This early work on play therapy is both expensive and hard to find in its first edition. It details a non-directive method of play therapy and includes numerous records from therapy sessions. This is a fascinating work and highly recommended for anyone interested in child psychology and development. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
An impressive book. An important book."—Jamie Lee Curtis "I blame mirrors. If it weren't for them we wouldn't need plastic surgeons. In the meantime, anyone tempted to re-shape face, body and mind by means of knife should first read Blum's intelligent, persuasive and absorbing book. Both enticed and alarmed, the reader will at least know what she's doing and more importantly why. This is a book that takes you and shakes you by the throat, and leaves you the better for it."—Fay Weldon, author of The Life and Loves of a She-Devil "An eye-opening look at the dangers, both physical and emotional, of plastic surgery and of the power of beauty in all of our lives. Blum's book is an impressive interweaving of observation, oral interviews, cultural studies, and historical sources. An absorbing read, this is a scholarly book that general readers can enjoy."—Lois Banner, author of American Beauty "A provocative and thoroughly persuasive argument that we live in a culture of cosmetic surgery where identity is sited on the shifting surfaces of the body. Flesh Wounds brilliantly explores the link between the seductions of surgical self-fashioning and the star system, drawing on a stunning array of materials ranging from interviews with plastic surgeons, psychoanalytic theory, and the novel to the visual media of digital photography, film, and television."—Kathleen Woodward, author of Aging and Its Discontents: Freud and Other Fictions
The most brilliant and intuitive, as well as the clearest written, work in this field. It is unpretentious yet clearly the most authoritative work that has been published." NORMAN CAMERON, Ph.D. Professor of Psychiatry Yale University School of Medicine Here is an intensely practical book that gives specific illustrations of how therapy can be implemented in play contacts, and tells how the toys of the playroom can be vivid performers and aids in growth. As she did with DIBS IN SEARCH OF SELF, Dr. Axline has taken true case histories from the rich mine of verbatim case material of children referred for play therapy, choosing children ranging in age, problem, and personality. It's all here in an important and rewarding book for parents, teachers, and anyone who comes in contact with children.
Jubilee Days: Laramie, Wyoming's annual rodeo bash and sin fest. It's a whole week of broncos bucking, guitars twanging, and cash registers ringing. Nobody much wants to spoil the party, not even when a local loser turns up dead in the mountains east of town. Almost nobody. Sally Adler and Hawk Green, a couple of college professors out for an afternoon hike, find the body, and for Sally and Hawk, murder is anything but academic. Like the victim, Sally's done her time in the glare of the late-night neon lights, and she knows how thin the line can be between honky-tonk angels and lost souls. She's determined to do what she can to see justice. Hawk knows he'd better stay close and keep his eyes open. Sally has a way of attracting the wrong kind of attention. From the jam-packed barrooms to the wide-open spaces, Sally and Hawk unravel the dark threads of a sinister scheme. It's a race to find the killer before Sally becomes the next victim.
Everyone dreams of an idyllic life with fulfilling work and quiet retirement. This is exactly what the reverend John Leffingwell expected, but his world is turned upside down when his son is diagnosed with AIDS. The emotional and financial drain of his son’s illness leads Reverend Leffingwell to a poor neighborhood in Seattle, where he finds crime, devastation, and most importantly, himself.
There's an unpleasant surprise waiting outside Wyoming college professor Sally Alder's office on a cold blustery afternoon: a female student, Charlie Preston, recently and brutally battered. Since Charlie refuses to call the cops, tell her family, or see a doctor, Sally has no other recourse but to give the damaged girl the coat off her back, the cash in her wallet, and to wish her good luck. But two weeks after Charlie vanishes, the body of her estranged father is found, beaten to death in an alley. Now Sally is racing to find the missing girl before the police do, since she's far less convinced of Charlie's guilt than they are. And a killer may be hiding in a maze of lethal secrets and dark passions, preparing to inflict a terrible punishment on a frightened young woman . . . and perhaps on her overly inquisitive teacher as well.
In the third book in Virginia Swift's acclaimed mystery series, Sally Alder, hailed by USA Today as "Wyoming's version of TV's Jessica Fletcher or Agatha Christie's Miss Marple," is back with her colorful cohorts to investigate a bizarre murder. Okay, it's embarrassing for a woman of her professional stature and self-image still to have a crush on singer Thomas "Stone" Jackson, a guy whose nickname derives from his legendary propensity for addictive substances. But when Jackson appears one day and asks college professor and sometime sleuth Sally Alder for a little help, she can't say no. Jackson is worried about his ex-wife, folksinger Nina Cruz. It turns out his concern is justified when Nina is found shot to death in the snow-covered forest behind her house. While the sheriff's office believes Nina's death is most likely a hunting accident, Sally is unconvinced. It's up to her to get to the truth, as she uncovers a plot fueled by a twisted mixture of altruism and greed. Praised by critics for her "lively characters and surprising plot twists" (Booklist), and "good local color" (Library Journal), Virginia Swift has once again created a fast-paced, clever tale of murder and mayhem, sure to keep readers on the edge of their seats.
In the third book in Virginia Swift's acclaimed mystery series, Sally Alder, hailed by USA Today as "Wyoming's version of TV's Jessica Fletcher or Agatha Christie's Miss Marple," is back with her colorful cohorts to investigate a bizarre murder. Okay, it's embarrassing for a woman of her professional stature and self-image still to have a crush on singer Thomas "Stone" Jackson, a guy whose nickname derives from his legendary propensity for addictive substances. But when Jackson appears one day and asks college professor and sometime sleuth Sally Alder for a little help, she can't say no. Jackson is worried about his ex-wife, folksinger Nina Cruz. It turns out his concern is justified when Nina is found shot to death in the snow-covered forest behind her house. While the sheriff's office believes Nina's death is most likely a hunting accident, Sally is unconvinced. It's up to her to get to the truth, as she uncovers a plot fueled by a twisted mixture of altruism and greed. Praised by critics for her "lively characters and surprising plot twists" (Booklist), and "good local color" (Library Journal), Virginia Swift has once again created a fast-paced, clever tale of murder and mayhem, sure to keep readers on the edge of their seats.
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