An impressive book. An important book."—Jamie Lee Curtis "I blame mirrors. If it weren't for them we wouldn't need plastic surgeons. In the meantime, anyone tempted to re-shape face, body and mind by means of knife should first read Blum's intelligent, persuasive and absorbing book. Both enticed and alarmed, the reader will at least know what she's doing and more importantly why. This is a book that takes you and shakes you by the throat, and leaves you the better for it."—Fay Weldon, author of The Life and Loves of a She-Devil "An eye-opening look at the dangers, both physical and emotional, of plastic surgery and of the power of beauty in all of our lives. Blum's book is an impressive interweaving of observation, oral interviews, cultural studies, and historical sources. An absorbing read, this is a scholarly book that general readers can enjoy."—Lois Banner, author of American Beauty "A provocative and thoroughly persuasive argument that we live in a culture of cosmetic surgery where identity is sited on the shifting surfaces of the body. Flesh Wounds brilliantly explores the link between the seductions of surgical self-fashioning and the star system, drawing on a stunning array of materials ranging from interviews with plastic surgeons, psychoanalytic theory, and the novel to the visual media of digital photography, film, and television."—Kathleen Woodward, author of Aging and Its Discontents: Freud and Other Fictions
When did cosmetic surgery become a common practice, the stuff of everyday conversation? In a work that combines a provocative ethnography of plastic surgery and a penetrating analysis of beauty and feminism, Virginia L. Blum searches out the social conditions and imperatives that have made ours a culture of cosmetic surgery. From diverse viewpoints, ranging from cosmetic surgery patient to feminist cultural critic, she looks into the realities and fantasies that have made physical malleability an essential part of our modern-day identity. For a cultural practice to develop such a tenacious grip, Blum argues, it must be fed from multiple directions: some pragmatic, including the profit motive of surgeons and the increasing need to appear young on the job; some philosophical, such as the notion that a new body is something you can buy or that appearance changes your life. Flesh Wounds is an inquiry into the ideas and practices that have forged such a culture. Tying the boom in cosmetic surgery to a culture-wide trend toward celebrity, Blum explores our growing compulsion to emulate what remain for most of us two-dimensional icons. Moving between personal experiences and observations, interviews with patients and surgeons, and readings of literature and cultural moments, her book reveals the ways in which the practice of cosmetic surgery captures the condition of identity in contemporary culture.
In response to widespread cultural fantasies about the child--including childhood innocence, the child as origin of the adult, the fetal emergence of subjectivity, and the "inner child" movement--Hide and Seek examines representations of the child in fiction, psychoanalysis, and popular culture. Concentrating on the "go-between" function of the child in nineteenth- and twentieth-century American and British fiction, Virginia Blum shows how selected children in the works of L. P. Hartley, Charles Dickens, Henry James, and Vladimir Nabokov were actually fictional messengers who ultimately were unsuccessful at reconciling impasses in the adult world. Throughout her book Blum draws on pop images of real and fictional children, ranging from the Baby Jessica case, in which the idea of "real" paternity and family bonds comes to the mythic fore, to the film Home Alone, in which the abandoned child becomes protector of his family's hearth and home. Hide and Seek raises provocative questions about the ways in which our culture fetishizes the idea of the child at the same time that we treat with comparative indifference the conditions under which many real children actually live. "A work of striking originality and consistent intellectual honesty, forcing us into genuinely profound and darkly uncomfortable areas of speculation." -- James R. Kincaid, author of Child-Loving: The Erotic Child and Victorian Culture
Sally Alder is a couple of ears past her wild youth as the hard-drinking, guitar playing, hell-raising singer known as Mustang Sally. But then she's grown with age, She's wiser and more coolheaded now, and, more important, Sally has learned how to keep a secret. It's a good thing, too, because she's going to need every advantage she's gained in order to handle the job she's just taken. Imagine having to move from LA to Laramie to get a thrill. A professor of history at UCLA, Sally has just been offered the hugely endowed and deliciously secretive Dunwoodie Distinguished Chair in American Women's History at the University of Wyoming. Job description: Move into the late Meg Dunwoodie's posh residence in Laramie (the only one of its kind) and, with sole proprietors of her papers, construct the definitive Meg Dunwoodie biography--without telling anyone anything about it. Sally Alder is a couple of ears past her wild youth as the hard-drinking, guitar playing, hell-raising singer known as Mustang Sally. But then she's grown with age, She's wiser and more coolheaded now, and, more important, Sally has learned how to keep a secret. It's a good thing, too, because she's going to need every advantage she's gained in order to handle the job she's just taken. Imagine having to move from LA to Laramie to get a thrill. A professor of history at UCLA, Sally has just been offered the hugely endowed and deliciously secretive Dunwoodie Distinguished Chair in American Women's History at the University of Wyoming. Job description: Move into the late Meg Dunwoodie's posh residence in Laramie (the only one of its kind) and, with sole proprietors of her papers, construct the definitive Meg Dunwoodie biography--without telling anyone anything about it. In this town, rumors abound and secrets are practically nonexistent. Of course, everyone knows that Sally has been hired to poke through old Meg's papers, and a lot of people think that somewhere among them sits a treasure map that could lead to a fortune in gold Krugerrands. Oneway or another, most of Laramie is determined to getinto Meg Dunwoodie's house. There are break-ins, a curious sheriff, gossipy friends, and avaricious faculty at the university. And, if that isn't enough to distract Sally from her research, sexy Hawk Green has shown up to rekindle a romance Sally thought was gone forever. But all this goes deeper and the stakes are higher thanSally could have imagined. As she delves intoMeg's romantic and heartbreaking past as a foreigncorrespondent in Paris during World War II, the forces of good and evil are aligning in Laramie, and Sally realizes that, truly, those who don't learn from their pasts are doomed to repeat it. In the tradition, of Susan Isaacs and Fannie Flagg, Virginia Swift has written a story that breaks the mold, with a cast of finely drawn characters and a heroine whose wit and intelligence are matched only by herdetermination.
When did cosmetic surgery become a common practice, the stuff of everyday conversation? In a work that combines a provocative ethnography of plastic surgery and a penetrating analysis of beauty and feminism, Virginia L. Blum searches out the social conditions and imperatives that have made ours a culture of cosmetic surgery. From diverse viewpoints, ranging from cosmetic surgery patient to feminist cultural critic, she looks into the realities and fantasies that have made physical malleability an essential part of our modern-day identity. For a cultural practice to develop such a tenacious grip, Blum argues, it must be fed from multiple directions: some pragmatic, including the profit motive of surgeons and the increasing need to appear young on the job; some philosophical, such as the notion that a new body is something you can buy or that appearance changes your life. Flesh Wounds is an inquiry into the ideas and practices that have forged such a culture. Tying the boom in cosmetic surgery to a culture-wide trend toward celebrity, Blum explores our growing compulsion to emulate what remain for most of us two-dimensional icons. Moving between personal experiences and observations, interviews with patients and surgeons, and readings of literature and cultural moments, her book reveals the ways in which the practice of cosmetic surgery captures the condition of identity in contemporary culture.
Career Paths: Enironmental Science is a new educational resource for environmental science professionals who want to improve their English communication in a work environment. It addresses topics including the parts of the environment, natural resource management, biodiversity, pollution, and climate change.
“Nothing yet published about her so totally contradicts the legend of Virginia Woolf.... [This] is a first chance to meet the writer in her own unguarded words and to observe the root impulses of her art without the distractions of a commentary” (New York Times). Edited and with a Preface by Anne Olivier Bell; Introduction by Quentin Bell; Index.
An account of Woolf's life during the period in which To the Lighthouse and The Waves were written. "Her steel-trap mind and elegant prose...make this a most valuable and pleasurable book" (Publishers Weekly). "Volume three is as witty and intelligent as its predecessors" (Atlantic Monthly). Edited by Anne Olivier Bell, assisted by Andrew McNeillie; Index.
A Contemporary Classics hardcover edition of Virginia Woolf's fantastical novel about an Elizabethan nobleman who lives for three centuries and transitions into a woman. With a new introduction by Jeanette Winterson. Woolf’s most lighthearted novel is a playful and exuberant romp through history. As a teenage nobleman, Orlando spends his days in revelry at the colorful Tudor court of Queen Elizabeth and his nights in writing earnest poetry. A favorite of the elderly queen, he falls in love with and is jilted by a wayward Russian princess. Two kings later, having reached his thirties, Orlando is sent to serve as ambassador to Constantinople, where he awakens one day to find himself in the body of a woman. The Lady Orlando takes this circumstance in stride and returns to England, where she engages in love affairs with both men and women, consorts with the famous poets of each age, finds happiness with an unconventional husband, and at last achieves publication of her own epic poem in the year 1928, the same year that Woolf published her novel. With its blend of fantastical adventure and satirical wit, Orlando was an immediate popular and critical success, one whose status as a classic has only grown with time. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
Umm Kulthum, the "voice of Egypt," was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career. Danielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged women from public performance. From childhood, her mentors honed her exceptional abilities to accord with Arab and Muslim practice, and as her stature grew, she remained attentive to her audience and the public reception of her work. Ultimately, she created from local precendents and traditions her own unique idiom and developed original song styles from both populist and neo-classical inspirations. These were enthusiastically received, heralded as crowning examples of a new, yet authentically Arab-Egyptian, culture. Danielson shows how Umm Kulthum's music and public personality helped form popular culture and contributed to the broader artistic, societal, and political forces that surrounded her. This richly descriptive account joins biography with social theory to explore the impact of the individual virtuoso on both music and society at large while telling the compelling story of one of the most famous musicians of all time. "She is born again every morning in the heart of 120 million beings. In the East a day without Umm Kulthum would have no color."—Omar Sharif
In recent years critics have assailed the cost, inefficiency, and unfairness of American tort law, including products liability and medical malpractice. Yet victims of accidental injury who look to the tort system for deserved compensation often find it a formidable obstacle. Those who seek to reform tort law find legislatures, particularly the United States Congress, paralyzed by the clash of powerful special interest groups. Understanding Enterprise Liability sheds new light on the raging tort reform debate by challenging its fundamental assumptions. Offering historical insights and fresh perspectives on the politics and possibilities for sensible reform, Virginia Nolan and Edmund Ursin pragmatically assess alternative routes to a workable, balanced, and equitable system of compensation for personal injury. They offer a specific proposal, based on the precedent of strict products liability that incorporates the insights of no-fault compensation plan scholarship to create an enterprise liability doctrine that should appeal to courts and to tort reformers.
The author assesses the ethics of care as a promising alternative to the familiar moral theories that serve so inadequately to guide our lives. Held examines what we mean by care and focuses on caring relationships. She also looks at the potential of care for dealing with social issues and global problems.
The town of Southbury was incorporated in 1787. It was a mere 50 years after the landing of the Pilgrims at Plymouth Rock that the original 15 families were drawn to the promise of religious freedom in what was then known as Ancient Woodbury. Descendants of these families and subsequent individuals have called the town their home: community activists fighting the establishment of the German Bund; writers such as Gladys Tabor; celebrities such as Ed Sullivan and Victor Borge; artists, community leaders, educators, businesspeople, and ordinary folks. All have left indelible marks on the rich fabric of this beautiful New England community with the town seal "Unica Unaque," translated as "The One and Only.
Settlers from Stratford first camped under a white oak tree in Ancient Woodbury in 1673. Over 300 years later, the bustling and near-suburban community of Southbury takes its place. Farming was integral to the economy throughout this time period, and small industries flourished utilizing the numerous waterways. The advent of railroad transportation, followed by the interstate highway system, brought more people to this thriving rural community for commerce. Beautiful rolling hills and several lakes and rivers attracted crowds for recreational purposes. The unique town seal reads, Unica Unaque, which translates as the One and Only. Intense interest in the first volume has led to this edition, Southbury Revisited. Donated vintage photographs enrich these pages with highlights of the communitys history.
This book, an essential tool for anyone studying the state of feminist thought in particular or ethical theory in general, shows the outlines of an ethic of care in the distinctive practices of African American communities and considers how the values of care and justice can be reformulated.
How is feminism changing the way women and men think, feel, and act? Virginia Held explores how feminist theory is changing contemporary views of moral choice. She proposes a comprehensive philosophy of feminist ethics, arguing persuasively for reconceptualizations of the self; of relations between the self and others; and of images of birth and death, nurturing and violence. Held shows how social, political, and cultural institutions have traditionally been founded upon masculine ideals of morality. She then identifies a distinct feminist morality that moves beyond culturally embedded notions about motherhood and female emotionality. Examining the effects of this alternative moral and ethical system on changing social values, Held discusses its far-reaching implications for altering standards of freedom, democracy, equality, and personal development. Ultimately, she concludes, the culture of feminism could provide a fresh perspective on—even solutions to—contemporary social problems. Feminist Morality makes a vital contribution to the ongoing debate in feminist theory on the importance of motherhood. For philosophers and other readers outside feminist theory, it offers a feminist moral and social critique in clear and accessible terms.
With Loving Care is a book that describes the history of the American Province of the Poor Handmaids of Jesus Christ from the time of its founding by five sisters who came from Germany to Hessen Cassel, Indiana, to serve the German-speaking people of Northwestern Indiana until the present day. The book was written to outline the efforts of the sisters with the people of the different geographic areas throughout Northern Indiana, all through Illinois and the states of Wisconsin and Minnesota. Wherever the sisters ministered, they also attracted other young women to join them, either as vowed members or as associates who would also serve the people following the charism of Catherine Kasper. The work of the sisters was in the general fields of health care, education, and childcare. As time went on, the apostolates expanded to include parish ministry, retreat ministry, and individual types of service with the people.
Making pragmatics accessible to a wide range of students and instructors without dumbing down the content of the field, this text for language professionals: raises awareness and increases knowledge and understanding of how human beings use language in real situations to engage in social action fosters the ability to think critically about language data and use helps readers develop the ability to "do pragmatics" The book features careful explanations of topics and concepts that are often difficult for uninitiated readers, a wealth of examples, mostly of natural speech from collected data sources, and attention to the needs of readers who are non-native speakers of English, with non-Western perspectives offered when possible. Suggested Readings, Tasks, Discussion Questions, and Data Analysis sections involve readers in extending and applying what they are reading. The exercises push readers to recall and synthesize the content, elicit relevant personal experiences and other sources of information, and engage in changing their own interactional strategies. The activities go beyond a predictable framework to invite readers to carry out real life observations and experiment to make doing pragmatics a nonjudgmental everyday practice.
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