Oprah Jefferson's grandparents are brutally murdered, and only a diary holds the secret clues to their deaths. Oprah's childhood friend Sebastian, a former martial arts instructor, and a ex-con named Earl, a master computer hacker, fight against all odds in their mission to discover the unearthly clues within the dairy. This most masterful plot appears to be a . . . WINDOW WITHOUT A VIEW. The truth, they will learn, is a shocking deception. When people start dying, cops, lawyers, and even judges are suspect. Can anyone be trusted? Window Without A View is the first novel of many more to come from Sebastian R. Williams and Vincent Rizzuto, Jr. Sebastian R. Williams lives in New York City. He and his wife have one child, a daughter. Vincent Ruzzuto, Jr., lives in New York City. He has two daughters.
Presents the events of baseball in the 1950s and 1960s from the perspectives of the players, covering such subjects as the careers of Willie Mays, Mickey Mantle, and Duke Snider.
On a beautiful July morning in 1991, three men gathered in a hotel suite for an informal breakfast and conversation. The discussion ranged widely over events and characters of the past, famous names and fabled accomplishments flowing along with the coffee and juice. Two of them, Ted Williams and Joe DiMaggio, were the ultimate symbols of athletic glory for generations of American men. The third man, Fay Vincent, was living a dream, sitting with and asking questions of his boyhood heroes. Fay Vincent never set out to be the commissioner of baseball. He got into the game alongside his good friend A. Bartlett Giamatti, as deputy commissioner, when Giamatti was named to the sport's highest office in 1989. They spent their first spring and summer dealing with Pete Rose's gambling, and Vincent's legal expertise complemented his friend's moral thunder. But that was to be their only season working side by side, as Bart Giamatti's heart gave out just days after the announcement of the Rose suspension. Vincent found himself the only logical candidate to fill a position as guardian of the best interests of the game he loves. In The Last Commissioner: A Baseball Valentine, Vincent takes us along for the ultimate fan's fantasy camp. As commissioner, he got to talk baseball with the likes of Yogi Berra, Larry Doby, Warren Spahn, Ernie Banks, Eddie Lopat, Whitey Ford, and Henry Aaron. He brought his legal training to bear on the delicate issue of whether Roger Clemens uttered the magic word that would justify his being tossed out of a playoff game (and it's not the word you think). He was one of the few outsiders at the annual Hall of Fame banquet for the new inductees and their immortal peers, where he watched, amazed, as Johnny Mize demonstrated to Ralph Kiner his method of hitting an inside pitch -- a piece of advice from forty years past. And he brought equal respect and attention to the greats of the Negro Leagues, listening to the gracefully told stories of Joe Black and Buck O'Neil, slowly learning how Slick Surratt earned his nickname, hearing Jimmie Crutchfield give as good a definition of a well-lived life as we will ever know. Vincent shares these stories and more: his high regard for umpires, instilled in his youth by his father, an NFL official and respected local ump; his close relations with the Bush family, forged in a summer spent working in the oil fields with his schoolmate Bucky Bush, the 41st president's brother (and 43rd president's uncle); his unusual experiences with the relentless George Steinbrenner, including the famous meeting where the Yankees owner was facing a two-year suspension and plea-bargained it down to a lifetime ban. Vincent also gives his candid views on the state of baseball today, firm in his belief that the game will survive its current leadership and even prosper. Through it all, Vincent's deep love of baseball shines through. His most remarkable accomplishment as commissioner may have been to emerge from the office with his fandom intact. The Last Commissioner is truly a valentine to the game, written with the insight and vision that comes from the lofty perch of the ultimate front-row seat.
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.
An account of baseball in the 1930s and 1940s is presented from the perspectives of players who share memories about such topics as the dominance of the Yankees, the impact of World War II, and the integration of African-American ballplayers.
Examines the history of All-Star baseball, providing play-by-plays, rosters, and box scores of each game; and discusses how All-Star games have been influenced by racial integration, expansion teams, and the designated hitter.
This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.
This is the first ever compilation on Internet television and provides details of 405 programs from 1998 to 2013. Each entry contains the storyline, descriptive episode listings, cast and crew lists, the official website and comments. An index of personnel and programs concludes the book. From Barry the Demon Hunter to Time Traveling Lesbian to Hamilton Carver, Zombie P.I., it is a previously undocumented entertainment medium that is just now coming into focus. Forty-eight photos accompany the text.
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.
The home run is indeed baseball's ultimate weapon. It can change a game in a heartbeat, making a tight game into a blowout or a seemingly easy win into a nail-biter. Homers are majestic, powerful, and awe inspiring. And sluggers are the sport's biggest stars, from the days of Babe Ruth through Barry Bonds. David Vincent, called "The Sultan of Swat Stats" by ESPN, delves into the long history of the home run with great detail and color. He starts when the rules of the game were highly unstable and sometimes the definition of a home run could change in a park from year to year; follows through the "Deadball Era," when the home run was rare; explores the explosion Babe Ruth brought to baseball in the 1920s; discusses how both world wars affected homer statistics; looks at great home run races such as Maris versus Mantle in 1961; assesses the effects of the juiced ball, juiced players, thin air, and smaller ballparks; and so much more. If there is something to know about home run history, look to David Vincent for the answer-Major League Baseball does. With Home Run: The Definitive History of Baseball's Ultimate Weapon, now you can know it too. A 1990s Nike commercial proclaimed that "chicks dig the long ball." In this thorough and colorful look at baseball's ultimate weapon, David Vincent shows you why.
NEW YORK TIMES BESTSELLER * “GRIPPING…THIS YARN HAS IT ALL.” —USA TODAY * “A WONDERFUL BOOK.” —Christian Science Monitor * “ENTHRALLING.” —Kirkus Reviews (starred review) * “A MUST-READ.” —Booklist (starred review) A human drama unlike any other—the riveting and definitive full story of the worst sea disaster in United States naval history. Just after midnight on July 30, 1945, the USS Indianapolis is sailing alone in the Philippine Sea when she is sunk by two Japanese torpedoes. For the next five nights and four days, almost three hundred miles from the nearest land, nearly nine hundred men battle injuries, sharks, dehydration, insanity, and eventually each other. Only 316 will survive. For the first time Lynn Vincent and Sara Vladic tell the complete story of the ship, her crew, and their final mission to save one of their own in “a wonderful book…that features grievous mistakes, extraordinary courage, unimaginable horror, and a cover-up…as complete an account of this tragic tale as we are likely to have” (The Christian Science Monitor). It begins in 1932, when Indianapolis is christened and continues through World War II, when the ship embarks on her final world-changing mission: delivering the core of the atomic bomb to the Pacific for the strike on Hiroshima. “Simply outstanding…Indianapolis is a must-read…a tour de force of true human drama” (Booklist, starred review) that goes beyond the men’s rescue to chronicle the survivors’ fifty-year fight for justice on behalf of their skipper, Captain Charles McVay III, who is wrongly court-martialed for the sinking. “Enthralling…A gripping study of the greatest sea disaster in the history of the US Navy and its aftermath” (Kirkus Reviews, starred review), Indianapolis stands as both groundbreaking naval history and spellbinding narrative—and brings the ship and her heroic crew back to full, vivid, unforgettable life. “Vincent and Vladic have delivered an account that stands out through its crisp writing and superb research…Indianapolis is sure to hold its own for a long time” (USA TODAY).
Brief stories from Guideposts magazine tell how fathers have met the challenges of parenthood and learned lessons in love and faith along the way, as well as how fathers have enriched and influenced the lives of their children. This perfect gift celebrates the joys of fatherhood.
It’s What’s Inside the Lines That Counts brings together ballplayers, managers, an umpire, and the first head of the players’ union to describe the momentous changes to the game that took place in the 1970s and 1980s. Former MLB commissioner Fay Vincent draws from his ongoing oral history of the game to celebrate the era that spans the Miracle Mets through free agency to Cal Ripken’s historic consecutive-games streak. Willie McCovey remembers meeting the Giants’ other Willie and the powerful impact that Willie Mays had on him. He expresses pride that the Giants chose to honor him at their ballpark with McCovey Cove. Teammate Juan Marichal, one of baseball’s Latino pioneers, recalls encountering racism for the first time in America. He recounts fortuitously overhearing a conversation among Latino ballplayers before a Giants-Pirates game that provided him with crucial information about Roberto Clemente. Managers Dick Williams and Earl Weaver assess their Hall of Fame careers. Williams remembers his contentious relationship with Charlie Finley and explains why he never managed for George Stein-brenner. Earl Weaver says he has changed, that umpires were "fantastic people," and that he shouldn’t have gotten thrown out of so many ballgames. Read it here for yourself. Tom Seaver, one of the dominant pitchers of his era, shares a funny incident from his first All-Star game, when he was young and looked even younger, and discloses the important piece of baseball wisdom that Gil Hodges gave him early in his career that has guided him ever since. Don Baylor recalls playing with a variety of teammates and teams, including the remarkable experience of playing in three consecutive World Series with three different teams, going from the 1986 Red Sox that came so close to winning the Series to the 1987 Minnesota Twins team that actually did it. Hall of Famer Ozzie Smith, "the Wizard of Oz," tells the story of how he began his signature back flip and offers insights into how he was able to pull off some of the most spectacular defensive plays in baseball history. Baseball’s Iron Man Cal Ripken remembers the high expectations that came with being the son of a baseball manager and explains why the "Orioles way" was more than just a slogan for him. Bruce Froemming, MLB’s longest-serving umpire, reveals the rules behind the fine art of allowing managers and coaches to have their say and still maintain absolute control over the game. And Marvin Miller, one of the most important figures in the history of the game, explains the origins and intentions of baseball’s players’ union and why he is so proud of what it has achieved. No fan of the game will want to pass up this illustrated, fascinating remembrance of two decades when baseball changed forever.
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