This is a supplement to the author's Encyclopedia of Television Shows, 1925-2010. It covers 1,612 series broadcast between January 1, 2011, and December 31, 2016. Major networks--ABC, CBS, the CW, Fox and NBC--are covered along with many cable channels, such as AMC, Disney, Nickelodeon, Bravo, Lifetime, Discovery, TNT, Comedy Central and History Channel. Alphabetical entries provide storylines, casts, networks and running dates. A performer index is included.
Before Louise Scherbyn founded the Women's International Motorcycle Association, she was simply a working girl who loved motorcycling--at a time when women weren't allowed to wear pants, roads weren't hard-topped, and handlebars could come apart while riding. The hardest part? Auxiliaries she looked to for support each proved to be the wrong fit--some uncomfortably, disastrously so. All Louise wanted was for women riders to have a proper space of their own. For that she would ultimately have to forge a new path. This book tells the fascinating story of Scherbyn's journey in forming the first stand-alone women-only motorcycle association. Chapters cover 225,000 miles and two decades' worth of community-building, hostilities, physical and professional attacks, recovery, sisterhood and more. Scherbyn paved the way for women motorcyclists across the world while facing a storm of threats and uncertainties, driving ahead with newfound friends and her singular, unifying vision for women who ride.
What does it mean to be a Christian citizen of the United States today? This book challenges the argument that the United States is a Christian nation, and that the American founding and the American Constitution can be linked to a Christian understanding of the state and society. Vincent Rougeau argues that the United States has become an economic empire of consumer citizens, led by elites who seek to secure American political and economic dominance around the world. Freedom and democracy for the oppressed are the public themes put forward to justify this dominance, but the driving force behind American hegemony is the need to sustain economic growth and maintain social peace in the United States. This state of affairs raises important questions for Christians. In recent times, religious voices in American politics have taken on a moralistic stridency. Individual issues like abortion and same-sex marriage have been used to "guilt" many Christians into voting Republican or to discourage them from voting at all. Using Catholic social teaching as a point of departure, Rougeau argues that conservative American politics is driven by views of the individual and the state that are inconsistent with mainstream Catholic social thought. Without thinking more broadly about their religious traditions and how those traditions should inform their engagement with the modern world, it is unwise for Christians to think that pressing single issues is an appropriate way to actualize their faith commitments in the public realm. Rougeau offers concerned Christians new tools for a critical assessment of legal, political and social questions. He proceeds from the fundamental Christian premise of the God-given dignity of the human person, a dignity that can only be realized fully in community with others. This means that the Christian cannot simply focus on individual empowerment as 'freedom' but must also seek to nurture community participation and solidarity for all citizens. Rougeau demonstrates what happens when these ideas are applied to a variety of specific contemporary issues involving the family, economics, and race. He concludes by offering a new model of public engagement for Christians in the American Empire.
NEW YORK TIMES BESTSELLER * “GRIPPING…THIS YARN HAS IT ALL.” —USA TODAY * “A WONDERFUL BOOK.” —The Christian Science Monitor * “ENTHRALLING.” —Kirkus Reviews (starred review) * “A MUST-READ.” —Booklist (starred review) A human drama unlike any other—the riveting and definitive full story of the worst sea disaster in United States naval history. Just after midnight on July 30, 1945, the USS Indianapolis is sailing alone in the Philippine Sea when she is sunk by two Japanese torpedoes. For the next five nights and four days, almost three hundred miles from the nearest land, nearly nine hundred men battle injuries, sharks, dehydration, insanity, and eventually each other. Only 316 will survive. For the first time Lynn Vincent and Sara Vladic tell the complete story of the ship, her crew, and their final mission to save one of their own in “a wonderful book…that features grievous mistakes, extraordinary courage, unimaginable horror, and a cover-up…as complete an account of this tragic tale as we are likely to have” (The Christian Science Monitor). It begins in 1932, when Indianapolis is christened and continues through World War II, when the ship embarks on her final world-changing mission: delivering the core of the atomic bomb to the Pacific for the strike on Hiroshima. “Simply outstanding…Indianapolis is a must-read…a tour de force of true human drama” (Booklist, starred review) that goes beyond the men’s rescue to chronicle the survivors’ fifty-year fight for justice on behalf of their skipper, Captain Charles McVay III, who is wrongly court-martialed for the sinking. “Enthralling…A gripping study of the greatest sea disaster in the history of the US Navy and its aftermath” (Kirkus Reviews, starred review), Indianapolis stands as both groundbreaking naval history and spellbinding narrative—and brings the ship and her heroic crew back to full, vivid, unforgettable life. “Vincent and Vladic have delivered an account that stands out through its crisp writing and superb research…Indianapolis is sure to hold its own for a long time” (USA TODAY).
This is a complete revision of the author's 1993 McFarland book Television Specials that not only updates entries contained within that edition, but adds numerous programs not previously covered, including beauty pageants, parades, awards programs, Broadway and opera adaptations, musicals produced especially for television, holiday specials (e.g., Christmas and New Year's Eve), the early 1936-1947 experimental specials, honors specials. In short, this is a reference work to 5,336 programs--the most complete source for television specials ever published.
On November 27, 1937, NBC presented TV's first pilot film, Sherlock Holmes (then called an "experiment"). Thousands of pilot films (both unaired and televised) have been produced since. This updated and restyled book contains 2,470 alphabetically arranged pilot films broadcast from 1937 to 2019. Entries contain the concept, cast and character information, credits (producer, writer, director), dates, genre and network or cable affiliation. In addition to a complete performer's index, two appendices have been included: one detailing the pilot films that led to a series and a second that lists the programs that were spun off from one series into another. Never telecast pilot films can be found in the companion volume, The Encyclopedia of Unaired Television Pilots, 1945-2018. Both volumes are the most complete and detailed sources for such information, a great deal of which is based on viewing the actual programs.
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.
In 2008, the broadcast networks, cable channels and syndication produced nearly 1,100 new and continuing entertainment programs—the most original productions in one year since the medium first took hold in 1948. This reference book covers all the first run entertainment programs broadcast over the airwaves and on cable from January 1 through December 31, 2008, including series, specials, miniseries, made-for-television movies, pilot films, Internet series and specialized series (those broadcast on gay and lesbian channels). Alphabetically arranged entries provide storylines, performer/character casts, production credits, day/month/year broadcast dates, type, length, network(s), and review excerpts.
Created around the world and available only on the web, Internet "television" series are independently produced, mostly low budget shows that often feature talented but unknown performers. Typically financed through crowd-funding, they are filmed with borrowed equipment and volunteer casts and crews, and viewers find them through word of mouth or by chance. The fourth in a series covering Internet TV, this book takes a comprehensive look at 1,121 comedy series produced exclusively for online audiences. Alphabetical entries provide websites, dates, casts, credits, episode lists and storylines.
The fourth book in the Stanoli saga plumbs deeply into the social, political, and religious behaviors of key figures in and around the family over multiple generations from the United States to the old country and back. The main present-day character can be summed up by how he endeavors to live his life, tackling his days by reassessing his own deeply held beliefs, getting out of his comfort zone, and trying things he typically wouldn’t try. He is similar to his father, grandfather, and great-grandfather as a soul-searching thinker, conserving the customs with which he was raised. As the saga unfolds, some personalities seem born evil; others lean toward virtue. Some are eternal optimists, finding happiness even in the dark. Some are risk takers, putting their reputations on the line. The Stanoli patriarch was fond of saying, “There is nothing greater than loving God and loving your neighbor,” but such wisdom is not always simple through the twists and turns of modern life.
In November 1939, NBC's fledgling television station W2XBS broadcast the first known holiday special, The Macy's Thanksgiving Day Parade. Despite its small viewership (very few TV sets existed at the time), the experimental telecast was a harbinger of a now-beloved American tradition: the holiday television special. This book offers a thorough account of holiday television specials in the United States from 1939 to 2021, highlighting variety shows, comedic performances, musical spectaculars and more. From familiar favorites (1964's Rudolph the Red-Nosed Reindeer) to campy one-offs (1985's He-Man and She-Ra: A Christmas Special), the 1140 programs are covered alphabetically and feature performance casts, production credits and storylines for each. Three appendices cover "lost" holiday specials, along with Christmas and Halloween-themed episodes of popular television series.
Vincent Carocci's story is the story of a professional lifetime in and around Pennsylvania state government. He describes the characters who covered the news in the State Capitol, their work habits, their character, their strengths, and their foibles. Carocci's story is also the story of the legislative process and those who gave it life and breath. He describes an unpredictable, sometimes unsightly process of politics, personal machinations, and legislative reorganizations. Finally, Carocci's story is the story of Pennsylvania governors, six in all, who assumed the pinnacle of political power in the state - their successes, their shortcomings, and, above all, their legacies. Having worked most closely with Robert Casey, Carocci recounts the many trials and tribulations of his two terms in office, including the 1992 Democratic convention when Casey's steadfast opposition to abortion made him a virtual outcast within his own party, and the recurring medical problems that challenged him throughout his tenure.
Making Your Mind Matter is a practical guide to effective thinking in college and in everyday life. Critical thinking guru Vincent Ryan Ruggiero explains how and why the mind has been neglected in American education, then teaches readers how to take charge of their own mental development. Ruggiero presents a simple but powerful model—the WISE model (Wonder, Investigate, Speculate, Evaluate). This model illustrates how to overcome obstacles to thinking, resist manipulation, test ideas, analyze arguments, form judgments, analyze ethical issues, and discuss ideas courteously and effectively. This book is a brief, comprehensive, authoritative, and accessible introduction to critical thinking, perfect for all students and others interested in increasing the power of their minds.
Journalists in today’s media environment require a skill set that can be adapted to a variety of media. Dynamics of News Reporting and Writing: Foundational Skills for a Digital Age teaches students the foundational skills they need to successfully report and write the news in an evolving digital landscape. Author Vince F. Filak offers guidance on the essential skills of the industry while weaving in the "how-to’s" of writing digital news. Recognizing that well-crafted stories are founded on sharp prose, this new text covers the foundational elements of newswriting, such as lead writing, structure, and storytelling while also teaching students how to think critically and determine what matters most to their readers. Key Features: An audience-centric approach encourages students to understand why and how news is relevant to the lives of their readers before they even start digging into their stories. "Write Now! Exercises" provide students with an opportunity to immediately practice the core set of skills they have just learned and apply these skills to various platforms. "Consider This" debates spark classroom discussions by encouraging students to take a closer look at a current issue or ideological dilemma and make a valid case for their position. "Thoughts from a Pro" offer students an up-close look at a specific aspect of reporting and writing from a professional who is plying their trade each day.
This book was written as a tribute to all the agents who were assigned to Criminal Squad #1, more commonly referred to as the C-1 Squad, of the Chicago Division of the FBI from 1957 to 1976, a period of nineteen years. These agents were pioneers, who were required to wage war against one of the most powerfully entrenched organized crime organizations in the country since the days of Al Capone. It was at a time when the FBI did not have all the tools or legislation necessary to combat organized crime but they accomplished their goals aggressively with whatever means were available. This is a story of the unique challenges confronting these dedicated agents and the incomparable results achieved which resulted in severely disrupting and curtailing the activities of the Chicago mob. Mr. Inserra also chronicles parts of his career prior to and following his FBI experiences.
A masterpiece... the one single indispensable book that all media students and scholars need to read to understand this vital and growing area of research." - Robert W. McChesney, University of Illinois at Urbana-Champaign "A contemporary classic of media studies. Vincent Mosco, among the leading media scholars of our or any time, brings his searing insights and crystal prose to bear on the latest issues and debates of the field... An indispensable resource for researchers, activists, and students everywhere." - Toby Miller, University of California, Riverside Since publication of its first edition, The Political Economy of Communication has established itself as a true classic and one of the most important contributions to the field. This second edition has been thoroughly restructured, updated and expanded to make it an indispensable text for students and scholars alike. Putting the student at the centre of its updates, this book: Maps the definitions and foundations of political economy Adds 3 new chapters to explore current trends, from feminism and labour to new media, forms of resistance, media reform and democracy Illustrates throughout how power operates across the 21st century media landscape Explores key issues in how media power intersects with globalization, social class, race, gender and surveillance Shows media students why it is essential to understand political economy and its application to media and communication. Combining penetrating theoretical analysis with passionate commitment, Vincent Mosco once again gives readers an indispensable introduction to the field.
This is an encyclopedic reference work to 1,802 radio programs broadcast from the years 1924 through 1984. Entries include casts, character relationships, plots and storylines, announcers, musicians, producers, hosts, starting and ending dates of the programs, networks, running times, production information and, when appropriate, information on the radio show's adaptation to television. Many hundreds of program openings and closings are included.
The Human Manifesto is the ultimate self-help book! In it, you will learn why you and your fellow man do the things you do -- that cultures offer hero systems enabling their members to construct life immortality elusions, or LIES, that allow them to confront and repress the stark reality of death. You will also learn how a culture can be established that motivates human beings to act in ways that improve the quality of life for their fellow man, enhance the prospect of eternal survival or the human species, and reach a better if not complete comprehension of the true nature of God and the Cosmos. Based on the writings of Ernest Becker, especially his 1974 Pulitzer Prize winning The Denial of Death, The Human Manifesto promotes the establishment of a revolutionary cultural system, the Genuine Hero System, that can both satisfy the personal psychological need to repress the stark reality of death while also resulting in a peaceful, enlightened and advanced society. The Human Manifesto argues that unless such a system is adopted, the human species will continue to be motivated to destructive or trivial behavior that falls far short in enabling individuals to attain genuine happiness and fulfillment. Indeed, unless the radical changes it espouses are realized, the species will fail to reach its highest spiritual, intellectual and technological potential. Humanity will never reach the stars and worse, as Becker feared, will be doomed to extinction.
A reckoning of the central role of enslaved and free Black potters in the long-standing stoneware traditions of Edgefield, South Carolina Recentering the development of industrially scaled Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century, this catalogue presents groundbreaking scholarship and new perspectives on stoneware made in Edgefield, South Carolina. Among the remarkable works included are a selection of regional face vessels as well as masterpieces by enslaved potter and poet David Drake, who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. Essays on the production, collection, dispersal, and reception of stoneware from Edgefield offer a critical look at what it means to collect, exhibit, and interpret objects made by enslaved artisans. Several featured contemporary works inspired by or related to Edgefield stoneware attest to the cultural and historical significance of this body of work, and an interview with acclaimed contemporary artist Simone Leigh illuminates its continued relevance.
This book is about our personal journeys in the United States from the enslavement period to the present. There are pages of mini biographies; historical tidbits; essays by family members; obituaries; memoirs; and photographs from 1920's to the present.
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.
The openings and closings to radio programs of all types, from comedies (Blondie, The Jack Benny Program, Lum and Abner) to mysteries (Inner Sanctum Mysteries, The Black Chapel) to game shows (Can You Top This?, Truth or Consequences) to serials (Second Husband, Bachelor's Children) to crime dramas (The Falcon, Eno Crime Clues, The Green Hornet, Mr. and Mrs. North) to westerns (Gunsmoke, Wild Bill Hickok, Hawk Larabee) that were aired between 1931 and 1972, are included in this work. Each entry has a brief introductory paragraph that provides information about the storyline, principal cast, sponsors and air dates. Commercials have been included if the programs were under regular sponsorship. Includes three appendices (sponsors; slogans and jingles; and World War II announcements) and an index.
Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways--with an audience that reaches from students and scholars to professional architects and ardent amateurs--Scully has profoundly influenced the way architecture is thought about and made. This extensively illustrated and elegantly designed volume distills Scully's incalculable contribution. Neil Levine, a former student of Scully's, selects twenty essays that reveal the breadth and depth of Scully's work from the 1950s through the 1990s. The pieces are included for their singular contribution to our understanding of modern architecture as well as their relative unavailability to current readers. Levine offers a perceptive overview of Scully's distinguished career and introduces each essay, skillfully setting the scholarly and cultural scene. The selections address almost all of modern architecture's major themes and together go a long way toward defining what constitutes the contemporary experience of architecture and urbanism. Each is characteristically Scully--provocative, yet precise in detail and observation, written with passionate clarity. They document Scully's seminal views on the relationship between the natural and the built environment and trace his progressively intense concern with the fabric of the street and of our communities. The essays also highlight Scully's engagement with the careers of so many of the twentieth century's most significant architects, from Frank Lloyd Wright and Louis Kahn to Robert Venturi. In the tradition of great intellectual biographies, this finely made book chronicles our most influential architectural historian and critic. It is a gift to architecture and its history.
Over the course of 80 years television has produced countless programs, many of which fit a particular profile. Did you know, for example, some programs are devoted to ghosts, genies, angels and even mermaids? Color broadcasting was first tested in 1941? Live models were used to advertise lingerie as early as 1950? Or that nudity (although accidental) occurred on TV long before cable was even thought possible? These are just a few of the many facts and firsts that can be found within the 145 entries included. Appropriate for fans and scholars, and bursting with obscure facts, this work traces the evolution of specific topics from 1925 through the 2005-2006 season. Entries include such diverse themes as adolescence, adult film actresses on TV, bars, espionage, gays, immigrants, lawyers, transsexuals and truckers, as well as locations like Canada, Hawaii, New York and Los Angeles. Each entry is arranged as a timeline, clearly displaying how television's treatment of the subject has changed through the years. Each entry is as complete as possible and contains series, pilot, special and experimental program information. Whether just a fan of television and eager to know more about the medium or a scholar seeking hard-to-find facts and information, this book traces the history of specific topics from television's infancy to its changes in the early twenty-first century.
For fifty years the truth about the assassination of President John F. Kennedy has been obscured. This book releases us from a crippling distortion of American history. At 1:00 p.m. on November 22, 1963, President John F. Kennedy was pronounced dead, the victim of a sniper attack during his motorcade through Dallas. That may be the only fact generally agreed upon in the vast literature spawned by the assassination. National polls reveal that an overwhelming majority of Americans (75%) believe that there was a high-level conspiracy behind Lee Harvey Oswald. Many even believe that Oswald was entirely innocent. In this continuously absorbing, powerful, ground-breaking book, Vincent Bugliosi shows how we have come to believe such lies about an event that changed the course of history. The brilliant prosecutor of Charles Manson and the man who forged an iron-clad case of circumstantial guilt around O. J. Simpson in his best-selling Outrage Bugliosi is perhaps the only man in America capable of writing the definitive book on the Kennedy assassination. This is an achievement that has for years seemed beyond reach. No one imagined that such a book would ever be written: a single volume that once and for all resolves, beyond any reasonable doubt, every lingering question as to what happened in Dallas and who was responsible. There have been hundreds of books about the assassination, but there has never been a book that covers the entire case, including addressing every piece of evidence and each and every conspiracy theory, and the facts, or alleged facts, on which they are based. In this monumental work, the author has raised scholarship on the assassination to a new and final level, one that far surpasses all other books on the subject. It adds resonance, depth, and closure to the admirable work of the Warren Commission. Reclaiming History is a narrative compendium of fact, forensic evidence, reexamination of key witnesses, and common sense. Every detail and nuance is accounted for, every conspiracy theory revealed as a fraud on the American public. Bugliosi's irresistible logic, command of the evidence, and ability to draw startling inferences shed fresh light on this American nightmare. At last it all makes sense. Some images in this ebook are not displayed due to permissions issues.
Among the array of christologies embodied within New Testament literature, the so-called "hymn" of Colossians 1: 15-20 offers a unique and invaluable contribution to contemporary theological and inter-religious discourse. This is because it conveys what is arguably the highest christological affirmation within the canon. Pizzuto contends that the hymn is a creative and faith-filled composition by the same deutero-Pauline author of the Colossians epistle itself and demonstrates that there is an inextricable relationship between the chiastic structure of Col 1: 15-20 and a proper understanding of its provenance, authorship and theology. Although the hymn echoes theological motifs consistent with Second Temple Judaism and loosely reflects a number of syncretistic influences, it is fundamentally the novelty of the "Christ-event," - the historical impact of Jesus of Nazareth - that has been most influential in determining the christological categories of Col 1: 15-20 and its larger epistolary framework. Pizzuto thus defends the overall integrity of the hymn against those who would assert that it reflects a pre-Christian or pre-Colossians origin. He concludes that Col 1: 15-20 represents something of a "leap" beyond Pauline christology into a new and unequivocal conviction of the cosmic implications of the Cross.
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