This in-depth look at Mies van der Rohe's early career is the first to examine the architect's work in Europe in terms of specific historical and cultural context, rather than the more abstract and formal arguments of the International Style. While earlier studies have described a fundamental break between Mies's neo-classical work prior to 1919 and the more avant-garde work of the 1920s, recent research demonstrates that the transformation was much more gradual. Here 11 scholars and architectural historians explore particular aspects of Mies's work, together shedding new light on the continual interplay of tradition and innovation, nature and abstraction, in the evolution of his design theories and methods. With a wealth of photographs and drawings, many not previously published, this book conveys for the first time the dynamic intellectual ferment of this formative period in the life of one of architecture's towering figures. Published to accompany a groundbreaking 2001 exhibition at The Museum of Modern Art, New York.
Published in conjunction with the June 2001 exhibition at The Museum of Modern Art in New York, this volume studies Ludwig Mies's best-known projects and also those which he excised from the record. In addition to his metropolitan skyscrapers and office buildings, it also discusses the urban fabric of central Berlin, analyzing his private houses and relating them to German ideas about nature, and to the great work of environmental art embodied by the cultivated landscape of Potsdam. Terence Riley (chief curator of architecture and design, The Museum of Modern Art), Barry Bergdoll (art history, Columbia U.) and other expert contributors explore Mies's responses to Berlin's inherently conservative building tradition and to the city's artistic avant-gardes, recent discoveries and ideas, and Mies's understanding of America. Contains 595 illustrations, 105 in color. Oversize: 10.5x10.5". c. Book News Inc.
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