Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways--with an audience that reaches from students and scholars to professional architects and ardent amateurs--Scully has profoundly influenced the way architecture is thought about and made. This extensively illustrated and elegantly designed volume distills Scully's incalculable contribution. Neil Levine, a former student of Scully's, selects twenty essays that reveal the breadth and depth of Scully's work from the 1950s through the 1990s. The pieces are included for their singular contribution to our understanding of modern architecture as well as their relative unavailability to current readers. Levine offers a perceptive overview of Scully's distinguished career and introduces each essay, skillfully setting the scholarly and cultural scene. The selections address almost all of modern architecture's major themes and together go a long way toward defining what constitutes the contemporary experience of architecture and urbanism. Each is characteristically Scully--provocative, yet precise in detail and observation, written with passionate clarity. They document Scully's seminal views on the relationship between the natural and the built environment and trace his progressively intense concern with the fabric of the street and of our communities. The essays also highlight Scully's engagement with the careers of so many of the twentieth century's most significant architects, from Frank Lloyd Wright and Louis Kahn to Robert Venturi. In the tradition of great intellectual biographies, this finely made book chronicles our most influential architectural historian and critic. It is a gift to architecture and its history.
In the apparently quiet Waikato of the 1930s and 1940s a number of lives connect in a complex web of family ties, desire and violence. Things are often not what they seem. The events of this story also take in boxing and farming, devotion and perversion, ranging as far as Tasmania and the Spanish Civil War.
When American authorities learn that a nuclear missile may have been spirited away by the Castro regime during the Cuban Missile Crisis and that their enemies are planning to use it against them, the CIA calls upon Dalton Drake, a dauntless Canadian private intelligence contractor, to uncover the truth. Embarking on a perilous journey to Cuba, Drake and his elite team soon find themselves enmeshed in a web of intrigue involving Cuba, Venezuela, China, and American political radicals, who are conspiring to dismantle the very foundations of American power. Their goal: to usher in a new world order with China at the top and to vanquish US leadership. As Drake and his team race against time, their pursuit takes them on a high-stakes odyssey across Cuba, Central America, the Caribbean, Canada, and the US. With the fate of the west and also his family hanging in the balance, this is Drake’s most personal mission yet.
This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.
This is a supplement to the author's Encyclopedia of Television Shows, 1925-2010. It covers 1,612 series broadcast between January 1, 2011, and December 31, 2016. Major networks--ABC, CBS, the CW, Fox and NBC--are covered along with many cable channels, such as AMC, Disney, Nickelodeon, Bravo, Lifetime, Discovery, TNT, Comedy Central and History Channel. Alphabetical entries provide storylines, casts, networks and running dates. A performer index is included.
DeVita, Hellman, and Rosenberg's Cancer: Principles & Practice of Oncology, 10th edition has garnered universal acclaim as the world’s definitive, standard-setting oncology reference. More than 400 respected luminaries explore today’s most effective strategies for managing every type of cancer by stage of presentation - discussing the role of all appropriate therapeutic modalities as well as combined-modality treatments. This multidisciplinary approach will help your cancer team collaboratively face the toughest clinical challenges and provide the best possible care for every cancer patient. Access the complete contents online or on your mobile device, with quarterly updates reflecting late-breaking developments in cancer care, free for the first year on LWW Health Library. Take full advantage of the latest advances with brand-new chapters on Hallmarks of Cancer, Molecular Methods in Cancer, Oncogenic Viruses, Cancer Screening, and new sections on Genetic testing and counseling for cancer, plus comprehensive updates throughout – including coverage of the newest biologic therapies. Make optimal, well-coordinated use of all appropriate therapies with balanced, multidisciplinary advice from a surgeon, a medical oncologist, and a radiation oncologist in each major treatment chapter. Review the latest molecular biology knowledge for each type of cancer and its implications for improved management. Make the best decisions on cancer screening and prevention, palliative care, supportive oncology, and quality-of-life issues
In the 1990s the big three networks were being challenged by upstarts FOX and the WB for viewer loyalty. Alongside must-see stalwarts like Frasier, Friends, and Seinfeld, the new networks introduced pop culture touchstones like Buffy the Vampire Slayer and The X-Files. Such shows not only made household names of their stars, but also thrived in syndication and some even graduated to the big screen. In that decade, shows such as ER, Everybody Loves Raymond, and Northern Exposure were vying for awards while programs like Beverly Hills, 90210 and Home Improvement drew in millions of viewers each week. Even after these shows departed the airwaves, they live on in syndication and on DVDs, entertaining many generations of viewers. In Television Series of the 1990s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about sixty programs from the decade. For example, did you know that Ally McBeal’s favorite brand of ice cream is Ben and Jerry’s? Or that Hank Hill’s shoe size is 12? Or that Carrie Bradshaw’s favorite cookie is Double-Stuff Oreos? These are just a handful of hundreds of fun and intriguing specifics found inside this volume. Programs from all of the major networks—as well as select syndicated programs and HBO—are represented here. This is not a book of opinions or essays about specific television programs but a treasure trove of facts associated with each show. FromNiles Crane’s I.Q score to George Constanza’s high score on Frogger, readers will discover a wealth of fascinating information that, for the most part, cannot be found elsewhere. In some cases, the factual data detailed herein is the only such documentation that currently exists on bygone shows of the era. Television Series of the 1990s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.
In 1936, as television networks CBS, DuMont, and NBC experimented with new ways to provide entertainment, NBC deviated from the traditional method of single experimental programs to broadcast the first multi-part program, Love Nest, over a three-episode arc. This would come to be known as a miniseries. Although the term was not coined until 1954, several other such miniseries were broadcast, including Jack and the Beanstalk and Women in Wartime. In the mid-1960s the concept was developed into a genre that still exists. While the major broadcast networks pioneered the idea, it quickly became popular with cable and streaming services. This encyclopedic source contains a detailed history of 878 TV miniseries broadcast from 1936 to 2020, complete with casts, networks, credits, episode count and detailed plot information.
Ideal for orthopaedic, pathology, and radiology residents and practitioners, the updated third edition of Orthopaedic Pathology is a comprehensive, practical guide to diagnosing musculoskeletal disorders, offering details on the pathologic and radiologic characteristics of all bone and joint diseases. Highlighted by more than 1,700 high-quality illustrations, it focuses on helping you reach an accurate diagnosis for virtually any orthopaedic disorder you’re likely to encounter, including cysts, arthritis, synovial lesions, fibrous lesions, metastatic cancer, metabolic bone disease such as osteoporosis and Paget’s disease, fractures, osteomyelitis, tumors and tumor-like lesions and developmental bone disorders. A separate section on soft-tissue pathology discusses meniscal injuries, bursa, ligaments, and tendons.
On a beautiful July morning in 1991, three men gathered in a hotel suite for an informal breakfast and conversation. The discussion ranged widely over events and characters of the past, famous names and fabled accomplishments flowing along with the coffee and juice. Two of them, Ted Williams and Joe DiMaggio, were the ultimate symbols of athletic glory for generations of American men. The third man, Fay Vincent, was living a dream, sitting with and asking questions of his boyhood heroes. Fay Vincent never set out to be the commissioner of baseball. He got into the game alongside his good friend A. Bartlett Giamatti, as deputy commissioner, when Giamatti was named to the sport's highest office in 1989. They spent their first spring and summer dealing with Pete Rose's gambling, and Vincent's legal expertise complemented his friend's moral thunder. But that was to be their only season working side by side, as Bart Giamatti's heart gave out just days after the announcement of the Rose suspension. Vincent found himself the only logical candidate to fill a position as guardian of the best interests of the game he loves. In The Last Commissioner: A Baseball Valentine, Vincent takes us along for the ultimate fan's fantasy camp. As commissioner, he got to talk baseball with the likes of Yogi Berra, Larry Doby, Warren Spahn, Ernie Banks, Eddie Lopat, Whitey Ford, and Henry Aaron. He brought his legal training to bear on the delicate issue of whether Roger Clemens uttered the magic word that would justify his being tossed out of a playoff game (and it's not the word you think). He was one of the few outsiders at the annual Hall of Fame banquet for the new inductees and their immortal peers, where he watched, amazed, as Johnny Mize demonstrated to Ralph Kiner his method of hitting an inside pitch -- a piece of advice from forty years past. And he brought equal respect and attention to the greats of the Negro Leagues, listening to the gracefully told stories of Joe Black and Buck O'Neil, slowly learning how Slick Surratt earned his nickname, hearing Jimmie Crutchfield give as good a definition of a well-lived life as we will ever know. Vincent shares these stories and more: his high regard for umpires, instilled in his youth by his father, an NFL official and respected local ump; his close relations with the Bush family, forged in a summer spent working in the oil fields with his schoolmate Bucky Bush, the 41st president's brother (and 43rd president's uncle); his unusual experiences with the relentless George Steinbrenner, including the famous meeting where the Yankees owner was facing a two-year suspension and plea-bargained it down to a lifetime ban. Vincent also gives his candid views on the state of baseball today, firm in his belief that the game will survive its current leadership and even prosper. Through it all, Vincent's deep love of baseball shines through. His most remarkable accomplishment as commissioner may have been to emerge from the office with his fandom intact. The Last Commissioner is truly a valentine to the game, written with the insight and vision that comes from the lofty perch of the ultimate front-row seat.
A neurologist outlines a program for preventing Alzheimer's disease, making recommendations for identifying and reducing risk factors, suggesting a regimen of strategic diet and exercise, and sharing tips for reducing stress and sleeping better.
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.
Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways--with an audience that reaches from students and scholars to professional architects and ardent amateurs--Scully has profoundly influenced the way architecture is thought about and made. This extensively illustrated and elegantly designed volume distills Scully's incalculable contribution. Neil Levine, a former student of Scully's, selects twenty essays that reveal the breadth and depth of Scully's work from the 1950s through the 1990s. The pieces are included for their singular contribution to our understanding of modern architecture as well as their relative unavailability to current readers. Levine offers a perceptive overview of Scully's distinguished career and introduces each essay, skillfully setting the scholarly and cultural scene. The selections address almost all of modern architecture's major themes and together go a long way toward defining what constitutes the contemporary experience of architecture and urbanism. Each is characteristically Scully--provocative, yet precise in detail and observation, written with passionate clarity. They document Scully's seminal views on the relationship between the natural and the built environment and trace his progressively intense concern with the fabric of the street and of our communities. The essays also highlight Scully's engagement with the careers of so many of the twentieth century's most significant architects, from Frank Lloyd Wright and Louis Kahn to Robert Venturi. In the tradition of great intellectual biographies, this finely made book chronicles our most influential architectural historian and critic. It is a gift to architecture and its history.
The vast and beautiful landscape of the American Southwest has long haunted artists and writers seeking to understand the mysteries of the deep affinity between the land and the Native Americans who have lived on it for centuries. In this pioneering study, art historian Vincent Scully explores the inhabitants' understanding of the natural world in an entirely original way—by observing and analyzing the complex yet visible relationships between the landscape of mountain and desert, the ancient ruins and the pueblos, and the ceremonial dances that take place with them. Scully sees these intricate dances as the most profound works of art yet produced on the American continent—as human action entwined with the natural world and framed by architectural forms, in which the Pueblos express their belief in the unity of all earthly things. Scully's observations, presented in lively prose and exciting photographs, are based on his own personal experiences of the Southwest; on his exploration of the region of the Rio Grande and the Hopi mesas; on his witnessing of the dances and ceremonies of the Pueblos and others; and on his research into their culture and history. He draws on the vast literature inspired by the Native Americans—from early exploration narratives to the writing of D. H. Lawrence to recent scholarship—to enrich and support his unique approach to the subject. To this second edition Scully has added a new preface that raises issues of preservation and development. He has also written an extensive postscript that reassesses the relationship between nature and culture in Native American tradition and its relevance to contemporary architecture and landscape. "Coming to Pueblo architecture as he does from a provocative study of sacred architecture in ancient Greece, Scully has much to say that is both striking and moving of the Pueblo attitudes toward sacred places, the arrangement of structures in space, the lives of men and beasts, and man's relation to rain, earth, vegetation."—Robert M. Adams, New York Review of Books
This book gathers fourteen Catholic scholars to present, examine, and explain the often misunderstood process of "deification". The fifteen chapters show what "becoming God" meant for the early Church, for St. Thomas Aquinas and the greatest Dominicans, and for St. Francis and the early Franciscans. This book explains how this understanding of salvation played out during the Protestant Reformation and the Council of Trent. It explores the thought of the French School of Spirituality, various Thomists, John Henry Newman, John Paul II, and the Vatican Councils, and it shows where such thinking can be found today in the Catechism of the Catholic Church. No other book has gathered such an array of scholars or provided such a deep study into how humanity's divinized life in Christ has received many rich and various perspectives over the past two thousand years. This book seeks to bring readers into the central mystery of Christianity by allowing the Church's greatest thinkers and texts to speak for themselves, demonstrating how becoming Christ-like and the Body of Christ on earth, is the only ultimate purpose of the Christian faith.
Since the beginning of network television, many shows have been preceded by an announcement or theme song that served various purposes. In the 1950s and ’60s, it was common for announcers to declare that a program had been “brought to you by” a sponsor who paid for the privilege of introducing a show. Other programs, such as The Twilight Zone, Star Trek, and The Odd Couple,provided a brief encapsulation of the show’s subject matter, a practice that has continued for recent shows like Alias, Battlestar Galactica, Person of Interest, and the various editions of Law & Order. In Television Introductions: Narrated TV Program Openings since 1949, Vincent Terrace has assembled openings for more than nine hundred television shows from the past seven decades. The only documented history of narrated television program introductions, this volume is arranged by type of programming, such as comedy, drama, Western, game show, soap opera, and children’s show. In addition to quoting the opening material, entries provide information about each show’s network history and years of broadcast. Many entries include descriptions of the show, the names of announcers, and a list of main cast members, as well as a sponsor pitch exactly as spoken. Openings for programs with multiple introductions like The Adventures of Ozzie and Harriet and Charlie’s Angels are also included. For programs that featured new guest stars every episode—such as game shows and variety programs—Terrace has selected a representative introduction. In addition to the theme song credits found in the main text, there are also appendixes of theme songs and their composers and/or singers, as well as a listing of commercial releases (on DVD, VHS, CD, and LP) of shows and their soundtracks. A comprehensive resource for researchers and pop culture aficionados alike, Television Introductions provides a fascinating look at this neglected part of TV history.
This book is the first comprehensive introduction to the literature of eSwatini. It details a literary trajectory that begins with renditions of the country by early travelers and settlers and follows with the emergence of a national literature that is marked by early oral influences and molded by unique sociopolitical interests. Along the way, the author considers how contemporary writing by visitors, expatriates, and journalists have salvaged and recycled earlier images and attitudes through a series of representational and rhetorical practices. In particular, the lingering influence of colonial discourse is explored in the context of the nation’s pivotal incwala ritual. A chapter on Hilda Kuper that situates her fiction and drama between outsider and insider accounts is followed by the final two chapters that trace the development of anglophone and siSwati writing and identify themes arising from the major literary genres produced by local authors. The concluding section features a comprehensive registry of writers, with brief summaries of their works.
This volume presents over 40 texts in the topic of architectural regionalism, a subject of growing interest in contemporary practice and on college curricula today.
A classic book authored by the foremost architectural historian in America, this fully illustrated history of American architecture and city planning is based on Vincent Scully's conviction that architecture and city planning are inseparably linked and must therefore be treated together. He defines architecture as a continuing dialogue between generations which creates an environment across time. This definitive survey extends beyond the cities themselves to the American scene as a whole, which has inspired the reasonable balanced, closed and ordered forms, and above all the probity, that he feels typifies American architecture.
Updated more than ten years after its initial publication, this impassioned book is more relevant than ever to Albuquerque's future. "Illuminating, provocative. . . . a complex, intelligent study of urbanization through an intimate examination of Albuquerque. . . . an insightful, absorbing book."--El Palacio
This reference work is a chronicle of all the first run entertainment programs broadcast from January 1 to December 31, 2009. Included are series, TV movies, aired pilots, specials, miniseries and Internet series. Alphabetically arranged entries provide casts, storylines, production credits, networks, broadcast dates, and excerpts from newspaper reviews. New to this volume is a listing of the highlights of the year and coverage of all the unaired pilots produced for the 2008–2009 season.
The first and only of its kind, this book is a straightforward listing of more than 25,000 trivia facts from 2,498 TV series aired between 1947 and 2019. Organized by topic, trivia facts include everything from home addresses of characters, to names of pets and jobs that characters worked. Featured programs include popular shows like The Big Bang Theory and Friends and more obscure programs like A Date with Judy or My Friend Irma. Included is an alphabetical program index that lists trivia facts grouped by series.
Over the course of 80 years television has produced countless programs, many of which fit a particular profile. Did you know, for example, some programs are devoted to ghosts, genies, angels and even mermaids? Color broadcasting was first tested in 1941? Live models were used to advertise lingerie as early as 1950? Or that nudity (although accidental) occurred on TV long before cable was even thought possible? These are just a few of the many facts and firsts that can be found within the 145 entries included. Appropriate for fans and scholars, and bursting with obscure facts, this work traces the evolution of specific topics from 1925 through the 2005-2006 season. Entries include such diverse themes as adolescence, adult film actresses on TV, bars, espionage, gays, immigrants, lawyers, transsexuals and truckers, as well as locations like Canada, Hawaii, New York and Los Angeles. Each entry is arranged as a timeline, clearly displaying how television's treatment of the subject has changed through the years. Each entry is as complete as possible and contains series, pilot, special and experimental program information. Whether just a fan of television and eager to know more about the medium or a scholar seeking hard-to-find facts and information, this book traces the history of specific topics from television's infancy to its changes in the early twenty-first century.
We all know about the Hells Angels: toughs on Harleys terrorizing the law-abiding; wild brawls and wild sex; drugs and cruelty, beatings, and even murder. But nobody really knows what it’s like to be an Angel except an Angel. In this classic of Hells Angels literature, to be read alongside the works of Hunter S. Thompson and Sonny Barger, George Wethern—for many years the vice president of the Oakland Chapter—tells it like it is. Until he found himself in reluctant service to the courts, Wethern was the quintessential Angel. One of the West Coast’s top drug dealers, he was a man who loved bikes, fights, women, and drugs; a man who knew the deepest secrets of Angel life. Arrested, strung out, in despair, he bought a precarious freedom by testifying in major trials against Angels members—and then disappeared into the witness protection program. A Wayward Angel is a powerful book, a not-for-the-squeamish portrait of the drug scene and the alienation from modern life in late-twentieth-century California. We witness killings, million-dollar drug deals, and orgy-laced “picnics.” This is a story uniquely American. And it is a terrifying tale—because it’s real.
Often regarded as the first golden era of television, the 1950s was a decade when many classic programs—from I Love Lucy and Gunsmoke to The Honeymooners and Perry Mason, among others—made their debuts. Even after these shows departed the airwaves, they lived on in syndication, entertaining several generations of viewers. Devoted and casual fans alike can probably remember basic facts about these shows—like the names of Lucy and Ricky’s neighbors or the town where Marshall Matt Dillon kept the law. But more elusive facts, like the location of the most successful defense attorney in Los Angeles (Suite 904 of the Brent Building), might be harder to recall. In Television Series of the 1950s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about 100 programs from the decade. Did you know, for example, that the middle initial of Dobie Gillis’ friend Maynard G. Krebs, stood for Walter? Or that Ralph Kramden’s electric bill came to only 39 cents a month? Or that on I Love Lucy, Ricky originally performed at Manhattan’s Tropicana Club? These are but a few of the hundreds of fun and intriguing trivia facts contained within this volume. Shows from all four networks (ABC, CBS, NBC, and DuMont)—as well as select syndicated programs—are represented here. This is not a book of opinions or essays about specific television programs, but a treasure trove of the facts associated with each of these programs. Readers will discover a wealth of fascinating information that, for the most part, cannot be found anywhere else. In some cases, the factual data detailed herein is the only such documentation that exists currently on bygone shows of the era. Television Series of the 1950s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.
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