Vincent Terra, whose story was told in this book was born and raised in the Gravesend section of Brooklyn, New York, known as the " bedroom of the Mafia." Born there in the late 1940's and living there throughout most of his life, under the ominous shadows of "do the right thing," finds himself in a life long struggle of balancing the scales of right and wrong, against life's "dog and pony show," of "do as I say, not as I do!" With the added burden of being blinded by his addictions to life's realities.
The "new" realism of Italian cinema after World War II represented and in many ways attempted to contain the turmoil of a society struggling to rid itself of Fascism while fighting off the threat of radical egalitarianism at the same time. In this boldly revisionist book, Vincent F. Rocchio combines Lacanian psychoanalysis with narratology and Marxist critical theory to examine the previously neglected relationship between Neorealist films and the historical spectators they address. Rocchio builds his analysis around case studies of the films Rome: Open City, Bicycle Thieves, La Terra Trema, Bitter Rice, and Senso. Through the lens of psychoanalysis, he challenges the traditional understanding of Neorealism as a progressive cinema and instead reveals the anxieties it encodes: a society in political turmoil, an economic system in collapse, and a national cinema in ruins; while war, occupation, collaboration, and retaliation remain a part of everyday life. These case studies demonstrate how Lacanian psychoanalysis can play a key role in analyzing the structure of cinematic discourse and its strategies of containment. As one of the first books outside of feminist film theory to bring the ideas of Lacan to theories of cinema, this book offers innovative methods that reinvigorate film analysis. Clear and detailed insights into both Italian culture and the films under investigation will make this engaging reading for anyone interested in film and cultural studies.
This substantial volume presents the results of the Mashkan-shapir project which surveyed the extensive remains of this Old Babylonian city to the north of Nippur in the deserts of Iraq.
Deep in the heart of the galaxy the unknown planet spun like a vast spider in its web, radiating a deadly and mysterious energy. Far out in space aboard the ethership Meteoric, Donley was the first to sense the sinister, almost imperceptible attraction of the strange power source. Then the others felt it too - the monotonous throbbing that pulsed through the ship, the altered sensations of every man on board. Slowly, inexorably, the crew of the Meteoric felt themselves being pulled toward-what? Hovering on the outermost edge of space, the rogue planet Ormin was waiting to receive them. Ormin, the Doomsday Planet, where all who set foot there were doomed to living death . . .
De Pallio is one of the strangest and perhaps most difficult texts ever written in Latin. In this speech, presented before a live audience in Carthage around 200 AD, Tertullian defends his radical choice to drop the Roman toga and take up the pallium of philosophers and christians. This theme may seem innocently simple, but it has been elaborated with impressive rhetorical pyrotechnics, couched in deliberately artificial language. And is this speech profoundly christian or shamefully pagan? A work of youth or of old age? Is it a serious apology or satire? Tertullian’s De Pallio has puzzled scholars for generations, yet it has often been neglected or left aside. In this new edition the text is presented with a new English translation and a full commentary, the first one in English. Much attention is paid to the interpretation of the speaker’s often obscure words. In addition, the book puts the speech into the context of Latin Second Sophistic. De Pallio emerges as a fascinating text that stands midway between non-christian and christian literature.
A soul-baring chronicle through 64 poems of a Vietnam draft-dodger who dropped out of society and never found his way back. His search for meaning through poetry led from Akron, Ohio to the East Coast and then to San Francisco, where he worked for a time at City Lights Bookstore, owned by the famous poet, Lawrence Ferlinghetti. Through these poems the price the author paid for his refusal to conform becomes more and more apparent in his own admissions of loneliness and confusion. His struggles and points of view on issues mirror that of many ‘hippies’ during the 60’s, and provide insight into the social turmoil of those years. Dying at the age of 39, his dreams of becoming a successful poet were never realized. The poems included in What Made Him Sing, published long after his death, were not ones their author would have wanted to share with the world, but they are the ones that finally reveal who he was. The author’s very personal search for meaning is also a universal one that will touch a chord in every reader.
What comes to mind when you hear the term "primacy of Christ"? Perhaps that Jesus is number one, or that he is the Lord of the universe? Using the wealth of our tradition on Christ's primacy, this book compels us to pause and search the profound depths of our basic Christian claim on the universal preeminence of Christ. Upholding the writings of Joseph Ratzinger/Pope Benedict XVI as exemplary representation of how the early Christian awareness of Christ's primacy helps us to interpret the present age, this book displays a symphonic harmony between our ancient Christian heritage and the ongoing conversations about the authentic interpretation of Scripture, the human person, the last things, and the church. Central to this symphonic harmony of our tradition is the use of analogy whereby the incarnation helps us to better understand the similarity between the created things and the mystery of God. To better understand how Ratzinger uses the writings of the fathers of the church to draw us more deeply into the depths of Christ is what the correctives offered to some scholars in this book intends to accomplish. What emerges is the ecumenical significance of Joseph Ratzinger's contribution to the modern debate on analogy of being (analogia entis), identifying Christ's primacy as the point of synthesis between analogia entis and analogia fidei.
De Pallio is one of the strangest and perhaps most difficult texts ever written in Latin. In this speech, presented before a live audience in Carthage around 200 AD, Tertullian defends his radical choice to drop the Roman toga and take up the pallium of philosophers and christians. This theme may seem innocently simple, but it has been elaborated with impressive rhetorical pyrotechnics, couched in deliberately artificial language. And is this speech profoundly christian or shamefully pagan? A work of youth or of old age? Is it a serious apology or satire? Tertullian’s De Pallio has puzzled scholars for generations, yet it has often been neglected or left aside. In this new edition the text is presented with a new English translation and a full commentary, the first one in English. Much attention is paid to the interpretation of the speaker’s often obscure words. In addition, the book puts the speech into the context of Latin Second Sophistic. De Pallio emerges as a fascinating text that stands midway between non-christian and christian literature.
Ishia and His Teacher is the continuation to Children of Yahweh and the third and final volume of the Judas Trilogy. It was written during the Covid-19 Pandemic, which definitely influenced its final chapter. This third volume is clearly the most inspirational of the trilogy as the reader is transported to Ishia’s conception, birth and childhood. The reader will feel the joy and happiness of Ishia’s development and the anguish and pain of His mother, Miryam, and of His teacher, Judas, for they know His predestined self sacrifice. You, the reader, will experience Ishia’s adventurous travels, which take him to Rome, Athens, Cappadocia, Babylon and Thibet. Finally, by reading this final book of the Judas Trilogy, you will surely be deeply inspired to follow His loving teachings in this most difficult period of our lives on this beautiful living planet.
This volume offers more than an academic analysis. In each of nine topical chapters authors Jeffry Korgen and Vincent Gallagher begin with a story of a real person who has felt the impact of one particular aspect of globalization. They then explore the 'signs of the times', examining the relationship of these issues to low prices for goods and services.
This book examines the concept of nationality of means of transportation in terms of jurisdiction in international law. It reassesses the definition of nationality and explores how it is conferred. The book first places nationality in the broader perspective of jurisdiction in international law, and examines the historical development and necessity of the nationality of means of transportation. It goes on to investigate whether and under which conditions international organizations may confer a ‘nationality’ on means of transportation, examining the law of the sea conventions and air and space treaties. The book finally explores several questions relating to international registration of means of transportation, building a regime of international registration. Vincent Cogliati-Bantz introduces a necessary distinction between transport internationally registered and transport registered in a State but fulfilling a mission for an international organization. As a work that proposes the ability for international organisations to access international spaces without reliance on State-registered means of transport, this book will be of great use and interest to scholars and students of public international law, international organisations, and maritime, space, and aviation law.
The "new" realism of Italian cinema after World War II represented and in many ways attempted to contain the turmoil of a society struggling to rid itself of Fascism while fighting off the threat of radical egalitarianism at the same time. In this boldly revisionist book, Vincent F. Rocchio combines Lacanian psychoanalysis with narratology and Marxist critical theory to examine the previously neglected relationship between Neorealist films and the historical spectators they address. Rocchio builds his analysis around case studies of the films Rome: Open City, Bicycle Thieves, La Terra Trema, Bitter Rice, and Senso. Through the lens of psychoanalysis, he challenges the traditional understanding of Neorealism as a progressive cinema and instead reveals the anxieties it encodes: a society in political turmoil, an economic system in collapse, and a national cinema in ruins; while war, occupation, collaboration, and retaliation remain a part of everyday life. These case studies demonstrate how Lacanian psychoanalysis can play a key role in analyzing the structure of cinematic discourse and its strategies of containment. As one of the first books outside of feminist film theory to bring the ideas of Lacan to theories of cinema, this book offers innovative methods that reinvigorate film analysis. Clear and detailed insights into both Italian culture and the films under investigation will make this engaging reading for anyone interested in film and cultural studies.
The techniques of painting embrace the practices necessary to give consistency and durability to paintings, and those guiding principles behind which the artist can transform coloring substances into elements suitable for the imitation of the lights and colors that cover natural things. This extension proceeds from the very organic structure of the singular structure of the painting, which imposes on the painter, for each act of the brush, the dual intent of the stability of the colors and their significant appearance, resistance and suitability of the technical means being linked in such an indissoluble way that they cannot be separated without the art itself disappearing; because, lacking resistance in the pictorial material against the infinite causes that tend in the course of time to alter it, it must necessarily destroy itself, just as, lacking the suitability of the means to achieve the reproduction of the truth, the work comes to place itself outside the orbit of art.
Combining 50 rare, beautiful, and diverse maps of the Commonwealth of Virginia from the collections of the Library of Congress, informative captions about the origins and contents of those maps, and essays on state history, this book is a collectible for cartography buffs and a celebration of Virginia for residents, former residents, and visitors.
Our 51st issue is another strong one one, with four of our acquiring editors finding tales for us. Michael Bracken has an original Bev Vincent mystery, and Barb Goffman has a winner from R.T. Lawton. Cynthia Ward turns the tables on fellow editor Michael Bracken and selects a haunted house story by him! And too-long-absent editor Paul Di Filippo has picked a powerful story by Sheree R. Thomas. Good stuff. As if that’s not enough (which it never is for the Black Cat!), we have gone back to the pulps for some historical mystery-adventure tales by Harold Lamb and Philip M. Fisher, and dived even deeper for a collection of mysteries by Dick Donovan called The Chronicles of Michael Danevitch of the Russian Secret Service. On the science fiction front, we have novellas by Arthur Leo Zagat and George O. Smith, plus Skylark Three, by E.E. “Doc” Smith. Here’s the complete lineup: Mysteries / Suspense / Adventure: “Death Sentence,” by Bev Vincent [Michael Bracken Presents short story] “Letter Perfect,” Hal Charles [Solve-It-Yourself Mystery] “Tightening of the Bond,” by R.T. Lawton [Barb Goffman Presents short story] “The Man Who Measured the Wind,” by Harold Lamb [novella] “The Yangtze Horde,” by Philip M. Fisher [short story] The Chronicles of Michael Danevitch of the Russian Secret Service, by Dick Donovan [novel] Science Fiction & Fantasy: “Little Spring,” by Michael Bracken [Cynthia Ward Presents short story] “Thirteen Year Long Song,” by Sheree R. Thomas [Paul Di Filippo Presents short story] “The Faceless Men,” by Arthur Leo Zagat [novella] The Kingdom of the Blind, by George O. Smith [novella] Skylark Three, by E.E. “Doc” Smith [novel]
We cannot imagine a world without plastics. Plastic products make our daily life safe, healthy and convenient. Besides all the benefits, the current plastics economy gives rise to environmental concerns with respect to fossil oil depletion and plastic waste accumulation. In a circular economy, however, plastics can be redesigned for reusability and recyclability. This book makes the topic of sustainable plastics approachable for students and career starters alike, describing the nature and chemistry of (bio)polymers as well as how to create a closed loop of plastic materials.
A soul-baring chronicle through 64 poems of a Vietnam draft-dodger who dropped out of society and never found his way back. His search for meaning through poetry led from Akron, Ohio to the East Coast and then to San Francisco, where he worked for a time at City Lights Bookstore, owned by the famous poet, Lawrence Ferlinghetti. Through these poems the price the author paid for his refusal to conform becomes more and more apparent in his own admissions of loneliness and confusion. His struggles and points of view on issues mirror that of many ‘hippies’ during the 60’s, and provide insight into the social turmoil of those years. Dying at the age of 39, his dreams of becoming a successful poet were never realized. The poems included in What Made Him Sing, published long after his death, were not ones their author would have wanted to share with the world, but they are the ones that finally reveal who he was. The author’s very personal search for meaning is also a universal one that will touch a chord in every reader.
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