When originally published, Charles Vincent's scholarship shed new light on the achievements of black legislators in the state legislatures in post-Civil War Louisiana-a state where black people were a majority in the state population but a minority in the legislature. Now updated with a new preface, this volume endures as an important work that illustrates the strength of minorities in state government during Reconstruction. It focuses on the achievements of the black representatives and senators in the Louisiana legislature who, through tireless fighting, were able to push forward many progressive reforms, such as universal public education, and social programs for the less fortunate.
The incarnation of the myth of a cursed artist, Vincent van Gogh (1853-1890) is a legend who became a reference for modern art. An Expressionist during the Post-Impressionist movement, his art was misunderstood during his lifetime. In Holland, he partook in the Dutch realist painting movement by studying peasant characters. Anxious and depressed, Vincent van Gogh produced more than 2000 artworks, yet sold only one in his lifetime. A self-made artist, his work is known for its rough and emotional beauty and is amongst the most popular in the art market today.
A rural village that was once the entry point for the slave trade and home to a cotton plantation, Scotlandville became the largest majority African American town in Louisiana. Located in the northern part of East Baton Rouge Parish, Scotlandville's history is intricately tied to Southern University and A&M College System, the only historically black university system in the United States. Southern University relocated from New Orleans to the bluff of the Mississippi River on the western edge of Scotlandville in 1914. The story of the university and town is a tale of triumph and struggle in the midst of racism, inequality, and oppression. Presented through the theme of firsts in businesses, churches, schools, residential developments, environmental issues, politics, social organizations, and community service, Images of America: Scotlandville focuses on the people who shaped the community economically, politically, socially, and culturally.
St. Vincent of Lerin was an ecclesiastical writer in Southern Gaul in the fifth century. His work is much better known than his life. Almost all our information concerning him is contained in Gennadius, "De viris illustribus" (lxiv). He entered the monastery of Lérins (today Isle St. Honorat), where under the pseudonym of Peregrinus he wrote his "Commonitorium" (434). He died before 450, and probably shortly after 434. St. Eucherius of Lyons calls him a holy man, conspicuous for eloquence and knowledge; there is no reliable authority for identifying Vincent with Marius Mercator, but it is likely, if not certain, that he is the writer against whom Prosper, St. Augustine's friend, directs his "Responsiones ad capitula objectionum Vincentianarum". He was a Semipelagian and so opposed to the doctrine of St. Augustine. It is believed now that he uses against Augustine his great principle: "what all men have at all times and everywhere believed must be regarded as true". Living in a centre deeply imbued with Semipelagianism, Vincent's writings show several points of doctrine akin to Casian or to Faustus of Riez, who became Abbot of Lérins at the time Vincent wrote his "Commonitorium"; he uses technical expressions similar to those employed by the Semipelagians against Augustine; but, as Benedict XIV observes, that happened before the controversy was decided by the Church. The "Commonitorium" is Vincent's only certainly authentic work extant. The "Objectiones Vincentianae" are known to us only through Prosper's refutation. It seems probable that he collaborated, or at least inspired, the "Objectiones Gallorum", against which also Prosper writes his book. The work against Photinus, Apollinaris, Nestorius, etc., which he intended to compose (Commonitorium, xvi), has not been discovered, if it was ever written. The "Commonitorium", destined to help the author's memory and thus guide him in his belief according to the traditions of the Fathers, was intended to comprise two different commonitoria, the second of which no longer exists, except in the résumé at the end of the first, made by its author; Vincent complains that it had been stolen from him. Neither Gennadius, who wrote about 467-80, nor any known manuscripts, enable us to find any trace of it.
As America's economic and cultural influence grew in the 20th Century, the history of the literary arts in Europe cast a long shadow onto this burgeoning nation. And thus, the myth of the Great American Novel was born of a loaded question—would the United States ever produce a work to rival the accepted great works of Western Culture? Many tried. And, in the trying, many looked to model themselves after already extant writers and works which had gained positive notice (as standing on the shoulders of giants has always been one accepted route to success and acceptance). So herein this Megapack, Wildside press offers for you four also-rans of the early to mid 20th Century, four widely varied attempts to grab at that brass ring called The Great American Novel. YOUNG PEOPLE'S PRIDE, by Stephen Vincent Benet THE FUTURE MISTER DOLAN, by Charles Gorham PAPPY AND THE PROMISED LAND, by Jack Gotshall NIGHT OF FIRE AND SNOW, by Alfred Coppel If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 280+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
This study focuses on Dickens's response to questions of identity, conduct, and social organization that emerged in an era of major cultural unsettlement and change, not least with the decline of religious certainty and the rise of materialism. An analysis of A Christmas Carol as a paradigm of his concerns and strategies in these fields is followed by close readings of novels from different stages of his career, Oliver Twist, David Copperfield, Great Expectations and Our Mutual Friend. These, and other works by Dickens, are seen to reflect ideologies currently at work in his society but also, more importantly, to participate in the construction of needful value systems and codes for regulating behaviour. Liberal humanism and middle-class hegemony feature largely in this process of culture formation, where Dickens played a crucial role in formulating and promulgating such salient guiding principles as those of sympathy, marriage and the family, economic responsibility, and hierarchy within and between groups. His treatment of the self is on one level driven by this project in shaping and stabilizing attitudes among a confederacy of readers, in that it offers positive models of development, of how to function and fit in; yet on another, especially in his sustained imaginative preoccupation with the figure of the outsider or misfit, this is one pre-eminent area where his writing transcends purposes of enculturation and paradoxically challenges its own ideological positions. His female characters in particular, as well as more obviously his anti-heroes, criminals, and other dissidents, are shown to question and subvert the moulds in which they are formally cast. The novels are confirmed not only as great creative achievements, an aspect this book consistently salutes, nor simply as a primary site of the evolving Victorian dispensation and revolution of ideas, but as a territory that predicts, engages, and illuminates our own complex modernity. Reference is made throughout the volume to other contemporary writings, including sociological, philosophic, and medical discourse, to recent cognate theory, and to traditions, like that of Puritan spiritual autobiography, which Dickens adapted to new ends.
In recent years, Charles Sanders Peirce has emerged, in the eyes of philosophers both in America and abroad, as one of America’s major philosophical thinkers. His work has forced us back to philosophical reflection about those basic issues that inevitably confront us as human beings, especially in an age of science. Peirce’s concern for experience, for what is actually encountered, means that his philosophy, even in its most technical aspects, forms a reflective commentary on actual life and on the world in which it is lived. In Charles S. Peirce: On Norms and Ideals, Potter argues that Peirce’s doctrine of the normative sciences is essential to his pragmatism. No part of Peirce’s philosophy is bolder than his attempt to establish esthetics, ethics, and logic as the three normative sciences and to argue for the priority of esthetics among the trio. Logic, Potter cites, is normative because it governs thought and aims at truth; ethics is normative because it analyzes the ends to which thought should be directed; esthetics is normative and fundamental because it considers what it means to be an end of something good in itself. This study shows that pierce took seriously the trinity of normative sciences and demonstrates that these categories apply both to the conduct of man and to the workings of the cosmos. Professor Potter combines sympathetic and informed exposition with straightforward criticism and he deals in a sensible manner with the gaps and inconsistencies in Peirce’s thought. His study shows that Peirce was above all a cosmological and ontological thinker, one who combined science both as a method and as result with a conception of reasonable actions to form a comprehensive theory of reality. Peirce’s pragmatism, although it has to do with "action and the achievement of results, is not a glorification of action but rather a theory of the dynamic nature of things in which the "ideal" dimension of reality – laws, nature of things, tendencies, and ends – has genuine power for directing the cosmic order, including man, toward reasonable goals.
Black Cat Weekly #18 is another great lineup of novels and short stories this time, so without further ado—on to the stories! Mysteries / Suspense: “Rediscovery,” by James Holding [short story] “Staying Cool,” by Hal Charles [Solve-It-Yourself Mystery] “The Ghost Who Read the Newspaper,” by Vicki Weisfeld [Barb Goffman Presents short story] “Mr. Clackworthy and the Auto Rim,” by Christopher B. Booth [short story] “Kane and Averill,” by Bev Vincent [short story] The Merchant of Murder, by Spencer Dean [novel] Science Fiction & Fantasy: “The Deeps of the Sky,” by Elizabeth Bear [Cynthia Ward Presents short story] “Spanish Vampire,” by E. Hoffmann Price [short story] “The Potable Zombie,” by Larry Tritten [short story] The Giant Atom, by Malcolm Jameson [novel]
Our 84th issue features a pair of original mysteries from Bev Vincent and Stacy Woodson. Plus we have a Bryce Walton Hollywood crime story and a Frank Kane mystery novel (featuring detecive Johnny Liddell). And, of course, a solve-it-yourself puzzler from Hal Charles. On the science fiction side, we have an anti-war story from Richard Wilson, a UFO story from Paul Torak, a rather silly science fiction/detective story from Noel Loomis, and a time-travel tale from Lester del Rey. Plus a pre-Golden Age science fiction novel from oldtime master Ray Cummings: The Man on the Meteor, which appeared in Science and Invention in 1924, two years before Amazing Stories and the genre of science fiction were launched! Here’s the complete lineup: Mysteries / Suspense / Adventure: “The River Heights Ripper,” by Bev Vincent [Michael Bracken Presents short story] “Jellybean Justice,” Hal Charles [Solve-It-Yourself Mystery] “Before the Highwaymen,” by Stacy Woodson [Michael Bracken Presents short story] “Actor’s Showcase,” by Bryce Walton [short story] Crime of Their Life, by Frank Kane [novel] Science Fiction & Fantasy: “The Day They Had a War,” by Richard Wilson [short story] “Flight 18,” by Paul A. Torak [short story] “Remember the 4th!,” by Noel Loomis [short story] “Absolutely No Paradox,” by Lester del Rey [short story] The Man on the Meteor, by Ray Cummings [novel]
Our 51st issue is another strong one one, with four of our acquiring editors finding tales for us. Michael Bracken has an original Bev Vincent mystery, and Barb Goffman has a winner from R.T. Lawton. Cynthia Ward turns the tables on fellow editor Michael Bracken and selects a haunted house story by him! And too-long-absent editor Paul Di Filippo has picked a powerful story by Sheree R. Thomas. Good stuff. As if that’s not enough (which it never is for the Black Cat!), we have gone back to the pulps for some historical mystery-adventure tales by Harold Lamb and Philip M. Fisher, and dived even deeper for a collection of mysteries by Dick Donovan called The Chronicles of Michael Danevitch of the Russian Secret Service. On the science fiction front, we have novellas by Arthur Leo Zagat and George O. Smith, plus Skylark Three, by E.E. “Doc” Smith. Here’s the complete lineup: Mysteries / Suspense / Adventure: “Death Sentence,” by Bev Vincent [Michael Bracken Presents short story] “Letter Perfect,” Hal Charles [Solve-It-Yourself Mystery] “Tightening of the Bond,” by R.T. Lawton [Barb Goffman Presents short story] “The Man Who Measured the Wind,” by Harold Lamb [novella] “The Yangtze Horde,” by Philip M. Fisher [short story] The Chronicles of Michael Danevitch of the Russian Secret Service, by Dick Donovan [novel] Science Fiction & Fantasy: “Little Spring,” by Michael Bracken [Cynthia Ward Presents short story] “Thirteen Year Long Song,” by Sheree R. Thomas [Paul Di Filippo Presents short story] “The Faceless Men,” by Arthur Leo Zagat [novella] The Kingdom of the Blind, by George O. Smith [novella] Skylark Three, by E.E. “Doc” Smith [novel]
This book delves into the male perspective by exploring the father and son relationships in a family of outdoorsmen. Listen to the stories of a little boy's evolution to patriarch.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.