In this first full-length study of race and colonialism in the works of James Joyce, Vincent J. Cheng argues that Joyce wrote insistently from the perspective of a colonial subject of an oppressive empire, and that Joyce's representations of 'race' in its relationship to imperialism constitute a trenchant and significant political commentary, not only on British imperialism in Ireland, but on colonial discourses and imperial ideologies in general. Exploring the interdisciplinary space afforded by postcolonial theory, minority discourse, and cultural studies, and articulating his own cross-cultural perspective on racial and cultural liminality, Professor Cheng offers a ground-breaking study of the century's most internationally influential fiction writer, and of his suggestive and powerful representations of the cultural dynamics of race, power, and empire.
Vincent Cheng examines why we still cling to notions of authenticity in an increasingly globalized world that has exploded notions of authentic essences & absolute differences. Just why do we become so exercised over a perceived loss of authentic cultural identity?.
Introduction: Accountability in Psychological Treatments (R. Acierno et al.). Adult Disorders and Problems: Panic Disorder and Agoraphobia (T.K. Bouman, P.M.G. Emmelkamp). Obsessive Compulsive Disorder (M.J. Kozak, E.B. Foa). Cognitive Behavioral Treatment of Social Phobia (A. Scholing et al.). Social Skills Training for Depression: A Treatment Manual (A.S. Bellack et al.). Cognitive Behavior Therapy Manual for Treatment: Depressed Patients (M.E. Thase). Biobehavioral Treatment and Rehabilitation for Persons with Schizophrenia (S.E. Wong, R.P. Liberman). Community Reinforcement Training (CRT) with Concerned Others (R.J. Meyers et al.). Cognitivebehavioral Treatment of Sex Offenders (W.L. Marshall, A. Eccles). Sexual Dysfunction (N. McConaghy). A Comprehensive Treatment Manual for the Management of Obesity (M.A. Friedman, K.D. Brownell). Lifestyle Change: A Program for Longterm Weight Management (D.A. Williamson et al.). Managing Marital Therapy: Helping Partners Change (R.L. Weiss, W.K. Halford). Insomnia (D.L. Van Brunt et al.). The Cognitivebehavioral Treatment of Bodyimage Disturbances (T.F. Cash, J.R. Grant). Cognitivebehavioral Treatment of Postconcussion Syndrome: A Therapist's Manual. Trichotillomania Treatment Manual (M.A. Stanley, S.G. Mouton). Anger Management Training with Essential Hypertensive Patients (K.T. Larkin, C. Zayfert).
Recognition and Ethics in World Literature is a critical comparative study of contemporary world literature, focusing on the importance of the ethical turn (or return) in literary theory. The book examines the ethical engagement of novels by Amitav Ghosh, Chimamanda Adichie, Caryl Phillips, Kazuo Ishiguro, Zadie Smith, and J. M. Coetzee, exploring the overlap and divergence between Levinasian/Derridean and Aristotelian ethics. Recognitions and emotional responses are integral to the unfolding of ethical concerns, and the ethics they explore are often marked by the complexity and impurity characteristic of the tragic. Recognition is particularly suitable for the concerns of world literature authors in its interconnection of the universal and the particular—a binary that has been crucial in postcolonialism and remains important for the wider field of world literature. This study builds its analysis around three broad themes: religion, the memory of violence, and the human.
Test films, pilots, trial series, limited runs, summer tryouts--by whatever name, televison networks have produced thousands of experimental shows that never made it into the regular line-up. Some were actually shown, but failed to gain an audience; many others never even made it on the air. This work includes more than 3,000 experimental television programs, both aired and unaired, that almost became a series. Entries include length, network, air date (if appropriate), a fact-filled plot synopsis, cast, guest stars, producer, director, writer, and music coordinator. Fully indexed.
This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism.
This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.
This is an encyclopedic reference work to 1,802 radio programs broadcast from the years 1924 through 1984. Entries include casts, character relationships, plots and storylines, announcers, musicians, producers, hosts, starting and ending dates of the programs, networks, running times, production information and, when appropriate, information on the radio show's adaptation to television. Many hundreds of program openings and closings are included.
I really do not know how to greet this man, so I simply extend my hand. He takes it and then pulls me into an embrace that lasts several long moments. As my head rests against his jacket I find myself weeping, and through that sound, I hear the steady beat of Maya's heart in his chest," writes Eleanor Vincent in this moving story about love, loss, and renewal. Maya, Eleanor's elder daughter, was a high-spirited and gifted young woman. At age nineteen, she mounted a horse bareback on a dare, and in a crushing cantilever fall, was left in a coma from which she never recovered. Eleanor's life was turned upside down as she struggled to make the painful decision about Maya's fate. Ultimately, Eleanor chose to donate Maya's organs. Maya's heart was given to a man with a young family who needed a new heart to live. As time went by, Eleanor contacted and struck up a friendship with the heart recipient family. Swimming with Maya is about the unique and complicated relationship between mothers and daughters. It also explores how through organ donation, a relationship can continue to exist beyond the grave, changing many lives. In vivid language, Eleanor Vincent illuminates how courage, radical generosity, and letting go can heal a devastating loss. Book jacket.
The openings and closings to radio programs of all types, from comedies (Blondie, The Jack Benny Program, Lum and Abner) to mysteries (Inner Sanctum Mysteries, The Black Chapel) to game shows (Can You Top This?, Truth or Consequences) to serials (Second Husband, Bachelor's Children) to crime dramas (The Falcon, Eno Crime Clues, The Green Hornet, Mr. and Mrs. North) to westerns (Gunsmoke, Wild Bill Hickok, Hawk Larabee) that were aired between 1931 and 1972, are included in this work. Each entry has a brief introductory paragraph that provides information about the storyline, principal cast, sponsors and air dates. Commercials have been included if the programs were under regular sponsorship. Includes three appendices (sponsors; slogans and jingles; and World War II announcements) and an index.
Rearview Perspective (HB) By: Dr. Vincent Conville Orphaned at an early age in his native Jamaica, Dr. Conville looks back on a life beset with obstacles he managed to overcome to become a successful educator. Rearview Perspective follows his story as he wandered from pillar to post, exploited and abused by family and strangers alike. Through determination, hard work, and a few caring educators, he broke free from the chains of poverty to become a passionate educator who inspired his so-called underprivileged students to appreciate their innate value and ability and to strive to realize their potential. Dedicating himself to a life of service, Dr. Conville hopes his story will serve as an inspiration to others, especially his grandchildren: there is no obstacle that cannot be overcome; where there is a will, there is indeed a way.
Often regarded as the first golden era of television, the 1950s was a decade when many classic programs—from I Love Lucy and Gunsmoke to The Honeymooners and Perry Mason, among others—made their debuts. Even after these shows departed the airwaves, they lived on in syndication, entertaining several generations of viewers. Devoted and casual fans alike can probably remember basic facts about these shows—like the names of Lucy and Ricky’s neighbors or the town where Marshall Matt Dillon kept the law. But more elusive facts, like the location of the most successful defense attorney in Los Angeles (Suite 904 of the Brent Building), might be harder to recall. In Television Series of the 1950s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about 100 programs from the decade. Did you know, for example, that the middle initial of Dobie Gillis’ friend Maynard G. Krebs, stood for Walter? Or that Ralph Kramden’s electric bill came to only 39 cents a month? Or that on I Love Lucy, Ricky originally performed at Manhattan’s Tropicana Club? These are but a few of the hundreds of fun and intriguing trivia facts contained within this volume. Shows from all four networks (ABC, CBS, NBC, and DuMont)—as well as select syndicated programs—are represented here. This is not a book of opinions or essays about specific television programs, but a treasure trove of the facts associated with each of these programs. Readers will discover a wealth of fascinating information that, for the most part, cannot be found anywhere else. In some cases, the factual data detailed herein is the only such documentation that exists currently on bygone shows of the era. Television Series of the 1950s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.
In this engaging introduction, Vincent Sherry combines a close reading of Ulysses with new critical arguments. He provides a useful guide to the episodic sequence of Joyce's novel. In addition, he presents a searching interpretation of this masterwork, freshly addressing the major issues in Ulysses criticism. He shows how Joyce's modernist epic remodels Homer's Odyssey; and he examines and explains Joyce's extraordinary verbal experiments. This book is essential reading for all students of Joyce, whether they are approaching Ulysses for the first time or returning to the text.
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.
In 1954 NBC President Pat Weaver introduced "spectaculars"--lavish entertainment shows designed to bring a new dimension to television. Though special programs had been around since 1939, Weaver's effort heralded a new age, with programs ranging from variety shows with big name hosts (Judy Garland, Cher, Perry Como, Bob Hope, for instance) through animated holiday specials and outstanding dramas to acclaimed children's programming. This is the guide to 3,197 entertainment specials, 1939 to 1993, that were broadcast on network, cable or syndicated television. For each show the cast, including guest stars and announcer, is provided. Also included are comprehensive production credits (director, producer, writer and music), dates aired, networks and running times, and program synopses.
Bugliosi, brilliant prosecutor and bestselling author, is perhaps the only man in America capable of "prosecuting" Lee Harvey Oswald for the murder of John F. Kennedy. His book is a narrative compendium of fact, ballistic evidence, and, above all, common sense.
In this major new book, Vincent Sherry reveals a fresh continuity in literary history. He traces the idea of decadence back to key events from the failures of the French Revolution to the cataclysm of the Great War. This powerful work of literary criticism and literary history encompasses a rich trajectory that begins with an exposition of the English Romantic poets and ends with a re-evaluation of modernists as varied as W. B. Yeats, Henry James, Joseph Conrad, Rebecca West, Djuna Barnes, Samuel Beckett and, centrally, Ezra Pound and T. S. Eliot. Sherry's hugely ambitious study will be essential reading for anyone working in modernist studies and twentieth-century literature more generally.
European culture after the Franco-Prussian War of 1870-71 was no stranger to ancient beliefs in an organic, religiously sanctioned, and aesthetically pleasing relationship to the land. The many resonances of this relationship form a more or less coherent whole, in which the supposed cosmopolitanism of the modern age is belied by a deep commitment to regional, nationalist, and civilizational attachments, including a justifying theological armature, much of which is still with us today. This volume untangles the meaning of the vital geographies of the period, including how they shaped its literature and intellectual life.
When two cons doing several respective back to back life sentences for murder make a daring, if not Hollywood style escape from the Dannemora Maximum Security Prison in Upstate, New York, Jack Marconi PI receives a personal invitation from the Governor of New York State to track the murderers down, and deliver them personally to the front door of the Governor’s Mansion on Eagle Street. But what Marconi and his side-kick, Blood, don’t yet realize, is that something more insidious than a simple prison break has occurred in the small town of Dannemora. Because in the course of tracking the criminals down, the two gumshoes will also expose the Crypt, an insidious operation taking place down deep inside the depths of the 160 year old prison. What kind operation is it? Something so evil it will reduce the tough-as-nails Marconi to tears. From bestselling Thriller and Shamus Award winning author Vincent Zandri comes a riveting crime novel in the acclaimed mystery series that fans of Michael Connelly, Charlie Huston, Robert B. Parker will devour. The Corruptions is sure to keep you up all night.
In Secularization without End: Beckett, Mann, Coetzee, Vincent P. Pecora elaborates an alternative history of the twentieth-century Western novel that explains the resurgence of Christian theological ideas. Standard accounts of secularization in the novel assume the gradual disappearance of religious themes through processes typically described as rationalization: philosophy and science replace faith. Pecora shows, however, that in the modern novels he examines, "secularization" ceases to mean emancipation from the prescientific ignorance or enchantment commonly associated with belief and signifies instead the shameful state of a humanity bereft of grace and undeserving of redemption. His book focuses on the unpredictable and paradoxical rediscovery of theological perspectives in otherwise secular novels after 1945. The narratives he analyzes are all seemingly godless in their overt points of view, from Samuel Beckett’s Murphy to Thomas Mann’s Doktor Faustus to J. M. Coetzee’s The Childhood of Jesus. But, Pecora argues, these novels wind up producing varieties of religious doctrine drawn from Augustinian and Calvinist claims about primordial guilt and the impotence of human will. In the most artfully imaginative ways possible, Beckett, Mann, and Coetzee resist the apparently inevitable plot that so many others have constructed for the history of the novel, by which human existence is reduced to mundane and meaningless routines and nothing more. Instead, their writing invokes a religious past that turns secular modernity, and the novel itself, inside out.
With the expressions "Lost Generation" and "The Men of 1914," the major authors of modernism designated the overwhelming effect the First World War exerted on their era. Literary critics have long employed the same phrases in an attempt to place a radically experimental, specifically modernist writing in its formative, historical setting. What real basis did that Great War provide for the verbal inventiveness of modernist poetry and fiction? Does the literature we bring under this heading respond directly to that provocation, and, if so, what historical memories or revelations can be heard to stir in these words? Vincent Sherry reopens these long unanswered questions by focusing attention on the public culture of the English war. He reads the discourses through which the Liberal party constructed its cause, its Great Campaign. A breakdown in the established language of liberal modernity--the idioms of public reason and civic rationality--marked the sizable crisis this event represents in the mainstream traditions of post-Reformation Europe. If modernist writing characteristically attempts to challenge the standard values of Enlightenment rationalism, this study recovers the historical cultural setting of its most substantial and daring opportunity. And this moment was the occasion for great artistic innovations in the work of Virginia Woolf, T.S. Eliot, and Ezra Pound. Combining the records of political journalism and popular intellectual culture with abundant visual illustration, Vincent Sherry provides the framework for new interpretations of the major texts of Woolf, Eliot, and Pound. With its relocation of the verbal imagination of modernism in the context of the English war, The Great War and the Language of Modernism restores the historical content and depth of this literature, revealing its most daunting import.
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