Every generation puts 'clothes' onto God to help their understanding, but the underlying reality of God still lies beneath those garments. If we go on clothing God only with garments that are suitable for medieval Christendom, or any other age, then we can hardly expect that God will be understood in the twenty-first century." We live in an age in which many people are interested in spirituality but have been disillusioned by the Church and are unaware of what lies behind institutional religion. There is little knowledge of historical attempts to understand and to "clothe" God, and it is more difficult for twenty-first-century generations to find the tools with which to wrestle with the big questions about who we are and how we relate both to God and to each other. Vincent Strudwick--in collaboration with theologian, historian, and priest Jane Shaw--invites all readers to become wrestlers: to explore difficult questions about God, the Bible, spirituality, and the Church.
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.
Ishia and His Teacher is the continuation to Children of Yahweh and the third and final volume of the Judas Trilogy. It was written during the Covid-19 Pandemic, which definitely influenced its final chapter. This third volume is clearly the most inspirational of the trilogy as the reader is transported to Ishia’s conception, birth and childhood. The reader will feel the joy and happiness of Ishia’s development and the anguish and pain of His mother, Miryam, and of His teacher, Judas, for they know His predestined self sacrifice. You, the reader, will experience Ishia’s adventurous travels, which take him to Rome, Athens, Cappadocia, Babylon and Thibet. Finally, by reading this final book of the Judas Trilogy, you will surely be deeply inspired to follow His loving teachings in this most difficult period of our lives on this beautiful living planet.
From its earliest days, the American film industry has attracted European artists. With the rise of Hitler, filmmakers of conscience in Germany and other countries, particularly those of Jewish origin, found it difficult to survive and fledùfor their work and their livesùto the United States. Some had trouble adapting to Hollywood, but many were celebrated for their cinematic contributions, especially to the dark shadows of film noir. Driven to Darkness explores the influence of Jewish TmigrT directors and the development of this genre. While filmmakers such as Fritz Lang, Billy Wilder, Otto Preminger, and Edward G. Ulmer have been acknowledged as crucial to the noir canon, the impact of their Jewishness on their work has remained largely unexamined until now. Through lively and original analyses of key films, Vincent Brook penetrates the darkness, shedding new light on this popular film form and the artists who helped create it.
In 1954 NBC President Pat Weaver introduced "spectaculars"--lavish entertainment shows designed to bring a new dimension to television. Though special programs had been around since 1939, Weaver's effort heralded a new age, with programs ranging from variety shows with big name hosts (Judy Garland, Cher, Perry Como, Bob Hope, for instance) through animated holiday specials and outstanding dramas to acclaimed children's programming. This is the guide to 3,197 entertainment specials, 1939 to 1993, that were broadcast on network, cable or syndicated television. For each show the cast, including guest stars and announcer, is provided. Also included are comprehensive production credits (director, producer, writer and music), dates aired, networks and running times, and program synopses.
Covering the years 1945-2018, this alphabetical listing provides details about 2,923 unaired television series pilots, including those that never went into production, and those that became series but with a different cast, such as The Green Hornet, The Middle and Superman. Rarities include proposed shows starring Bela Lugosi, Doris Day, Humphrey Bogart, Barbara Stanwyck, Orson Welles, Claudette Colbert and Mae West, along with such casting curiosities as Mona Freeman, not Gale Storm, as Margie in My Little Margie, and John Larkin as Perry Mason long before Raymond Burr played the role.
This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.
Test films, pilots, trial series, limited runs, summer tryouts--by whatever name, televison networks have produced thousands of experimental shows that never made it into the regular line-up. Some were actually shown, but failed to gain an audience; many others never even made it on the air. This work includes more than 3,000 experimental television programs, both aired and unaired, that almost became a series. Entries include length, network, air date (if appropriate), a fact-filled plot synopsis, cast, guest stars, producer, director, writer, and music coordinator. Fully indexed.
The widespread view that girls are succeeding in education and are therefore 'not a problem' is a myth. By drawing directly on girls' own accounts and experiences of school life and those of professionals working with disaffected youth, this book offers startling new perspectives on the issue of exclusion and underachievement amongst girls. This book demonstrates how the social and educational needs of girls and young women have slipped down the policy agenda in the UK and internationally. Osler and Vincent argue for a re-definition of school exclusion which covers the types of exclusion commonly experienced by girls, such as truancy, self-exclusion or school dropout as a result of pregnancy. Drawing on girls' own ideas, the authors make recommendations as to how schools might develop as more inclusive communities where the needs of both boys and girls are addressed equally. The book is essential reading for postgraduate students, teachers, policy-makers and LEA staff dedicated to genuine social and educational inclusion.
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.
Every generation puts 'clothes' onto God to help their understanding, but the underlying reality of God still lies beneath those garments. If we go on clothing God only with garments that are suitable for medieval Christendom, or any other age, then we can hardly expect that God will be understood in the twenty-first century." We live in an age in which many people are interested in spirituality but have been disillusioned by the Church and are unaware of what lies behind institutional religion. There is little knowledge of historical attempts to understand and to "clothe" God, and it is more difficult for twenty-first-century generations to find the tools with which to wrestle with the big questions about who we are and how we relate both to God and to each other. Vincent Strudwick--in collaboration with theologian, historian, and priest Jane Shaw--invites all readers to become wrestlers: to explore difficult questions about God, the Bible, spirituality, and the Church.
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