This book examines Shyam Benegal’s films and alternative image(s) of India in his cinema, and traces the trajectory of changing aesthetics of his cinema in the post-liberalisation era. The book engages with the challenges faced by India as a nation-state in post-colonial times. Looking at hybrid and complex narratives of films like Manthan, Junoon, Kalyug, Charandas Chor, Sooraj Ka Satvaan Ghoda, Zubeidaa and Well Done Abba , among others, it analyses how these stories and characters, adapted and derived from mythology, folk-tales, historical fiction and novels, are rooted in the socio-political contexts of modern India. The author explores diverse themes in Benegal’s cinema such as the loss of home and identity, women’s sexuality, and the status of dalits and Muslims in India. He also focuses on how the filmmaker expertly weaves history with myth, culture, and contemporary politics and discusses the debate around the interpretive value of film adaptations, adaptation of history and the representations of marginalised communities and liminal spaces. The book will be useful for students and researchers of film studies, cultural studies, and the humanities. It will also interest readers of Indian cinema and the social and cultural history of India.
Dermal fillers are substances injected into the face to fill lines and add volume to areas such as the lips and cheeks. They are not permanent and usually last between six and eighteen months. Similarly, Botulinum toxin (Botox) injections relax the facial muscles to smooth out line and wrinkles, such as frown lines and crow’s feet. Botox is not permanent and usually lasts for three to four months. This book is a comprehensive guide to the clinical use of fillers and Botox. Beginning with an overview of the history and basic science of cosmetic injectables, the book is then divided into two key sections. Section one examines fillers, discussing facial anatomy, patient selection, anaesthesia, and injection techniques for different areas of the face. Treatment plans, patient consent, and before and after instructions, are also discussed. The second section covers Botox and its use for treating different types of facial lines, and includes chapters on complications and their management, and Botox in men. The extensive text is enhanced by nearly 300 clinical photographs, illustrations and tables. Key points Comprehensive guide to clinical use of dermal fillers and Botox In depth discussion on injection techniques for different parts of the face Covers patient and treatment selection, patient consent and complications Includes nearly 300 clinical photographs, illustrations and tables
This book provides an introduction to next-generation applications and technologies for improving diagnostic accuracy and prediction of treatment outcomes in dentistry through the use of artificial intelligence (AI) and machine learning (ML). The authors attempt to bridge the gap between dental research and global health outcomes, as well as provide a comprehensive guide to general and clinical aspects of dental and oral health issues and the etiology, prevalence, assessment, and management of these conditions. This book combines engineering applications and medical healthcare and will be an important reference for researchers, biomedical engineers, dental students, and dental practitioners.
This book examines Shyam Benegal’s films and alternative image(s) of India in his cinema, and traces the trajectory of changing aesthetics of his cinema in the post-liberalisation era. The book engages with the challenges faced by India as a nation-state in post-colonial times. Looking at hybrid and complex narratives of films like Manthan, Junoon, Kalyug, Charandas Chor, Sooraj Ka Satvaan Ghoda, Zubeidaa and Well Done Abba , among others, it analyses how these stories and characters, adapted and derived from mythology, folk-tales, historical fiction and novels, are rooted in the socio-political contexts of modern India. The author explores diverse themes in Benegal’s cinema such as the loss of home and identity, women’s sexuality, and the status of dalits and Muslims in India. He also focuses on how the filmmaker expertly weaves history with myth, culture, and contemporary politics and discusses the debate around the interpretive value of film adaptations, adaptation of history and the representations of marginalised communities and liminal spaces. The book will be useful for students and researchers of film studies, cultural studies, and the humanities. It will also interest readers of Indian cinema and the social and cultural history of India.
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