A special agency of censors was also organized for the purpose of enforcing the regulations concerning the sanctity of animal life and the observance of filial piety, in the most extended sense. These officers were expressly enjoined to concern themselves with all sects, and with every class of society, not excluding the royal family, while separate officials were charged with the delicate duty of supervising female morals. In practice, this system must have led to much espionage and tyranny] from Chapter VII: Asoka Maurya and His Successors First published in 1906, this classic nine-volume history of the nation of India places it among the storied lands of antiquity, alongside Egypt, China, and Mesopotamia. Edited by American academic ABRAHAM VALENTINE WILLIAMS JACKSON (18621937), professor of Indo-Iranian languages at Columbia University, it offers a highly readable narrative of the Indian people and culture through to the time of its publication, when the nation was still part of the British Empire. Volume II, From the Sixth Century B.C. to the Mohammedan Conquest, Including the Invasion of Alexander the Great, by British scholar VINCENT ARTHUR SMITH (1848-1920), features entertaining and enlightening treatments of: [ the dynasties before Alexander [ Alexanders Indian campaign [ imperial monarch Asoka Maurya [ the Indo-Greek and Indo-Parthian dynasties [ the Gupta Empire and the white Huns [ the reign of Harsha [ the medieval kingdoms of the north [ and much more. This beautiful replica of the 1906 first edition includes all the original illustrations.
If the ‘Palace of Love’, otherwise known as the Taj Mahal, is considered to be the emblem of Mughal Art, it is by no means the sole representative. Characterised by its elegance, splendor, and Persian and European influences, Mughal Art manifests itself equally well in architecture and painting as in decorative art.
Smith's book is a seminal and comprehensive history of India from antiquity until the Muslim conquest, covering over a millennium that saw Alexander the Great's conquering army arrive as well. From the preface: "This edition presents a view of the early history of India as it appears to me after nearly forty years study. It is as accurate and up-to-date as I can make it, but does not pretend to be final, because finality in a work dealing with a subject so progressive is unattainable. The mass of new matter and fresh discussion accumulated since the publication of the last edition, a little more than five years ago, is so great that difficulty has been experienced in maintaining the decision to confine the book within the limits of a single volume of reasonable size and moderate price. It would be much easier to expand it to double the length. Notwithstanding constant effort to avoid prolixity and wearisome details, material enlargement, compensated in some measure by certain omissions, has proved inevitable. Readers are invited to remember that the book was designed to be, and still is, primarily a political history. It is not intended to be an encyclopaedia of Indian antiquities, as some critics seem to think that it ought to be. The History of Fine Art in India and Ceylon (1911), planned as a companion volume in order to give the history of Indian artistic utterance so far as it can be recovered, renders unnecessary any detailed account of the subject in this work. Special treatises on the history of literature, science, philosophy, religion, and institutions, so far as they exist, must be consulted by students desirous of full information on those subjects., which cannot claim more than slight notice in this work. Although emendations in both form and substance have been made in every chapter, the general arrangement remains unaltered.
EXACT reproduction from the original book AKBAR THE GREAT MOGUL, 1542-1605 by Vincent Smith first published in 1917. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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