Kierkegaard’s psychological thought has always been acknowledged as very rich—Reinhold Niebuhr hailed him as the greatest psychologist of the soul since Augustine—and has had a major influence on Heidegger, Sartre, and existential psychoanalysis. Nevertheless, his accomplishment has not always been fully appreciated, in part because it is so scattered across his works. As Vincent McCarthy demonstrates in Kierkegaard as Psychologist, Kierkegaard was pursuing “psychology” before there was a formally recognized academic field bearing that name, and a coherent thread runs through the so-called pseudonymous works. McCarthy elucidates often-difficult texts, highlights the rich psychological dimension of Kierkegaard’s thought, and provides an introduction for the nonspecialist and a commentary on Kierkegaard’s psychology that will interest both specialists and nonspecialists, while engaging in rich comparisons with such figures as Freud and Heidegger.
Kierkegaard himself hardly requires introduction, but his thought con tinues to require explication due to its inherent complexity and its unusual method of presentation. Kierkegaard is deliberately un-systematic, anti-systematic, in the very age of the System. He made his point then, and it is not lost upon us today. But that must not deter us from assembling the fragments and viewing the whole. Kierkegaard's religious psychology in particular may finally have its impact and generate the discussion it deserves when its outlines and inter-locking elements are viewed together. Many approaches to his thought are possible, as a survey of the literature about him will readily reveal. ! The present study proceeds with the simple ambition of looking at Kierkegaard on his own terms, of thus putting aside biographical fascination or one's own personal religi ous situation. I understand the temptation of both, and have seen the dangers realized in Kierkegaard scholarship. In English-language Kier kegaard scholarship, we are now in a new phase, in which the entire corpus of Kierkegaard's authorship is at last viewed as a whole. We have passed the stages of "fad" and of under-formed. Almost all the corpus is available in English, or soon will be. Perhaps now Kierkegaard can be viewed, understood, and criticized dispassionately and objectively, not withstanding author Kierkegaard's personal horror of those adverbs. The present study hopes to make its contribution toward this goal.
LONGLISTED FOR THE NED KELLY BEST FIRST FICTION AWARD 2019 This voice is something else, it belongs to her as surely as the things in this room do. It's one thing Ana has always known about herself. She can be cruel. In the shadow of a mountain in small-town Tasmania, a woman named Ana is watching the clock, marking the days until she ends her life. The strange, reclusive daughter of the local pariah, that's how the people will remember her, when they remember her at all. No one will mourn her, she reasons, not really. Not even her faithful dog River. The only thing she's waiting for is the opportunity. But then, on the very day she planned to end it all, the police find the body of local woman Rebecca Marsden. And for Ana, that changes everything. Because Ana was the last person to see Rebecca alive. Because Ana thinks she knows who killed her. And because Ana has decided to keep him for herself... PRAISE FOR LONELY GIRL "Lonely Girl is dark, disturbing and utterly compelling. Lynne Vincent McCarthy has created a unique protagonist in Ana, and an atmospheric story that will keep you reading long into the night. I can't wait to read more." Emma Viskic, author of the Caleb Zelic series
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