Analysing films by established directors such as Sokurov and Zel'dovich, as well as lesser-known filmmakers like Balabanov and Kalatozishvili, this book explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language.
Straddling Europe and Asia, the Russian Federation is the largest country in the world and home to a panoply of religious and ethnic groups from the Muslim Tatars to the Buddhist Buryats. Over the past 30 years, Russia has experienced the most dramatic transformation of any modern state. Historical Dictionary of the Russian Federation provides insight into this rapidly developing country. The volume includes coverage of pivotal movements, events, and persons in the late Soviet Union (1985-1991) and contemporary Russia (1991-present), as well as detailed entries covering the country's expansive geography, unique culture, diverse ethnic groups, and complex political and social environment. This is done through a chronology, an introductory essay, maps, a bibliography, and over 600 cross-referenced dictionary entries on significant persons, events, places, and organizations.
Analysing films by established directors such as Sokurov and Zel'dovich, as well as lesser-known filmmakers like Balabanov and Kalatozishvili, this book explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language.
Straddling Europe and Asia, the Russian Federation is the largest country in the world and home to a panoply of religious and ethnic groups from the Muslim Tatars to the Buddhist Buryats. Over the past 30 years, Russia has experienced the most dramatic transformation of any modern state. Historical Dictionary of the Russian Federation provides insight into this rapidly developing country. The volume includes coverage of pivotal movements, events, and persons in the late Soviet Union (1985-1991) and contemporary Russia (1991-present), as well as detailed entries covering the country's expansive geography, unique culture, diverse ethnic groups, and complex political and social environment. This is done through a chronology, an introductory essay, maps, a bibliography, and over 600 cross-referenced dictionary entries on significant persons, events, places, and organizations.
This volume offers an in-depth investigation of the role of new media in the political, social and cultural life in the region of Europe-Asia. By focusing on new media, which is understood primarily as internet-enabled networked social practice, the book puts forward a political and cultural redefinition of the region which is determined by the recognition of the diversity of new media uses in the countries included in the study. This book focuses on the period prior to the advent of 'world internet revolutions', and it registers the region at its pivotal moment--at the time of its entry into the post-broadcast era. Does the Internet aid democratisation or it conditioned by socio-political norms? Has the Internet changed politics or has it had to fit existing political structures? Has the use of digital technologies revolutionized election campaigns? How is hyperlinked society different from society prior to the advent of the web? How do ordinary people actually use the Internet. These and other pressing questions - crucial to understanding the post-socialist world - are investigated in the current volume. This book was published as a special issue of Europe-Asia Studies.
This book discusses the return of geopolitical ideas and doctrines to the post-Soviet space with special focus on the new phenomenon of digital geopolitics, which is an overarching term for different political practices including dissemination of geopolitical ideas online, using the internet by political figures and diplomats for legitimation and outreach activity, and viral spread of geopolitical memes. Different chapters explore the new possibilities and threats associated with this digitalization of geopolitical knowledge and practice. Our authors consider new spatial sensibilities and new identities of global as well as local Selves, the emergence of which is facilitated by the internet. They explore recent reconfigurations of the traditional imperial conundrum of center versus periphery. Developing Manuel Castells’ argument that social activism in the digital era is organized around cultural values, the essays discuss new geopolitical ideologies which aim to reinforce Russia’s spiritual sovereignty as a unique civilization, while at the same time seeking to rebrand Russia as a greater soft power by utilizing the Russian-speaking diaspora or employing traditionalist rhetoric. Great Power imagery, enemy-making, and visual mappings of Russia’s future territorial expansion are traditional means for the manipulation of imperial pleasures and geopolitical fears. In the age of new media, however, this is being done with greater subtlety by mobilizing the grassroots, contracting private information channels, and de-politicizing geopolitics. Given the political events of recent years, it is logical that the Ukrainian crisis should provide the thematic backdrop for most of the authors.
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