The foreign policies of presidents, prime ministers and their foreign secretaries can be influenced by the preferences of domestic and international nongovernmental actors, as well as those of other governments. Representative democracy, media power, citizen activism and the globalization of politics and telecommunications, for example, have accelerated changes in the sharing of power. This book focuses on the Philippines and Japan where, willingly and unwillingly, foreign policy executives share power with individuals and groups inside and outside of government bureaucracies and their societies. The book retells the foreign policy narratives of regional cooperation, military relations and official development assistance (foreign aid), revealing how executive foreign policy makers and civil society organizations share power - and succeed or fail - in a globalizing, democratizing world. A variety of published, unpublished and declassified sources provide journalists, scholars, government practitioners and global citizens with a sophisticated understanding of the domestic politics of foreign policy making, as well as its intergovernmental and transnational side.
The foreign policies of presidents, prime ministers and their foreign secretaries can be influenced by the preferences of domestic and international nongovernmental actors, as well as those of other governments. Representative democracy, media power, citizen activism and the globalization of politics and telecommunications, for example, have accelerated changes in the sharing of power. This book focuses on the Philippines and Japan where, willingly and unwillingly, foreign policy executives share power with individuals and groups inside and outside of government bureaucracies and their societies. The book retells the foreign policy narratives of regional cooperation, military relations and official development assistance (foreign aid), revealing how executive foreign policy makers and civil society organizations share power - and succeed or fail - in a globalizing, democratizing world. A variety of published, unpublished and declassified sources provide journalists, scholars, government practitioners and global citizens with a sophisticated understanding of the domestic politics of foreign policy making, as well as its intergovernmental and transnational side.
Created around the world and available only on the Web, internet "television" series are independently produced, mostly low budget shows that often feature talented but unknown performers. Typically financed through online crowd-funding, they are produced with borrowed equipment and volunteer casts and crews, and viewers find them through word of mouth or by chance. The second in a first-ever set of books cataloging Internet television series, this volume covers in depth the drama and mystery genres, with detailed entries on 405 shows from 1996 through July 2014. In addition to casts, credits and story lines, each entry provides a website, commentary and episode descriptions. Index of performers and personnel are included.
The Yearbook compiles the most recent, widespread developments of experimental and clinical research and practice in one comprehensive reference book. The chapters are written by well recognized experts in their field of intensive care and emergency medicine. It is addressed to everyone involved in internal medicine, anesthesia, surgery, pediatrics, intensive care and emergency medicine. (With approximately 90 contributions.)
This is an encyclopedic reference work to 1,802 radio programs broadcast from the years 1924 through 1984. Entries include casts, character relationships, plots and storylines, announcers, musicians, producers, hosts, starting and ending dates of the programs, networks, running times, production information and, when appropriate, information on the radio show's adaptation to television. Many hundreds of program openings and closings are included.
In 2008, the broadcast networks, cable channels and syndication produced nearly 1,100 new and continuing entertainment programs—the most original productions in one year since the medium first took hold in 1948. This reference book covers all the first run entertainment programs broadcast over the airwaves and on cable from January 1 through December 31, 2008, including series, specials, miniseries, made-for-television movies, pilot films, Internet series and specialized series (those broadcast on gay and lesbian channels). Alphabetically arranged entries provide storylines, performer/character casts, production credits, day/month/year broadcast dates, type, length, network(s), and review excerpts.
In 1936, as television networks CBS, DuMont, and NBC experimented with new ways to provide entertainment, NBC deviated from the traditional method of single experimental programs to broadcast the first multi-part program, Love Nest, over a three-episode arc. This would come to be known as a miniseries. Although the term was not coined until 1954, several other such miniseries were broadcast, including Jack and the Beanstalk and Women in Wartime. In the mid-1960s the concept was developed into a genre that still exists. While the major broadcast networks pioneered the idea, it quickly became popular with cable and streaming services. This encyclopedic source contains a detailed history of 878 TV miniseries broadcast from 1936 to 2020, complete with casts, networks, credits, episode count and detailed plot information.
This is the first ever compilation on Internet television and provides details of 405 programs from 1998 to 2013. Each entry contains the storyline, descriptive episode listings, cast and crew lists, the official website and comments. An index of personnel and programs concludes the book. From Barry the Demon Hunter to Time Traveling Lesbian to Hamilton Carver, Zombie P.I., it is a previously undocumented entertainment medium that is just now coming into focus. Forty-eight photos accompany the text.
While there haven't been many Secret Service related books about U.S. presidents, the ones still in print (and even those long out of print) are often sanitized memoirs of a politically correct nature or "tell-all" tabloid historical junk meant merely for entertainment purposes. The Not-So-Secret Service provides the facts with the bark off, so to speak, and reveals politically incorrect information of a decidedly unsafe nature. It may be controversial and against the grain, but this book is heavily documented and timely, as the Secret Service guards our political candidates, foreign dignitaries, and, of course, the President, the first family and the ex-presidents and their families.
This reference work is a chronicle of all the first run entertainment programs broadcast from January 1 to December 31, 2009. Included are series, TV movies, aired pilots, specials, miniseries and Internet series. Alphabetically arranged entries provide casts, storylines, production credits, networks, broadcast dates, and excerpts from newspaper reviews. New to this volume is a listing of the highlights of the year and coverage of all the unaired pilots produced for the 2008–2009 season.
For the major broadcast networks, the heyday of made-for-TV movies was 20th Century programming like The ABC Movie of the Week and NBC Sunday Night at the Movies. But with changing economic times and the race for ratings, the networks gradually dropped made-for-TV movies while basic cable embraced the format, especially the Hallmark Channel (with its numerous Christmas-themed movies) and the Syfy Channel (with its array of shark attack movies and other things that go bump in the night). From the waning days of the broadcast networks to the influx of basic cable TV movies, this encyclopedia covers 1,370 films produced during the period 2000-2020. For each film entry, the reader is presented with an informative storyline, cast and character lists, technical credits (producer, director, writer), air dates, and networks. It covers the networks (ABC, CBS, Fox, Ion, and NBC) and such basic cable channels as ABC Family, Disney, Fox Family, Freeform, Hallmark, INSP, Lifetime, Nickelodeon, Syfy, TBS and TNT. There is also an appendix of "Announced but Never Produced" TV movies and a performer's index.
First published in 1981, Bread, Knowledge and Freedom is a study of 142 working class autobiographies all of which cover some part of the period between 1790 and 1850. It is a full-scale examination of a form of source material that is significantly extensive. The book illustrates many aspects of ordinary working-class family life as well as the working-class pursuit of knowledge and literacy and the attempts of the middle-class educators to impose their notion of ‘useful knowledge.’ Dr. Vincent concludes with an assessment of the contribution of autobiography to nineteenth century working class history. This book will be of interest to students of history, sociology and literature.
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.
This is a complete revision of the author's 1993 McFarland book Television Specials that not only updates entries contained within that edition, but adds numerous programs not previously covered, including beauty pageants, parades, awards programs, Broadway and opera adaptations, musicals produced especially for television, holiday specials (e.g., Christmas and New Year's Eve), the early 1936-1947 experimental specials, honors specials. In short, this is a reference work to 5,336 programs--the most complete source for television specials ever published.
A fascinating year-by-year history of American film in the seventies, a decade filled with innovations that reinvented the medium and showed that movies can be more than entertainment. In The Seventies: The Decade That Changed American Film Forever, Vincent LoBrutto tracks the changing of the guard in the 1970s from the classic Hollywood studio system to a new generation of filmmakers who made personal movies targeting a younger audience. He covers in kaleidoscopic detail the breadth of American cinema during the 1970s, with analyses of the movies, biographical sketches of the filmmakers, and an examination of the innovative production methods that together illustrate why the seventies were unique in American film history. Featuring iconic filmmakers such as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola and films such The Godfather, Jaws, Taxi Driver, and The Exorcist, this book reveals how the seventies challenged the old guard in groundbreaking and exciting ways, ushering in a new Hollywood era whose impact is still seen in American film today.
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