A classic book authored by the foremost architectural historian in America, this fully illustrated history of American architecture and city planning is based on Vincent Scully's conviction that architecture and city planning are inseparably linked and must therefore be treated together. He defines architecture as a continuing dialogue between generations which creates an environment across time. This definitive survey extends beyond the cities themselves to the American scene as a whole, which has inspired the reasonable balanced, closed and ordered forms, and above all the probity, that he feels typifies American architecture.
Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways--with an audience that reaches from students and scholars to professional architects and ardent amateurs--Scully has profoundly influenced the way architecture is thought about and made. This extensively illustrated and elegantly designed volume distills Scully's incalculable contribution. Neil Levine, a former student of Scully's, selects twenty essays that reveal the breadth and depth of Scully's work from the 1950s through the 1990s. The pieces are included for their singular contribution to our understanding of modern architecture as well as their relative unavailability to current readers. Levine offers a perceptive overview of Scully's distinguished career and introduces each essay, skillfully setting the scholarly and cultural scene. The selections address almost all of modern architecture's major themes and together go a long way toward defining what constitutes the contemporary experience of architecture and urbanism. Each is characteristically Scully--provocative, yet precise in detail and observation, written with passionate clarity. They document Scully's seminal views on the relationship between the natural and the built environment and trace his progressively intense concern with the fabric of the street and of our communities. The essays also highlight Scully's engagement with the careers of so many of the twentieth century's most significant architects, from Frank Lloyd Wright and Louis Kahn to Robert Venturi. In the tradition of great intellectual biographies, this finely made book chronicles our most influential architectural historian and critic. It is a gift to architecture and its history.
When The Earth, the Temple, and the Gods first appeared in 1962, it was hailed by the critics for it erudition, historical imagination and boldness. Subsequently, this comprehensive study of Greek temples and site-planning has been widely accepted as a landmark of architectural history, for it offers an inspired and arresting insight into nature and function of Greek sacred architecture. Vincent Scully, one of America's most brilliant and articulate scholars, understands the temples as physical embodiment of the gods in landscapes that had for the Greeks divine attributes and sacred connotations. He explores the meanings inherent in the calculated interaction between man-made sculptural forces and the natural landscape, and he relates this interaction to our understanding of Greek culture from the pre-Greek Aegean to the Hellenistic period. Years of research and travel were devoted to The Earth, the Temple, and the Gods. Scores of sites were restudied on the spot, including many lesser-known sanctuaries throughout the Hellenic world. The study includes reconstruction drawings, plans, and maps along with its richly illustrated, detailed discussions of major sites.
The vast and beautiful landscape of the American Southwest has long haunted artists and writers seeking to understand the mysteries of the deep affinity between the land and the Native Americans who have lived on it for centuries. In this pioneering study, art historian Vincent Scully explores the inhabitants' understanding of the natural world in an entirely original way—by observing and analyzing the complex yet visible relationships between the landscape of mountain and desert, the ancient ruins and the pueblos, and the ceremonial dances that take place with them. Scully sees these intricate dances as the most profound works of art yet produced on the American continent—as human action entwined with the natural world and framed by architectural forms, in which the Pueblos express their belief in the unity of all earthly things. Scully's observations, presented in lively prose and exciting photographs, are based on his own personal experiences of the Southwest; on his exploration of the region of the Rio Grande and the Hopi mesas; on his witnessing of the dances and ceremonies of the Pueblos and others; and on his research into their culture and history. He draws on the vast literature inspired by the Native Americans—from early exploration narratives to the writing of D. H. Lawrence to recent scholarship—to enrich and support his unique approach to the subject. To this second edition Scully has added a new preface that raises issues of preservation and development. He has also written an extensive postscript that reassesses the relationship between nature and culture in Native American tradition and its relevance to contemporary architecture and landscape. "Coming to Pueblo architecture as he does from a provocative study of sacred architecture in ancient Greece, Scully has much to say that is both striking and moving of the Pueblo attitudes toward sacred places, the arrangement of structures in space, the lives of men and beasts, and man's relation to rain, earth, vegetation."—Robert M. Adams, New York Review of Books
As the definitive study of the complex inspirations and cultural influences that were fused in the Shingle Style of wooden suburban and resort buildings of the period 1872 to 1889, Mr. Scully's book has received much critical acclaim. He presents the published designs and the written statements of the architects, as well as contemporary criticisms of the buildings to analyze the development of the Shingle Style from Richardson's early work to Wright's first house in Oak Park. An analysis of the Colonial Revival is central to the work, which is now enhanced by the addition of an extensive related chapter on the "Stick Style" of the mid-century. A new preface has been added and the bibliography and footnotes are brought up to date. "The last section of the book, on the origins and early development of Frank Lloyd Wright, is one of Scully's best. This chapter...shows a mature understanding and a just handling of the academic tradition and of the early work of one of America's greatest architects."--The Art Bulletin "Scully's research is exhaustive, his scholarship impeccable. His illustrations alone form a gold mine of information on the period."--Journal of the Society of Architectural Historians
Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways--with an audience that reaches from students and scholars to professional architects and ardent amateurs--Scully has profoundly influenced the way architecture is thought about and made. This extensively illustrated and elegantly designed volume distills Scully's incalculable contribution. Neil Levine, a former student of Scully's, selects twenty essays that reveal the breadth and depth of Scully's work from the 1950s through the 1990s. The pieces are included for their singular contribution to our understanding of modern architecture as well as their relative unavailability to current readers. Levine offers a perceptive overview of Scully's distinguished career and introduces each essay, skillfully setting the scholarly and cultural scene. The selections address almost all of modern architecture's major themes and together go a long way toward defining what constitutes the contemporary experience of architecture and urbanism. Each is characteristically Scully--provocative, yet precise in detail and observation, written with passionate clarity. They document Scully's seminal views on the relationship between the natural and the built environment and trace his progressively intense concern with the fabric of the street and of our communities. The essays also highlight Scully's engagement with the careers of so many of the twentieth century's most significant architects, from Frank Lloyd Wright and Louis Kahn to Robert Venturi. In the tradition of great intellectual biographies, this finely made book chronicles our most influential architectural historian and critic. It is a gift to architecture and its history.
Completely revised and up-to-date, this wide-ranging, comprehensive treatise examines the many different aspects of vegetables from an international perspective. The diversity and depth of coverage of vegetables is largely due to the extensive background and experiences of the authors, Vincent Rubatzky and Mas Yamaguchi, as well as considerable input from colleagues and expert reviewers. This logically-organized text, filled with numerous illustrations, photographs, and tables, begins with an easy-to-read introduction to such topics as: the current role of vegetables as a world food crop, the origin and classification of vegetables, vegetables in human nutrition, and plant toxicants and folklore concerning vegetables. Background material on the basic principles for growing crops and production under adverse conditions are also featured in this section. Much of the material covered in the book focuses on the major and minor vegetables, their origin, taxonomy, botany, physiology, production and post harvest handling, and composition and use. In addition, current world production statistics are provided for many vegetable crops as well as listings of important diseases, insects, and other pests for many family groups. New features of this edition include: *Three new chapters covering mushrooms, aquatic vegetables, and herbs and spices *several appendix tables listing vegetables according to family, genus, species, nutritive value, and recommended storage conditions for many vegetables The introductory chapter offers an excellent background of the role of vegetables for the beginning and advanced students, both in the U.S. and worldwide. The chapters following provide extension professionals, professors, agricultural agencies, commercial growers, and processing and seed industry personnel with a better understanding of individual vegetable species.
In 1954 NBC President Pat Weaver introduced "spectaculars"--lavish entertainment shows designed to bring a new dimension to television. Though special programs had been around since 1939, Weaver's effort heralded a new age, with programs ranging from variety shows with big name hosts (Judy Garland, Cher, Perry Como, Bob Hope, for instance) through animated holiday specials and outstanding dramas to acclaimed children's programming. This is the guide to 3,197 entertainment specials, 1939 to 1993, that were broadcast on network, cable or syndicated television. For each show the cast, including guest stars and announcer, is provided. Also included are comprehensive production credits (director, producer, writer and music), dates aired, networks and running times, and program synopses.
A classic book authored by the foremost architectural historian in America, this fully illustrated history of American architecture and city planning is based on Vincent Scully's conviction that architecture and city planning are inseparably linked and must therefore be treated together. He defines architecture as a continuing dialogue between generations which creates an environment across time. This definitive survey extends beyond the cities themselves to the American scene as a whole, which has inspired the reasonable balanced, closed and ordered forms, and above all the probity, that he feels typifies American architecture.
We all know about the Hells Angels: toughs on Harleys terrorizing the law-abiding; wild brawls and wild sex; drugs and cruelty, beatings, and even murder. But nobody really knows what it’s like to be an Angel except an Angel. In this classic of Hells Angels literature, to be read alongside the works of Hunter S. Thompson and Sonny Barger, George Wethern—for many years the vice president of the Oakland Chapter—tells it like it is. Until he found himself in reluctant service to the courts, Wethern was the quintessential Angel. One of the West Coast’s top drug dealers, he was a man who loved bikes, fights, women, and drugs; a man who knew the deepest secrets of Angel life. Arrested, strung out, in despair, he bought a precarious freedom by testifying in major trials against Angels members—and then disappeared into the witness protection program. A Wayward Angel is a powerful book, a not-for-the-squeamish portrait of the drug scene and the alienation from modern life in late-twentieth-century California. We witness killings, million-dollar drug deals, and orgy-laced “picnics.” This is a story uniquely American. And it is a terrifying tale—because it’s real.
When The Earth, the Temple, and the Gods first appeared in 1962, it was hailed by the critics for it erudition, historical imagination and boldness. Subsequently, this comprehensive study of Greek temples and site-planning has been widely accepted as a landmark of architectural history, for it offers an inspired and arresting insight into nature and function of Greek sacred architecture. Vincent Scully, one of America's most brilliant and articulate scholars, understands the temples as physical embodiment of the gods in landscapes that had for the Greeks divine attributes and sacred connotations. He explores the meanings inherent in the calculated interaction between man-made sculptural forces and the natural landscape, and he relates this interaction to our understanding of Greek culture from the pre-Greek Aegean to the Hellenistic period. Years of research and travel were devoted to The Earth, the Temple, and the Gods. Scores of sites were restudied on the spot, including many lesser-known sanctuaries throughout the Hellenic world. The study includes reconstruction drawings, plans, and maps along with its richly illustrated, detailed discussions of major sites.
This is an encyclopedic reference work to 1,802 radio programs broadcast from the years 1924 through 1984. Entries include casts, character relationships, plots and storylines, announcers, musicians, producers, hosts, starting and ending dates of the programs, networks, running times, production information and, when appropriate, information on the radio show's adaptation to television. Many hundreds of program openings and closings are included.
The vast and beautiful landscape of the American Southwest has long haunted artists and writers seeking to understand the mysteries of the deep affinity between the land and the Native Americans who have lived on it for centuries. In this pioneering study, art historian Vincent Scully explores the inhabitants' understanding of the natural world in an entirely original way—by observing and analyzing the complex yet visible relationships between the landscape of mountain and desert, the ancient ruins and the pueblos, and the ceremonial dances that take place with them. Scully sees these intricate dances as the most profound works of art yet produced on the American continent—as human action entwined with the natural world and framed by architectural forms, in which the Pueblos express their belief in the unity of all earthly things. Scully's observations, presented in lively prose and exciting photographs, are based on his own personal experiences of the Southwest; on his exploration of the region of the Rio Grande and the Hopi mesas; on his witnessing of the dances and ceremonies of the Pueblos and others; and on his research into their culture and history. He draws on the vast literature inspired by the Native Americans—from early exploration narratives to the writing of D. H. Lawrence to recent scholarship—to enrich and support his unique approach to the subject. To this second edition Scully has added a new preface that raises issues of preservation and development. He has also written an extensive postscript that reassesses the relationship between nature and culture in Native American tradition and its relevance to contemporary architecture and landscape. "Coming to Pueblo architecture as he does from a provocative study of sacred architecture in ancient Greece, Scully has much to say that is both striking and moving of the Pueblo attitudes toward sacred places, the arrangement of structures in space, the lives of men and beasts, and man's relation to rain, earth, vegetation."—Robert M. Adams, New York Review of Books
Created around the world and available only on the web, Internet "television" series are independently produced, mostly low budget shows that often feature talented but unknown performers. Typically financed through crowd-funding, they are filmed with borrowed equipment and volunteer casts and crews, and viewers find them through word of mouth or by chance. The fourth in a series covering Internet TV, this book takes a comprehensive look at 1,121 comedy series produced exclusively for online audiences. Alphabetical entries provide websites, dates, casts, credits, episode lists and storylines.
There were, between January 1, 2017, and December 31, 2022, 1,559 television series broadcast on three platforms: broadcast TV, cable TV, and streaming services. This book, the second supplement to the original Encyclopedia of Television Shows, 1925-2010, presents detailed information on each program, including storylines, casts (character and performer), years of broadcast, trivia facts, and network, cable or streaming information. Along with the traditional network channels and cable services, the newest streaming services like Amazon Prime Video and Disney Plus and pioneering streaming services like Netflix and Hulu are covered. The book includes a section devoted to reality series and foreign series broadcast in the U.S. for the first time from 2017 to 2022, a listing of the series broadcast from 2011 through 2016 (which are contained in the prior supplement), and an index of performers.
In 2008, the broadcast networks, cable channels and syndication produced nearly 1,100 new and continuing entertainment programs—the most original productions in one year since the medium first took hold in 1948. This reference book covers all the first run entertainment programs broadcast over the airwaves and on cable from January 1 through December 31, 2008, including series, specials, miniseries, made-for-television movies, pilot films, Internet series and specialized series (those broadcast on gay and lesbian channels). Alphabetically arranged entries provide storylines, performer/character casts, production credits, day/month/year broadcast dates, type, length, network(s), and review excerpts.
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