The House of Morgan personified economic power in the late 19th/early 20th centuries. Carosso constructs an in-depth account of the evolution, operations, and management of the Morgan banks at London, New York, Philadelphia, and Paris, from the time Junius Spencer Morgan left Boston for London to the death of his son, John Pierpont Morgan.
Among the world's greatest technological and imaginative achievements is the invention and development of the timepiece. Examining for the first time The Metropolitan Museum of Art's unparalleled collection of European clocks and watches created from the late Renaissance through the nineteenth century, this fascinating book enriches our understanding of the origins and evolution of these ingenious works. It showcases fifty-four clocks, watches, and other timekeeping devices, each represented with an in-depth description and new photography of the exterior and the inner mechanisms. Among these masterpieces is an ornate sixteenth-century celestial timepiece that accurately predicts the trajectory of the sun, moon, and stars; an eighteenth-century longcase clock by David Roentgen that shows the time in the ten most important cities of the day; and a nineteenth-century watch featuring a penetrating portrait of Czar Nicholas I of Russia. Created by the best craftsmen in Austria, England, Flanders, France, Germany, Italy, the Netherlands, and Switzerland, these magnificent timepieces have been selected for their remarkable beauty and design, as well as their sophisticated mechanics. Built upon decades of expert research, this publication is a long-overdue survey of these stunning visual and technological marvels.
In 1954 NBC President Pat Weaver introduced "spectaculars"--lavish entertainment shows designed to bring a new dimension to television. Though special programs had been around since 1939, Weaver's effort heralded a new age, with programs ranging from variety shows with big name hosts (Judy Garland, Cher, Perry Como, Bob Hope, for instance) through animated holiday specials and outstanding dramas to acclaimed children's programming. This is the guide to 3,197 entertainment specials, 1939 to 1993, that were broadcast on network, cable or syndicated television. For each show the cast, including guest stars and announcer, is provided. Also included are comprehensive production credits (director, producer, writer and music), dates aired, networks and running times, and program synopses.
A fun and accessible guide to foreign television series that were later broadcast in or adapted for the U.S., including popular favorites such as The Office and Doctor Who. In Broadcast in the U.S.: Foreign TV Series Brought to America, Vincent Terrace delivers a wonderful resource of over 400 foreign television shows broadcast in the United States, along with their American adaptations. From British comedies like Fawlty Towers and Keeping Up Appearances to the Australian fantasy series The Girl from Tomorrow and the Japanese cartoons Astro Boy and Kimba, the White Lion, this book explores an often-overlooked side of American television and popular culture. Each entry includes details regarding the cast, genre, episodes, U.S. and foreign networks, broadcast dates, storylines, and trivia. Containing information not easily found anywhere else, such as unsold script proposals, internet TV series, and unaired pilots, this first and only guide to foreign television series broadcast in the U.S. is a valuable reference for all fans of television history.
In 2008, the broadcast networks, cable channels and syndication produced nearly 1,100 new and continuing entertainment programs--the most original productions in one year since the medium first took hold in 1948. This reference book covers all the first run entertainment programs broadcast over the airwaves and on cable from January 1 through December 31, 2008, including series, specials, miniseries, made-for-television movies, pilot films, Internet series and specialized series (those broadcast on gay and lesbian channels). Alphabetically arranged entries provide storylines, performer/character casts, production credits, day/month/year broadcast dates, type, length, network(s), and review excerpts.
NEW YORK TIMES BESTSELLER * “GRIPPING…THIS YARN HAS IT ALL.” —USA TODAY * “A WONDERFUL BOOK.” —The Christian Science Monitor * “ENTHRALLING.” —Kirkus Reviews (starred review) * “A MUST-READ.” —Booklist (starred review) A human drama unlike any other—the riveting and definitive full story of the worst sea disaster in United States naval history. Just after midnight on July 30, 1945, the USS Indianapolis is sailing alone in the Philippine Sea when she is sunk by two Japanese torpedoes. For the next five nights and four days, almost three hundred miles from the nearest land, nearly nine hundred men battle injuries, sharks, dehydration, insanity, and eventually each other. Only 316 will survive. For the first time Lynn Vincent and Sara Vladic tell the complete story of the ship, her crew, and their final mission to save one of their own in “a wonderful book…that features grievous mistakes, extraordinary courage, unimaginable horror, and a cover-up…as complete an account of this tragic tale as we are likely to have” (The Christian Science Monitor). It begins in 1932, when Indianapolis is christened and continues through World War II, when the ship embarks on her final world-changing mission: delivering the core of the atomic bomb to the Pacific for the strike on Hiroshima. “Simply outstanding…Indianapolis is a must-read…a tour de force of true human drama” (Booklist, starred review) that goes beyond the men’s rescue to chronicle the survivors’ fifty-year fight for justice on behalf of their skipper, Captain Charles McVay III, who is wrongly court-martialed for the sinking. “Enthralling…A gripping study of the greatest sea disaster in the history of the US Navy and its aftermath” (Kirkus Reviews, starred review), Indianapolis stands as both groundbreaking naval history and spellbinding narrative—and brings the ship and her heroic crew back to full, vivid, unforgettable life. “Vincent and Vladic have delivered an account that stands out through its crisp writing and superb research…Indianapolis is sure to hold its own for a long time” (USA TODAY).
The openings and closings to radio programs of all types, from comedies (Blondie, The Jack Benny Program, Lum and Abner) to mysteries (Inner Sanctum Mysteries, The Black Chapel) to game shows (Can You Top This?, Truth or Consequences) to serials (Second Husband, Bachelor's Children) to crime dramas (The Falcon, Eno Crime Clues, The Green Hornet, Mr. and Mrs. North) to westerns (Gunsmoke, Wild Bill Hickok, Hawk Larabee) that were aired between 1931 and 1972, are included in this work. Each entry has a brief introductory paragraph that provides information about the storyline, principal cast, sponsors and air dates. Commercials have been included if the programs were under regular sponsorship. Includes three appendices (sponsors; slogans and jingles; and World War II announcements) and an index.
Journey from Gauntlet to Paradise begins with author Roger Vincents early years as a curly-haired little boy on Grandmas Hill Farm and follows the author and his wife through their life travels. A thrilling, awe-inspiring journey awaits all who venture along with author Roger Vincent, and the love of his life, Betty May, as they journey through over sixty national parks along the way. We all live in critical times, times that are crucial and sometimes even dangerous. The Bible informs us that God is a God of exclusive devotion, but who can manage to do that? Vincent tells us not to worry because God doesnt expect us to exclusively devote ourselves to Him. If it were not for God excusing our errors, none of us would survive his inevitable day of reckoning! Through his lifes journey, he comes to understand the fact that despite who we are, we will all face judgment day when we die. The question he poses is this: who among us has a strong and solid knowledge of God and the Bible? They are the ones who will draw closer to God.
Examines the history of All-Star baseball, providing play-by-plays, rosters, and box scores of each game; and discusses how All-Star games have been influenced by racial integration, expansion teams, and the designated hitter.
In considering how anthropologists have chosen to look at and write about politics, Joan Vincent contends that the anthropological study of politics is itself a historical process. Intended not only as a representation but also as a reinterpretation, her study arises from questioning accepted views and unexamined assumptions. This wide-ranging, cross-disciplinary work is a critical review of the anthropological study of politics in the English-speaking world from 1879 to the present, a counterpoint of text and context that describes for each of three eras both what anthropologists have said about politics and the national and international events that have shaped their interests and concerns. It is also an account of how intellectual, social, and political conditions influenced the discipline by conditioning both anthropological inquiry and the avenues of research supported by universities and governments. Finally, it is a study of the politics of anthropology itself, examining the survival of theses or schools of thought and the influence of certain individuals and departments.
Created around the world and available only on the web, Internet "television" series are independently produced, mostly low budget shows that often feature talented but unknown performers. Typically financed through crowd-funding, they are filmed with borrowed equipment and volunteer casts and crews, and viewers find them through word of mouth or by chance. The fourth in a series covering Internet TV, this book takes a comprehensive look at 1,121 comedy series produced exclusively for online audiences. Alphabetical entries provide websites, dates, casts, credits, episode lists and storylines.
In addition to his many remarkable paintings and drawings, Vincent van Gogh (1853-1890) left behind a fascinating and voluminous body of correspondence. This highly accessible book includes a broad selection of 265 letters, from a total of 820 in existence, that focus on Van Gogh’s relentless quest to find his destiny, a search that led him to become an artist; the close bond with his brother Theo; his fraught relationship with his father; his innate yearning for recognition; and his great love of art and literature. The correspondence not only offers detailed insights into Van Gogh’s complex inner life, but also re-creates the world in which he lived and the artistic avant-garde that was taking hold in Paris. The letters are accompanied by a general introduction, historic family photographs, and reproductions of 87 actual pages of letters that contain sketches by Van Gogh. Selected from the critically acclaimed 6-volume set of letters published by the Van Gogh Museum in 2009, Ever Yours is the essential book on Van Gogh’s letters, which every art and literature lover needs to own.
European culture after the Franco-Prussian War of 1870-71 was no stranger to ancient beliefs in an organic, religiously sanctioned, and aesthetically pleasing relationship to the land. The many resonances of this relationship form a more or less coherent whole, in which the supposed cosmopolitanism of the modern age is belied by a deep commitment to regional, nationalist, and civilizational attachments, including a justifying theological armature, much of which is still with us today. This volume untangles the meaning of the vital geographies of the period, including how they shaped its literature and intellectual life.
In November 1939, NBC's fledgling television station W2XBS broadcast the first known holiday special, The Macy's Thanksgiving Day Parade. Despite its small viewership (very few TV sets existed at the time), the experimental telecast was a harbinger of a now-beloved American tradition: the holiday television special. This book offers a thorough account of holiday television specials in the United States from 1939 to 2021, highlighting variety shows, comedic performances, musical spectaculars and more. From familiar favorites (1964's Rudolph the Red-Nosed Reindeer) to campy one-offs (1985's He-Man and She-Ra: A Christmas Special), the 1140 programs are covered alphabetically and feature performance casts, production credits and storylines for each. Three appendices cover "lost" holiday specials, along with Christmas and Halloween-themed episodes of popular television series.
Friendship, love, and the potential energy of change animate these poems of walking through New York City. "I love the vibrant cinematic hunger of this book, its urbanity, yours and mine too.” —Eileen Myles Broadway, the famous artery, both off the grid and definitive of Manhattan as it cuts its way downtown, is a metaphor for Katz's path through these poems. From Lincoln Plaza on the Upper West Side to the African Burial Ground and the courthouses downtown, Katz mines his native city for the deep humanity that undergirds its streets. His title, with its implication that one could give something as large and undefinable as Broadway to a single person, courts an impossibility that generates the possibility of friendship, as well as the largesse Katz wants to find in our civic discourse. In poems such as "Ivanka Skirting" and "This Beautiful Bubble" we encounter his reckoning with a divisive culture that can, he suggests, be healed through our daily acts--through a kind of alert graciousness that also defines his poetry. In this moving collection, we enter Katz's world, both public and private, and experience poetry as a way of seeing that can change hearts and minds.
The book is very readable and serves as an excellent reference source for research in the fields of analytical methodology and application for a wide range of biological, medical, and environmental samples ... a very good compilation of technical papers.-Analyst.
Created around the world and available only on the Web, internet "television" series are independently produced, mostly low budget shows that often feature talented but unknown performers. Typically financed through online crowd-funding, they are produced with borrowed equipment and volunteer casts and crews, and viewers find them through word of mouth or by chance. The second in a first-ever set of books cataloging Internet television series, this volume covers in depth the drama and mystery genres, with detailed entries on 405 shows from 1996 through July 2014. In addition to casts, credits and story lines, each entry provides a website, commentary and episode descriptions. Index of performers and personnel are included.
For the major broadcast networks, the heyday of made-for-TV movies was 20th Century programming like The ABC Movie of the Week and NBC Sunday Night at the Movies. But with changing economic times and the race for ratings, the networks gradually dropped made-for-TV movies while basic cable embraced the format, especially the Hallmark Channel (with its numerous Christmas-themed movies) and the Syfy Channel (with its array of shark attack movies and other things that go bump in the night). From the waning days of the broadcast networks to the influx of basic cable TV movies, this encyclopedia covers 1,370 films produced during the period 2000-2020. For each film entry, the reader is presented with an informative storyline, cast and character lists, technical credits (producer, director, writer), air dates, and networks. It covers the networks (ABC, CBS, Fox, Ion, and NBC) and such basic cable channels as ABC Family, Disney, Fox Family, Freeform, Hallmark, INSP, Lifetime, Nickelodeon, Syfy, TBS and TNT. There is also an appendix of "Announced but Never Produced" TV movies and a performer's index.
St. Peter Movies is a book of fiction. Written specifically for movies. God, Jesus Christ, St. Peter, Satan, Hollywood, Music, Fame, Family, Nasa, Military and Politics. Earth, Purgatory, Hell, and Heaven. Thank you for liking my stories. Stephen King Charlize Theron Julianne Moore Nicole Kidman Pink Kathleen Edwards Florence + the machine Keith Richards Catherine Zeta Jones Andie MacDowell Oprah Winfrey Midnight Oil Electric Light Orchestra Led Zeppelin The Beatles The Rolling Stones The Who Tenacious D Robert Downey Jr. Gillian Anderson David Duchovny Marisa Tomei Keifer Sutherland Bingbing Tamlyn Tomita Michael Douglas Jennifer Garner Anthony Hopkins Jeff Goldblum Samuel L, Jackson Rachel Hunter Jenny McCarthy Tiffany Debbie Gibson Forest Whitaker The Bangles Go Go's Joan Jett and the blackhearts Nancy Wilson Eric Clapton Rita Wilson Johnny Depp Antonio Banderas Jane Fonda Morgan Freeman Will Smith James Cameron Woody Allen Leonardo DiCaprio Martina Hingis Maria Sharapova Bella Thorne Jeff Bridges Bernadette Peters Heidi Klum Doug Gilmour Kathie Lee Gifford Christina Perri Lester Holt Melania Trump Brooke Shields Dove Cameron Tyra Banks Vivica A. Fox Vanessa Williams Jamie Chung Catherine McKenna Sunny Leone Traci Lords Lindsay Lohan Shania Twain Marie Osmond Drew Barrymore Reese Witherspoon Anne Hathaway Goldie Hawn Jamie Lee Curtis Margot Robbie Coldplay Madonna Bryce Dallas Howard Mark Ruffalo Wes Studi Heather Graham Diana Ross Paris Hilton Kim Kardashian West Aisha Tyler Sheryl Crow Billie Eilish Alanis Morissette Willow Smith Tia Carrere
In the first decade of the new millennium, the four major networks struggled to hold their own as cable channels and unscripted shows began to dominate the television landscape. Network powerhouses like 24, Desperate Housewives, and Two and a Half Men competed for viewers siphoned off by cult shows like The Closer, Gilmore Girls, and Veronica Mars. In that decade, shows such as 30 Rock and Modern Family were vying for awards while programs like Bones, CSI, and Dexter were pushing the envelope for graphic violence. All of these shows live on in syndication, streaming services, and DVDs, generating a constant wave of new viewers. In Television Series of the 2000s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about fifty programs from the decade. For example, did you know that Adrian Monk’s father was a textbook writer? That psychic Shawn Spencer carries a travel-size packet of Johnson’s Baby Shampoo in his wallet? Or that Gregory House’s street address is the same as the fictional world’s greatest detective, Sherlock Holmes? These are just a handful of hundreds of fun and intriguing specifics found inside this volume. Programs from all of the major networks—as well as select syndicated programs and premium cable channels—are represented here. This is not a book of opinions or essays about specific television programs but a treasure trove of facts associated with each show. Fromthe time of day that Sheldon Cooper calls his “alone time” to the janitor’s name on Scrubs, readers will discover a wealth of fascinating information that, for the most part, cannot be found elsewhere. In some cases, the factual data detailed herein is the only such documentation that currently exists on shows of the era. Television Series of the 2000s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.
This is an encyclopedic reference work to 1,802 radio programs broadcast from the years 1924 through 1984. Entries include casts, character relationships, plots and storylines, announcers, musicians, producers, hosts, starting and ending dates of the programs, networks, running times, production information and, when appropriate, information on the radio show's adaptation to television. Many hundreds of program openings and closings are included.
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.
Bugliosi, brilliant prosecutor and bestselling author, is perhaps the only man in America capable of "prosecuting" Lee Harvey Oswald for the murder of John F. Kennedy. His book is a narrative compendium of fact, ballistic evidence, and, above all, common sense.
On November 27, 1937, NBC presented TV's first pilot film, Sherlock Holmes (then called an "experiment"). Thousands of pilot films (both unaired and televised) have been produced since. This updated and restyled book contains 2,470 alphabetically arranged pilot films broadcast from 1937 to 2019. Entries contain the concept, cast and character information, credits (producer, writer, director), dates, genre and network or cable affiliation. In addition to a complete performer's index, two appendices have been included: one detailing the pilot films that led to a series and a second that lists the programs that were spun off from one series into another. Never telecast pilot films can be found in the companion volume, The Encyclopedia of Unaired Television Pilots, 1945-2018. Both volumes are the most complete and detailed sources for such information, a great deal of which is based on viewing the actual programs.
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