere, and delight follows.” —John Updike
From the writer who shocked and delighted the world with his novels Lolita, Pale Fire, and Ada, or Ardor, and so many others, comes a magnificent collection of stories. Written between the 1920s and 1950s, these sixty-five tales--eleven of which have been translated into English for the first time--display all the shades of Nabokov's imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur's samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers and intoxicating draft of the master's genius, his devious wit, and his ability to turn language into an instrument of ecstasy.
These letters outline the mutual affection and closeness of the two writers, but also reveal the slow crescendo of mutual resentment, mistrust and rejection."--BOOK JACKET.
Nabokov's wise, ironic, and elegant masterpiece. • A controversial love story almost shocking in its beauty and tenderness. • This annotated edition assiduously illuminates the extravagant wordplay and the frequent literary allusions, parodies, and cross-references. • Edited with a preface, introduction, and notes by Alfred Appel, Jr. "Fascinatingly detailed." -Edmund Morris, The New York Times Book Review When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. Awe and exhilaration–along with heartbreak and mordant wit–abound in this account of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love–love as outrage and hallucination, madness and transformation.
No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight at the enchantment of life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra chronicle a half-century-long love story, one that is playful, romantic, and memorable. At the same time, the letters reveal much about their author. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, landscapes and cityscapes—and glimpse his ceaseless work on his poems, plays, stories, novels, memoirs, screenplays, and translations. This delightful volume is enhanced by twenty-one photographs, as well as facsimiles of the letters and the puzzles and drawings Vladimir often sent to Véra. With 8 pages of photographs and 47 illustrations in text
Nabokov's last metafictive parable. . . . One of the most interesting short stories Nabokov never wrote." —San Francisco Chronicle When Vladimir Nabokov died in 1977, he left instructions for his heirs to burn the 138 hand-written index cards that made up the rough draft of his final and unfinished novel, The Original of Laura. But Nabokov's wife, Vera, could not bear to destroy her husband's last work, and when she died, the fate of the manuscript fell to her son. Dmitri Nabokov’s decision finally to allow publication of the fragmented narrative—dark yet playful, preoccupied with mortality—affords us one last experience of Nabokov's magnificent creativity, the quintessence of his unparalleled body of work. “Bits and pieces of Laura will beckon and beguile Nabokov fans, who will find many of the author’s perennial themes and obsessions percolating through the story of Philip.... In these pages readers will find bright flashes of Nabokovian wordplay and surreal, Magritte-like descriptions." —The New York Times "A unique chance to see the master out of control. . . . It's like seeing an unfinished Michelangelo sculpture--one of those rough, half-formed giants straining to step out of its marble block. It's even more powerful, to a different part of the brain, than the polish of a David or a Lolita." —New York magazine
In this collection of interviews, articles, and editorials, Nabokov ranges over his life, art, education, politics, literature, movies, and modern times, among other subjects. Strong Opinions offers his trenchant, witty, and always engaging views on everything from the Russian Revolution to the correct pronunciation of Lolita.
The Gift is the phantasmal autobiography of Fyodor Godunov-Cherdynstev, a writer living in the closed world of Russian intellectuals in Berlin shortly after the First World War. This gorgeous tapestry of literature and butterflies tells the story of Fyodor's pursuits as a writer. Its heroine is not Fyodor's elusive and beloved Zina, however, but Russian prose and poetry themselves.
A rich compilation of the previously uncollected Russian and English prose and interviews of one of the twentieth century's greatest writers, edited by Nabokov experts Brian Boyd and Anastasia Tolstoy. “I think like a genius, I write like a distinguished author, and I speak like a child": so Vladimir Nabokov famously wrote in the introduction to his volume of selected prose, Strong Opinions. Think, Write, Speak follows up where that volume left off, with a rich compilation of his uncollected prose and interviews, from a 1921 essay about Cambridge to two final interviews in 1977. The chronological order allows us to watch the Cambridge student and the fledgling Berlin reviewer and poet turn into the acclaimed Paris émigré novelist whose stature brought him to teach in America, where his international success exploded with Lolita and propelled him back to Europe. Whether his subject is Proust or Pushkin, the sport of boxing or the privileges of democracy, Nabokov’s supreme individuality, his keen wit, and his alertness to the details of life illuminate the page.
No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight at the enchantment of life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra chronicle a half-century-long love story, one that is playful, romantic, and memorable. At the same time, the letters reveal much about their author. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, landscapes and cityscapes—and glimpse his ceaseless work on his poems, plays, stories, novels, memoirs, screenplays, and translations. This delightful volume is enhanced by twenty-one photographs, as well as facsimiles of the letters and the puzzles and drawings Vladimir often sent to Véra. With 8 pages of photographs and 47 illustrations in text
The Real Life of Sebastian Knight is a perversely magical literary detective story -- subtle, intricate, leading to a tantalizing climax -- about the mysterious life of a famous writer. Many people knew things about Sebastian Knight as a distinguished novelist, but probably fewer than a dozen knew of the two love affairs that so profoundly influenced his career, the second one in such a disastrous way. After Knight's death, his half brother sets out to penetrate the enigma of his life, starting with a few scanty clues in the novelist's private papers. His search proves to be a story as intriguing as any of his subject's own novels, as baffling, and, in the end, as uniquely rewarding. "Nabokov writes prose the only way it should be written, that is, ecstatically." -John Updike
The urbane authority that Vladimir Nabokov brought to every word he ever wrote, and the ironic amusement he cultivated in response to being uprooted and politically exiled twice in his life, never found fuller expression than in Pale Fire published in 1962 after the critical and popular success of Lolita had made him an international literary figure. An ingeniously constructed parody of detective fiction and learned commentary, Pale Fire offers a cornucopia of deceptive pleasures, at the center of which is a 999-line poem written by the literary genius John Shade just before his death. Surrounding the poem is a foreword and commentary by the demented scholar Charles Kinbote, who interweaves adoring literary analysis with the fantastical tale of an assassin from the land of Zembla in pursuit of a deposed king. Brilliantly constructed and wildly inventive, this darkly witty novel of suspense, literary one-upmanship, and political intrigue achieves that rarest of things in literature–perfect tragicomic balance. With an introduction by Richard Rorty.
The annotated text of this modern classic. It assiduously illuminates the extravagant wordplay and the frequent literary allusions, parodies, and cross-references. Edited with a preface, introduction and notes by Alfred Appel, Jr.
The most famous and controversial novel from one of the greatest writers of the twentieth century tells the story of Humbert Humbert’s obsessive, devouring, and doomed passion for the nymphet Dolores Haze. "The conjunction of a sense of humor with a sense of horror [results in] satire of a very special kind." —The New Yorker Awe and exhilaration—along with heartbreak and mordant wit—abound in Lolita, which tells the story of the aging Humbert Humbert's obsession for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America. Most of all, it is a meditation on love—love as outrage and hallucination, madness and transformation.
Published two weeks after his seventieth birthday, Ada, or Ardor is one of Nabokov's greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest. It is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.
The Enchanter is the Ur-Lolita, the precursor to Nabokov's classic novel. At once hilarious and chilling, it tells the story of an outwardly respectable man and his fatal obsession with certain pubescent girls, whose coltish grace and subconscious coquetry reveal, to his mind, a special bud on the verge of bloom.
The darkly comic Transparent Things, one of Nabokov's final books, traces the bleak life of Hugh Person through murder, madness, prison and trips to Switzerland. One of these was the last journey his father ever took; on another, having been sent to ingratiate himself with a distinguished novelist, he met his future wife. "As casual, as unpredictable, as eccentric and as daunting as Mr. Nabokov's genius." -Mavis Gallant, The New York Times Book Review Nabokov's brilliant short novel sinks into the transparent things of the world that surround this one person, to the silent histories they carry. Remarkable even in Nabokov's work for its depth and lyricism, Transparent Things is a small, experimental marvel of memories and dreams, both sentimental and malign. “The final effect is both chill and comic, the transparencies both beautiful and terrifying.” —The Times (London)
The novel is the story of Dreyer, a wealthy and boisterous proprietor of a men's clothing emporium store. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle's condescension in his aunt's bed.
Though we know Vladimir Nabokov as a brilliant novelist, his first love was poetry. This landmark collection brings together the best of his verse, including many pieces that have never before appeared in English. These poems span the whole of Nabokov’s career, from the newly discovered “Music,” written in 1914, to the short, playful “To Véra,” composed in 1974. Many are newly translated by Dmitri Nabokov, including The University Poem, a sparkling novel in verse modeled on Pushkin’s Eugene Onegin that constitutes a significant new addition to Nabokov’s oeuvre. Included too are such poems as “Lilith”, an early work which broaches the taboo theme revisited nearly forty years later in Lolita, and “An Evening of Russian Poetry”, a masterpiece in which Nabokov movingly mourns his lost language in the guise of a versified lecture on Russian delivered to college girls. The subjects range from the Russian Revolution to the American refrigerator, taking in on the way motel rooms, butterflies, ice-skating, love, desire, exile, loneliness, language, and poetry itself; and the poet whirls swiftly between the brilliantly painted facets of his genius, wearing masks that are, by turns, tender, demonic, sincere, self-parodying, shamanic, visionary, and ingeniously domestic.
Albinus, a respectable, middle-aged man and aspiring filmmaker, abandons his wife for a lover half his age: Margot, who wants to become a movie star herself. When Albinus introduces her to Rex, an American movie producer, disaster ensues. What emerges is an elegantly sardonic and irresistibly ironic novel of desire, deceit, and deception, a curious romance set in the film world of Berlin in the 1930s.
Extensively revised by Nabokov in 1965--thirty years after its original publication--Despair is the wickedly inventive and richly derisive story of Hermann, a man who undertakes the perfect crime--his own murder.
In general Glory is my happiest thing.' 'The fun of Glory is . . . to be sought in the echoing and linking of minor events, in back-and-forth switches, which produce an illusion of impetus; in an old daydream directly becoming the blessing of the ball hugged to one's chest, or in the casual vision of Martin's mother grieving beyond the time-frame of the novel in an abstraction of the future that the reader can only guess at, even after he has raced through the last seven chapters where a regular madness of structural twists and a masquerade of all characters culminate in a furious finale, although nothing much happens at the very end - just a bird perching on a wicket in the greyness of a wet day' - Vladimir Nabokov
Nabokov's fourth novel, The Eye is as much a farcical detective story as it is a profoundly refractive tale about the vicissitudes of identities and appearances. Nabokov's protagonist, Smurov, is a lovelorn, excruciatingly self-conscious Russian émigré living in prewar Berlin, who commits suicide after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife.
Literature and Lepidoptera dance an elaborate pas de deux through seventy years of Vladimir Nabokov's life, from his boyhood in Russia to his life as an emigre in the Crimea, Berlin, France, the United States, and finally in Switzerland. An American literary giant, Nabokov also produced first-rate work as a scientist, and in his fiction and elsewhere eloquently advocated attention to the details of the natural world and promoted the delights of discovery." "Nabokov's Butterflies presents Nabokov's twin passions through an astonishingly rich array of novel selections, stories, poems, screenplay, autobiography, criticism, lecturers, articles, reviews, interviews, letters, and notes, plus a wealth of beautiful and fanciful drawings by Nabokov and photographs of him in the field."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Many think Pale Fire Vladimir Nabokov's greatest novel. At its heart beats the 999-line poem, "Pale Fire," penned by the distinguished American poet John Shade. This first-ever facsimile edition of the poem shows it to be not just a fictional device but a masterpiece of American poetry, albeit by an invented persona -- "the greatest of invented poets," according to Nabokov's own accurate evaluation. This attractive box contains two booklets, the poem "Pale Fire" in a handsome pocket edition and the book of essays by renowned Nabokov authority Brian Boyd and poet R.S. Gwynn, as well as facsimiles of the index cards that John Shade (like his maker, Nabokov) used for composing his poem, printed exactly as Vladimir Nabokov described them. Artist Jean Holabird, who conceived the project, illustrates key details of the poem's pattern and pathos. 40 Pages in Book 1 "Pale Fire," 48 Pages in Book 2 "Pale Fire" Reflections, 80 Index Cards 2 Paperback Books in a deluxe box
Part of the fabulous new hardback library of 22 Vladimir Nabokov books, publishing over the coming year, with an elegant new jacket and text design. The state has been recently taken over and is being run by the tyrannical and philistine 'Average Man' party. Under the slogans of equality and happiness for all, it has done away with individualism and freedom of thought. Only John Krug, a brilliant philosopher, stands up to the regime. His antagonist, the leader of the new party, is his old school enemy, Paduk - known as the 'Toad'. Grieving over his wife's recent death, Krug is at first dismissive of Paduk's activities and sees no threat in them. But the sinister machine which Paduk has set in motion may prove stronger than the individual, stronger even than the grotesque 'Toad' himself.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta- the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants. Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all of these? 'A masterpiece. One of the great works of art of our age' Independent
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